Archbishop Marampudi Joji
Archbishop Marampudi Joji was a towering figure in modern Indian history, celebrated not just as a religious leader but as a groundbreaking social reformer. He made history as the first Dalit (Scheduled Caste) Archbishop in India and dedicated his life to championing the rights of the marginalized .
Here is a summary of his life and legacy:
AttributeDetailsIdentity Third Archbishop of Hyderabad, Roman Catholic Church
Born 7 October 1942 in Bhimavaram, Andhra Pradesh, India
Died 27 August 2010 in Hyderabad, Andhra Pradesh (aged 67)
Community Dalit (Scheduled Caste / SC) – from an ethnic Telugu Dalit family
Ordination 14 December 1971
Archbishop Appointment 29 January 2000 (installed 30 April 2000)
Historical Significance First Dalit archbishop in Indian history
Known For "Apostle of the Dalits," advocate for Dalit Christian rights, able administrator
📜 Early Life and Dalit Background
Archbishop Joji was born on 7 October 1942 in Bhimavaram, in the West Godavari district of Andhra Pradesh, into a Dalit family of Telugu ethnicity . The Dalit community, historically referred to as "untouchables," has faced severe social and economic discrimination within India's caste system .
His family came into contact with Christianity through missionaries of the Pontifical Institute for Foreign Missions (PIME) , who were among the first to extend their mission to the "outcastes" in the Hyderabad diocese . This encounter led to his baptism and eventual path to the priesthood. 🧑🏫 Education and Early Priesthood
Joji was educated at the Lutheran Boarding School in Peddapuram, managed by priests of the Andhra Evangelical Lutheran Church . He later joined St. Ambrose Minor Seminary in Nuzvid and completed his theological studies at St. John’s Seminary in Hyderabad .
He was ordained a priest on 14 December 1971 by Bishop Joseph Thumma at Gunadala, becoming one of the first batch of local Telugu priests of the Diocese of Vijayawada . He furthered his education by studying catechetics, journalism, media sciences at Loyola College in Chennai, and business administration at Bombay University .
During his two decades of priestly service in the Diocese of Vijayawada, he held various roles: Parish Priest, Secretary to the Bishop, Economer, Chancellor, and Director of the Social Service Centre . He was also a member of the National Planning Commission in New Delhi and maintained good relations with political leaders at state and national levels . 📈 Rise to Archbishop: Breaking the Caste Barrier
Archbishop Joji's ascent through the church hierarchy was steady and historic:
YearPositionDetails1991 Bishop of Khammam Appointed on 21 December, consecrated on 19 March 1992
1996 Bishop of Vijayawada Appointed on 8 November, took charge on 19 January 1997
2000 Archbishop of Hyderabad Appointed on 29 January, installed on 30 April 2000
His appointment as Archbishop of Hyderabad was groundbreaking. He was the first person from the Dalit community to become an archbishop in India .
Overcoming Opposition: His nomination was met with criticism, including from his predecessor, Archbishop Saminini Arulappa, precisely because of Joji's Dalit background . However, Archbishop Joji managed to overcome these objections through his diplomatic skills and dedicated work, eventually becoming one of the most respected church leaders in the country . He was installed by Archbishop Giorgio Zur in the presence of his predecessor on 30 April 2000 . 🕊️ "Apostle of the Dalits" and Social Justice Work
Archbishop Marampudi Joji did not just hold a historic title; he actively used his position to fight for the rights and dignity of the Dalit community, earning him the title "Apostle of the Dalits" .
Champion of the Oppressed: He was widely known as a "champion of the oppressed" and the "Bishop of the People" for his tireless work on behalf of the marginalized .
Advocacy for Dalit Christians: He was a strong advocate for Dalit Christians, who face discrimination both from society due to their caste origins and, according to him, legally due to their religion . In a 2009 interview with AsiaNews, he famously stated:
"I am the first Dalit bishop of India, and I have a duty to ensure that most Dalit Christians can enjoy the same privileges on par with other Dalits."
Lifelong Commitment: For over 30 years, he fought for the emancipation of Dalits, engaging in dialogue with the highest political and religious leaders in the country . He helped create the Christian Minorities Finance Corporation in Andhra Pradesh, a development organization for marginalized communities .
🏛️ Leadership and Legacy as Archbishop
As Archbishop of Hyderabad, Joji was known for his able administration and efforts to revitalize the Church .
Church Renewal: In his 10 years as archbishop, he renewed the spiritual life of parishes, built higher secondary schools, and restored several churches .
Consecration of Bishops: He principally consecrated three bishops for the dioceses of Kurnool, Cuddapah, and Nellore in Andhra Pradesh .
Interfaith and Scholarly Work: He inaugurated the Hyderabad session of the scholarly Church History Association of India, incorporating Church historians from Pentecostal, Protestant, Orthodox, and Catholic traditions .
Defense of Christians: He was vocal in defending the Christian community during times of persecution, denouncing violence and urging government action to protect Catholics . 🕊️ Death and Legacy
Archbishop Marampudi Joji died on 27 August 2010 in Secunderabad, Hyderabad, following a heart attack . He was 67 years old .
Massive Funeral: On 30 August 2010, a massive crowd gathered in Vijayawada for his funeral Mass at the Basilica of Our Lady of Gunadala, reflecting the high esteem in which he was held .
Final Resting Place: He was buried in the Gunadala Matha Shrine (St. Joseph's Cemetery) in Vijayawada, next to the tomb of Bishop Joseph Thumma who had ordained him .
Lasting Impact: He is remembered as a visionary leader who broke social barriers and dedicated his life to the service of the poor and marginalized. A German parish that supports a "School Education for Dalit Children" project notes that the initiative's founder was "Archbishop Marampudi Joji - himself a Dalit" .
In summary, Archbishop Marampudi Joji was born into a Dalit (Scheduled Caste) family in Andhra Pradesh. Despite facing caste-based opposition, he rose to become the first Dalit archbishop in the history of India. His life was defined by his unwavering commitment to social justice, leaving a legacy as a "champion of the oppressed" and a transformative figure for the Dalit Christian community in India.
Would you like to know more about the Dalit Christian community in India or other notable Dalit figures in Indian history?
Agastya Muni
A HUNTSMAN
By Swami Harshananda
Agastya literally means ‘One who shunned the growth of the mountain Vindhya’.
Agastya is also one of the most famous ṛṣis. He is the seer of several Rgvedic mantras He was a brahmarṣi and the son of Pulastya and Havirbhuk. Sage Agniveśya was his disciple.
According to some texts, he was the son of Mitra and Varuṇa, and was born in a kumbha or jar. Hence he was also named as Kumbhaja, Kumbhodbhava, Kalaśīsuta and so on. Vasiṣtha was his brother. He married to Lopāmudrā (also known as Kāveri), the princess of Vidarbha and begot a son Dṛḍhāsya, also known as Idhmavāha. Some of his achievements are as follows:
He was a man of vast knowledge and severe austerity.
He is said to have destroyed the demons Ilvala and Vātāpi.
He even stunted the growth of the Vindhya mountain which was growing recklessly and obstructing the light of the sun.
He drank the waters of the ocean to expose the demons Kālakeyas who were subsequently killed by the Devas.
He was honored by Lord Rāma when he was living in the Daṇḍakāraṇya forest and gave divine weapons to him. He also taught the Adityahrdaya-hymn to Lord Rāma.
He brought about a reconciliation between the Indra and the Maruts.
Though Agastya is not enumerated among the Saptarṣis (the seven great sages), he is included among the progenitors of ‘gotra’ genealogy.
He has been accorded a stellar status and identified with Canopus, the brightest star in the sky of southern India.
In the annals of Tamil literature, Agastya is the accredited originator of the Tamil language. He was the author of the maiden grammar of that language and the first president of the first organization of Tamil litterateurs.
He is also credited with the authorship of several works on medicine, mysticism and magic. One work called Agastya Sarhhitā which deals with ritualistic worship is available. It is a part of Pāñcarātra literature.
He is said to have visited several South East Asian countries like Borneo, Siam and Cambodia.
The word ‘Agastya’ might have been a title. Several Agastyas may have been involved in these stories, synchronized into one. An Agastyāśrama, a hermitage of Agastya, has been mentioned in the Rāmāyana. This has been sometimes identified with Agastyapurī, east of Nasik in Maharashtra state. The Vanaparva of Mahā bhārata mentions an Agastyatīrtha in the Pāṇḍya country as an important place of pilgrimage. Seeing the star Agastya or Canopus when the sun is in the middle of Kanyā or Virgo and worshiping him at night is mentioned as a vrata (religious rite).
References
Rgveda Samhitā 1.166 to 191
Mahābhārata 88.13
The Concise Encyclopedia of Hinduism, Swami Harshananda, Ram Krishna Math, Bangalore
Agastya
From Wikipedia, the free encyclopedia
Agastya depicted in a statue as a Hindu sage
Information
Title Vedic Rishi (sage), Siddha, Avatar of Brahma
Spouse Lopamudra
Children Drdhasyu
Agastya was a revered Vedic sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text Rigveda and other Vedic literature.
Agastya appears in numerous itihasas and puranas including the major Ramayana and Mahabharata. He is one of the seven or eight most revered rishis in the Vedic texts, and is revered as one of the Tamil Siddhar in the Shaivism tradition, who invented an early grammar of the Tamil language, Agattiyam, playing a pioneering role in the development of Tampraparniyan medicine and spirituality at Saiva centres in proto-era Sri Lanka and South India. He is also revered in the Puranic literature of Shaktism and Vaishnavism. He is one of the Indian sages found in ancient sculpture and reliefs in Hindu temples of South Asia, and Southeast Asia such as in the early medieval era Shaiva temples on Java Indonesia. He is the principal figure and Guru in the ancient Javanese language text Agastyaparva, whose 11th century version survives.
Agastya is traditionally attributed to be the author of many Sanskrit texts such as the Agastya Gita found in Varaha Purana, Agastya Samhita found embedded in Skanda Purana, and the Dvaidha-Nirnaya Tantra text. He is also referred to as Mana, Kalasaja, Kumbhaja, Kumbhayoni and Maitravaruni after his mythical origins.
Etymology and nomenclature
seated divine sage Agastya
The etymological origin of Agastya has several theories. One theory states that the root is Aj or Anj, which connotes “brighten, effulgent one” and links Agastya to “one who brightens” in darkness, and Agastya is traditionally the Indian name for Canopus, the second most brilliantly shining star found in South Asian skies, next to Sirius. Another claims that it is derived from a flowering tree called Agati gandiflora, which is endemic to the Indian subcontinent and is called Akatti in Tamil. This theory suggests that Agati evolved into Agastih, and favors Dravidian origins of the Vedic sage.
A third theory links it to Indo-European origins, through the Iranian word gasta which means “sin, foul”, and a-gasta would mean “not sin, not foul”. The fourth theory, based on folk etymology in verse 2.11 of the Ramayana states that Agastya is from aga (unmoving or mountain) and gam (move), and together these roots connote “one who is mover-of-mountains”, or “mover-of-the-unmoving”. The word is also written as Agasti and Agathiyar (Tamil: அகத்தியர் Agathiyar; Telugu: అగస్త్య; Kannada: ಅಗಸ್ತ್ಯ; Malayalam: അഗസ്ത്യൻ or അഗസ്ത്യമുനി Malay: Anggasta; Thai: Akkhot).
Biography
Maharishi Agastya and Lopāmudrā
Agastya is the named author of several hymns of the Rigveda (1500-1200 BCE). These hymns do not provide his biography. The origins of Agastya are mythical. Unlike most Vedic sages, he has neither a human mother nor a father in its legends. His miraculous birth follows a yajna being done by gods Varuna and Mitra, where the celestial apsara Urvashi appears. They are overwhelmed by her extraordinary sexuality, and ejaculate. Their semen falls into a mud pitcher, which is the womb in which the fetus of Agastya grows. He is born from this jar, along with his twin sage Vashistha in some mythologies. This mythology gives him the name kumbhayoni, which literally means “he whose womb was a mud pot”
Agastya leads an ascetic life, educates himself, becoming a celebrated sage. He is not born to Brahmin parents, but is called a Brahmin in many Indian texts because of his learning. His unknown origins have led to speculative proposals that the Vedic era Agastya may have been a migrant Aryan whose ideas influenced the south, and alternatively a native non-Aryan Dravidian whose ideas influenced the north.
According to inconsistent legends in the Puranic and the epics, the ascetic sage Agastya proposed to Lopamudra, a princess born in the kingdom of Vidharbha. Her parents were unwilling to bless the engagement, concerned that she would be unable to live the austere lifestyle of Agastya in the forest. However, the legends state that Lopamudra accepted him as her husband, saying that Agastya has the wealth of ascetic living, her own youth will fade with seasons, and it is his virtue that makes him the right person. Therewith, Lopamudra becomes the wife of Agastya. In other versions, Lopamudra marries Agastya, but after the wedding, she demands that Agastya provide her with basic comforts before she will consummate the marriage, a demand that ends up forcing Agastya to return to society and earn wealth.
Agastya and Lopamudra have a son named Drdhasyu, sometimes called Idhmavaha. He is described in the Mahabharata as a boy who learns the Vedas listening to his parents while he is in the womb, and is born into the world reciting the hymns.
Agastya ashram
Agastya had a hermitage (ashram), but the ancient and medieval era Indian texts provide inconsistent stories and location for this ashram. Two legends place it in Northwest Maharashtra, on the banks of river Godavari, near Nashik in small towns named Agastyapuri and Akole. Other putative sites mentioned in Northern and Eastern Indian sources is near Kolhapur (Western ghats at Maharashtra, Karnataka border), or near Kannauj (Utar Pradesh), or in Agastyamuni village near Rudraprayag (Utarakhand), or Satpura Range (Madhya Pradesh). In Southern sources and the North Indian Devi-Bhagavata Purana, his ashram is based in Tamil Nadu, variously placed in Tirunelveli, Pothiyal hills, or Thanjavur.
Textual sources
Vedas
Agastya is mentioned in all the four Vedas of Hinduism, and is a character in the Brahmanas, Aranyakas, Upanishads, epics, and many Puranas.He is the author of hymns 1.165 to 1.191 of the Rigveda (~1200 BCE). He ran a Vedic school (gurukul), as evidenced by hymn 1.179 of the Rigveda which credits its author to be his wife Lopamudra and his students. He was a respected sage in the Vedic era, as many other hymns of the Rigveda composed by other sages refer to Agastya. The hymns composed by Agastya are known for verbal play and similes, puzzles and puns, and striking imagery embedded within his spiritual message.
Agastya vedic verses
With thee, O Indra, are most bounteous riches
that further every one who lives uprightly.
Now may these Maruts show us loving-kindness,
Gods who of old were ever prompt to help us.
—1.169.5,
Transl: Ralph T.H. Griffith
May we know refreshment,
and a community having lively waters.
—1.165.15, 1.166.15, 1.167.11, etc.
Transl: Stephanie Jamison, Joel Brereton; Sanskrit original: एषा यासीष्ट तन्वे वयां विद्यामेषं वृजनं जीरदानुम् ॥१५॥
—Rigveda
His Vedic poetry is particularly notable for two themes. In one set of hymns, Agastya describes a conflict between two armies led by gods Indra and Maruts, which scholars such as G. S. Ghurye have interpreted as an allegory of a conflict between Arya (Indra) and Dasa (Rudra). Agastya successfully reconciles their conflict, makes an offering wherein he prays for understanding and loving-kindness between the two. Twenty one out of the twenty seven hymns he composed in Mandala 1 of the Rigveda have his signature ending, wherein he appeals, “may each community know refreshment (food) and lively waters”. These ideas have led him to be considered as a protector of both the Arya and the Dasa.However, some scholars interpret the same hymns to be an allegory for any two conflicting ideologies or lifestyles, because Agastya never uses the words Arya or Dasa, and only uses the phrase ubhau varnav (literally, “both colors”). The theme and idea of “mutual understanding” as a means for lasting reconciliation, along with Agastya’s name, reappears in section 1.2.2 of the Aitareya Aranyaka of Hinduism.
The second theme, famous in the literature of Hinduism, is a discussion between his wife Lopamudra and him about the human tension between the monastic solitary pursuit of spirituality, versus the responsibility of a householder’s life and raising a family. Agastya argues that there are many ways to happiness and liberation, while Lopamudra presents her arguments about the nature of life, time and the possibility of both. She successfully seduces Agastya, in the simile filled Rigvedic hymn 1.179.
Agastya is mentioned in both the oldest and the youngest layers of the Rigveda (c. 1500–1200 BCE), such as in hymn 33 of mandala 7, which is older than mandala 1. He is also mentioned in other three Vedas and the Vedanga literature such as in verses 5.13–14 of the Nirukta. Agastya and his ideas are cited in numerous other Vedic texts, such as section 7.5.5 of Taittiriya Samhita, 10.11 of Kathaka Samhita, 2.1 of Maitrayani Samhita, 5.16 of Aitareya Brahmana, 2.7.11 of Taittiriya Brahmana, and 21.14 of Pancavimsati Brahmana.
Ramayana
12th century statue of Agastya from Bihar.
Sage Agastya is mentioned in the Hindu epic Ramayana in several chapters with his hermitage described to be on the banks of river Godavari.
In the Ramayana, Agastya and Lopamudra are described as living in Dandaka forest, on the southern slopes of Vindhya mountains. Rama praises Agastya as the one who can do what gods find impossible. He is described by Rama as the sage who asked Vindhya mountains to lower themselves so that Sun, Moon and living beings could easily pass over it. He is also described as the sage who used his Dharma powers to kill demons Vatapi and Ilwala after they had jointly misled and destroyed 9,000 men
Agastya, according to the Ramayana, is a unique sage, who is short and heavy in build, but by living in the south he balances the powers of Shiva and the weight of Kailasha and Mount Meru. Agastya and his wife meet Rama, Sita and Lakshmana. He gives them a divine bow and arrow, describes the evil nature of Ravana and, according to William Buck, B. A. van Nooten and Shirley Triest, bids them goodbye with the advice, “Rama, demons do not love men, therefore men must love each other”.
Mahabharata
The story of Agastya is mirrored in the second major Hindu epic Mahabharata. However, instead of Rama, the story is told as a conversation between Yudhishthira and Lomasa starting with section 96 of Book 3, the Vana Parva (the Book of Forest).
Maharishi Agastya drinking the whole sea
He is described in the epic as a sage with enormous powers of ingestion and digestion. Agastya, once again, stops the Vindhya mountains from growing and lowers them and he kills the demons Vatapi and Ilvala much the same mythical way as in the Ramayana. The Vana Parva also describes the story of Lopamudra and Agastya getting engaged and married. It also contains the mythical story of a war between Indra and Vritra, where all the demons hide in the sea, gods requesting Agastya for help, who then goes and drinks up the ocean thereby revealing all the demons to the gods.
Puranas
The Puranic literature of Hinduism has numerous stories about Agastya, more elaborate, more fantastical and inconsistent than the mythologies found in Vedic and Epics literature of India. For example, chapter 61 of the Matsya Purana, chapter 22 of Padma Purana, and seven other Maha Puranas tell the entire biography of Agastya. Some list him as one of the Saptarishi (seven great rishi), while in others he is one of the eight or twelve extraordinary sages of the Hindu traditions. The names and details are not consistent across the different Puranas, nor in different manuscript versions of the same Purana. He is variously listed along with Angiras, Atri, Bhrigu, Bhargava, Bharadvaja, Visvamitra, Vasistha, Kashyapa, Gautama, Jamadagni and others.
Agastya is reverentially mentioned in the Puranas of all major Hindu traditions: Shaivism, Shaktism and Vaishnavism. Many of the Puranas include lengthy and detailed accounts of the descendants of Agastya and other saptarishis.
Tamil texts
Agastya, Tamil Nadu
In Tamil traditions, Agastya is considered as the father of the Tamil language and the compiler of the first Tamil grammar, called Agattiyam or Akattiyam. Agastya has been a culture hero in Tamil traditions and appears in numerous Tamil texts.
There are similarities and differences between the Northern and Southern (Tamil) traditions about Agastya. According to Iravatham Mahadevan, both traditions state that Agastya migrated from north to south. The Tamil text Purananuru, dated to about the start of the common era, or possibly about 2nd century CE, in verse 201 mentions Agastya along with many people migrating south.
In the northern legends, Agastya’s role in spreading Vedic tradition and Sanskrit is emphasized, while in southern traditions his role in spreading irrigation, agriculture and augmenting the Tamil language is emphasized. In the north, his ancestry is unknown with mythical legends limiting themselves to saying that Agastya was born from a mud pitcher. In southern traditions, his descent from a pitcher is a common reference, but two alternate southern legends place him as the Caṅkam (Sangam) polity and is said to have led the migration of eighteen Velir tribes from Dvārakā to the south.
The northern traditional stories, states Mahadevan, are “nothing more than a collection of incredible fables and myths”, while the southern versions “ring much truer and appear to be a down to earth account of a historical event”. Others disagree. According to K.N. Sivaraja Pillai, for example, there is nothing in the early Sangam literature or any Tamil texts prior to about the mid 1st millennium CE that mentions Agastya. The earliest mention of the role of Agastya in Tamil language, according to Richard Weiss, can be traced to the Iraiyanar Akapporul by 8th century Nakkirar. However, in medieval era stories of the Tamil tradition, Agastya pioneered the first sangam period that lasted 4,440 years, and took part in the second sangam period that lasted another 3,700 years.
he Tirumantiram describes Agastya as an ascetic sage, who came from the north and settled in the southern Pothigai mountains because Shiva asked him to. He is described as the one who perfected and loved both Sanskrit and Tamil languages, amassing knowledge in both, thus becoming a symbol of integration, harmony and learning, instead of being opposed to either.According to the Skanda Purana, the whole world visited the Himalayas when Shiva was about to wed Parvati. This caused the earth to tip to one side. Shiva then requested Agastya to go to the southern region to restore the equilibrium. Thus, Agastya migrated south at Shiva’s behest.
Siddhar
Reverence at an Agastya shrine with garlands of fruits and flowers.
Agastya, in Tamil Hindu traditions, is considered as the first and foremost Siddhar (Tamil: cittar, Sanskrit: siddha). A siddhar is derived from the Sanskrit verbal root sidh which means “to accomplish or succeed”. As the first Siddhar, Agastya is deemed as the first master, accomplished, the sage who perfected his knowledge of the natural and spiritual worlds. This Tamil concept has parallels to Tibetan mahasiddhas, Sri Lankan Buddhist, and Nath Hindu yogi traditions of north India.
Lobamudra sameda Agasthiyar Temple, A. Vallalapatti, Madurai
Agastya, along with Tirumular, is considered a siddhar in both philosophical and practical domains, unlike most other siddhar who are revered for their special domain of knowledge. Agastya is also unique for the reverence he has received in historic texts all over the Indian subcontinent.
According to Venkatraman, the Siddhar-related literature about Agastya is late medieval to early modern era. In particular, all medicine and health-related Tamil text, that include Agastya as the Siddhar, have been composed in and after the 15th-century. According to Hartmut Scharfe, the oldest medicine siddhar Tamil text mentioning Agastya were composed no earlier than the 16th century.
His named is spelled as Agathiyar or Agasthiyar in some Tamil texts, and some consider the writer of the medical texts to be a different person.
According to Kamil Zvelebil, the sage Agastya, Akattiyan the Siddha, and Akatthiyar, the author of Akattiyam, were three or possibly four different persons of different eras, who over time became fused into one single person in the Tamil tradition.
Buddhist texts
Several Buddhist texts mention Agastya. Just like early Buddhist texts such as Kalapa, Katantra and Candra-vyakarana adapting Panini, and Asvaghosa adopting the more ancient Sanskrit poetic methodology as he praises the Buddha, Agastya appears in 1st millennium CE Buddhist texts. In Tamil texts, for example, Akattiyan is described as the sage who learnt Tamil and Sanskrit grammar and poetics from Avalokitan (another name for Buddha-to-be Avalokiteśvara).
The left Indonesian statue shows Agastya with Shiva’s trident, as a divine sage of Shaivism. Agastya iconography is common in southeast Asian temples.
According to Anne E. Monius, the Manimekalai and Viracoliyam are two of many South Indian texts that co-opt Agastya and make him a student of the Buddha-to-be.
Agastya elsewhere appears in other historic Buddhist mythologies, such as the Jataka tales. For example, the Buddhist text Jataka-mala by Aryasura, about the Buddha’s previous lives, includes Agastya as the seventh chapter. The Agastya-Jataka story is carved as a relief in the Borobudur, the world’s largest early medieval era Mahayana Buddhist temple.
Javanese and southeast Asian texts
Agastya is one of the most important figures in a number of medieval era Southeast Asian inscriptions, temple reliefs and arts. He was particularly popular in Java Indonesia, till Islam started to spread throughout the islands of Indonesia. He is also found in Cambodia, Vietnam and other regions. The earliest mentions of Agastya is traceable to about the mid 1st millennium CE, but the 11th-century Javanese language text Agastya-parva is a remarkable combination of philosophy, mythology and genealogy attributed to sage Agastya.
The Agastya-parva includes Sanskrit verse (shlokas) embedded within the Javanese language. The text is structured as a conversation between a Guru (teacher, Agastya) and a Sisya (student, Agastya’s son Drdhasyu). The style is a mixture of didactic, philosophical and theological treatise, covering diverse range of topics much like Hindu Puranas. The chapters of the Javanese text include the Indian theory of cyclic existence, rebirth and samsara, creation of the world by the churning of the ocean (samudra manthan), theories of the Samkhya and the Vedanta school of Hindu philosophy, major sections on god Shiva and Shaivism, some discussion of Tantra, a manual like summary of ceremonies associated with the rites of passage and others.
While the similarities between the Agastya-parva text and classical Indian ideas are obvious, according to Jan Gonda, the Indian counterpart of this text in Sanskrit or Tamil languages have not been found in Indonesia or in India.Similarly other Agastya-related Indonesian texts, dated to be from the 10th to 12th centuries, discuss ideas from multiple sub-schools of Shaivism such as theistic Shaivasiddhanta and monistic Agamic Pashupata, and these texts declare these theologies to be of equal merit and value.
Agastya on south side of the 9th-century Javanese Sambisari temple unearthed from volcanic mud.
Agastya is common in medieval era Shiva temples of southeast Asia, such as the stone temples in Java (candi). Along with the iconography of Shiva, Uma, Nandi and Ganesha who face particular cardinal directions, these temples include sculpture, image or relief of Agastya carved into the southern face. The Shiva shrine in the largest Hindu temple complex in southeast Asia, Prambanan, features four cellae in its interior. This central shrine within Prambanan group of temples dedicates its southern cella to Agastya.
The Dinoyo inscription, dated to 760 CE, is primarily dedicated to Agastya. The inscription states that his older wooden image was remade in stone, thereby suggesting that the reverence for Agastya iconography in southeast Asia was prevalent in an older period. In Cambodia, the 9th-century king Indravarman, who is remembered for sponsoring and the building of a large number of historic temples and related artworks, is declared in the texts of this period to be a descendant of sage Agastya.
Agastya Samhita
The Agastya Samhita, sometimes called the Sankara Samhita is a section embedded in Skanda Purana. It was probably composed in late medieval era, but before the 12th-century. It exists in many versions, and is structured as a dialogue between Skanda and Agastya. Scholars such as Moriz Winternitz state that the authenticity of the surviving version of this document is doubtful because Shaiva celebrities such as Skanda and Agastya teach Vaishnavism ideas and the bhakti (devotional worship) of Rama, mixed in with a tourist guide about Shiva temples in Varanasi and other parts of India.
Agastimata
Agastya is attributed to be the author of Agastimata, a pre-10th century treatise about gems and diamonds, with chapters on the origins, qualities, testing and making jewellery from them. Several other Sanskrit texts on gems and lapidary are also credited to Agastya in the Indian traditions.
Others
Other mentions of Agastya include:
Bṛhaddevatā in section 5.134.
The Lalita sahasranama of Shaktism tradition of Hinduism, which describes the 1000 names of the goddess Lalita is a part of the Brahmanda Purana. It is presented as a teaching from Hayagriya (an avatar of Viṣṇu) to Agastya.
Agastya is credited as the creator of the Āditya Hṛdayam (literally, “heart of the sun”), a hymn to Sūrya he told Rama to recite, so that he may win against Ravana. Scholars such as John Nuir questioned this hymn since the need for a such a hymn by Rama implies doubts about his divine nature.
Lakshmi Stotram and Saraswati Stotram.
The Tamil text Pattuppattu states Agastya to be master of icai (music, song).
Kalidasa, in his Raghuvaṃśa (6.61) states that Agastya officiated the horse sacrifice of a Pandya king of Madurai.
One of the authors of Nadi Shastra / Nadi astrology
Temples
Sri Agasthiyar Temple in Tamil Nadu:
1. Sri Agasthiyar Temple, Agasthiyar Falls (Kalyana Theertham), Papanasam, Thirunelveli.
2. Sri Lobamudra Samedha Agasthiyar Temple, Arulmigu Chidambara Vinayagar Thirukoil, A. Vellalapatti, Madurai – Near to Alagarkovil (7 km).
Agastya statues or reliefs feature in numerous early medieval temples of north India, south India and southeast Asia. The Dasavatara temple in Deogarh (Uttar Pradesh, near Madhya Pradesh border) features a 6th-century Gupta Empire era Agastya carving. In Karnataka similarly, he is reverentially shown in several 7th-century temples such as the Mallikarjuna temple in Mahakuta and the Parvati temple in Sandur. He is a part of many Chalukya era Shaivism temples in the Indian subcontinent peninsula.
The artistic iconography of South Asian and Southeast Asian temples show common themes such as he holding a pitcher, but also differences. For example, Agastya is featured inside or outside of the temple walls and sometimes as guardian at the entrance (dvarapala), with or without a potbelly, with or without a receding hairline, with or without a dagger and sword. Rock cut temples and caves, such as the 8th century Pandya rock temples group, show Agastya.
Literature
The shrine to Agastya at the Pothigai hill source of the river is mentioned in both Ilango Adigal’s Silappatikaram and Chithalai Chathanar’s Manimekhalai epics.
Similarly, the Sanskrit plays Anargharāghava and Rajasekhara’s Bālarāmāyaṇa of the ninth century refer to a shrine of Agastya on or near Adam’s Peak (Sri Pada), the tallest mountain in Sri Lanka (ancient Tamraparni), from whence the river Gona Nadi/Kala Oya flows into the Gulf of Mannar’s Puttalam Lagoon.
Martial arts
Maharishi Agastya is regarded as the founder and patron saint of silambam and varmam -an ancient science of healing using varmam points for varied diseases and southern kalaripayat. Shiva’s son Murugan is said to have taught the art to Sage Agastya who then wrote treatises on it and passed it on to other siddhar.
Anasuya Devī
From Wikipedia
Anasuya Devi
Personal
Born
Anasuya
28 March 1923
Died 12 June 1985 (aged 62)
Quotation
"Mother exists forever and includes everything within herself. She who is everything and everywhere is Mother. It is not correct to say Mother of the Universe. The Universe itself is the Mother"
Matrusri Anasuya Devi (born 28 March 1923 – 1985), better known simply as Amma ["Mother"], was an Indian spiritual guru from Andhra Pradesh.
Early life
Anasuya Devi was an Indian guru from Jillellamudi (now partially known as Arkapuri), Guntur District, in the state of Andhra Pradesh. to a couple late Seethapathi Rao, the village officer of Mannava and his wife Rangamma. Seethapathi and Rangamma after their loss of as many as five children. Rangamma conceived a child. and gave birth to Anasuya.
Charitable career
At Jillellamudi, as a young housewife, Amma looked after the needs of her family which came to include two sons and a daughter. In addition to performing her household duties, Amma devised and organized a grain bank to help the poor and needy. Amma used to give food to every visitor to the village.
She founded the common dining hall Annapurnalayam on 15 August 1958. This place serves simple vegetarian food day and night to all who came. In 1960, the "House of All" was founded to provide lodging to the residents and visitors.
Amma established a Sanskrit school in 1966 (now the Matrusri Oriental College and High School) and within a relatively short time, one could hear the inmates speaking Sanskrit fluently.
Amma saw only good in people and had no concept of "sin", treating all alike irrespective of faith and religion.
Death
Amma died on 12 June 1985. A temple Anasuyeswaralayam was built, in which a life size statue of Amma was installed in 1987.
Akka Mahadevi
A murti of Akka Mahadevi consecrated in temple at her birthplace, Udathadi
A popular vachana (poem) composed by Akka Mahadevi
Akka Mahadevi (ಅಕ್ಕ ಮಹಾದೇವಿ) (c.1130–1160) was one of the early female poets of the Kannada language and a prominent personality in the Lingayat sect of Hinduism in the 12th century. Her 430 extant Vachana poems (a form of spontaneous mystical poems), and the two short writings called Mantrogopya and the Yogangatrividhi are considered her most notable contribution to Kannada literature. She composed relatively fewer poems than other saints of the movement. Yet the term Akka ("elder Sister"), which is an honorific given to her by great Lingayat saints such as Basavanna, Siddharama and Allamaprabhu is an indication of her contribution to the spiritual discussions held at the "Anubhava Mantapa". She is in hindsight seen as an inspirational woman for Kannada literature and the history of Karnataka. She is known to have considered the god Shiva ('Chenna Mallikarjuna') as her husband, (traditionally understood as the 'madhura bhava' or 'madhurya' form of devotion).
Biography
Akka Mahadevi born in Udutadi, near Shivamogga in the Indian state of Karnataka. The year of her birth is believed to be around 1130. Some scholars suggest that she was born to a couple named Nirmalshetti and Sumati, who were both devotees of Para Shiva. Little is known about her life, however, it has been the subject of hagiographic folk and mythological claims, sourced both, in oral traditions, as well as from her lyrics. One of her lyrics, for instance, appears to record her experiences of leaving her place of her birth and family in order to pursue Para Shiva.
Tharu and Lalita also document a popular claim that a local Jain king named Kaushika sought to marry her, but that she rejected him, choosing instead to fulfil the claims of devotion to the deity Para Shiva. However, it is important to note that the medieval sources that form the basis of accounts of Akka Mahadevi's marriage are themselves ambiguous and inconclusive. Elaborations on this account include a referral to one of her poems, or vachanas, in which she lays down three conditions on which she agreed to marry the King, including a complete control over the choice to spend her time in devotion or in conversation with other scholars and religious figures, as opposed to with the King. There is some dispute over whether the marriage did in fact take place: the medieval scholar and poet Harihara suggests in his biography of her that it did take place but was a marriage in name only, while other accounts from Camasara suggest that the conditions were not accepted and the marriage did not occur.
Harihara's account, which suggests that a marriage did take place, goes on to provide that when King Kaushika violated the conditions she had laid down, Akka Mahadevi left the palace, renouncing all her possessions including clothes, to travel to Srisailam, believed to be the home of the god Para Shiva. Alternative accounts suggest that Akka Mahadevi's act of renunciation was in response to King Kaushika's threats following her refusal to marry him. It is likely that she visited the town of Kalyana, en route, where she met two other poets and prominent figures of the Lingayat movement, Allama and Basava. She is believed to have travelled, towards the end of her life, to the Srisailam mountains, where she lived as an ascetic, and eventually died. A vachana attributed to Akka Mahadevi suggests that towards the end of her life, King Kaushika visited her there, and sought her forgiveness.
Mythology
A statue of Akka Mahadevi installed at her birthplace, Udathadi
She is considered by modern scholars to be a prominent figure in the field of female emancipation. A household name in Karnataka, she had said that she was a woman only in name and that her mind, body, and soul belonged to Lord Shiva. During a time of strife and political uncertainty in the 12th. century, she chose spiritual enlightenment and stood by her choice. It is commonly known that she took part in many gatherings of learned such as the Anubhavamantapa in Kalyana(now Basava Kalyana) to debate about philosophy and attainment of enlightenment (or Moksha, termed by her as "arivu"). In search for her eternal soul mate, Lord Shiva, she made the animals, flowers and birds her friends and companions, rejecting family life and worldly attachment. Bhakti recorded a rethinking of the ashrama dharma which suggested a stages-of-life approach that began with the pursuit of education and ended with the pursuit of moksha.
Akka was a revelation here in that she pursued enlightenment recording her journey in vachanas of simple language but great cognitive rigor.
It is said that Mahadevi was married by arrangement to Kausika but later did not as the king disrespected some conditions set by her. There were immediate tensions, however, as Kausika was a Jain, a group that tended to be wealthy and was, as a result, much resented by the rest of the population. Akka's poetry explores the themes of rejecting mortal love in favour of the everlasting love of God. Her vachanas also talk about the methods that the path of enlightenment demand of the seeker, such as killing the 'I', conquering desires and the senses and so on.
She rejected her life of luxury to live as a wandering poet-saint, travelling throughout the region and singing praises to her Lord Shiva.
She went in search of fellow seekers or sharanas because the company of the saintly or sajjana sanga is believed to hasten learning. She found the company of such sharanas in Basavakalyana, Bidar district. Akka utters many vachanas in praise of them. Her non-conformist ways caused a lot of consternation in a conservative society and even her eventual guru Allama Prabhu had to initially face difficulties in enlisting her in the gatherings at Anubhavamantapa. A true ascetic, Mahadevi is said to have refused to wear any clothing—a common practice among male ascetics, but shocking for a woman. Legend has it that due to her true love and devotion with God her whole body was protected by hair.
All the sharnas of Anubhavamantapa, especially Basavanna, Chenna Basavanna, Kinnari Bommayya, Siddharama, Allamaprabhu and Dasimayya greet her with a word "Akka". In fact it is here onwards that she becomes Akka, an elderly sister. Allama shows her the further way of attaining the transcendent bliss of ultimate union with Lord Chenna Mallikarjuna. Akka leaves Kalyana with this following vachana:
"Having vanquished the six passions and becomeThe trinity of body, thought and speech;
Having ended the trinity and become twain – I and the Absolute
Having ended the duality and become a unity
Is because of the grace of you all.
I salute Basavanna and all assembled here
Blessed was I by Allama my Master-
Bless me all that I may join my Chenna Mallikarjuna
Good-bye! Good-bye!"
This dramatic situation of Kalyana Parva in Akka Mahadevi's life is an indication of the beginning of the third phase of her life. In the first phase she had renounced the worldly objects and attractions and in the second, discards the entire object based rules and regulations and in the third phase she starts her journey towards Srishila, where her eternal lover Chenna Mallikarjuna's temple locates. Also, it is the holy place for devotees of Shiva since before the 12th century. Akka's spiritual journey ends at Kadali the nearby thick forest area of Shrisaila (Srisailam) where she is supposed to have experienced union (aikya) with Chennamallikarjuna.
One of her famous vachana translates as:
People,male and female,
blush when a cloth covering their shame
comes loose
When the lord of lives
lives drowned without a facein the world, how can you be modest?
When all the world is the eye of the lord,onlooking everywhere, what can youcover and conceal?
Her poetry exhibits her love for Chenna Mallikarjuna and harmony with nature and simple living.
She Sang:
For hunger, there is the village rice in the begging bowl,For thirst, there are tanks and streams and wells
For sleep temple ruins do well
For the company of the soul I have you, Chenna Mallikarjuna
Works
Akka Mahadevi's works, like many other Bhakti movement poets, can be traced through the use of her ankita, or the signature name by which she addressed the figure of her devotion.In Akka Mahadevi's case, she uses the name Chennamallikarjuna to refer to the god Shiva.The name Chennamallikarjuna can be variously translated, but the most well-known translation is by the scholar and linguist A.K. Ramanujan, who interprets it as 'Lord white as jamine'. A more literal translationn would be 'Mallika's beautiful Arjuna', according to Tharu and Lalita.
Based on the use of her ankita, about 350 lyric poems or vachanas are attributed to Akka Mahadevi. Her works frequently use the metaphor of an illicit, or adulterous love to describe her devotion to Chennamallikarjuna (Shiva). The lyrics place Akka Mahadevi as actively seeking out a relationship with Chennamallikarjuna (Shiva), and touches on themes of abandon, carnal love, and separation.
The direct and frank lyrics that Akka Mahadevi wrote have been described as embodying a "radical illegitimacy" that re-examines the role of women, not just as actors with volition and will, but in opposition to established social institutions and mores. At times she uses strong sexual imagery to represent the union between the devotee and the object of devotion. Her works also challenge common understandings of sexual identity; for instance, in one vachana she suggests that creation, or the power of the god Shiva, is masculine, while all of creation, including men, represent the feminine: "I saw the haughty master, Mallikarjuna/for whom men, all men, are but women, wives". In some vachanas, she describes herself as both, feminine and masculine.
Akka Mahadevi's works are like the works of many other female Bhakti poets, also touches on themes of alienation: both, from the material world, and from social expectations and mores concerning women.
Translations and Legacy
A. K. Ramanujan who first popularised the vachanas by translating them into a collection called Speaking of Siva. Postcolonial scholar Tejaswini Niranjana criticised his translations as rendering the vachanas into modern universalist poetry ready-to-consume by the West in Siting Translation (1992). Kannada translator Vanamala Vishwanatha is currently working on a new English translation, which may be published as part of the Murty Classical Library.
Akka Mahadevi continues to occupy a significant place in popular culture and memory, with roads and universities named after her. In 2010, a bas relief dating to the 13th century was discovered near Hospet in Karnataka, and is believed to be a depiction of Akka Mahadevi.
Bold Poetry
Akka Mahadevi describes her love for Lord Shiva as adulterous, viewing her husband and his parents as impediments to her union with her Lord. She talks about cuckolding the husband with Shiva and taking her lord (Shiva) as her husband. Terming relationship with mortal men as unsatisfactory, Akka Mahadevi describes them as thorns hiding under smooth leaves, un-trustworthy. About her mortal husband she says "Take these husbands who die decay, and feed them to your kitchen fires!". In another verse, she expresses the tension of being a wife and a devotee as
Husband inside, lover outside.
I can't manage them both.
This world and that other, cannot manage them both.
Why We Must Remember Poet And Saint Akka Mahadevi
Akka Mahadevi was a twelfth century (c. 1130-1160) Kannada poet, saint and mystic of the Virashaiva Bhakti Movement. The Virashaivites were social and spiritual revolutionaries in Karnataka during the twelfth century. They opposed orthodox Hinduism and its practices, for instance, caste and the system of worship through temple and priest. Their key form of communication was through vachanas or sayings which were free verse hymns in their mother-tongue. Through vachanas, the Virashaivites also rejected local folklore and classical traditions.
Image Credit: Pinterest
Akka Mahadevi is highly regarded for her vachanas, and is seen as an inspirational woman both for the history of Karnataka and Kannada literature. It is said that she was the first woman to have written vachanas in Kannada literature. The other Virashaiva saints like Basavanna, Siddharama, Allamaprabhu, etc. conferred to her the honorific term ‘Akka’ meaning ‘an elder sister’.
In her vachanas, Akka Mahadevi expressed her radical views on women’s roles, Hindu ritualism, caste, etc. and offers a testimony to the spiritual struggles faced by a female mystic in a patriarchal society. Having considered ‘Chennamallikarjuna’ (the god Shiva) as her husband in what is understood as the ‘madhurya’ form of devotion or the ‘madhura bhava’, she ends her verses with her ‘ankita’ (signature) calling Shiva as Chennamallikarjuna or as poetically translated by A. K. Ramanujan, “Lord as White as Jasmine”.
Or,
I will
give this wench the slip
and go cuckold my husband with
Hara, my Lord.
-Translation by A. K. Ramanujan
Akka Mahadevi was born in a village called Udatadi in Karnataka and was raised in a spiritual atmosphere. Her parents, Sumati and Nirmalashetty, were devotees of Lord Shiva and followed the Shaivite sect of the Lingayats. They believed in the Trividhi philosophy that comprises of Shiv Linga, Jangama and Guru, i.e., to sacrifice one’s life in service to society, aim for true knowledge and give up on worldly happiness, worshiping the Lord Shiva.
According to legends, she was a beautiful woman with long tresses and Kaushika, the Jain ruler of the region, fell in love with her. However, some accounts suggest that despite Kaushika’s proposal to marry Akka, the latter not only refused, but when forced, renounced her family, discarded her clothes and left the village covered only in her long tresses.
In other versions, it is claimed that the wedding did actually take place but on the conditions that the king would neither touch Akka without her permission nor hinder her worship. However, when Kaushika failed to honour the agreement, Akka left his palace leaving behind all his presents, including her clothes and acknowledged Lord Chennamallikarjuna as her sole husband.
Don’t hold me. Don’t
Stop me. Let go
Of my hand, the hem
Of my sari
…
Guru became kin,
Linga, the bridegroom
And I, the bride
The whole world knows
…
Chennamallikarjuna is my husband,
O brother,
No one else can be my man.
-Translation by H. S. Shivprakash
Liberated from a domestic life, Mahadevi travelled to the region of Kalyana, the then capital of the Western Chalukya dynasty in the Bidar district of Karnataka in search of her beloved Chennamallikarjuna. Kalyana was the seat of eminent saint-poets of the Virashaiva sect where leaders like Basavanna and Allamaprabhu resided.
At Anubhav Mandap, Akka Mahadevi became part of the discussions centered around spiritual, social and philosophical questions but her acceptance in the movement did not come easily. She was questioned for her nakedness that exemplified a deliberate rejection of womanly modesty. It was impudent for a woman to abandon her clothes even though for saints it was a natural practice.
On the other hand, Allamaprabhu felt that the tresses covering her body disallowed her complete submission to the god. Mahadevi ultimately succeeded after a meticulous discourse and became part of the group. She acquired the title of Akka (elder sister) and reveled in the company of other devotees. However, later she left for Shrisailam Mountain where according to legends, with great penance and single-pointed devotion, she developed ‘nirguna bhava’ and achieved union with Chennamallikarjuna, her Lord.
I have seen the Supreme Guru Chenna Mallikarjuna sporting with the primeval Sakti,
And saved am I.
-Translation by T. N. Sreekantaiya
Akka Mahadevi is a force to be reckoned with even now. She is remembered for her undefying faith, courage and devotion, although her rebellion is rooted within the patriarchal language and structures. Vijaya Ramaswamy reminds us to be mindful of the fact that, “Female spirituality can also be an enforced phenomenon, a diabolic outcome of patriarchal conspiracy.”
However, Akka Mahadevi is still a defiant spirit who rebelled against worldly constrictions and prescribed gender roles. Hers is a womanhood that drives away from the traditional figures of Lakshmi and Sita. Her vachanas (devotional poems), intense and sensual in nature, are a reflection of this bold and radical spirit. Akka Mahadevi did not let anything or anyone obstruct her unification with Chennamallikarjuna. Her poems portray Chennamallikarjuna as both her illicit lover and her husband.
Take these husbands who die,
decay, and feed them
to your kitchen fires!
-Translation by Ramanujam
Akka Mahadevi defies the traditional feminine images by giving expression to her desire. Besides being a mystic, seer, poet, she is also seen as a social reformer. In a time when women were not even allowed to attend school, she became part of a learned group. In many ways Mahadevi’s life mirrors that of Mirabai and much like the latter, Mirabai had to struggle with social restrictions to achieve union with her Lord. Her poetry embodies this struggle.
U. R. Anantha Murthy writes, “Akka Mahadevi is not just a 12th century memory but a force active in the writing of many women poets.” Akka Mahadevi is still a household name in Karnataka, remembered in festivals and folklore. She has also been commemorated in films, music videos and a couple of NGOs that are established in her name.
Saint Anant Punya Maharaj
Here is a comprehensive overview of Saint Anant Punya Maharaj, a modern spiritual figure whose initiation as a Jain monk in 2005 was a landmark event for challenging caste barriers in India .
👤 Personal Snapshot
AspectDetailsBirth Name Chandaram Meghwal (also known as Sandeep)
Born c. 1983 (22 years old at diksha in 2005)
Birthplace Mandwaria village, Sirohi district, Rajasthan, India
Original Community Meghwal (also known as Khatik), a Dalit community
Family His 26-year-old sister also took diksha alongside him
Education Commerce student; his sister was a commerce student in Bangalore
Initiation Date 31 January 2005 (Monday) at Ahore town, Jalore district, Rajasthan
New Name Anant Punya Maharaj (or Anant Punya)
🌟 The Historic Diksha Ceremony
The initiation of Chandaram Meghwal as a Jain monk was widely reported as a "historic event" because he was the first Dalit youth to be anointed as a Jain monk . This event was particularly significant in the context of a caste-dominated society where untouchability remained a stigma .
Key details of the ceremony:
Date and Location: The diksha took place on Monday, 31 January 2005, at Ahore town in Jalore district, Rajasthan .
Large Attendance: The ceremony was attended by a large number of people from the Shwetambar Jain community, as well as Sandeep's relatives from Sirohi .
Warm Send-off: He was given a warm send-off from his village two days prior, with a "mad rush among the villagers to touch his feet to show their reverence" . 🧘 The Path to Monkhood
Sandeep's journey to becoming a monk was gradual and marked by deep spiritual inclination:
Impressed by a Jain Saint: While working in Mumbai in search of a job, Sandeep was deeply impressed by Jain saint Suryodaya Maharaj .
Travel and Learning: He traveled with the saint to various holy places and attended religious sermons with deep devotion, surprising the saint with his sincerity .
Formal Study: Upon expressing his desire to join the religion, he was sent to Ahmedabad to study Jain ideology for almost four years .
Family Support: After initial hesitation, his family gave in to his request to become a monk . 🌍 Community Impact and the Veerwal Movement
The initiation of Anant Punya Maharaj had a profound and immediate impact on his community:
Mass Conversion of Lifestyle: His monkhood inspired about 1,500 people in his village to turn vegetarian and give up drinking .
Family Dedication: His 26-year-old sister, a commerce student, gave up her studies to also take diksha alongside him .
His story is part of a larger movement known as the Veerwal movement. The term "Veerwal" means "belonging to Lord Mahavira" . This movement began in 1958 when members of the Khatik (Meghwal) community in the Udaipur region decided to adopt Jainism under the guidance of Muni Sameer Muni, a Stanakvasi Jain . Their center, Ahimsa Nagar, near Chittorgarh, was inaugurated in 1966 . ☀️ Life as a Jain Monk
The life that awaited the newly inducted monk was one of strict austerity, beginning the day after his diksha :
Walking Barefoot: He must walk everywhere barefoot.
Simple Robe: He is clad only in a white robe.
Begging for Food: He must seek alms for his meals.
No Physical Comforts: He forgoes all physical comforts, including the services of a barber .
In summary, Saint Anant Punya Maharaj is a modern spiritual figure whose life represents a powerful story of social change, personal dedication, and the breaking of traditional caste barriers within a major Indian religious tradition. His initiation as a Jain monk continues to inspire his community and symbolizes the movement toward greater inclusivity in spiritual practice.
St Andal
Born : Kodhai
8th or 9th century CE
Srivilliputhur
Titles/honours : Alvars
Philosophy : Srivaishnava Bhakti
Literary works : Thiruppavai, Nachiar Tirumozhi
Andal at Pundarikakshan, Perumal Temple, Tamil Nadu
Andal is the only female Alvar among the 12 Alvar saints of South India. The Alvar saints are known for their affiliation to the Srivaishnava tradition of Hinduism. Active in the 9th-century, with some suggesting 8th-century, Andal is credited with the great Tamil works, Thiruppavai and Nachiar Tirumozhi, that are still recited by devotees during the winter festival season of Margazhi.
Andal is known for her unwavering devotion to Lord Vishnu, the God of the Srivaishnavas. She was adopted by the Alvar saint, Periyalvar, who found her as a baby lying under a Tulasi (Ocimum tenuiflorum) plant in the temple garden of Srivilliputhur. He named her "Kodhai" or "gift of Mother Earth." Nonetheless, the story of Andal has no reliable historical account, except for 2 hagiographies.
History of Andal
Periazhwar (originally called Vishnuchittar) was an ardent devotee of Lord Vishnu and he used to string garland to Vishnu every day. He was childless and he prayed to Vishnu to save him from the longing. One day, he found a girl child under a Tulasi plant in a garden inside the temple. He and his wife named the child as Kothai, who grew up as a devotee of Lord Krishna, an avatar of Vishnu. She is believed to have worn the garland before dedicating it to the presiding deity of the temple. Periazhwar, who later found it, was highly upset and remonstrated her. Vishnu appeared in his dream and asked him to dedicate only the garland worn by Andal to him. The girl Kothai was thus named Andal and was referred as Chudikodutha Sudarkodi (lady who gave her garland to Vishnu). The practise is followed during modern times when the garland of Andal from Srivilliputhur Andal Temple is sent to Azhagar Koyil on Garudostavam during the Tamil month of Purattaasi (September - October) and Tirumala Venkateswara Temple during Chitra Pournami.
Dedication to Vishnu
Kodhai was brought up by Vishnuchitta (Periyalvar) in an atmosphere of love and devotion. As Kodhai grew into a beautiful maiden, her fervor for the Lord Vishnu grew to the extent that she decided to marry only the Lord Himself. As time passed, her resolve strengthened and she thought constantly about marrying Ranganathar of Srirangam (the reclining form of Vishnu).
Vishnuchitta (Periyalvar) understood the Divine Love that existed between the Lord Vishnu and his daughter. Kodhai was well-respected by devotees and came to be known as "Andal," the girl who "ruled" over the Lord. She is also known by the phrase, "Soodi kodutha Sudarkodi," which literally means, "The bright creeper-like woman who gave her garlands after wearing them."
Andal's Bhakthi
In North India, Radha Rani is celebrated as the "Queen of Bhakthi (devotion)." Similarly, in Tamil Nadu Andal is remembered for her pure love and devotion. In the Thiruppavai, Andal, as a Gopi in Ayarpadi (Brindavan), emphasizes that the ultimate goal of life is to seek surrender and refuge at the Lord's feet. Initially, the Gopis ask Krishna for the Parai and other materials needed for fulfilling their vow, which they observe in the month of Maarghazhi. But towards the end of the hymn, the request assumes philosophical tones, and their only wish is to serve Lord Vishnu at all times, vividly describing the permanent bond between the Paramatma and the Jivatma. The Gopis view Krishna as the Supreme Brahman (Lord).
Andal extols Krishna's Paratva, which coexists with His Saulabhya when He is in the midst of devotees. She praises Vamana for saving Indra; how He grew in size as Trivikrama; and how He measured the world with His auspicious feet. As Rama, He went to Lanka to kill Ravana and retrieve Sita. Then, as child Krishna, He saved Himself from the dangers posed by the emissaries of Kamsa who came to kill Him. Andal sings about how Krishna protected the entire Vrindavan people from many dangers; and how He saved the Vrindavan from the torrential rains by holding the Govardhana hill as an umbrella at the tip of His little finger.
Marrying the Lord
Parvathi (Lord Shiva's devotee) and Andal (Lord Vishnu's devotee) are similar in the sense that they showed their extraordinary bhakthi and love when they were four years old. Andal was four years old when she started to compose the hymns of the Thiruppavai, Nachayiyar Thirumozhi, and Vaaranam Aayiram.
Andal, like her father, sang a Pallandu to hail the Lord Vishnu as the unfailing Protector of all. She regarded Periyalvar not only as a father, but also as a preceptor. Her wish was that Lord Vishnu should accept them as his servants although they were only simple folk. This Dasya Bhava is the trait of a true Bhakta, and Andal taught how to cultivate this Bhava in all. Initially, the common people commented and mocked Andal as being insane, but Periyalvar supported her and encouraged her to be devoted to Lord Sri Vishnu. Periyalvar played an important role in nurturing Andal's Bhakti and helped her attain divine ecstasy. She thought of herself as a Gopika and dressed herself as a Gopi, demonstrating her simplicity, humility, pure love, and devotion.
Andal's Garlands
One of the ancient stories about Andal tells that she dressed herself as a bride, looked in a mirror, and wore a flower garland. Periyalvar, busy in his daily preparations to go to the temple, took that same flower garland to the temple. The temple priest noticed a strand of Kodhai's hair on one of the garlands and became annoyed that a used flower garland had been offered to the Lord Vishnu. Periyalvar was shocked, and realized that Andal had worn the garland. Meanwhile, Andal was happy thinking that her Lord would have accepted her garland. She grew sad, however, when Periyalvar rebuked her saying that Lord Vishnu had refused to wear the garland. Later Periyalvar tied together new garlands for Lord Vishnu made up of fresh flowers and took them to the temple. Miraculously, however, the Merciful Lord said that He wanted only the garland which had been worn by Andal. Periyalvar, in complete awe, immediately rushed to his house and brought the garland that Andal had worn (Periyalvar is believed to be an incarnation of Garudan, the vehicle of Lord Sri Vishnu). Thus, it became Periyalvar's wish that Andal should marry only Lord Sri Vishnu. Andal then told her father about her beautiful dreams in which the Lord came on an elephant to wed her. Andal described how she had composed her dreams into poems such as '"Vaaranam Aayiram".' The poems describe how Andal and Lord Sri Vishnu got married according to customs and rituals.The marriage happened exactly as stated in "vaaranam aayiram" Her dreams were complete prediction, prophecy, forethinking and reality. The bride, Andal, was then taken to the Srirangam temple where she entered the sanctum sanctorum and was ushered into the Lord's presence. Periyalvar and others present were wonderstruck on witnessing these events, but the wise Periyalvar remained balanced and the absence of his daughter never disturbed him or broke his heart. As a father, he felt that his daughter was married and sent to her husband's home.
It is also believed that Ranganatha of Srirangam Ranganathaswamy temple married Andal, who later merged with the idol. Since Andal married Ranganatha, who came as a king (called Raja), the presiding deity is called Rangamannar.
Andal garland and Tirupathi Venkateswara
For Tirupathi Venkateswara temple Brahmotsavam festival, Garland worn by Andal in Srivilliputhur temple (Tamil Nadu) is sent all along to Tirupathi in Andhra Pradesh one day before the Brahmotsavam.These traditional garlands are made of tulasi, sevanthi and sampangi flowers.These garlands are used on prestigious Garuda seva day of Tirupathi Venkateswara in which the lord appear as Maha Vishnu.
Every year Tirupathi Venkateswara’s garland is sent to Srivilliputtur Andal for marriage festival of Andal Thayar.
Kallazhagar
Andal garland is being sent to Madurai Kallazhagar for Chithirai Festival day.
Andal's Hairstyle
Andal's hairstyle and ornamentation are unique to south India.
Andal's Parrot
Srivillipuththur Andal's handcrafted parrot which was made with green leaves are made each and every day freshly.This parrot is kept in the left hand of Andal. It takes approximately four and half hours to make this parrot. A pomegranate flower for beak and mouth, Bamboo sticks for legs, banana plant, petals of pink oleander and nandiyavattai..are used to prepare this parrot.
During his visit to the Srivillipuththur Andal temple the then president of India R. Venkataraman also was attracted towards this parrot.
Importance in South India
Andal is one of the best-loved poet-saints of the Tamils. Pious tradition holds her to be the incarnation of Bhūmi Devi (Sri Lakshmi as Mother Earth) to show humanity the way to Lord Vishnu's lotus feet. Representations of her next to Vishnu are present in all Srivaishnava temples. During the month of Margazhi, discourses on the Thiruppavai in Tamil, Telugu, Kannada, and Hindi take place all over India. The Andal Temple at Srivilliputhur consists of twin temples, one of which is dedicated to Andal. Most South Indian Vishnu temples have a separate shrine for Andal. There are a number of festivals dedicated to Andal, among the most notable being the Pavai Nonbu in the Tamil month of Margazhi (December – January), Andal Thirukalyanam in Panguni, Pagalpathu, Rapathu, Adi Thiruvizha, when Andal is depicted seated in the lap of Ranganathar. Andal is known for her unwavering devotion to god Vishnu, the God of the Srivaishnavas. Adopted by her father, Periyalvar, Andal avoided earthly marriage, the normal and expected path for women of her culture, to marry Vishnu, both spiritually and physically. In many places in India, particularly in Tamil Nadu, Andal is treated more than a saint and as a form of god herself and a shrine for Andal is dedicated in most Vishnu temples.
Festivals
The residence of Periyazhwar (Andal's father) has become "Nachiar koil". And the other part of temple is known as "Vadapadhra Sayi" temple in Srivillipuththur.
Thousands of people from the state participate in the "Aadi Pooram" festival celebrated in the Andal Temple. After early morning special pujas, the presiding deities, Sri Rengamannar and Goddess Andal are taken in decorated palanquins to the car. The festival marks the adoption of presiding deity, Andal, by Periyazhwar after he found her near a Tulsi plant in the garden of Vadabadrasai Temple at Srivilliputhur on the eighth day of the Tamil month of Adi.
Women groups inspired by Andal
In poetry, 9th-century Andal became a well known Bhakti movement poetess, states Pintchman, and historical records suggest that by 12th-century she was a major inspiration to Hindu women in south India and elsewhere. Andal continues to inspire hundreds of classical dancers in modern times choreographing and dancing Andal's songs. Andal is also called Goda, and her contributions to the arts have created Goda Mandali (circle of Andal) in the Vaishnava tradition.
Goda Mandali
Goda Mandali (circle) which was named after Andal was formed in 1970 and reorganized in 1982 spreads Andal songs widely through TV and radio programs
Literary works
Andal composed two literary works, both of which are in Tamil verse form and express literary, philosophical, religious, and aesthetic content.
Thiruppavai
Her first work is the Thiruppavai, a collection of 30 verses in which Andal imagines herself to be a Gopi, one of the cowherd girls known for their unconditional devotion to Lord Krishna. In these verses, she describes her yearning to serve Lord Vishnu and achieve happiness not just in this lifetime, but for all eternity. She also describes the religious vows (pavai) that she and her fellow cowherd girls will observe for this purpose. It is said that Thiruppavai is the nectar of Vedas and teaches philosophical values, moral values, ethical values, pure love, devotion, dedication, single-minded aim, virtues, and the ultimate goal of life.
Nachiar Tirumozhi
The second work by Andal is the Nachiar Tirumozhi, a poem of 143 verses. "Thirumozhi" literally means "Sacred Sayings" in a Tamil poetic style and "Nachiar" means Goddess. Therefore, the title means "Sacred Sayings of the Goddess." This poem fully reveals Andal's intense longing for Vishnu, the Divine Beloved. Utilizing classical Tamil poetic conventions and interspersing stories from the Vedas and Puranas, Andal creates imagery that is possibly unparalleled in the whole gamut of Indian religious literature. However, conservative Srivaishnavite institutions do not encourage the propagation of Nachiar Tirumozhi as much as they encourage Thiruppavai because Nachiar Tirumozhi belongs to an erotic genre of spirituality that is similar to Jayadeva's Gita Govinda.
Religious Recitations
These works form an important part of the daily religious life of South India. The daily services in most Srivaishnava temples and households include recitation of the Thiruppavai which, like the Ramayana and the Mahabharata, is recited with great religious fervor by women, men, and children of all ages, particularly in Tamil Nadu. Both of these works, particularly the Thiruppavai, have been studied extensively by scholars and have been translated into a number of languages over the centuries.
Genre
Some of Andal's verses express love for Lord Vishnu, written with bold sensuality and startlingly savage longing, hunger and inquiry, that even today many of her most erotic poems are rarely rendered publicly. In one such verse Andal dispenses with metaphor and imagines that she herself in lying in the arms of Krishna, and making love to him
“My life will be spared / Only if he will come / To stay for me for one night / If he will enter me, / So as to leave / the imprint of his saffron paste / upon my breasts / Mixing, churning, maddening me inside, / Gathering my swollen ripeness / Spilling nectar, / As my body and blood / Bursts into flower.”
^ Dalrymple, William (10 July 2015). "In search of Tamil Nadu's poet-preachers" (London). Financial Times. The Financial Times Limited. Retrieved 13 July 2015. ^ Chakravarty, Uma (1989). "The World of the Bhaktin in South Indian Traditions - The Body and Beyond" (PDF). Manushi. 50-51-52: 25. Retrieved 18 September 2015.
Andal whilst admiring herself wearing the garland which was meant for the deity,
the guilt glazed love lay on Andal's breasts.
thick and heavy as him.
frightened with force
and locked away, she conjured him every night,
her empurumaan, her emperor-man.
In one of her poems, Andal says that her voluptuous breasts will swell for the lord alone, and scorns the idea of making love to mortal beings, comparing that with the sacrificial offering made by Brahmins being violated by jackals in the forest, and in another verse she dedicates her swelling breasts to the Lord who carries conch.
Krishnadevaraya's Amuktamalyada
Krishnadevaraya of the Vijayanagar Dynasty composed the epic poem Amuktamalyada in Telugu, which is considered as a masterpiece. Amuktamalyada translates to one who wears and gives away garlands, and describes the story of Andal or Goda Devi, the daughter of Periyalvar. It is believed that Krishnadevaraya wrote the work, after getting a dream in which Lord Vishnu appeared and instructed him write the story of his wedding to Andal at Srirangam in Telugu. In his dream, on being asked why Telugu was chosen, Lord Vishnu is said to have replied
“ తెలుఁగ దేల యెన్న దేశంబు దెలుఁగేను
తెలుఁగు వల్లభుండఁ తెలుఁగొకండ
యెల్ల నృపులు గొలువ నెరుఁగవే బాసాడి
దేశభాషలందుఁ తెలుఁగు లెస్స ”
— శ్రీ ఆంధ్ర విష్ణు
“ telugadElayanna, dESambu telugEnu
telugu vallaBhunDa telugokanDa
yella nRpulu golva nerugavE bAsADi
dESa BhAShalandu telugu lessa ”
— Śrī Viṣhṇu's reason on why Āmuktamālyada should be written in telugu by Sri Krishnadevaraya
Which translates to: "If you ask, 'Why Telugu?' It is because this is Telugu country and I am a Telugu king. Telugu is one of a kind. After speaking with all the kings that serve you, didn’t you realize - amongst all the regional languages, Telugu is the best!"
Amuktamalyada describes pain of separation (viraha) experienced by Andal, who is described as the incarnate of Lakshmi the consort of Vishnu. Further the poem describes Andal’s beauty in 30 verses written in the keśādi-pādam style, starting from her hair, going down her body till her feet.
Appayya Swamigalu
From Wikipedia, the free encyclopedia
Appaiah Swami or Sadguru Appayya Swami (ಅಪ್ಪಯ ಸ್ವಾಮಿ 1885–1956) (not to be mistaken with Appayya Swamy, a 17th-century Carnatic Musician and scholar of Tamil Nadu) was a Hindu Indian spiritual master who lived in Virajpet town, in Kodagu, Karnataka, India.
Early life
Appayya Swami was born as Palanganda Appaiah, the son of a Kodava paddy farmer in Kodagu (Coorg) in 1885. Appayya did his schooling in English and Kannada at Central High School, Mercara. Later he entered the Government Service under the Raj. However, he was of a religious bend of mind since childhood, and was inspired by the lives of Ramakrishna Paramhansa and Swami Vivekananda. He sought a spiritual guru, eventually selecting Guru Ramagiri.
Career
His Guru ordained him and Swamigalu learned and composed several hymns. Through the path of devotion, he attained self-realization. Over time he became a spiritual teacher with several disciples and was hence given the title of Sadguru.
In 1941 he founded a monastery in Virajpet known as Kaveri Ashram after the river goddess Kaveri. His work in sustaining Hindu spirituality and culture in Coorg and its surrounding regions is being carried on by the Kaveri Ashram (also known as Cauvery Ashram 12°12′09.27″N 75°48′11.68″E) today. A school is named after him in Somwarpet, Kodagu called Sadguru Appayya Swamy High School.
Death
He died in 1956, aged 71.
Gallery
Vivekananda Swamiji Cauveri Ashram
Cauveri Ashram Shrine
Mataji Virajpet
Cauveri Ashram Prayer hall adjacent to the Shrine
Bibliography
1. Śrī sadguru appayya vijaya (Kannada) authored by V.S. Rāmakriṣṇa (Śrī Kāvēri Āśrama, 1965) at Google Books)
2. Śrī sadguru appayya svāmijīyavara ātmakathe mattu sandēśa (Kannada) (Śrīkāvēri Bhakta Jana Saṅgha, 1965)
St Ajahn Chah
Biography
Venerable Ajahn Chah was born on June 17, 1918 in a small village near the town of Ubon Ratchathani, North-East Thailand. After finishing his basic schooling, he spent three years as a novice before returning to lay life to help his parents on the farm. At the age of twenty, however, he decided to resume monastic life, and on April 26, 1939 he received upasampadā (bhikkhu ordination). Ajahn Chah’s early monastic life followed a traditional pattern, of studying Buddhist teachings and the Pali scriptural language. In his fifth year his father fell seriously ill and died, a blunt reminder of the frailty and precariousness of human life. It caused him to think deeply about life’s real purpose, for although he had studied extensively and gained some proficiency in Pali, he seemed no nearer to a personal understanding of the end of suffering. Feelings of disenchantment set in, and finally, in 1946 he abandoned his studies and set off on mendicant pilgrimage.
He walked some 400 km to Central Thailand, sleeping in forests and gathering almsfood in the villages on the way. He took up residence in a monastery where the vinaya, (monastic discipline), was carefully studied and practised. While there he was told about Venerable Ajahn Mun Bhuridatta, a most highly respected meditation master. Keen to meet such an accomplished teacher, Ajahn Chah set off on foot for the Northeast in search of him.
At this time Ajahn Chah was wrestling with a crucial problem. He had studied the teachings on morality, meditation and wisdom, which the texts presented in minute and refined detail, but he could not see how they could actually be put into practice. Ajahn Mun told him that although the teachings are indeed extensive, at their heart they are very simple. With mindfulness established, if it is seen that everything arises in the heart-mind, right there is the true path of practice. This succinct and direct teaching was a revelation for Ajahn Chah, and transformed his approach to practice. The Way was clear.
For the next seven years Ajahn Chah practiced in the style of the austere Forest Tradition, wandering through the countryside in quest of quiet and secluded places for developing meditation. He lived in tiger and cobra infested jungles, using reflections on death to penetrate to the true meaning of life. On one occasion he practised in a cremation ground, to challenge and eventually overcome his fear of death. While he was in the cremation ground, a rainstorm left him cold and drenched, and he faced the utter desolation and loneliness of a wandering homeless monk.
In 1954, after years of wandering, he was invited back to his home village. He settled close by, in a fever ridden, haunted forest called ‘Pah Pong’. Despite the hardships of malaria, poor shelter and sparse food, disciples gathered around him in increasing numbers. This was the beginning of the first monastery in the Ajahn Chah tradition, Wat Pah Pong. With time branch monasteries were established at other locations.
In 1967 an American monk came to stay at Wat Pah Pong. The newly ordained Venerable Sumedho had just spent his first Vassa (‘Rains’ retreat) practicing intensive meditation at a monastery near the Laotian border. Although his efforts had borne some fruit, Venerable Sumedho realized that he needed a teacher who could train him in all aspects of monastic life. By chance, one of Ajahn Chah’s monks, one who happened to speak a little English, visited the monastery where Venerable Sumedho was staying. Upon hearing about Ajahn Chah, he asked to take leave of his preceptor, and went back to Wat Pah Pong with the monk. Ajahn Chah willingly accepted the new disciple, but insisted that he receive no special allowances for being a Westerner. He would have to eat the same simple almsfood and practice in the same way as any other monk at Wat Pah Pong. The training there was quite harsh and forbidding. Ajahn Chah often pushed his monks to their limits, to test their powers of endurance so that they would develop patience and resolution. He sometimes initiated long and seemingly pointless work projects, in order to frustrate their attachment to tranquility. The emphasis was always on surrendering to the way things are, and great stress was placed upon strict observance of the vinaya.
In the course of events, other Westerners came through Wat Pah Pong. By the time Venerable Sumedho was a bhikkhu of five vassas, and Ajahn Chah considered him competent enough to teach, some of these new monks had also decided to stay on and train there. In the hot season of 1975, Venerable Sumedho and a handful of Western bhikkhus spent some time living in a forest not far from Wat Pah Pong. The local villagers there asked them to stay on, and Ajahn Chah consented. The Wat Pah Nanachat (‘International Forest Monastery’) came into being, and Venerable Sumedho became the abbot of the first monastery in Thailand to be run by and for English-speaking monks.
In 1977, Ajahn Chah was invited to visit Britain by the English Sangha Trust, a charity with the aim of establishing a locally-resident Buddhist Sangha. He took Venerable Sumedho and Venerable Khemadhammo along to England. Seeing the serious interest there, he left them in London at the Hampstead Vihara, with two of his other Western disciples who were then visiting Europe. He returned to Britain in 1979, at which time the monks were leaving London to begin Chithurst Buddhist Monastery in Sussex. He then went on to America and Canada to visit and teach. After this trip, and again in 1981, Ajahn Chah spent the ‘Rains’ away from Wat Pah Pong, since his health was failing due to the debilitating effects of diabetes. As his illness worsened, he would use his body as a teaching, a living example of the impermanence of all things. He constantly reminded people to endeavor to find a true refuge within themselves, since he would not be able to teach for very much longer. Before the end of the ‘Rains’ of 1981, he was taken to Bangkok for an operation. However, the procedure did little to improve his condition.
Within a few months he stopped talking, and gradually he lost control of his limbs until he was virtually paralyzed and bedridden. From then on, he was diligently and lovingly nursed and attended by devoted disciples, grateful for the occasion to offer service to the teacher who so patiently and compassionately showed the Way to so many.
Dedication
"yo dhammam desesi ādikalyāṇaṃ, majjhekalyāṇaṃ, pariyosānakalyāṇaṃ"
"The Buddha has pointed out the way: excellent in the beginning, excellent in the middle, and excellent in the end."
Each morning in Theravāda Buddhist monasteries around the world, the above stanza is chanted as part of ‘The Homage to the Triple Gem’. The teaching example of the late meditation master, Venerable Ajahn Chah, or Luang Por as his disciples called him, displayed this quality of being.
‘Excellent in the beginning’, in Ajahn Chah’s case, was his commitment to the life of a renunciant monk (dhutaṅga bhikkhu). He cultivated impeccable discipline and displayed consistent, daring effort to confront all situations, especially those from which he was inclined to turn away. He gave himself completely to the training and eventually the Way became clear.
‘Excellent in the middle’ was the selfless sharing of his realization with all who came to be near him. Regardless of personal discomfort, he ceaselessly offered his body, speech and mind to assist his disciples, lay and ordained alike, to enter the Way. He said of his own teaching method, that it is the example that counts - not just the words. Those who were able to spend time with him know full well that this is so.
And ‘excellent in the end’ is that which remains. It is a radiant confidence of heart for thousands of individuals who now walk the way; that verified faith which profoundly expresses dhammaṃ saraṇaṃ gacchāmi – ‘I go for refuge to the Truth of the Way Things Are.’ Without having witnessed such an example of the Way being lived, this awakening of confidence might not have happened. Hence it is said, ‘No gift excels the gift of Dhamma.’
Teachings
Printed copies of The Collected Teachings of Ajahn Chah are available for free distribution at the Forest Sangha Monasteries .
Audio files of these talks being read by Ajahn Amaro, are available at amaravati.org. E-book versions (.epub and .mobi) are available from fsbooks.org.
Gallery



He spent the first few years of his bhikkhu life studying some basic Dhamma, discipline, Pāli language and scriptures, but the death of his father awakened him to the transience of life. It caused him to think deeply about life's real purpose, for although he had studied extensively and gained some proficiency in Pāli, he seemed no nearer to a personal understanding of the end of suffering. Feelings of disenchantment set in, and a desire to find the real essence of the Buddha's teaching arose. Finally (in 1946) he abandoned his studies and set off on mendicant pilgrimage. He walked some 400 km to Central Thailand, sleeping in forests and gathering almsfood in the villages on the way. He took up residence in a monastery where the vinaya (monastic discipline) was carefully studied and practiced. While there he was told about Venerable Ajahn Mun Bhuridatto, a most highly respected Meditation Master. Keen to meet such an accomplished teacher, Ajahn Chah set off on foot for the Northeast in search of him. He began to travel to other monasteries, studying the monastic discipline in detail and spending a short but enlightening period with Venerable Ajahn Mun, the most outstanding Thai forest meditation master of this century. At this time Ajahn Chah was wrestling with a crucial problem. He had studied the teachings on morality, meditation and wisdom, which the texts presented in minute and refined detail, but he could not see how they could actually be put into practice. Ajahn Mun told him that although the teachings are indeed extensive, at their heart they are very simple. With mindfulness established, if it is seen that everything arises in the heart-mind: right there is the true path of practice. This succinct and direct teaching was a revelation for Ajahn Chah, and transformed his approach to practice. The Way was clear.
For the next seven years Ajahn Chah practiced in the style of an ascetic monk in the austere Forest Tradition, spending his time in forests, caves and cremation grounds, ideal places for developing meditation practice. He wandered through the countryside in quest of quiet and secluded places for developing meditation. He lived in tiger and cobra infested jungles, using reflections on death to penetrate to the true meaning of life. On one occasion he practiced in a cremation ground, to challenge and eventually overcome his fear of death. Then, as he sat cold and drenched in a rainstorm, he faced the utter desolation and loneliness of a homeless monk.

After many years of travel and practice, he was invited to settle in a thick forest grove near the village of his birth. This grove was uninhabited, known as a place of cobras, tigers and ghosts, thus being as he said, the perfect location for a forest monk. Venerable Ajahn Chah's impeccable approach to meditation, or Dhamma practice, and his simple, direct style of teaching, with the emphasis on practical application and a balanced attitude, began to attract a large following of monks and lay people. Thus a large monastery formed around Ajahn Chah as more and more monks, nuns and lay-people came to hear his teachings and stay on to practice with him.
Ajahn Chah's simple yet profound style of teaching has a special appeal to Westerners, and many have come to study and practice with him, quite a few for many years. In 1966 the first westerner came to stay at Wat Nong Pah Pong, Venerable Sumedho Bhikkhu. The newly ordained Venerable Sumedho had just spent his first vassa ('Rains' retreat) practicing intensive meditation at a monastery near the Laotian border. Although his efforts had borne some fruit, Venerable Sumedho realized that he needed a teacher who could train him in all aspects of monastic life. By chance, one of Ajahn Chah's monks, one who happened to speak a little English visited the monastery where Venerable Sumedho was staying. Upon hearing about Ajahn Chah, he asked to take leave of his preceptor, and went back to Wat Nong Pah Pong with the monk. Ajahn Chah willingly accepted the new disciple, but insisted that he receive no special allowances for being a Westerner. He would have to eat the same simple almsfood and practice in the same way as any other monk at Wat Nong Pah Pong. The training there was quite harsh and forbidding. Ajahn Chah often pushed his monks to their limits, to test their powers of endurance so that they would develop patience and resolution. He sometimes initiated long and seemingly pointless work projects, in order to frustrate their attachment to tranquility. The emphasis was always on surrender to the way things are, and great stress was placed upon strict observance of the vinaya.

In 1977, Ajahn Chah and Ajahn Sumedho were invited to visit Britain by the English Sangha Trust, a charity with the aim of establishing a locally-resident Buddhist Sangha. Seeing the serious interest there, Ajahn Chah left Ajahn Sumedho (with two of his other Western disciples who were then visiting Europe) in London at the Hampstead Vihara. He returned to Britain in 1979, at which time the monks were leaving London to begin Chithurst Buddhist Monastery in Sussex. He then went on to AmeFrom that time on, the number of foreign people who came to Ajahn Chah began to steadily increase. By the time Venerable Sumedho was a monk of five vassas, and Ajahn Chah considered him competent enough to teach, some of these new monks had also decided to stay on and train there. In the hot season of 1975, Venerable Sumedho and a handful of Western bhikkhus spent some time living in a forest not far from Wat Nong Pah Pong. The local villagers there asked them to stay on, and Ajahn Chah consented. The Wat Pah Nanachat ('International Forest Monastery') came into being, and Venerable Sumedho became the abbot of the first monastery in Thailand to be run by and for English-speaking monks. rica and Canada to visit and teach.
In 1980 Venerable Ajahn Chah began to feel more accutely the symptoms of dizziness and memory lapse which had plagued him for some years. In 1980 and 1981, Ajahn Chah spent the 'rains retreat' away from Wat Nong Pah Pong, since his health was failing due to the debilitating effects of diabetes. As his illness worsened, he would use his body as a teaching, a living example of the impermanence of all things. He constantly reminded people to endeavor to find a true refuge within themselves, since he would not be able to teach for very much longer. This led to an operation in 1981, which, however, failed to reverse the onset of the paralysis which eventually rendered him completely bedridden and unable to speak. This did not stop the growth of monks and lay people who came to practise at his monastery, however, for whom the teachings of Ajahn Chah were a constant guide and inspiration.
After remaining bedridden and silent for an amazing ten years, carefully tended by his monks and novices, Venerable Ajahn Chah passed away on the 16th of January, 1992, at the age of 74, leaving behind a thriving community of monasteries and lay suporters in Thailand, England, Switzerland, Italy, France, Australia, New Zealand, Canada and the U.S.A, where the practise of the Buddha's teachings continues under the inspiration of this great meditation teacher.
Although Ajahn Chah passed away in 1992, the training which he established is still carried on at Wat Nong Pah Pong and its branch monasteries, of which there are currently more than two hundred in Thailand. Discipline is strict, enabling one to lead a simple and pure life in a harmoniously regulated community where virtue, meditation and understanding may be skillfully and continuously cultivated. There is usually group meditation twice a day and sometimes a talk by the senior teacher, but the heart of the meditation is the way of life. The monastics do manual work, dye and sew their own robes, make most of their own requisites and keep the monastery buildings and grounds in immaculate shape. They live extremely simply following the ascetic precepts of eating once a day from the almsbowl and limiting their possessions and robes. Scattered throughout the forest are individual huts where monks and nuns live and meditate in solitude, and where they practice walking meditation on cleared paths under the trees.

Wisdom is a way of living and being, and Ajahn Chah has endeavored to preserve the simple monastic life-style in order that people may study and practice the Dhamma in the present day. Ajahn Chah's wonderfully simple style of teaching can be deceptive. It is often only after we have heard something many times that suddenly our minds are ripe and somehow the teaching takes on a much deeper meaning. His skillful means in tailoring his explanations of Dhamma to time and place, and to the understanding and sensitivity of his audience, was marvelous to see. Sometimes on paper though, it can make him seem inconsistent or even self-contradictory! At such times the reader should remember that these words are a record of a living experience. Similarly, if the teachings may seem to vary at times from tradition, it should be borne in mind that the Venerable Ajahn spoke always from the heart, from the depths of his own meditative experience
अनागारिक धम्मपाल
(17.9.1864-29.4.1933)
अनागारिक धर्मपाल प्रसिद्ध बौद्ध भिक्षु थे। इनका जन्म श्रीलंका में 17 सितंबर 1864 को हुआ। पिता का नाम डान करोलिंस हेवावितारण तथा माता का मल्लिका था। इनका नाम डान डेविड रखा गया। शिक्षाकाल से ही इन्हें ईसाई स्कूलों में पढ़ने यूरोपीय रहन-सहन और विदेशी शासन से घृणा हो गई थी। शिक्षा समाप्ति पर प्रसिद्ध बौद्ध विद्वान् भदंत हिवकडुवे सुमंगल नामक महास्थविर से पालि भाषा की शिक्षा और बौद्ध धम्म की दीक्षा ली तथा अपना नाम बदलकर अनागरिक (संन्यासी) धर्मपाल रखा और सार्वजनिक प्रचार कार्य के लिए एक मोटर बस को घर बनाया और उसका नाम "शोभन मालिगाँव" रखकर गाँव-गाँव घूमते विदेशी वस्तुओं के बहिष्कार तथा बौद्ध धर्म का संदेश देने लगे। प्रथम महायुद्ध के समय ये पाँच वर्षों के लिए कलकत्ता में नजरबंद कर दिए गए। महाबोधि सभा (महाबोधि सोसायटी) इनके ही प्रयत्न से स्थापित हुई। मेरी फास्टर नामक एक विदेशी महिला ने इनसे प्रभावित होकर महाबोधि सोसायटी के लिए लगभग पाँच लाख रुपए दिए थे।
धर्मपाल के प्रयत्नों के परिणामस्वरूप उनके निधनोपरांत राष्ट्रपति डॉ॰ राजेंद्रप्रसाद के हाथों बौद्ध गया वैशाख पूर्णिमा, सं. 2012 अर्थात् 6 मई सन् 1955 को बौद्धों को दे दी गई।
13 जुलाई 1931 को उन्होंने प्रव्रज्या ली और उनका नाम देवमित धर्मपाल हुआ। 1933 की 16 जनवरी को प्रव्रज्या पूर्ण हुई और उन्होंने उपसंपदा ग्रहण की, नाम पड़ा भिक्षु श्री देवमित धर्मपाल। 29 अप्रैल 1933 को 69 वर्ष की आयु में इहलीला संवरण की।
साभार
विकिपीडिया
Sri Lankan writer
Description
Anagārika Dharmapāla was a Sri Lankan Buddhist revivalist and writer. He was the first global Buddhist missionary. He was one of the founding contributors of non-violent Sinhalese Buddhist nationalism and Buddhism.
Swami Achhootanand ‘Harihar’
Swami Achhootanand ‘Harihar’ (1879–1933) was a pioneering Indian anti-caste intellectual, social reformer, poet, dramatist, and the founder of the Adi Hindu movement in the Hindi belt. He was one of the first Dalit leaders in North India to launch a radical, organized movement for the social, religious, and political rights of "untouchable" castes, breaking away from both Hindu reformist organizations and the Indian National Congress.
The table below summarizes his life and work.
AspectDetailsBorn 6 May 1879
Birthplace Umari village, Mainpuri district, Uttar Pradesh
Birth Name Hira Lal
Community Chamar (a Dalit caste, now Scheduled Caste)
Died 20 July 1933, Kanpur, Uttar Pradesh
Other Names Harihar (pen name), Swami Hariharanand (Arya Samaj period)
Key Role Founder of the Adi Hindu movement; social reformer, writer, journalist
Core Ideology Dalits are the "Adi Hindus" (original inhabitants) of India, subjugated by Aryan invaders; rejection of Brahmanical Hinduism and the caste system.
Major Works Adi-Hindu Journal, Achut (monthly), Shambuk Balidan (drama), Achhut Pukar (songs)
🧬 Early Life and Influences
Swami Achhootanand was born into a Chamar family of the Kabir Panth tradition. His father and uncles served in the British Indian Army, which provided the family with relative financial stability and access to education. Raised in a military cantonment in Devlali, Maharashtra, he learned Urdu, English, Hindi, and Gurmukhi at a missionary school.
Between the ages of 14 and 24, he traveled across North India with wandering mendicant saints, studying a wide range of religious and historical texts, including the Guru Granth Sahib, Kabir's Bijak, works of Bhakti saints like Ravidas and Namdev, and the Rig Veda. This eclectic study deeply influenced his later ideology. 🔥 Break with the Arya Samaj
Initially, Achhootanand became a follower of the Arya Samaj, a Hindu reform movement. He was given the name "Hariharanand" and actively worked on its Shuddhi (re-conversion) campaigns, which aimed to bring back lower castes who had converted to Islam or Christianity.
However, he soon became disillusioned. He observed that the Arya Samaj was not genuinely interested in establishing social equality. He argued that its leaders were merely concerned with inflating Hindu census numbers to gain political power, while continuing to treat "untouchables" with contempt and discrimination. Concluding that the Arya Samaj was a "hypocrisy of Vedic dharma" created to "enslave Hindus to the Vedas and Brahmins," he left the organization and dedicated his life to a separate movement for Dalit liberation. 🛣️ The Adi Hindu Movement
In 1922, after leaving the Arya Samaj, Achhootanand founded the Adi Hindu movement. The core of his ideology was that the so-called "untouchable" castes were the "Adi Hindus" (original Hindus)—the ancient, peace-loving, and cultured original inhabitants of India who had been conquered and enslaved by Aryan invaders.
The main tenets of the movement were:
Rejection of Brahmanical Hinduism: It opposed the authority of the Vedas, the caste system, and the need for Brahmin priests as intermediaries.
Revival of Bhakti: It drew inspiration from medieval low-caste saints like Ravidas, who rejected caste distinctions and advocated for direct devotion to God.
Political Assertion: The movement organized eight All India Adi Hindu Conferences between 1923 and 1930, attracting thousands of participants from various lower castes, including Chamars, Dhobis, Pasis, and Bhangis.
🤝 Support for B. R. Ambedkar
Swami Achhootanand was a strong supporter of Dr. B. R. Ambedkar. He shared the stage with Ambedkar at the All India Adi Hindu Sabha meeting in 1928. Unlike the Indian National Congress, which opposed the Simon Commission, the Adi Hindu movement welcomed it, as it recognized Dalits on a national political platform.
During the Round Table Conference in London (1931) , Achhootanand supported Ambedkar's demand for separate electorates for the Depressed Classes through telegrams and public awareness campaigns in Kanpur. He also strongly opposed Mahatma Gandhi's use of the term "Harijan" for untouchables, viewing it as patronizing. 🖋️ Literary Contributions
Achhootanand is recognized as one of the pioneers of Dalit literature in Hindi. He used poetry and drama as tools for social awakening, publishing his work under the pen name "Harihar".
To reach a wide audience, he launched several publications:
Achut (1922): A monthly paper from Delhi.
Prachin Hindu: Another short-lived paper.
The Adi-Hindu Journal (1924-1932): A more successful journal published from Kanpur from his own Adi Hindu Press.
His books include Shambuk Balidan (a drama), Achhut Pukar (religious songs), and Pakhand Khandani.
💡 Legacy and Death
By 1930, Swami Achhootanand's health had begun to fail. He died on 20 July 1933 in Kanpur and was buried there. His biographer, Chandrika Prasad Jigyasu, wrote Swami Achutanand 'Harihar' (1968).
Despite his relative obscurity today, his legacy is foundational. He pioneered the first organized Dalit social reform movement in the Hindi belt, articulating an ideology of indigeneity and original habitation that pre-dated similar claims in other parts of India. His efforts laid crucial groundwork for the Dalit-Bahujan movements that would gain strength in North India in the latter half of the 20th century.
Ayyavu Swamikal
From Wikipedia, the free encyclopedia
Ayyavu Swamikal (Thykkadu Ayya)
Personal
Born 1814
Died 20 July 1909
Parents
Muthukumaran (father)
Rugmini Ammal (mother)
Philosophy Siva Raja Yoga
Religious career
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Disciples
Thycaud Ayyavu Swamikal (1814 – 20 July 1909) (also known as Sadananda Swami) was a spiritualist and a social reformer, the first to break customs related to caste in Kerala when caste restrictions and untouchability were at its extreme.
Biography
Ayyavu Swamikal was born in 1814 in Nakalapuram in Tamil Nadu. His original name was Subharayan. His parents were Mutthukumaran and Rugmini Ammal. His father and grandfather Sri Hrishikesan were scholars and experts in yoga and spiritual sciences.(Ayyaavu means Father)
At the age of twelve, Subharayan received spiritual initiation from two Tamil Saints, Sachidananda Maharaj and Sri Chitti Paradeshi who used to visit his father. They told his family that his life has a specific assignment, he is destined to serve humanity at another place and that when it is time they would come and take him to mould him to fulfil his duty. These avadutas are said to be connected to great siddhas from Tamil Nadu living in Himalayas who knew the science of immortality. When he was 16, the two siddhas took him with them to Palani where he learned advanced yoga. He travelled with them to Burma, Singapore, Penang and Africa. With them he met teachers of many religions and saints. Subbarayan mastered English during his stay and travel with them. He also acquired proficiency in English, Siddha medicine and alchemy during his wanderings with the siddhas.
At the age of nineteen he was sent back home with instructions to look after his parents and brethren. At home he continued worshiping Goddess and yogic practices, often entering the state of Samadhi. His biographers and disciples state that by this time he had acquired the Ashtasiddhies or divine powers including that of astral travel. Occasionally he visited Pazhani, Chennai and other religious places as part of pilgrimages for participating scholarly discussions going on there. He also started writing and composed 'Brahmothara Khandam' and 'Pazani Vaibhavam'. At the age of 27, as suggested by his gurus he visited Kodungalloor Devi Temple in Kerala. It is said that his devotion was so deep and his prayers were so strong that when he recited the keerthans the temples bells rang by themselves and the doors opened to give him darsan.
Once in a dream Goddess told him that she will appear before him at Trivandrum and he went there during the period of Swathi Tirunal Maharaja. The king came to know of his scholarship and expertise in Sivaraja Yoga and invited him to the palace and also learned many things from him. One day while a family gathering related to a marriage was going on at the house where he stayed a very old lean women told him that someone will be coming to meet him from his village and asked him to go to the traveller's shed near by on that night. The Goddess gave darsan to him at that travellers' shed that night. Later Thycaud Devi Temple was constructed at this site. Before long he went back to Tamil Nadu.
Within a few months his father left to Kasi. The whole responsibility for the family fell on his shoulders and he started a business to support his family. In accordance with the direction of his guru, Subbarayan got married. He used to deliver spiritual discourses at Chennai. As part of his business he was supplying goods to military camp in Chennai, where he came in contact with a British official Mr. McGregor. McGregor became fond of this English speaking Tamil villager and established a friendship with him. He was interested in Indian religion, language and culture and he became his student. During the reign of Maharaja Ayillyam Thirunal, McGregor became the Resident of Travancore. When the selection of a manager for Residency came he appointed him as the Manager of his Residency in Thycaud in 1873. As this post was one of the senior most offices that the British allowed to natives, people respectfully called him 'Superintend Ayyavu'. The term 'Ayyavu' means a respectable or venerable person. Gradually when people understood his yogic powers and scholarship the name changed from Superintend Ayyavu to Ayyavu Swami. Swami kept strict discipline in work and was extremely punctual.
Ayyavu Swamikal visited Vaikunda Swami of Nagarcoil and also the famous Maruthwamalai where he sat in meditation for days. At his residence he spent most of his time in meditation and in initiating and instructing his disciples in spiritual practices. Ayyavu used to deliver lectures on Bhakthi, Yoga and Vedanta in Jnanaprjagaram; where the leading literary, social and spiritual personalities in and around Trivandrum used assemble discuss and deliver lectures and discourses. He in association with Manonmaniam Sundaram Pillai, founded the Saiva Prakasha Sabha of Trivandrum.
He already knew that he had to permanently withdraw from this objective world and enter into Samadhi on that day. When the King knew about his approaching Samadhi he wanted to provide a place for Samadhi near the palace and construct a temple there. But Ayyavu insisted that his Samadhi should be in the Thycaud cremation ground and should be a very simple and small structure. Ayyavu Swami attained Samadhi on 20 July 1909. A Shivalinga was installed over the Samadhi site of Ayyavu Swami in Thycaud in 1943. This temple was improved under the patronage of Sri Chithira Thirunal Maharaja the last king of Travancore. This is now known as Thycaud Siva Temple.
Works
Ayyavu wrote several books on Bhakthi, Jnana and Yoga in Sanskrit, Tamil and Malayalam. A few were later published by his disciples. The works that could be identified as his are:
Brahmotharakandom
Pazhanidaivam
Ramayanam Pattu
Utjaini Mahakali Pancharatnam
Thiruvarur Murukan
Kumara Kovil Kuravan
Ulloor Amarntha Guhan
Ramayanam Sundarkandom
Hanuman Paamalai
Ente Kasiyathra
Disciples
Ayyavu Swamikal was instrumental in shaping the personalities of many spiritual, cultural and social leaders of erstwhile Travancore in late nineteenth and early twentieth centuries. Ayyavu demonstrated by his own life how realisation of the Supreme Self is possible even for ordinary people through practising Siva Raja Yoga. The greatness of what he taught is that realisation is possible even while leading family life and carrying out one's worldly duties.Chattampi Swami,[4] Narayana Guru who contributed much for the modernisation of Kerala were his disciples. Ayyavu Swami had about fifty disciples consisting of people from diverse fields and castes extending from palace to huts, Nambuthiries, Nairs, Ezhavas, Nadars, Princesses, administrators, doctors, engineers, Muslims, Christians, Hindus and the like. The following are important disciples:
Spiritual Masters and Reformers- Hindu: Chattampi Swami, Narayana Guru, Swayamprakasa Yogini Amma (Kulathoor), Kollathamma. Muslim: Makkadi Labba, Thakkala Peermuhammad. Christian: Petta Fernandez.
Kings, Administrators: Swathi Tirunal Maharaja, Mc Gregor (British Resident), Surya Narayana Iyer, Muthukumara Swami Pillai, Vailur Rayasam Madhavan Pillai and Periya Perumal Pillai, Sundaram Iyyenkar (Peshkars/administrators).
Artists and men of Letters: Raja Ravi Varma (Painter), Kerala Varma Koithampuran, and A.R. Rajaraja Varma (Literature),
Padmanbhan Vaidyan (Musician).
Predictions
Ayyguru Swamikal was a good astrologer and had also the siddhi to predict future events. His predictions that the younger Maharanis' son will become the last Maharaja, that North India will get separated, Ayyankali will be nominated to a participative administrative body to help the downtrodden, the day of his Samadhi etc. became true. Ayyankali was nominated to Sri Moolam Assembly and was honoured by the Rulers and later his statue was unveiled by Prime Minister Indira Gandhi. Maharaja Chithira Tirunal was also the last King of Travancore as he predicted. Swami also attained Samadhi on the date, he predicted. India got separated into India and Pakistan about fifty years after his prediction.
Philosophy
Ayyavu Swamikal was an adept of 'Siva Raja Yoga', an ancient technique practised by Tamil Saiva Yogis like Agasthyar, Bhogar and their line. He was one of the great teachers of Sivaraja Yoga in modern times. He belonged to the line of Tamil Siddhas consisting of Agasthyar, Bogar, Tirumular, Tirujnana Sambhandhar, Manikka vachakar etc. His disciples Chattampi Swami, Narayana Guru, Swayam Prakasini Amma, and others continued that line.
He taught his disciples the principles of Advaitha, and the practice of one God, one religion and one caste. He proclaimed that 'Intha Ulakathile Ore Oru Matham, Ore Oru Jathy, Ore Oru Kadavul Than'. (One caste, one religion and one god in this world). This teaching influenced Chattampi Swami and Narayana Guru. Guru translated this doctrine into Malayalam- 'Oru jathy, oru matham, oru daivam manushyanu' which got a magical charm and helped to remove caste difference from the mind of the people of Kerala. The movements initiated by Ayyavu Swami and his disciples are more based on Humanism, Rationalism and Democracy based on universal love rather than the European model of Renaissance or Reformation.
Arunagirinathar
From Wikipedia, the free encyclopedia
Arunagirinathar
Arunagirinathar Statue at Venjamakoodalur Temple, near
KarurPersonal
Born 15th century CE
Religious career
Honors Tamil Poet
Part of the series on
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Arunagirinaadhar (Aruna-giri-naadhar, Tamil: அருணகிரிநாதர், Aruṇakirinātar, Tamil: [aɾuɳaɡɯɾɯn̪aːdar]) was a Tamil saint-poet who lived during the 15th century in Tamil Nadu, India. In his treatise A History of Indian Literature (1974), Czech Indologist Kamil Zvelebil places Arunagirinathar's period between circa 1370 and circa 1450 CE. He was the creator of Thiruppugazh (Tamil: திருப்புகழ், Tiruppukaḻ, [tiɾupːɯɡaɻ], meaning "Holy Praise" or "Divine Glory"), a book of poems in Tamil in praise of lord Murugan.
His poems are known for their lyricism coupled with complex rhymes and rhythmic structures. In Thiruppugazh, the literature and devotion has been blended harmoniously.
Thiruppugazh is one of the major works of medieval Tamil literature, known for its poetical and musical qualities, as well as for its religious, moral and philosophical content.
Early life
Arunagiri was born in Senguntha Kaikolar family during the 15th century in Thiruvannamalai, a town in Tamil Nadu. His father died soon after his birth and his pious mother and sister instilled in him, their cultural and religious traditions. Legends claim that Arunagiri was attracted to the pleasures of the flesh and spent his youth in pursuing a life of debauchery. His sister always gave whatever she earned to make her brother happy, and he frequently visited the devadasis. It was said that since he was enjoying his life in dissipation, he started to suffer from leprosy and because of it people started to avoid him.
There came a time when his sister had no money to meet his demands for dissipation. Arunagiri said he was going to kill himself because of this. To prevent Arunagiri from committing suicide, his sister said that he should sell her in order to have money, upon hearing which Arunagiri realised how selfish he had been. He decided to end his life, went to a temple and hit his head against the pillars and steps, begging for forgiveness. He considered jumping to his death from the temple tower but according to legends, the God
Murugan himself prevented him from committing suicide, cured his leprosy, showed him a path of reform and piety, initiated him to create devotional songs for the benefit of mankind.
Alternative autobiographical version
The above story, though popular contradicts the poet's own version of his story. In the Tiruppugazh, Manaiaval nahaikka, Arunagirinather speaks of how his wife, parents and relatives were utterly disgusted with him and ridicule from friends and others in town impelled him to try to end his life. He thanks the Lord for saving him at this time. This not only shows that his father was alive much longer than what myths suggest but also that he was married.
Arunagiri sang his first devotional song thereafter and decided to spend the rest of his life in piety, writing devotional poetry and singing in the praise of God. He was a devotee of Lord Murugan and worshipped him at the sacred Vedapureeswarar temple in the town of Cheyyar.[citation needed]
His fame drew the jealousy of the chief minister of the Kingdom. He accused Arunagirinathar of espousing false beliefs. The king arranged a public gathering of thousands and commanded Arunagiri to prove the existence of Murugan to others. According to Tamil Hindu tradition, it is recorded that Arunagiri began performing his devotional songs for Lord Murugan and soon after, the form of child Lord Murugan miraculously appeared before those gathered, thus saving his life.
Songs
Arunagiri, rendered his first song 'Mutthai tharu' after the miraculous rescue from suicide, at Thiruvannamalai. Arunagiri visited temples all over South India and composed 16,000 songs - at present about 1,334 alone were found. His songs show the way to a life of virtue and righteousness and set the tone for a new form of worship, the musical worship.
The works of Arunagirinathar include
Thiruvaguppu
Kandar Alangaram
Kandar Anubhuti
Kandar Andhaadhi
Vel Viruttham
Mayil Viruttham
Seval Viruttham
Thiru Elukūtrirukkai
For Lord Murugan's devotees Thiruppugazh is equivalent to
Thevaaram, Kandar Alangaram is equivalent to
Thiru Vaasagam and Kandar Anubhuti is equivalent to
Thiru Mandhiram. In the Kandar Anubhuti, it is revealed that Arunagirinathar was an exponent of
Shaktism. He believed that
Devi had incarnated on the
Poosam Nakshatram day for the benefit of mankind, in many places, extolling the sanctity of these places, 'She' had a green coloured complexion, and 'She' was the personification of the
Vedas. In Thiruppugazh, he describes the divine miracles of Devi. He has shown familiarity with rituals pertaining to
Vamachara, though one who worships the Devi internally (spiritually) may not worship her externally (physically). It was seen that the title nātha, was normally conferred on a person, when he becomes an adept in the
worship of Devi.
Retrieva
The Thiruppugazh songs remained in manuscript form for a number of years and were gradually forgotten. V. T. Subramania Pillai and his son V. S. Chengalvaraya Pillai of Thirutthani understood their value, retrieved and published them.
In 1871 Subramania Pillai, a District Munsif, had the opportunity to hear a rendering of a Thiruppugazh song while he was on a tour of Chidambaram. Captivated by the song, he decided to set out on a mission to search for the entire body of Thiruppugazh songs. He toured all over South India, collected manuscripts, including palm leaves, assembled the texts and published them in two volumes, the first in 1894 and the second in 1901. After his demise, his son Chengalvaraya Pillai brought out a new edition of the book of songs.
He also went to so many shrines such as Shiva temple and Muruga temples,
Melakadambur is one of them. He wrote a song about this shrine's Lord Muruga "kaviri seerumon seeraru soozh kadambooril" - means Muruga is blessing us from the place where the tributary of the river Cauvery is the Vadavaaru. The place Kadambur lies in the banks of the river Vadavaaru.
Music of Tiruppugazh
There is no doubt that Arunagirinathar possessed a deep knowledge of music and rhythms. His compositions contain references to various ragas (known as panns in Tamil) such as Varali, Lalita, Bhairavi, Malahari, Bowli, Gowla, Kuranji etc. Though he has himself not employed them, he mentioned the fundamental five Marga talas - Shashatputam, ShashapuTam, Shatpitaputrikam, Sampatveshtakam and Udghattam as well as three others - Utsava, Darpana and Charchari talas. His compositions are set in complex meters and form an alternate system of talas called Chanda (meter-based) talas.
The original music of Arunagirinathar has unfortunately not survived which has necessitated them to be re-tuned in recent times. Early musicians who set Tiruppugazh to music included Carnatic musical giant, Kancheepuram Naina Pillai (1888-1934) and his disciple, Chittoor Subramaniam Pillai (1898-1975). Several musicians including G N Balasubramaniam, Alathur Brothers and M M Dandapani Deshikar used to render many of these prominently in their concerts and soon there was not a single musician who had not learnt at least a few of these.
A great number of these were also set to music by noted Tiruppugazh exponent A. S. Raghavan which enabled these masterful creations to gain mass popularity. He set to tune more than 500 of these songs in over 100 Ragas and several of these are being rendered by his large following of Tiruppugazh devotees ("Thiruppugazh Anbargal"). Thanks to him, Thiruppugazh classes sprung up both in cities and rural areas, and Thiruppugazh Anbargal started performing in various forums including Temples, Music Sabhas and homes of devotees where they attracted large audiences. Some of these students who settled in countries outside India started Thiruppugazh classes in their new communities, thus extending the reach of his movement to other continents, and giving the movement an international footing. Other musicians who have set music to Tiruppugazh include Chitravina N. Ravikiran.
Film
In 1964, a biopic Tamil film, starring popular playback singer, T. M. Soundararajan in the title role, was released. Bodhananda Swamikal
Born in a middle class family in Chirakkal village in Trichur (Thrissur) district Bodhananda Swami argued against inequality in the society. He traveled to many places in North India and he accepted the Sanyasin life at Jyothir Mutt in Kasi.
He came back to Kerala and started agitations against untouchability and caste discrimination and opposed idol worship. When he heard of the Guru's program about the idol installation at Jagannatha Temple he went there and asked the youngsters to stay away from it. But a brief interaction with the Guru changed his mind. The Guru explained to him about the necessity of Temples and Idols and he stayed there until the function was over.
The Guru accepted Bodhanda as his Sanyasi disciple in 1912, on the third day of Sharada idol installation. Guru sent him as his representative to many meetings and committees. He helped Nataraja Guru to set up the Narayana Gurukulam in Neelagiri. He spared his life entirely for up-lifting the status of down-trodden people in his native state. The Cochin National Bank was established by him to improve the economic progress of the backward people. “Sree Narayana Dharmam” published by him codified the Guru's precept on “Caste, Religion, Morality, Celibacy and Household duties. The Guru registered his will in Bodhananda Swami's name and made him his successor. But unfortunately Bodhananda Swami attained Samadhi two days after the Guru's Samadhi, in 1928.
Swami Bodhananda
Swami Bodhananda was born in a quiet village called Mattatur, 36 miles north east of Kalady (in Kerala, the south west state of India) the birth place of Adi Sankaracharya. From early childhood He showed great interest in reading and discussing issues pertaining to His country, culture, and geopolitics.
He spent long hours of time either in solitude or dialoguing with his friends, teachers, and wandering monks.
The young mind was disinterested in the ordinary, and sought to find the Light that was beckoning Him. He walked. He meditated. He kept silent. He read.
Everyday the young boy walked 10 miles to the school eager for the classes and to devour books in the public library. By the age of 14 He finished reading Nehru's Glimpses of World History, complete works of Swami Vivekananda, and Mahatma Gandhi, and by 17 he finished Marx's Das Capital, Adam Smith's The Wealth of Nations, Herbert Marcuse's One-dimensional man, Regis Debre's Revolution in Revolution, and Albert Camu's The Rebel.
The brilliant student, graduated with government scholarship from Christ college, (Irinjalakuda) Kerala, and subsequently chose economics and political science for post graduation. His favourite subject continued to be economics, and one of his favourite teachers, Fr. Vivan who taught him economics.
Gurudev spent several years in the Himalayas in silence watching the embodiment of ultimate truth - the snow clad mountains, and in meditation absorbed in the non-dual basis of existence - Brahman.
His enlightenment is marked by compassion, love, and a crystal clear vision that illumines even the darkest corners of human mind.

arly eightees Swami Bodhananda spent several years teaching in Ernakulam, and the students at that time included very welknown community and social leaders of that time.
From 1987 to 1990 Swami Bodhananda was the Mukhyacharya at the Sandeepany Sadanalaya in Kasargode (north Kerala) and taught a complete course of Vedanta for the first batch of Brahmacharis. The Sadhanalaya was inaugurated in September 1987.
The Brahmachari Training Course replete with a syllabus to master the mind as well as scriptures was taught by Swami Bodhananda and completed in a period of two and half years. Many of the Brahmacharis Gurudv taught then are today well-known sanyasins, and among them is Swami Adhyatmananda, who currently heads the Sambodh Kerala.



Swami Bodhananda is a Teacher of keen observation, sharp analytical thinking, subtle perception, and an integral vision, all marked by unconditional compassion for anyone and everyone who comes to Him. His analysis of any issue, whether it is of geopolitical importance, or philosophical abstraction, or psychological complexity, always brings with it nuanced clarity coupled with connected and unified presentation. Hence, anyone who meets Him finds the issue of discussion retold in an exhaustive, lucid, and connected manner. And in that retelling, one finds an enlightening and accomodative reponse to their question and challenge.Gurudev believes in the fundamental unity of life, and in freedom of the individual as the uncomprimisable value.
Saint Banka
Here is a comprehensive overview of Saint Banka (also known as Wanka), a 14th-century poet-saint from the Varkari tradition of Maharashtra .
👤 Personal Snapshot
AspectDetailsAlso Known As Wanka
Time Period 14th century CE
Birthplace Mehenpuri, Maharashtra, India
Caste/Community Mahar caste (historically considered "untouchable")
Spouse Sant Nirmala (also a saint and poet)
Family Relation Brother-in-law to Sant Chokhamela (Banka was brother of Soyarabai, Chokhamela's wife) Religion/Sect Varkari sect (devotee of Lord Vithoba/Vitthala)
Known For Abhanga devotional poetry; raising voice against untouchability
🧬 Understanding His Social Background
Saint Banka's identity is significant precisely because of his origins in a marginalized community:
Born into the Mahar Caste: All available sources confirm that Banka "was a member of the Mahar caste" . The DBpedia entry explicitly describes it as the "Mahar caste of Untouchables," reflecting the severe social discrimination this community faced in 14th-century India .
Family Network of Dalit Saints: Banka was part of a remarkable family of Bhakti saints from the Mahar community. He was the husband of Sant Nirmala and brother-in-law of the more widely known Sant Chokhamela (Banka was the brother of Chokhamela's wife, Soyarabai) . This family network of saints represents a significant challenge to caste orthodoxy within the Varkari sect.
Relevance to Dalit Literature: As a Bhakti poet saint from the Mahar caste, Banka "raised a voice against untouchability which is very relevant to current Dalit literature" .
✍️ His Literary Works and Poetry
Saint Banka composed abhangas (devotional poems) that reflect two distinct themes:
Predominantly Devotional: In most of his abhangas, he praised Lord Vitthal (Vithoba) in happiness and peace . This focus on divine love rather than suffering reflects the Bhakti ideal of transcending worldly conditions through devotion.
Infrequently on Caste: Occasionally, he described his lower caste birth in his poetry . These rare references are particularly valuable as they provide a direct voice from a marginalized perspective in medieval India. 👨👩👧👦 His Family: A Legacy of Saints
Banka belonged to an extraordinary family of saints, all from the Mahar community, who collectively contributed to the Varkari tradition:
Family MemberRelation to BankaKnown ForSant Nirmala Wife Composed abhangas describing "the injustice and inequalities she suffered as a result of the caste system"
Sant Chokhamela Brother-in-law (sister's husband) One of the first Dalit poets in India; famous abhangas like 'Abir Gulal Udhlit Rang'
Soyarabai Sister Wife of Chokhamela; also a saint and poet
Sant Karmamela Nephew (sister's son) Son of Chokhamela and Soyarabai; also a poet-saint
This family network of saints from the Mahar community represents a significant and early challenge to caste orthodoxy within the Bhakti movement.
📚 The Varkari Context
The Varkari sect, to which Banka belonged, is a devotional tradition centered on the worship of Lord Vithoba (a form of Krishna) at Pandharpur, Maharashtra. What makes this tradition notable is that it explicitly welcomed devotees from all castes, including those considered "untouchable." Saints like Banka, Chokhamela, and their family were able to find spiritual expression within this tradition despite facing severe social discrimination in their daily lives .
In summary, Saint Banka was a 14th-century poet-saint from the Mahar community in Maharashtra. He was part of a remarkable family of Dalit saints that included his wife Nirmala, brother-in-law Chokhamela, sister Soyarabai, and nephew Karmamela. His abhangas predominantly focus on devotion to Lord Vitthal, though he occasionally gave voice to the experience of caste-based discrimination. His legacy is celebrated as an early voice against untouchability and as part of the rich tradition of Dalit literature in India .
Bhagawan Nityananda
From Wikipedia, the free encyclopedia
Bhagawan Nityananda
Bhagawan Nityananda as a young yogi
Personal
Born
Raman Nair
1897
Tuneri, Koyilandy, Kerala, India
Died 8 August 1961
Ganeshpuri, Maharashtra, India
Religion Hinduism
Bhagawan Nityananda (November/December, 1897 – 8 August 1961) is an Indian Guru. His teachings are published in the "Chidakash Gita". Nityananda was born in Koyilandy (Pandalayini), Kerala, South India.
Childhood
Details about Bhagwan Nityananda's birth are relatively unknown. According to his disciples, Nityananda was found as an abandoned infant in Tuneri village, Kozhikode, Kerala, India by a lady named Uniamma Nair, who was married to Chathu Nair. The Nair couple adopted this child and took care of him along with their own five children. Nityananda was named as Raman by his foster parents. The Nair couple were farmers, who also took care of the farms owned by a wealthy lawyer named Ishwar Iyer, who greatly trusted them. Nityananda's foster father died when he was three and his foster mother when he was six. Before dying she handed over her responsibility of Nityananda to Ishwar Iyer.
Spiritual life
Bhagawan Nityananda Samadhi
Even in childhood, Bhagwan Nityananda seemed to be in an unusually advanced spiritual state, which gave rise to the belief that he was born enlightened. He was eventually given the name Nityananda, which means, "always in bliss".
Before the age of twenty, Nityananda became a wandering yogi, spending time on yogic studies and practices in the Himalayas and other places. By 1920, he was back in southern India.
Settled in southern India, Nityananda gained a reputation for creating miracles and cures. He started building an ashram near Kanhangad, Kerala state. The hill temple and Ashram in Kanhangad are now pilgrim centres. The Guruvan, a forest in the hills nearby where Bhagawan sat on penance, is now a pilgrim retreat.
By 1923, Nityananda had wandered to the Tansa Valley in Maharashtra state. There, his reputation as a miracle worker attracted people from as far away as Mumbai, though he never took credit for any miracles. He said, "Everything that happens, happens automatically by the will of God." Nityananda gave a great deal of help to the local adivasis. Nityananda set up a school, as well as providing food and clothing for them.
Guru
As a Guru,Bhagwan Nityananda gave relatively little by way of verbal teachings. Starting in the early 1920s, his devotees in Mangalore would sit with him in the evenings. Most of the time he was silent, though occasionally he would give teachings. A female devotee named Tulsiamma (Tulsi Amma) (1882-1945) wrote down some of his teachings and his answers to her specific queries. Later, these notes were compiled and published in the Kannada language and came to be known as the Chidakasha Geeta.
Some believe that Nityananda had the power to transmit spiritual energy (shaktipat) to people through non-verbal means. He could also be extremely fiery and intimidating in his behaviour, even to the point of throwing rocks on occasion. This was his way of deterring people who were not serious in their spiritual aspirations, or who came to him with ulterior motives.
In 1936, he went to the Shiva temple in the village of Ganeshpuri and asked if he could stay there. The family that looked after the temple agreed and built a hut for him. As his visitors and followers increased, the hut expanded and became an ashram. To the people around him, he was an avadhuta: one who is absorbed in the transcendental state.
Final Years And Death (Samadhi)
Bhagwan Nityananda died on 8 August 1961 at age 63. His samadhi is located in Ganeshpuri at the Samadhi Mandir. There is also a shrine dedicated to him in the Gurudev Siddha Peeth ashram at Ganeshpuri. His ashram, tourist hostel, and other buildings associated with his life in Ganeshpuri are preserved by the Shree Bhimeshwar Sadguru Nityanand Sanstha Ganeshpuri. This trust is also responsible for his samadhi shrine in Ganeshpuri, which is a pilgrimage site.
A trust at Kanhangad looks after the Ashram and temples located there. The trust also runs a few educational institutions and a dharmasala.
Bhagwan Nityananda’s Guru
A life size statue of Bhagawan Nityananda at Bunt Bhavan, Mumbai, India
According to Bhagwan Nityananda's biographers, the identity of Nityananda's guru is a mystery. According to Healy, Nityananda did not have a guru. In one of his talks, his student Swami Muktananda said Nityananda’s Guru was an unknown Siddha purusha from Kerala.
Saint Beni Madhab Das
The Teacher-Saint Who Shaped Netaji Subhas Chandra Bose and Bengal’s Moral Conscience
Full Name & Titles
- Bengali: বেণী মাধব দাস (Beni Madhab Das)
- Revered as “Saint Beni Madhab” or “Gurudev” by thousands of students and followers
- Sometimes called “Brahmo Rishi” (Sage of the Brahmo faith)
Birth & Early Life
- Born: 1866 (exact date unknown; some sources say 22 November)
- Place: Sarowatoli village, near Chittagong (now Chattogram, Bangladesh)
- Family: Respectable middle-class Bengali Hindu family (likely Kayastha by birth caste, though he completely rejected caste later). Father was a minor government official.
Education
- Brilliant student: Matriculated from Chittagong Collegiate School
- B.A. (1887) and M.A. in Philosophy from Presidency College, Calcutta – stood First Class First
- Joined the Sadharan Brahmo Samaj under Sivanath Sastri and became a lifelong devotee of Keshab Chandra Sen’s teachings.
Career as Teacher (1889–1920)
1890–1920: Professor of English and History, then Vice-Principal and Acting Principal of Ravenshaw College, Cuttack (then the premier college of Odisha).
He is remembered as one of the greatest teachers in eastern India.
Famous students who called him “Guru”:
- Subhas Chandra Bose (Netaji) – studied under him 1913–1915
- Prana Krishna Acharya
- Justice Radha Krishna Bose
- Dr. Harekrushna Mahatab (first CM of Odisha)
- Many other future judges, ICS officers, and revolutionaries
Netaji himself wrote in The Indian Struggle (1948):
“My greatest teacher was Professor Beni Madhab Das of Ravenshaw College… He instilled in us burning patriotism and the spirit of self-sacrifice.”
Spiritual & Social Life
- Lived an extremely austere life – wore only khadi dhoti, ate simple vegetarian food, slept on the floor.
- Never married (lifelong brahmachari).
- Turned his official bungalow into a quasi-ashram where students lived with him.
- Rejected high-paying jobs and the title of “Rai Bahadur” offered by the British.
- After retirement (1920), he refused pension and lived on voluntary donations from ex-students.
- Founded the Seva Sangha in Cuttack for social service and moral education.
Role in Freedom Movement
Though never arrested or directly involved in violent revolution, he was the quiet moral force behind many revolutionaries:
- Secretly sheltered revolutionaries in his house.
- Inspired Subhas Bose to take the vow of brahmacharya and total dedication to the motherland.
- Organised relief during the 1912 Bengal floods and 1942–43 Bengal famine.
Writings & Scholarship
- Author of several books in Bengali and English on philosophy, history, and ethics.
- Notable works: – Ashoka’s Edicts (critical edition and translation) – The Message of the Gita – Life and Teachings of Keshab Chandra Sen
Last Years & Death
- Spent his final decades in Cuttack and Kolkata, living like a sannyasi.
- Died: 1952 (aged ~86) in Kolkata.
- His body was cremated on the banks of the Hooghly; thousands of ex-students attended.
Legacy & Remembrance
- Ravenshaw University (Cuttack) has a Beni Madhab Das Hall and a life-size statue.
- Annual Guru Puja is still performed on his death anniversary by ex-students’ associations.
- The Government of Odisha recognises him as one of the builders of modern Odisha.
- In Brahmo and Gandhian circles, he is regarded as a true “saint-teacher” who combined intellectual brilliance with absolute renunciation.
In the words of Dr. Harekrushna Mahatab:
“Beni Madhab Das was not just a teacher; he was a living ideal of sacrifice, truth, and patriotism. He produced not merely students, but men of character who changed the history of India.”
Bhagavan Das (yogi)
From Wikipedia, the free encyclopedia
Bhagavan Das (Devanagari: भगवान दास) (born Kermit Michael Riggs on May 17, 1945) is an American yogi who lived for six years in India, Nepal, and Sri Lanka. He is a singer and teacher.
Biography
Bhagavan Das is a bhakti yogi, a shakta tantra adept, and kirtan singer. As a young man he was one of the first Western initiates/devotees of the late Hindu holy man Neem Karoli Baba, as well as the first American to meet Kalu Rinpoche of the Shangpa Kargyupas lineage. He has received Vajra Yogini initiation from the Sixteenth Karmapa Rangjung Rigpe Dorje of the Karma Kagyu lineage and Chögyam Trungpa Rinpoche, the 11th Trungpa Tulku. During the almost seven years he spent as a wandering ascetic in India, Nepal and Sri Lanka he received numerous initiations and teachings from living saints and sages including A. C. Bhaktivedanta Swami Prabhupada, Swami Chaitanya Prakashananda Tirtha, Maharishi Mahesh Yogi, Sri Anandamoyi Ma, and Tarthang Tulku of the Dudjom Rinpoche lineage.
In 1972 in California he married his girlfriend, Bhavani, who was expecting their child; subsequently their daughter, Soma, was born in New York. In 1974 in Berkeley, California, he met Usha, who eventually became his common-law wife and bore him a son, Mikyo, and a daughter, Lalita.
Bhagavan Das guided spiritual teacher Ram Dass, at the time known as Dr. Richard Alpert, throughout India, eventually introducing him to Neem Karoli Baba. Bhagavan Das gained fame after being featured in Ram Dass' book Be Here Now, which described Bhagavan Das' role in his spiritual journeys in India. Bhagavan Das travels widely throughout the world as a performer of traditional and non-traditional Indian bhajans and kirtans, and is the author of an autobiography, It's Here Now
Saint Bhikha Sahib
Bhikha Saheb was a great and experienced saint. Did not believe in miracles and appearances. He knew so much that one who does not sing the hymn of Rama, should
consider it as a form, Bhikha Saheb was born in a village called Khanpur Bohna in Azamgarh district, Uttar Pradesh. He was attracted by the saints coming to the village from his childhood. Gradually, quietness began to grow in his mind. At the age of just twelve years, preparations were made for their marriage. Wearing colorful wedding beggars, he realized that the cloaks of householder religion were being put on his feet. What was it then, one day he quietly escaped from the house.
Bhikha wandered in Kashi in search of Guru and had to return empty handed. Kashi and Kaaba, Girnar and Shikharji, are all empty. Yes, some lamps lit up there centuries ago. Due to those lamps, pilgrimages were made. But the lamps were extinguished. Did not get extinguished, there was no sign of lamps.
Searching in a small village, whose name you may not have even heard. The name of the village was "Bhurkuda", a small village, there would be ten or twenty houses. The name itself is telling. Bhurkuda Gulaals were found there. And saw Gulal, that not only did Bhikha recognize, Gulal also recognized.
Having picked up this twelve year old child, he has got himself sitting on his throne. Jealousy spread among the old disciples. People are wary of what is the matter. Never put anyone on the throne. Big hospitality - of a twelve year old child. Because there is another world where nothing is measured from this age. Where the heart is weighed; Where souls are tested. It was respected as if there was an emperor. Bhikha became Gulal. Gulal became a beggar. Still did not leave The village of Bhurkuta remained there till the end of time, and the Guru died at the feet. At the same time, he remained as Bhurkuta and Gulal. Not even a single moment left Gulal's company. Charan temples were built there day and night, the same shrine became of Bhikha.
And then such a fire burnt… the one who loved Rama then burnt such a fire. It was felt that all the four years had passed in only twelve years. As I got older. As the four states passed - the four ashrams together, in twelve years. Dispossessed and such a fire and such burns, as if the body was gone. I suddenly grew old at twelve years: seeable. Everything was possible. Death stood in front. At the age of twelve. Death stood in front. While people cherish dreams, which will be broken today, not tomorrow. While people make big plans and fantasies. All of which will be dusty. Awake, there is only one way to know more. Consistency of Guru Pratap Sadha, this escape of Bhikha is straightforward, easy, but like a spark. And one spark will set the whole forest on fire - such a spark is such a force. Open the heart, take this spark within you. The disciple is the one who takes the spark as a flower. All that is wrong will spark the spark. All that is meaningless Everything that is garbage will burn, spark will burn, that should not happen. And enhances everything that should be. One who goes through this fire, one day appears as Kundan, appears clean.
"Not beggar hungry, everyone's bundle is red,
gir khol na jansi
tate bhaiy pangal " Bhikha Saheb says that the name 'Rupi Lal' is tied in everyone's feet, but it has a root-gland (knot) tied in it. Till this knot is not opened, that is, the name of the body does not come from the body, we remain hungry. Despite the wealth, we are hungry but after getting the 'name' we become happy. 'Naam' is all perfect, yet are we sad? They say that we have not revealed it.
Begged about it.
Kahn Sunan ki naye
Say sleep
You know that, don't you?
संत भीखा साहिब जी
भीखा साहब बड़े सिद्ध और अनुभवी संत थे। चमत्कारों और दिखावे में विश्वास नहीं करते थे। वह तो इतना जानते थे कि जो राम का भजन नहीं करता है, उसे कालरूप समझना चाहिए
भीखा साहब का जन्म आजमगढ़ ज़िला, उत्तर प्रदेश के खानपुर बोहना नामक ग्राम में हुआ था। उनको बचपन से ही गांव में आने वाले साधु-संत आकर्षित किया करते थे। धीरे-धीरे उनके मन में वैराग्य बढ़ने लगा। मात्र बारह साल की अवस्था में ही उनके विवाह की तैयारी की जाने लगी थी। विवाह के रंग- बिरंगे कपड़े पहनकर भीखा समझ गए कि उनके पैरों में गृहस्थ-धर्म की बेड़ियां डाली जा रही हैं। बस फिर क्या था, एक दिन वह चुपचाप घर से निकल भागे।
भीखा गुरु की खोज में घूमता रहा काशी में और खाली हाथ लौटना पडा उसे। काशी और काबा, गिरनार और शिखर जी,सब खाली पड़े है। हां, कभी सदियों पूर्व कोई दीये वहां जले थे। उन दीयों के कारण तीर्थ बन गये थे। लेकिन दीये तो कब के बुझ गये। बुझ ही नहीं गये, दीयों का तो नाम-निशान न रहा।
खोजते खोजें एक छोटे से गांव में, जिसका नाम भी तुमने न सुना होगा। नाम था गांव का ‘’भुरकुड़ा’’ एक छोटा सा गांव,होगा कोई दस- बीस घरों का। नाम ही बता रहा है। भुरकुड़ा। वहां गुलाल मिले। और गुलाल को देखा, कि न भीखा ने ही केवल पहचाना,गुलाल ने भी पहचाना।
इस बारह वर्ष के बच्चे को एकदम उठाकर अपने पास बिठा लिया अपनी गद्दी पर। पुराने शिष्यों में तो ईर्ष्या फैल गयी। लोग तो चौकन्ने हो गये कि बात क्या है। किसी को कभी अपने पास गद्दी पर नहीं बिठाया। बड़ी आवभगत की—बारह वर्ष के बच्चे की। क्योंकि एक और दुनिया है जहां, इस उम्र से कुछ भी नहीं नाप जाता। जहां ह्रदय तोले जाते है; जहां आत्माएं परखी जाती है। इसकी ऐसा सम्मान दिया जैसे कोई सम्राट हो। भीखा गुलाल के हो गये। गुलाल भीखा का हो गया। फिर भीखा न छोड़ा ही नहीं। भुरकुटा गांव, वहीं पर अंत समय तक रहे, और वहीं गुरु चरणों में मरे। वहीं जीवन भर भुरकुटा और गुलाल के हो कर रह गये। एक पल एक दिन के लिए भी नहीं छोड़ा गुलाल का साथ। रात दिन वहीं चरण मंदिर बन गये, वही तीर्थ हो गया, भीखा का।
और फिर ऐसी आग जली…वह जो राम की प्रीति लगी तो ऐसी आग जली। कि लगा बारह साल में ही चारों पन बीत गये। जैसे में बूढ़ा हो गया। जैसे बीत गयीं चारों अवस्थाएं—चारों आश्रम, एक साथ बारह साल में। निपट लागी चटपटी और ऐसी लगी आग और ऐसी जली अभीप्सा, मानों चरिउ पन गये बीती। मैं अचानक बारह वर्ष में वृद्ध हो गया: देख लिया देखने योग्य। सब आसार था। मौत सामने खड़ी हो गयी। बारह वर्ष की उम्र में। मौत सामने खड़ी हो गयी। जब कि लोग सपने सँजोता है, जो टूटे गे आज नहीं कल। जब कि लोग बड़ी योजनाएं और कल्पनाएं बनाते है। जो कि सब धूल-धूसरित हो जाएंगा। जागों, और जानने का एक ही उपाय है। गुरु परताप साध की संगति, भीखा के ये बचन सीधे-सादे,सुगम,पर चिनगारी की भांति है। और एक चिनगारी सारे जंगल में आग लगा दे —एक चिनगारी का इतना बल है। ह्रदय को खोलों, इस चिनगारी को अपने भीतर ले लो। शिष्य वही है जो चिनगारी को फूल की तरह अपने भीतर ले ले। चिनगारी जलाएगी वह सब जो गलत है। वह सब जो व्यर्थ है, वह सब जो कूड़ा करकट हे, चिनगारी जलाएगी, भभकाएगी, वह जो नहीं होना चाहिए। और उस सबको निखारती है जो होना चाहिए। जो इस अग्नि से गुजरता है, एक दिन कुंदन होकर प्रकट होकर होता है, शुद्ध होकर प्रकट होता है।
"भीखा भूखा को नहीं ,सबकी गठरी लाल,
गिरह खोल न जानसी ताते भये कंगाल"
भीखा साहब जी कहते हैं कि सबके पल्ले में ‘नाम’ रुपी लाल बंधा पड़ा है पर उसमे जड़ -चेतन की ग्रंथि (गाँठ) बंधी पड़ी है । जब तक यह गाँठ न खुले , अर्थात पिंड से ऊपर आकर नाम का अनुभव न मिले , हम भूखे के भूखे रह जाते हैं । दौलत के होते हुए भी हम भूखे हैं परन्तु ‘नाम’ को पाकर हम सुखी हो जाते हैं । ‘नाम’ सब में परिपूर्ण है , फिर भी हम दुखी हैं ? वे कहते हैं कि हमने उसे प्रकट नहीं किया है ।
भीखा बात अगम की ।
कहन सुनन की नाए।
कहे सो जाने ना।
जाने सो कहे ना।
Basaveshwara and Kinnari Bommayya
For all those who aspire to unite Hindus, there is a valuable lesson to learn from an episode involving Basaveshwara, the first social reformer of India and a shivasharana (devotee of Lord Shiva), Kinnari Bommayya. This episode is found in the Kannada work- Basavarajadevara Ragale written by Harihara who lived during 12th century A.D. at Hampi.
Kinnari Bommayya, a shivasharana was a contemporary of Basaveshwara. Born to a family of goldsmiths at Puduru village in Andhra Pradesh, Kinnari Bommayya came to Kalyan and took the profession of playing Kinnari, a kind of lute in front of Tripurantakeshwara temple for a living. He was also a vachanakara and about eighteen vachanas with the ankitanama, Mahalinga Tripurantaka have been found. Kinnari Bommayya was a close friend of Basaveshwara and lived in his house.
Kinnari had a weakness for onions and one day he was skinning them to prepare a meal. Basava could not tolerate the pungent smell and without knowing it was Kinnari who was skinning them questioned in a raised voice the person who had brought those ‘foul things’ and went to the court. Kinnari was pained by these words left the house and went to a nearby village. Basava returned back and not finding Kinnari in the house became angst. When he learned the reason for Kinnari leaving his house, Basava felt sorry and on the suggestion of his well-wishers decided to pacify the anger of Kinnari by going in a procession himself wearing a huge garland of onions and accompanied by elephants, horses and men all decorated with onions. Even the streets through which the procession passed was decked with onion. In this manner Basava conciliated Kinnari and brought him back home.
Now what lesson does the above episode offer to all those who aspire to unite the Hindus? Number one, we should not impose our views or criticize about other’s food habits, the way they dress, the way they worship, their customs and traditions. Number two, only when we show respect to their feelings and stop sermonizing them on various issues, do they reciprocate and try to emulate us; if indeed they feel that our food habits, way of dressing and worshipping are better than theirs. Today in south India, Karnataka is the only state to have a large number of vegetarians. This is due to the large Lingayat population. As a result of Basaveshwara’s teachings a large number of people belonging to various professions and castes including those ostracized from the society and meat eaters accepted Lingayatism and became vegetarians willingly.
India is a land where different religious sampradayas/paramparas (traditions) and panthas (cults) exits. There is nothing like one tradition/cult being superior to all others or all others being derived from one sampradaya/pantha.
Bamakhepa
From Wikipedia, the free encyclopedia
Bamakhepa
Bamakhepa
Personal
Born
Bamacharan Chattopadhyay
1837
Atla village, Birbhum, West Bengal, India)
Died 1911
Tarapith, Birbhum, West Bengal, India)
Religion Hinduism
Nationality Indian
Philosophy Tantra
Religious career
Guru Swami kailashpati
Bamakhepa (1837–1911),(Bengali: বামাক্ষ্যাপা) born Bamacharan Chattopadhyay, popularly known as the "mad saint," was a Hindu saint, held in great reverence in Tarapith and whose shrine is also located in the vicinity of the Tara temple in Birbhum. He worshipped Maa Tara as if she was his own mother. He was born at Atla village in Rampurhat subdivision of Birbhum district.
Memorial of Sadhak Bamakhyapa
Worship
Bamakhepa, goddess Tara's ardent devotee lived near the temple and meditated in the cremation grounds. He was a contemporary of another famous Bengali saint Ramakrishna. At a young age, he left his house and came under the tutelage of a saint named Swami Makshadananda, who lived in a village name Dakshingram,in Birbhum district. Later he relocated to maluti, an old temple village on the banks of Dwarka River. He stayed in Mouliksha temple for continuing the worship of Holy Mother.
Bamakhyapa's Temple. Maluti village, Jharkhand
He perfected yoga and Tantric sadhana (worship)under the tutelage of his guru baba Kailashpati, which resulted in his becoming the spiritual head of Tarapith. People came to him seeking blessings or cures for their illness, in distress or just to meet him. He did not follow the set rules of the temple and as result was even once roughed up by the temple priests for taking food meant as offering for the deity. It is said: Tara appeared in the dream of Maharani ("Queen") of Natore - Rani Bhabani and told her to feed the saint first as he was her son. After this incident, Bamakhepa was fed first in the temple before the deity and nobody obstructed him. It is believed that Tara gave a vision to Bamakhepa in the cremation grounds in her ferocious form and then took him to her breast.
Popular culture
Beginning in 2007, a teleserial named 'Sadhak Bamakhepa' about Bamakhepa ran on television in Bengal. By late 2011, it had run for 1500 episodes
Bhagat Pipa
From Wikipedia, the free encyclopedia
Pīpā
Born 5 April 1425
Gagron, Jhalawar, Rajasthan, India
Died Unknown (~early 15th century)
Other names Raja Pipaji or King Pipaji
Occupation Ruler of Gagron
Known for 1 verse in Guru Granth Sahib.
Spouse(s) Rani Sita
Children Raja Dwarkanath
Bhagat Pipa, also known as Pratap Singh Raja Pipaji, Rao Pipa, Sardar Pipa, Sant Pipaji, Pipa Bairagi or Pipanand Acharya,[citation needed] was a Rajput King of Gagaraungarh who abdicated the throne to become a Hindu mystic poet and saint of the Bhakti movement. He was born in the Malwa region of North India (east Rajasthan) in approximately AD 1425.
Pipa's exact date of birth and death are unknown, but it is believed that he lived in the late fourteenth and early fifteenth century. Born into a warrior class and royal family, Pipa is described as an early Shaivism (Shiva) and Sakta (Durga) follower. Thereafter, he adopted Vaishnavism as a disciple of Ramananda, and later preached Nirguni (god without attributes) beliefs of life. Bhagat Pipa is considered one of the earliest influential sants of the Bhakti movement in 15th century northern India.
Life
Pipa (rightmost) with other Bhagats of Sikhism, Ravidas, Kabir and Namdev.
Pipa was born into a Rajput royal family (Kshatriya varna) at Gagaron, in the present-day Jhalawar district of Rajasthan. He became the king of Gagaraungarh. Pipa worshipped the Hindu goddess Durga Bhavani and kept her idol in a temple within his palace. While Pipa was the king Gagaraungarh, he abdicated and became a 'sanyasi' and accepted Ramananda as his guru. He then joined Ramananda's Vaishnavism Bhakti, a movement with a strong monist emphasis based out of Varanasi.
According to Bhaktamal, a Bhakti movement hagiography, his wife, Sita, stayed with him before and after his abdication when he became a wandering monk. The hagiography mentions many episodes of his sannyasa life, such as one where robbers tried to steal his buffalo that provided milk to his companions. When he stumbled into the robbery in progress, he began helping the robbers and suggested that they should take the calf. The robbers were so touched that they abandoned their ways and became Pipa's disciples.
In his later life, Bhagat Pipa, as with several other disciples of Ramananda such as Kabir and Dadu Dayal, shifted his devotional worship from saguni Vishnu avatar (Dvaita, dualism) to nirguni (Advaita, monism) god, that is, from god with attributes to god without attributes.
His date of birth and death is unknown, but the traditional genealogy in Bhakti hagiography suggests he died in 1400 CE.
Key teachings and influence
Pipa taught that God is within one's own self, and that true worship is to look within and have reverence for God in each human being.
Within the body is the god, within the body is the temple,
within the body is all the Jangamas
within the body the incense, the lamps, and the food-offerings,
within the body is the puja-leaves.
After searching so many lands,
I found the nine treasures within my body,
Now there will be no further going and coming,
— Sant Pipa, Gu dhanasari, Translated by Vaudeville
He shared same views as Guru Nanak, the founder of Sikhism, and Bhagat Pipa's hymns are included in the Guru Granth Sahib.
Bhagavaan Ji
Bhagavaan Gopinath Ji (3 July 1898 – 28 May 1968), born Gopinath Bhan, also called Bhagavaan Ji, was a mystic saint of early 20th century Kashmir in India. He has been called a jivanmukta (liberated soul) and his spiritual state has been described as Shambhavi avastha (state of Shiva).
Contemporary saints of his times have also called him an Aghoreshwar. It was sometime during 1946–1956 that he came to be called as Bhagavaan Gopinath Ji by his devotees.
Bhagavaan Gopinath Ji is called JagatGuru
As we all know Kashmir which is also called as ‘Rishwar’ (The land of saints) has produced many great saints & rishis. Among these great saints who have spread the message of love throughout the globe was Jagat Guru Bhagavaan Gopinath Ji Maharaj. The only saint who has been conferred with the title "Bhagavaan"(The God). Bhagavaanji was born in Srinagar in 1898 at Banamohalla Srinagar Kashmir (J&K) India and attained Mahasamadhi in 1968. Bhagavaanji is rightly called the saint of all times. Bhagavaanji's Ashram is situated at Kharyar (Habba Kadal) on the banks of river Vitasata (Jhelum). People from all over India and abroad used to come and have the darshan and blessings of this great saint. It was under the divine touch of this great saint suffering and problems of people were removed automatically. The divine power of Bhagavaanji was such that he offered the solution to the people who came under his lotus feet without waiting for the person to express his problems. Bhagavaanji heart was full of love. There are quite a few instances of near miracles performed by him in removing disease, postponing death, warding off clouds and also help some devotees to have a glimpse of Divine Mother (Sharika). Bhagavaan Gopinath Ji is called Jagat Guru because of his world view. To an Australian devotee he has given a message that all religious and spiritual forums of the world should put in their all efforts in order to raise the mankind from animality to Divinity.
One great instance or what can be rightly said the Miracle which was performed by Jagat Guru Bhagavaan Gopinath Ji Maharaj was during the Indo-Pak Conflict at Tiger Hills (Kargil J&K) in 1999 when the officer's & personnel of the Indian Army, Who had never heard of Bhagavaan Gopinath Ji, saw Him at the front guiding them during the operations. These Army Officers have attributed the successful capture of the Tiger Hills mainly due to the directions they received by him during the counter attack.
It was an officer of 18 Grenadiers, who first revealed how this mysterious saint of Kashmir directed the operation and how the commandos acted accordingly to his command with the result that the strategically important point (Tiger Hills) was snatched back from the clutches of the enemy. The Officer had heard about Bhagavaanji from a Kashmiri army officer, who was wearing a locket with the photograph of Shri Bhagavaanji in his neck. It was because of this back ground that he had recognized the saint with a white turban and a red "Tilaka" on his forehead. He had no doubt in his mind that this success in recapturing this formidable and strategically all important peak was made possible by this unforgettable character emerging on the scene on July3,1999.
And some devotees of him who were very close to him said that during 1962 when the Indian army was engaged in halting the onslaught of the Chinese troops, one day he left his residence and returned only the next day. His body was shivering and he had caught cold and was having the symptoms of bronchitis. When asked he replied that he had gone to Tibet border to settle scores. A few days soon thereafter there was ceasefire on the battlefront. Bhagavaanji preached the oness of all religions. His belief was to work collectively for the welfare of Mankind throughout the Globe. He had a world view of spirituality. He desired that the forces of peace, piety and righteousness world over should pool their efforts and serve humanity so that universal brotherhood prevails and the forces of dissention and division are defeated. Mayor Schundler of New Jersy proclaimed Jul 26, 1997 as Jagat Guru Bhagavaan Gopinath Ji Day when a colorful function was held there with devotion and religious fervor.
Let the Blessings of This Great Saint should bestow on all of us throughout the globe and Let the divine light of Bhagavaan Ji Guide us on every point and show the right path in order to make this world happier place to live in.
Bulleh Shah
Those who do not forget the Lord, with each breath and morsel of food, whose minds are filled with the Mantra of the Lord's Name they alone are blessed; O Nanak, they are the perfect Saints.
Once Baba Bulleh Shah was sitting on bank of river when he saw this lady selling carrots. People were coming to buy it, but when they start picking and choosing she would say "I only sell carrots in volumes there is no pick and choose". So all these people had to buy carrots in volumes/in bulk.
Then there was this beautiful man, who came to her to get carrots, but this time she herself picked the best carrots for him ! Bulleh shah was quite surprised looking at the incident so after this men had left Bulleh shah asked her how come you let only him to hand pick the carrots, in fact you picked and choose carrots for him yourself. She replied, Bulleh Shah ji, he is my husband, there is no counting/accounts between lovers.
This made Bullah Shah realize, what's the point of carrying a rosary. He put it away and asked himself, Bullah are you insane? Why are you doing counting with your beloved? Why count what Waheguru has given me ? How many times have I done simran or went to Gurudwara, or how much money did I gave for charity and then brag about the same etc ?
Make good deeds the soil, and let the Word of the Shabad be the seed; irrigate it continually with the water of Truth.
Become such a farmer, and faith will sprout. This brings knowledge of heaven and hell, you fool!
Do not think that your Husband Lord can be obtained by mere words.
Bulleh Shah‘s real name was Abdullah Shah, was a Punjabi Muslim Sufi poet, a humanist and philosopher.
Born: 1680 Uch, Bahawalpur, Punjab, Pakistan
Died: 1757 (aged 77) Kasur, Punjab, Pakistan
Early life and background
Bulleh Shah is believed to have been born in 1680, in the small village of Uch, Bahawalpur, Punjab, now in Pakistan. His ancestors had migrated from Bukhara in modern Uzbekistan.
When he was six months old, his parents relocated to Malakwal. There his father, Shah Muhammad Darwaish, was a preacher in the village mosque and a teacher. His father later got a job in Pandoke, about 50 miles southeast of Kasur. Bulleh Shah received his early schooling in Pandoke, and moved to Kasur for higher education. He also received education from Maulana Mohiyuddin. His spiritual teacher was the eminent Sufi saint, Shah Inayat Qadiri.
Little is known about Bulleh Shah’s direct ancestors, except that they were migrants from Uzbekistan. However, Bulleh Shah’s family was directly descended from the Prophet Muhammad(PBUH).
Career
A large amount of what is known about Bulleh Shah comes through legends, and is subjective; to the point that there isn’t even agreement among historians concerning his precise date and place of birth. Some “facts” about his life have been pieced together from his own writings. Other “facts” seem to have been passed down through oral traditions.
Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain (1538 – 1599), Sultan Bahu (1629 – 1691), and Shah Sharaf (1640 – 1724).
Bulleh Shah lived in the same period as the famous Sindhi Sufi poet , Shah Abdul Latif Bhatai (1689 – 1752). His lifespan also overlapped with the legendary Punjabi poet Waris Shah (1722 – 1798), of Heer Ranjha fame, and the famous Sindhi Sufi poet Abdul Wahad (1739 – 1829), better known by his pen-name, Sachal Sarmast (“truth seeking leader of the intoxicated ones”). Amongst Urdu poets, Bulleh Shah lived 400 miles away from Mir Taqi Mir (1723 – 1810) of Agra.
Poetry Style
The verse form Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Siraiki poetry used not only by the Sufis of Sindh and Punjab, but also by Sikh gurus.
Bulleh Shah’s poetry and philosophy strongly criticizes Islamic religious orthodoxy of his day.
A Beacon of Peace
Bulleh Shah’s time was marked with communal strife between Muslims and Sikhs. But in that age Baba Bulleh Shah was a beacon of hope and peace for the citizens of Punjab. While Bulleh Shah was in Pandoke, Muslims killed a young Sikh man who was riding through their village in retaliation for murder of some Muslims by Sikhs. Baba Bulleh Shah denounced the murder of an innocent Sikh and was censured by the mullas and muftis of Pandoke. Bulleh Shah maintained that violence was not the answer to violence.Bulleh Shah also hailed Guru Tegh Bahadur as a ghazi (Islamic term for a religious warrior) and incurred the wrath of the fanatic muslims at the time.
Banda Singh Bairagi was a contemporary of Bulleh Shah. In retaliation for the murder of Guru Gobind Singh’s two sons by Aurangzeb, he sought revenge by killing common Muslims. Baba Bulleh Shah tried to convince Banda Singh Bairagi to renounce his campaign of revenge. Bulleh Shah told him that the same sword which fell upon Guru Gobind Singh’s sons and innocent Sikhs also fell upon innocent Muslims. Hence killing innocent Muslim was not the answer to Aurangzeb’s reign of oppression.
Humanist
Bulleh Shah’s writings represent him as a humanist, someone providing solutions to the sociological problems of the world around him as he lives through it, describing the turbulence his motherland of Punjab is passing through, while concurrently searching for God. His poetry highlights his mystical spiritual voyage through the four stages of Sufism: Shariat (Path), Tariqat (Observance), Haqiqat (Truth) and Marfat (Union). The simplicity with which Bulleh Shah has been able to address the complex fundamental issues of life and humanity is a large part of his appeal. Thus, many people have put his kafis to music, from humble street-singers to renowned Sufi singers like the Waddali Brothers, Abida Parveen and Pathanay Khan, from the synthesized techno qawwali remixes of UK-based Asian artists to the rock band Junoon.
Bulleh Shah’s popularity stretches uniformly across Hindus, Sikhs and Muslims, to the point that much of the written material about this philosopher is from Hindu and Sikh authors.
Modern Renditions
In the 1990s Junoon, Asia’s biggest rock band from Pakistan, rendered such poems as Aleph (Ilmon Bas Kareen O Yaar) and Bullah Ki Jaana. In 2004, Rabbi Shergill successfully performed the unlikely feat of turning the abstruse metaphysical poem Bullah Ki Jaana into a Rock/Fusion song, which became hugely popular in India and Pakistan. The 2007 Pakistani movie Khuda Kay Liye includes Bulleh Shah’s poetry in the song Bandeya Ho. A 2008 film, ‘A wednesday’, had a song, “Bulle Shah, O yaar mere” in its soundtrack. In 2009, Episode One of Pakistan’s Coke Studio Season 2 featured a collaboration between Sain Zahoor and Noori, “Aik Alif“.
Bulleh Shah’s Poetry
Sadhu Bhaiya Naik
Sadhu Bhaiya Naik alias Sadashiv Rao Naik was an ardent devotee of Shirdi Sai Baba. He was dealing in grocery articles and was also attending to his landed property at Harda, Madhya Pradesh. Sadhu Bhaiya Naik had three sons. The eldest was Ananda Rao, Lakshmanrao alias Balasaheb Naik and Shankar Rao.
He had love and devotion for saints and holy men. When he had occasion to visit saint Gondavalekar Maharaj, the latter told him that some evil spirit was ruling over him and that he should go to Ganagapur for getting rid of same. According to those orders of Shri Gondavalekar Maharaj, Shri Sadashivrao Naik went to Ganagapur and got rid of the influence of the evil spirit.
Shri Sadashiv Rao Naik had close contact with Shri Sai Baba from 1914. Before that also he was often visiting Shirdi for the darshan of Shri Sai Baba.
Once Shama alias Shri.Madhavrao Deshpande, happened to come to Harda when the mother of Shri Naik complained to Shri.Shama that Shri Naik was a man with a family, If he went to Shirdi very often, how would he be able to take care of his family? Hearing this complaint from the mother of Shri Naik, Shama said to Shri Naik, "Do not give your mother any cause for complaint. Henceforth do not come to Shirdi unless you are called by Shri Baba".
As Shama was very close to Shri Baba, Shri Naik considered Shama's words as the order of Shri Sai Baba Himself and stopped going to Shirdi. When Shri Sai Baba knew about it He said, "Due to Shama's orders Shri Naik would not come. So ask Shri Parulkar to bring Shri Naik along with him". So a letter from Shri Sai Baba was sent to Shri Naik and he went to Shirdi in 1914 along with his two sons. Shri Balasaheb had the darshan of Shri Baba in this way when he was only about seven years of age. Shri Parulkar and Shri Sadashivrao used to sit with Shri Sai Baba for hours together smoking Chilim. Shri Balasaheb and his brother got at that time prasad and Udi directly from the hands of Shri Sai Baba.
Immediately in the next, year, that is in 1915, Shri Balasaheb got an opportunity to visit Shirdi along with his father. At that time they stayed at Shirdi for about 10 days. This time also they got opportunity to take darshan of Shri Sai Baba from close quarters, when he used to go to Chavdi along with his brother, Radhakrishnamai used to apply sandalwood paste on their forehead. The thread ceremony of Shri Balasaheb was attended at Harda by Shri Dixit, Shri Deshpande and Shri Tatya Kote Patil. At that time Shri Baba had sent to him rupees five and Savitribhajanmala.
At the time of Dasnavami in 1915 Shri Baba sent His big photo to Harda to Shri Naik, along with Shr| Balakram and Muktaram. This was the photograph that was kept in Dixit Wada.; it reached him on 8th February 1915 on a Thursday (Dasnavami). Baba also sent a letter saying "Through this photo I have come to your home. Without My permission don’t come to Shirdi again”.
Baba sent this Portrait to Sadhu Bhaiya on 8th February 1915
Rudrabhishek and Puja were performed and He was placed upon a sinhasan and Anna Daan was done. Then Muktaram climbed on the roof to hoist a flag. He was precariously perched on the roof and the flag was hoisted three fourth of the height when his arm ached terribly. Simultaneously Baba asked a bhakta seated near Him to massage His arm and said, "Allah Mallik Sadhu Bhaiya Garebon ka wali hai. Allah se bada kyon hein (Allah Mallik is the savior of the poor. Who is greater than Allah?)". At that very moment, the pain in Muktaram's arm also disappeared and he was able to comfortably complete the task.
The flag thus was hoisted. Everyone was joyous as Muktaram was safe. Baba looked after him at all times. Once there was an epidemic of plague in Harda. Everyone fled deserting the village. At that time, Sadhu Bhaiya had gone to his ancestral village, Brahmingaon, about 7 miles away, leaving his father with Baba's photograph in Harda. Sadhu Bhaiya wrote to Baba asking him about the photograph and the plague. Baba told him to perform puja to the photograph daily and go back to Harda and send his father to Shirdi. A few days later, two dead rats were found near the photograph. Sadhu immediately wrote to Baba and consulted Him. Baba in his characteristic way said, "Allah Mallik was there and there is nothing to fear." Sadhu Bhaiya stayed on in that house and was safe.
Sadhu Bhaiya took samadhi in 1937. As a close Sai devotee, the photo of Shri Sadashivrao Naik is hung in the Samadhi Mandir at Shirdi along with Shri Baba's other devotees.
Shri Balasaheb Naik was born at Harda, Madhya Pradesh on 14th January 1907. Shri Balasaheb remembers very well that he had visited Shirdi with his father in 1914 and 1915.
Shri Balasaheb had his primary education at Harda. He also attended the middle school there. In 1927, he came to Indore at the house of his sister for higher education and passed his Matriculation examination at Indore. He studied further upto Inter Arts at Indore. Shri Balasaheb served in the High Court at Indore and retired from there. He is now drawing a pension. He is now working in his own firm known as "Malwa Trading Syndicate". He is also having an agency of Camel Ink. His son is helping his father in this business. Shri Balasaheb Naik is also giving free Homeopathic medicines to poor people. He is taking keen interest in all the social and religious activities conducted at Indore.
Shri Balasaheb Naik was married in 1943 and the name of his wife was Malatibai. They led a married life for full thirty five years and Mrs. Malatibai left for heavenly abode in 1978. Shri Balasaheb has two sons and a daughter. The names of his sons are Vishwanath (30) and Dhananjaya (25). The Name of his daughter is Vanitha. She is aged 30. His daughter-in law is named Girija and she is having two children.
The photograph sent by Baba was in Brahmingaon unattended. One day Lakshmanrao alias Balasaheb Naik got a vivid dream in which Baba said "I came to your home through this photograph, and you have discarded Me. If you don't come and free me within two days my leg will be eaten away". Lakshmanrao was shocked at this dream, as he could not understand it. He went to the court as usual but was restless the whole day and could not do a lot of work.
Lakshmanrao Naik
That night he had the same dream. In which Baba said "you have not heeded my warning, if you don't come and set me free, my leg will be eaten away by termites (white ants)'. This dream terrified Lakshmanrao. The very next day he went to court and applied for leave. Hastily he went to the house in Brahmingaon. When he opened the door he was shocked to see that termites had eaten the wooden frame, and had just invaded the photograph below Baba’s big toe.
Lakshmanrao at once took down the photograph and cleaned it. Then he took the photograph to his home in Indore. There he got it re-cleaned and re-framed and kept it in his home. Daily Puja was performed. Now Baba in that photograph is being tended to with tender loving care by Vanitha (Laxman's daughter).
Today this photo has been kept for darshan at the house of Shri Balasaheb Naik at Rajendranagar, Indore and many Sai devotees who know about it take darshan regularly.
(Source: Shri Sai Leela Magazine July 1982 & Ambrosia in Shirdi by Sai Bhakta Vinny Chitluri, Photo Courtesy: Shri.Nagaraj Anvekar, Bangalore)
Bansuria Baba
There have been many saints, sages and maharishis on the holy land of India, who have served the society and the nation while worshiping God. One of such saints was Bansuria Baba, who glorified God and worked as a lighthouse in the freedom struggle.
People of all castes and classes participated openly in the freedom struggle of 1857 AD. Due to Dalhousie's imperialist policy, Jhansi, Satara, Awadh and Delhi were all against the company rule. Nana Saheb and Tatya Tope together planned a revolution in Bithoor. The message of revolution was also spread secretly in every village. The saints and saints also contributed significantly in spreading the message of revolution.
The revolution was secretly propagated in Bihar. The revolution was planned under the leadership of Pir Ali and its secret meetings were held in Danapur. On behalf of Babu Kunwar Singh of Jagdishpur, Harekrishna Singh and Dal Bhanaj Singh used to spread the wave of revolution among the soldiers of Danapur Cantonment of Bihar.
In India at the time of crisis, saints have sacrificed their all for the salvation of the country. He has also conducted the movement at some places and raised the sword when needed.
In the Treta Yuga, when King Ravana of Lanka had destroyed the Aryan civilization and culture, then Maharishi Vasistha and Agastya prepared Lord Rama for armed struggle against him. Rama defeated Ravana with the help of his brother Lakshmana and the Vanar Sena and waved the flag of Aryan culture in the south. Similarly, in Dwapar era, Vidur Maharaj had secretly helped the Pandavas in the Kaurava-Pandava war. Sadhus and saints always support justice and religion.
Bankim Chandra Chattopadhyay has written in his famous book 'Anand Math' that the ascetics have contributed immensely in destroying the English Empire. He conceived the national awakening in the general public.
The land of Bhojpur is considered the sacred land of India. Maharishi Vishwamitra taught Rama and Lakshmana with weapons in their Siddhashram here, so that they could destroy the demons. The expelled son of an ordinary jagirdar of this land, Farid Khan (Sher Shah) defeated Mughal emperor Humayun and established the rule of Sur dynasty. What we mean to say is that many such gems have been born on the land of Bhojpur, who have rendered valuable service to Mother India in one form or the other.
Babukunvarsingh and Amar Singh led the revolutionaries of Bihar during the first freedom struggle. Bansuria Baba gave him inspiration for this. It is said that in those days, there lived a saint in the jungles of Jagdishpur, on whose banshee the sound of all beings was enchanted. It seemed as if Lord Krishna himself was reciting his Murali tune to the people of Bhojpur in his form. Just as Krishna inspired Arjuna to fight against the tyrannical Kauravas, Bansuria Baba also inspired the people of Bhojpur to fight against the tyrannical rule of the company. On Baba's call, the public agreed to give up everything. Baba used to say "Son keep your forehead right. The body will work automatically." This meant help your leader. Everything else will go well on its own. End the tyrannical rule of the company while under discipline.
Babu Kunwar Singh and Amar Singh got inspiration from Baba. He made his plans, for which Baba would always bless. There is also written evidence that he once told Kunwar Singh that your name will be immortalized in Indian history not because of your dynasty, but because of your services.
Thousands of Bhojpuri youth started working without pay in Kunwar Singh's army due to Baba's inspiration. He used to instill a sense of hatred in public by calling the British as heretics. Baba's heart was filled with national sentiment. He was desirous of ending the English state in every way. Baba himself did not take up arms, but inspired others for this.
Baba used to roam from place to place propagating the messages of revolution. His method of propaganda was very simple and attractive.
Where was Baba born? Who were his parents. We do not receive any information in this regard. Actually great saints do not have any one place. There is a saying in Bhojpuri that 'Ramta Jogi flows water' is the importance.
Some scholars believe that Baba Chambay was a lean-to-middle age saint. He used to drink ganja and spoke always. Used to eat milk and fruits and lived outside the village.
After the death of Kunwar Singh, Amar Singh took up the task of governance and continued the struggle against the British. Even then Baba used to inspire Amar Singh. Due to his blessings and blessings, Amar Singh survived many times narrowly from the hands of enemies.
When Baba came to know that Babu Kunwar Singh's nephews Ripubhanjan Singh and Guman Bhanjan Singh had met the British, he was very sad. Ripubhanjan Singh used to inform the British about all the plans of Babu Kunwar Singh. He used to distinguish the revolutionaries from the British and transport them to the British army. Not only this, by explaining the rebels, removing them from the revolution, apologizing to the British, provoking the people in favor of the British was the main task of Ripubhanjan Singh.
Baba was fiercely angry with these works of Ripubhanjan Singh. Therefore, he had cursed that both Ripubhanjan Singh's wealth and fame will be destroyed.
Dr. Bharat Mishra, after discussing with the people of Jagdishpur, concluded about Baba that a monk had very good contact with Babu Kunwar Singh. Unfortunately, it is not a relic of the monk. There is a need for scholars to do special research on them. Today our country needs a saint like Bansuria Baba, who can work for the integrity and national unity of the country. Our main goal should be that all Indians should be united in one thread.
Saint Birbhan
Birbhan is the founder of Satnami Sect of Hinduism in Bijesar,village near Narnaul, Haryana in 1543 CE.This sect is mainly comprised of Chamars of Northern region associating with some sweepers,carpenters,goldsmiths etc.During the rule of Mughal Aurangzeb, there was resentment among Hindus for revival of Jaziya and destruction of temples. The revolt triggered when a Mughal soldier killed a Satnami. The Satnamis killed the soldier in revenge and in turn Mughal soldiers were sent to teach them a lesson. Some 5,000 Satnamis stood up in arms and routed the Mughal troops in the town, drove away the Mughal administrators and set up their own administration under their leader Birbhan.The rebellion was crushed when Aurangzeb under the leadership of Nawab of Narnaul,Taherbeg sent 10,000 troops with artillery to crush the Satnamis. In the sort of a large battle, 2000 Satnamis were slained along with Birbhan.Then remaining Satnamis fled in all directions and especially towards the jungles of Chattisgarh.
Birbhan was a contemporary of Dadu. He was born near Narnaul in Punjab in 1543 and founded the famous sect of Sadhus or Satnamis. Birbhan was a monotheist and described God by the name of Satnam or Truth. Birbhan did not believe in caste and other distinctions and was opposed to idol worship.
He insisted on meditation and virtuous life with a view to attain ultimate absorption with God. Birbhan insisted on his followers to abstain from intoxicants and animal food as well as unnecessary accumulation of wealth. The sect founded by Birbhan is known as Satnamis and their religious granth is known as Pothi, which is revered like the Granth of the Sikhs.
In addition to the above saints and reformers a number of other saints and reformers also tried to bring about religious synthesis and to reconcile the ideas of Islam and Hinduism. It is not possible to make a mention of the ideas of all these saints within the limited space at our disposal. However, the prominent amongst them included Lal Das of Alwar; Bawa Lal of Malwa, Dliarnidas of Chapra, Jagjivandas of Barabanki district, Charandas of Rajputna, Ramcharan of Shahpur, and numerous others.
Bhima Bhoi
Bhima Bhoi (1850–1895) was a 19th-century saint, poet, mystic, and social reformer from Odisha. He is revered as a "subaltern voice" who challenged the caste system through his spiritual movement, Mahima Dharma, and his powerful devotional poetry .
AspectDetailsBorn 1850 (Baisakh Purnima)
Died 1895 (Siva Chaturdasi)
Community Kondh (Khond) tribe – a Scheduled Tribe (ST) in Odisha
Spouse Annapurna
Children Labanyabati (daughter), Kapileshwar (son)
Guru Mahima Swami (also known as Mahima Gosain)
Philosophy Mahima Dharma (monotheistic, formless God called Alekh Niranjan or Satnam)
Famous Saying "Mo jeevana pachhe narke padithau, jagata uddhara heu" (Let my life rot in hell if necessary, but let the world be redeemed)
🧘 Early Life and Spiritual Journey
There are two main accounts of Bhima Bhoi's origin, both placing him within the Kondh tribal community. According to one version, he was born in Madhupur village in Rairakhol ; another states he was found as an infant in a grove near Jatesingha in Sonepur district and adopted by a Kondh couple named Danara Bhoi and Maharagi Bhoi .
His early life was marked by hardship:
He lost eyesight in one eye due to smallpox in childhood .
He worked as a cattle caretaker for a farmer and was forced to live in a cowshed due to being considered "untouchable" .
He gained knowledge by listening to recitations of religious texts from a nearby Bhagabata Tungi (recital hall) .
At the age of twelve, he left his job and began his spiritual journey . According to legend, he was rescued from a deserted well by Mahima Swami, who became his guru and initiated him into Mahima Dharma . He later established his ashram in Khaliapali near Sonepur, where he died in 1895 . 📜 Philosophy: Mahima Dharma
Bhima Bhoi propagated Mahima Dharma (also known as Satya Mahima Dharma or the Alekha cult), a monotheistic tradition founded by his guru .
Core TenetDescriptionOne God Belief in Alekh Niranjan – a formless, indescribable, and pure supreme being residing in the void (Shunya)
Rejection of Caste "There is no varna difference in Brahma Bhakti. Whoever makes a distinction will fall into hell"
Opposition to Idolatry "Lord Jagannath resides in this body. Why do you worship an idol made of wood?"
Simple Living No lying, stealing, adultery, or discrimination; abstain from liquor and meat
Equality Men and women are equal; no discrimination between guru and disciple
Bhima Bhoi emphasized Nirguna Bhakti (devotion to a formless God) over ritualistic worship. He believed that the human body itself is a temple and that God resides in every heart . His followers came from all backgrounds – upper castes, marginalized communities, and women – who lived and worked together transcending social identities . 🖋️ Literary Works
Bhima Bhoi composed over 100 poetical collections, though only about twelve are available today . His poetry is written in colloquial Odia (with Sambalpuri dialect influences), making it accessible to common people .
WorkDescriptionStuti Chintamani His most important work – 100 chapters, 4,000 lines of prayer to Brahma seeking redemption from suffering in Kaliyuga
Brahma Nirupana Gita Describes the nature of Brahman and the equality of all beings in Mahima Mandir
Nirbeda Sadhana Focuses on self-inquiry and renunciation of scriptural knowledge to attain enlightenment
Atha Bhajan / Bangala Atha Bhajan Two collections written in the Bengali language
His famous assertion – "Let my life rot in hell if necessary, but let the world be redeemed" – reflects his selfless dedication to the upliftment of the oppressed . 💡 Legacy and Recognition
Bhima Bhoi is remembered as a "Santha Kabi" (Saint Poet) and a "Tribal Nirguna Saint" of the modern era . His contributions include:
RecognitionDetailsBhima Bhoi Medical College Medical college in Bolangir, Odisha, named in his honor
Research Chairs Established at Kalinga Institute of Social Sciences (2018) and Gangadhar Meher University (2019) to study his life and philosophy
Philosophical Impact His concept of Pinda-Brahmanda (microcosm-macrocosm unity) and spiritual humanism (Vasudhaiva Kutumbakam) continues to inspire scholars
He envisioned a classless, casteless society with compassion, peace, and social inclusion – a vision that remains deeply relevant today . 🔍 Note on His Tribal Identity
Bhima Bhoi was born into the Kondh (Khond) tribe, which is recognized as a Scheduled Tribe (ST) in Odisha today . The Kondh community is also classified as a Particularly Vulnerable Tribal Group (PVTG) in the state. Despite facing social ostracism and being considered "untouchable" during his lifetime, Bhima Bhoi rose to become one of the most revered saints and poets of Odisha. Bhakta Bhagu
Bhakta Bhagu - The Varkari Saint
Bhakta Bhagu (also known as Bhagu Maharin) was a female saint and poet from the Varkari tradition of Maharashtra, who lived during the Bhakti movement period .
Background and Identity
AspectDetailsName Bhakta Bhagu (also called Bhagu Maharin)
Community Mahar caste (recognized as Scheduled Caste in modern India)
Tradition Varkari Sampradaya (devotional movement dedicated to Lord Vithoba)
Occupation Made flower garlands for the temple; known as a poet
Bhagu was born in a village in Maharashtra to a pious Hindu couple. Her father worked as a potter, making and selling clay pots to support the family .
Early Life
She was married at a young age, but her husband sent her back to her hometown due to her unlimited devotion to Lord Vittal. Rather than being upset, Bhagu left her home and joined a group of pilgrims traveling to Pandharpur - the holy town housing the main temple of Lord Vithoba (also known as Vittal) .
Life in Pandharpur
Upon reaching the Pandharpur temple, Bhagu felt immense joy and began singing melodious songs in praise of Lord Vittal. The temple authorities, recognizing her selfless devotion, provided her with shelter and asked her to make flower garlands for the deity. She happily accepted this divine service and continued her devotional practices .
The Legend of the Golden Necklace
The most famous story about Bhakta Bhagu involves a test of her devotion :
The Test: Lord Vittal appeared before her in the form of a small boy and handed her a golden necklace before disappearing.
The Accusation: Bhagu took the necklace to the temple priest to adorn Lord Vittal. At that time, one of the deity's jewels was missing, and the priest mistakenly believed she had stolen it.
The Punishment: She was tied to a pillar and reported to the king, who ordered her to be hanged without a proper hearing.
Divine Intervention: As the executioner hanged her, Lord Vittal appeared, lifted Bhagu in his hands, saved her life, and revealed the truth to everyone present.
The king realized his mistake, apologized to Bhagu, and provided her with proper housing and facilities. She continued her devotional life and eventually attained the lotus feet of Lord Vittal after her death .
Literary Contributions
Bhakta Bhagu is recognized as a poet within the Varkari tradition. She composed abhangas - a form of devotional poetry sung in praise of Lord Vithoba. The term "abhang" literally means "uninterrupted" and refers to poems sung continuously by devotees, typically beginning with praise of the deity, describing the divine form, and ending with a moral or religious message .
She is mentioned in the Shrisakalsantgatha, a hagiographic text, where she is referred to as "Bhagu Maharin" .
Significance
Bhakta Bhagu's story is significant for several reasons:
Caste and Devotion: Despite belonging to the Mahar community (considered a lower caste in the traditional social hierarchy), her devotion to Lord Vittal was recognized as supreme, reflecting the Varkari tradition's emphasis on equality and rejection of caste-based discrimination .
Women Saints: She represents the tradition of women saints within the Bhakti movement who found spiritual fulfillment through personal devotion rather than through traditional social roles.
Varkari Tradition: The Varkari movement, which includes saints like Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram, emphasizes duty-based moral living, equality, rejection of caste discrimination, and devotion to Lord Vithoba .
Bhagat Baba Kalu
From Wikipedia, the free encyclopedia
Bhagat Baba Kalu Ji Panchhat
Baba Kalu is a local Saint revered by the people of the Hoshiarpur and Phagwara areas of the Punjab, India.
History
Baba Kalu was born in Barial, a village in Hoshiarpur during medieval times. He spent his final days in the village of Panch Nangal near the village Khushalpur in Hoshiarpur where his wooden sandals are still kept.
The main shrine of Baba Kalu is in Panshta (also known as Panchhat).
Baba Kalu was of the Manauti surname and had two sons: Ganesha and Mehesha. The latter left issue who are styled Bawas and live in the villages of Panshta, Barial, Panch Nangal, Khutiar and Kahnpur. He also had 4 disciples: Lachhmi Chand, Sri Chand, Megh Chand and Tara Chand from whose descendants a priest is elected.
The shrine in Panshta hosts the annual Baisakhi Mela. A representative of the shrine travels to the villages that attend the Mela to gather contributions. People from many villages attend the Mela including people from the adjoining villages of Narur and Jalwehra as well as people from Lakhpur and Sahni.
Budhu Bhagat
Full Name Budhu Bhagat
Birth February 17 , 1792 A.D.
Birth place Ranchi , Jharkhand
Citizenship Indian
The fame Revolutionary
protest Larka movement
Other information Budhu Bhagat trained his squad for guerrilla warfare . The British government announced a reward of one thousand rupees for capturing them .
Budhu Bhagat or 'Budu Bhagat' ( English : Budhu Bhagat , born - 17 February , 1792 AD, Ranchi , Jharkhand ; died - 13 February , 1832 AD) is known as a famous revolutionary in Indian history . Their fight was against the atrocities and injustice being done by the British , zamindars and moneylenders.
Birth
Budhu Bhagat was born on February 17, 1792 AD in a village called Silagai in Ranchi district in today's Jharkhand state . He is said to have possessed divine powers, as a symbol of which he always carried an ax with him.
Childhood
Generally, 1857 is considered the first summer of the freedom struggle . But before this, Veer Budhu Bhagat had not only conceived the revolution, but also with his courage and leadership, in 1832, he started the historical movement called "Larka Rebellion". Vandalism was at its peak during the British rule in the tribal areas of Chota Nagpur . The Mundas had already waged a fierce rebellion against the landlords, moneylenders. Oraon also adopted rebel attitude. Budhu Bhagat had been witnessing the brutality of landlords and the English army since childhood. They had seen how the landlords used to take away the forced harvest. The stove could not burn for many days in the homes of poor villagers. Boy Budhu Bhagat Silagai's Cuckoo RiverUsed to sit for hours on the banks of the British and think of the landlords.
Rebellion
Sitting for hours alone, sword and Dnus- arrow due to good on people mistook the angel Budhu. Hearing the great things of the brilliant young man Budhu, the tribals started considering him as their savior. Budhu now had enough mass support for the rebellion. He called for rebellion against injustice. Thousands of hands stood up with arrows, bows, swords, axes. Hundreds of villagers held captive by Captain Impe were liberated by fighting the rebels. Budhu trained his squad for guerrilla warfare . Taking advantage of dense forests and inaccessible hills, he defeated the English army several times. To catch Budhu British government for a thousand bucks had announced a cash reward.
Struggle with the british
The British government and the zamindars were shaken by the armed rebellion of thousands of people. Captain Impe was entrusted with the task of capturing Budhu Bhagat. Six company of the fiftieth native infantry of Benares and a large contingent of cavalry were sent into the forest. Thousands of villagers were arrested from Tiku and surrounding villages. Budhu's squad freed the prisoners in the valley itself. Captain was overwhelmed by a severe defeat.
MartyrdomOn February 13 , 1832, Budhu and his companions surrounded Captain Impega in Silagai village. Budhu wanted to surrender so that innocent villagers would not be killed in the indiscriminate firing from the British. But the devotees of Budhu circled and surrounded them. After the warning, the captain ordered to shoot. Indiscriminate firing started. The area trembled with the screams of old, children, women and youth. About 300 villagers were killed in that bloody orgy. Mass rebellion against injustice was forcibly silenced on the strength of arms. Budhu Bhagat and his sons 'Haldhar' and 'Girdhar' also became martyrs, taking on the British.
BABA GAJJAN SHAH JI
(Falound Kalan)India / Punjab / Maler Kotla / Falound Kalan / Ludhiana - Malerkotla ( State Highway 11 )
interesting place, religious organisation
Dhan dhan baba gajjan shah ji

In 1804 Maharaj Ranjit Singh crossed Satluj to settle the dispute between Patiala and Jind Rayaist over the ownership of DULADDI village (near Nabha)and he had spent three/ four days on present Raikot road near Malerkotla. The Nawab of Malerkotla was ordered to provide fooder to Elephants and horses and food to Maharaja's army. Tne Nawab was poor as the Rayaist was very small having only 168 villages. He could not carry out Mahraja's bid, hence , he was asked to stand on a platform keeping his hands up.One of his Wazirs went to Dhanula where Baba Gajjan Shah ji was putting up and narrated this story of punishment to Baba ji. Gajnesh wali came to Maharaj's camp and scolded him " O one-eyed man why are you putting this man in to trouble"? Maharaj Ranjit Singh ordered the release of Nawab and asked him to give some land to "FAKIR" Gajjan Shah. Then the land in Falound Kalan, Falound Khurd,Bhogiwal and Balewal was given by the Nawab. The record is available at Baba ji's Samadh if someone wants to read or see it, he is welcome.Maharaj Ranjit Singh used to offer his "Gaddi" to Baba ji , then Baba ji's "MOHALLA" was placed on the Gaddi. Both Maharaja and Baba ji used to sit on floor. All is written in the Granth containing the details on baba ji's life. One must read that Granth written by Baba Parmatam nanad.
MALER-- was the name given by Afghan Pathans in 1466 and KOTLA was built(now Rehamatgarh)in 1650 by the Ist NAWAB and kotla was cantonment of the Nawab which is present there even today.Malerkotla had 22 Nawabs and last was IFTIKHAR ALI KHAN. The Area of Malerkotla riyasat was 163 Sq.Miles, its population was 88,109 in 1941. Malerkotla rank was 10th among the states of Punjab. No person was hanged by the Nawab,
FLOUND-- This name came from the foundries that used to melt iron (Folad- Loha) for the state of Malerkotla.There was a big mound nearer to Chupka village in the administrative land of Falound khurd that could have testified to this fact.Though it is a small riyasat, but its history is awe- inspiring.
This following portion is written by Sh.Maninder singh:
BABA GAJJAN SHAH 's VILLAGE" IS FALOUND KALAN".BABA GAJJAN SHAH JI 's FAIR IN EVERY YEAR on13 th JAN.THIS PLACE IS VERY PEACEFUL.THIS IS BEAUTIFUL & CLEAN PLACE.IF YOU GET CHANCE YOU SHOULD SEE THIS PLACE.IF YOU GO THROUGH YOUR TRUE HEART YOU CAN GET WHAT EVER YOU WANT.THAT IS MY LIFE'S EXPERIENCE. I' VE HAPPY LIFE.AND I AM SATISFIED FROM MY LIFE.
I AM LUCKY,BECAUSE THIS IS MY BIRTH PLACE(FALOUND KHURD)ALSO.
THIS PLACE HAS ONE BEAUTIFUL TEMPLE.AND ONE BEAUTIFUL GATE IN MEMORY OF " BABA GAJJAN SHAH JI".
BABA GAJJAN SHAH JI BIRTH ..-----------------------.1791 BIKRMI SAMMAT
BABA GAJJAN SHAH JI FATHER'S NAME..---------.BASHAWA SiNGH Arror
BIRTH LOCATIOAN ...---------------------------------- Mahipur village near New Air port DELHI
BABA JI MARRIED IN ..---- ---.1861 BIKRMI SAMMAT
BABA JI WIFE' S NAME...MAI BEGAN JI D/O SHAMU SINGH VILlAGE.SANGHWA(JAKHAL)
BABA JI TEMPLE BUILT.....1864 BIKRMI SAMMAT
FIRST FAIR IN ....13 JAN 1884 BIKRMI SAMMAT
JOTI JOT ...1896 BIKRMI SAMMAT
SATNAM WAHEGURU
GATE (BUILD IN JAN,2002) IS IN "BHOGIWAL" VILLAGE ON THE LUDHIANA- MALERKOTLA ROAD. IF YOU GO THROUGH THE GATE YOU WILL REACH(AFTER 2 MILES) THE VILLAGE "FALOUND KALAN".AND THE TEMPLE LOCATED ON THE NORTH SIDE OUTSIDE OF THE VILLAGE ON ROAD(ON YOUR RIGHT HAND SIDE) GONIG TOWARDS SOHIAN
MANINDER SINGH GILL S/O SH.MEHAR SINGH GILL
VILLAGE----------- FALOUND KHURD PINCODE-148023
01675--- 93177-79377
MAIN IS JAGAH DE BINA KUCH V NAHI KUCH V NAHI TUSI HI HO BABA JI BEANT BEPARWAH ,BEANT BEPARWAH ,BEANT BEPARWAH ,BEANT BEPARWAH ,BEANT BEPARWAH ,BEANT BEPARWAH
This land donation certificate was given by The Nawab of Raikot to Baba Gajjan Shah ji
Falaund Kalan is a village in Sangrur in Punjab, India.History
The village name came from the foundries that were used to melt iron (folad) for the state of Malerkotla. A large mound near the Chupka village in the administrative land of Falaund Khurd offers evidence of that; the area was once called Banger, as its dialect was different from central Punjab.
Ahmed Shah Abdali fought a historical war with Sikhs at nearby Rohira in which more than twenty-thousand men were killed and a large number were injured; this battle was significant in the history of Malerkotla Rayiast.
During the Partition of India in 1947, those men who had crossed the boundary into Falaund Kalan were not harmed; the Nawab of Malerkotla, Sher Khan opposed the killing of the younger sons of the 10th master Sri Guru Gobind Singh at Sirhind. This is known as Ha Da Nahra ("Voice against oppression.") The Sikhs felt that Sri Guru Gobind Singh had pardoned the Nawab. In lieu of this, Malerkotla was not displaced. Many people and animals entered the city for protection during Partition.
In 2015, Mr. Bal Anand, IFS, from Falaund Kalan, instituted a prize consisting of Rs 11,000 and a citation for a renowned author in the memory of his grandfather Baba Paramatma Nand, an Ayurveda wizard who had written the life history of Baba Gajjan Shah.
Location
Falound Kalan is located on the Ludhiana-Malerkotla Road four kilometers away from Rohira.
Lohri festival
In 1884 Samat started the Lohri festival celebration, where the Sadhus used to assemble in large numbers; the scholars of Sanskrit who had contributed to Ayurvedic medicine were honored by Baba Ji. This tradition was made compulsory by Baba Ji followers known as Mahant.
The rural sports organized by Young Farmers Club was started in 1951 by Master Ram Swarup; the events of kabbadi, football, volleyball, wrestling and tug-of-war are included. Local artists sing religious and historical songs.
Villagers
A majority of the villagers served in the Indian Army; the village's population is educated and produced administrators such as Shri Bachitter Singh I.R.S .(retired), Shri Jagtar Singh P.C.S., and various educators and men ranging from Indian Foreign Services to the Indian Postal department.
Some younger inhabitants emigrated to the United States, Canada, Australia, New Zealand, Europe and the Gulf nations. Many return to their native village for the Lohri festival where they pay homage to the forefathers and fulfill the vow, "The person who visits Falound for three days together on Lohri will go to Heaven." This legacy was ordained by Guru Gajjan Shah.
Bhikku Jagdish Kashyap
Bhikku Jagdish Kashyap was born into a community that is classified as a Scheduled Caste (specifically, the Chamar caste). However, his life story and identity are defined by his renunciation of the Hindu caste hierarchy through conversion to Buddhism and his ordination as a Buddhist monk.1. Core Identity & Significance
Bhikku Jagdish Kashyap (1908-1976) was a renowned Buddhist monk, scholar, and Pali language expert. He is best known as a key architect of the post-independence Buddhist revival in India, particularly among Dalit communities following Dr. B.R. Ambedkar. His life's mission was to re-establish the Buddha's Dhamma on its native soil through scriptural translation, institution-building, and monastic leadership.
2. Early Life & Birth Name
Birth: 2 May 1908 in Ranchi, Bengal Presidency, India.
Died : 28 January 1976.
Birth Name: Jagdish Narain.
Family Background: Born into a family belonging to the Chamar community, a Scheduled Caste (SC) that faced severe social discrimination. His personal experience with caste hierarchy deeply influenced his later spiritual path.
3. Transformation: From Scholar to Monk
Academic Brilliance: He excelled academically, earning an M.A. in Philosophy from Calcutta University and studying at prestigious institutions like Santiniketan and the School of Oriental and African Studies (SOAS), London.
The Buddhist Turn: While a lecturer at Benares Hindu University, he grew disillusioned with the casteism within Hinduism. The teachings of the Buddha and the work of Dr. B.R. Ambedkar became his guiding light.
Ordination: He formally ordained as a Theravada Buddhist monk (Bhikkhu) in 1951, taking the name Jagdish Kashyap. The name "Kashyap" connects him to a major discipleship lineage of the Buddha.
4. Monumental Contributions
a) Translator of the Canon: The "Hindi Tipitaka"
His most monumental work was leading the team that translated the entire Pali Tipitaka (the Buddhist canonical scriptures) into Hindi for the first time. Published as the "Chattisa Jataka" and other volumes, this made the Buddha's original teachings accessible to millions of Hindi-speaking Indians, especially new converts from marginalized communities.
b) Institution Builder
Founder of Nalanda's Revival: He was instrumental in re-establishing Nalanda, the ancient seat of Buddhist learning. He served as the first Director of the Nava Nalanda Mahavihara (founded in 1951) and later as the head of the Bauddha Vishwavidyalaya (Buddhist University) there.
Head of the Sangha: He was the founding President of the All India Bhikkhu Sangha, working to organize and unify the nascent monastic community in India.
c) Spiritual Guide for the Ambedkarite Movement
After Dr. Ambedkar's conversion to Buddhism in 1956, lakhs of Dalits followed suit. Bhikku Kashyap became their primary spiritual and scholarly guide. He conducted mass conversions, gave discourses, and provided the scriptural foundation for this new social and religious identity (Navayana Buddhism), helping converts move beyond ritual to a deep understanding of Dhamma.
5. Philosophy & Legacy
Caste Annihilator: He embodied the Buddha's anti-caste teachings. As a monk, he completely transcended the "low-caste" label of his birth, offering a powerful lived example of liberation through Dhamma.
Scholar-Saint Synergy: He uniquely combined rigorous academic scholarship with devoted monastic practice. He insisted that Buddhism must be both intellectually understood and spiritually lived.
Bridge Between Traditions: He worked to foster dialogue between Theravada and Mahayana traditions and between Indian and international Buddhists.
6. Final Years & Honors
He attained Parinirvana (passed away) in 1976.
The Government of India issued a commemorative postage stamp in his honor in 2011, recognizing his national importance.
He is revered as a "Bodhisattva" and a "Pitamaha" (grandfather) of modern Indian Buddhism. His writings, institutions, and translated texts continue to educate and inspire.
In Essence:
Bhikku Jagdish Kashyap was not just a saint born into a disadvantaged community; he was a transformative figure who used wisdom and compassion to dismantle the very system of disadvantage. His journey from Jagdish Narain to Bhikku Kashyap mirrors the larger journey of millions—from the constraints of caste to the liberation offered by the Buddha's path. He remains the quintessential scholar-monk who rebuilt the literary and educational pillars of Buddhism in 20th-century India.
Charles Lwanga
Charles Lwanga (Luganda: Kaloli Lwanga; 1 January 1860 – 3 June 1886) was a Ugandan Catholic convert, court official, and martyr. He is one of the most prominent figures among the Uganda Martyrs (also known as the Martyrs of Uganda). He is venerated as a saint by the Catholic Church and is also honored in the Anglican Communion.
Early Life and Background
- Born: 1 January 1860 in the Kingdom of Buganda (central and southern part of modern-day Uganda), in the area of Bulimu or Ssingo County.
- He belonged to the Baganda (Ganda) ethnic group and specifically the Bush-Buck (Ngabi) clan. Clan customs traditionally barred members of this clan from royal court service, so he sometimes presented himself as belonging to the Colobus Monkey clan of his patron.
- Family details are limited: His parents are sometimes named as Musazi and Meme. He was raised partly by a relative or guardian named Kaddu in Buddu (southwest Buganda).
- As a teenager (around age 18), he entered service under a local chief (Mawulugungu) and later moved to the royal court of Buganda.
Charles grew up in a traditional African kingdom with its own complex social structure, rituals, and authority centered on the Kabaka (king). There was no connection to the Indian caste system, SC/ST categories, or any "disadvantaged/low class" community in the Indian sense.
Conversion to Christianity
- Catholic missionaries (White Fathers) arrived in Buganda in 1879. Their witness and teachings deeply impressed Charles.
- He began receiving instruction and was baptized on 15 November 1885 by Père (Father) Giraud, taking the name Charles (or Kaloli).
- He served as a page (personal attendant) and rose to become chief of the royal pages (and later major-domo) in the court of King Mwanga II.
Role as Leader and Protector
Charles became a key leader of the small but growing Christian community at the royal court. He succeeded Joseph Mukasa (another martyr) after Mukasa was executed for rebuking the king.
He actively:
- Instructed and encouraged younger pages (aged roughly 13–30) in the Catholic faith.
- Protected them from the immoral sexual demands of King Mwanga II, who was known for his violent and exploitative behavior toward court pages.
- Baptized several catechumens secretly, including the young Kizito (aged 13), on the night before major arrests.
Martyrdom
King Mwanga II viewed Christianity as a threat to his absolute authority and traditional customs, fearing it undermined his power. He launched a persecution against Christians (both Catholic and Anglican).
- In May 1886, Mwanga ordered the arrest of Christian pages.
- When asked if they would renounce their faith, Charles and the others boldly replied, “Till death!”
- The Christians were marched about 37 miles to Namugongo.
- On 3 June 1886 (Feast of the Ascension that year), Charles Lwanga was separated for individual execution. He was wrapped in a reed mat, tied with a slave yoke, and burned alive on a pyre. To prolong his suffering, the fire was lit first under his feet and legs.
- As the flames rose, witnesses heard him cry out “Katonda!” (“My God!” in Luganda).
- On the same day, most of his companions (a group of 22 Catholic martyrs in total, plus Anglican ones) were burned together in a large pyre. They prayed and sang hymns until death.
In all, 22 Catholic Ugandan martyrs (including Charles) and additional Anglican martyrs were killed between 1885 and 1887 for refusing to abandon their faith and for resisting the king’s demands.
Canonization and Legacy
- Beatified: 1920 by Pope Benedict XV (along with 21 companions).
- Canonized: 18 October 1964 by Pope Paul VI at St. Peter’s Basilica in Rome. This was a historic event, as it was one of the first major canonizations of modern African saints.
- Feast Day: 3 June (Memorial in the Catholic calendar).
Patronage:
- African Catholic Youth Action
- African youth
- Converts
- Torture victims
The Uganda Martyrs are highly revered across Africa. Their shrine at Namugongo (near Kampala) is a major pilgrimage site, especially on 3 June each year. Pope Paul VI visited Uganda in 1969 partly in honor of these martyrs.
Charles Lwanga is remembered for his courage, leadership, purity, and steadfast faith. His story highlights the rapid spread of Christianity in Africa in the late 19th century and the willingness of young converts to die rather than compromise their beliefs.
Note on Your Previous Questions
Charles Lwanga has no connection to 16 April (the date on the Ambedkar Bhavan plaque or linked to Adwaita Mallabarman’s death in 1951 and Dr. Dukhan Ram’s death in 1990). He was born on 1 January and died on 3 June.
Like Thea Bowman (the African American nun you asked about earlier), Charles Lwanga’s story involves African heritage and facing persecution — but in a completely different context: pre-colonial African royal politics and the clash between traditional authority and Christian faith, not Indian caste hierarchies.
He came from a traditional Baganda clan background within the Buganda kingdom’s social structure — neither “low class” nor disadvantaged in the Indian SC/ST sense.
Channabasavanna

From Wikipedia, the free encyclopedia
Channabasavanna also known as " Guru Channabasaveshwara " was Basava's nephew and one of the foremost Sharanas of the 12th century. He, along with Basava, Allama Prabhu and Akka Mahadevi, played a pivotal role in the propagation of the Lingayat faith. He was the youngest among the sharana leaders and grew up in the household of Basavanna as he was the son of Nagalambike, Basava's own sister. He also wrote the Karana Hasuge which is one of the most sacred texts of the Lingayats, among many vachanas. He propounded the "shatasthala" philosophy associated with the six holy places of Veerashaiva Lingayat creed. He succeeded to the Shunya Simhasana at Anubhava Mantapa, Kalyana after the departure of Allama Prabhu, circa 1162ad. His young shoulders carried on the legacy of Basava after the latter's departure to Kudalasangama in 1162ad. He is credited to have systematised the entire manual of simple rituals for the followers. He was a strong advocate of the Ishtalinga wearing and expounded the material as well as the esoteric meaning of that divine symbol. He held together the nascent group of Shivasharanas and Jangmas in tumultuous times of clashes with the orthodox Brahmins and heretic Jains. Following the assassination of Kalachuri King Bijjala II in 1167 A.D, Channabasava along with his followers migrated to Ulavi safeguarding the Vachana literature. He attained Samadhi state there at the age of 25 passing on the leadership of the movement to Siddarama.
A sacred temple of Channabasavanna is located at Ulavi in Karwar District (Uttar Kannada) of Karnataka State, India.
The temple of Channabasavanna faces the east. In front of the temple there is a spacious lake. The lake is filled with lotus flowers and hence very attractive. Devotees coming from different parts of the country, take a dip in the holy waters and are absolved of all their sins and impurities. Thrice a day the Mahasamadhi of Channabasavanna is worshipped with all pomp and ceremony. On the Samadhi is placed the face of Nandi. To the left is Sangameshwar, to the right Mallikarjuna and to the right of Mallikarjuna is Basavanna. The Mantap outside the temple is very beautiful. To the east and to the south there are doors. The door of the sanctum is to the east.
He composed many Vachanas under the nom de plume Kudala Channasangama.
Published By : Praveen Kumar
Updated On : 31/08/2019
Channabasavanna : A Great Saint, Scholar, and a Poet
Channabasavanna was one of the important Lingayat saints of the 12th century. He played a key role in spreading the faith of Lingayats. His uncle was Basavanna, and he was brought up in his house.
Importance
His main devotional writings were the Karana Hasuge, which is celebrated writing among the lingayats. He made many spiritual writings in the nickname of Kudala Channasangama. He took charge of Shunya Simhasana at Anubhava Mantapa, Kalyana, and he followed the footsteps of his uncle Basava and followed his principles. He established simple rituals for his followers. He was a staunch Shiva devotee and advises his followers to wear the Ishtalinga in their body. He attained Samadhi state at Ulavi, a village in Karnataka, at the age of 25, and his successor was Siddarama.
A temple of Channabasavanna is located at Ulavi in Karnataka State, India which is also a famous pilgrimage center for the tourists. It is situated amidst dense forests with full of greenery and natural beauty.
Devotees who are coming from different parts of the country, visit the temple of Channabasavanna, worship him with pure faith, and take bath in the holy waters, in order to wash out their sins. Three times puja is performed daily in this temple.
Conclusion
Channa basavanna, who was a great saint, scholar, and a poet, has dedicated his entire life towards the devotion of Lord Shiva. He has attained siddhi at a younger age. He controlled his senses and concentrated on devotion to Lord Shiva. He was also involved in several social welfare activities for the welfare of the people. Let us worship this great “SAINT” and chant his name repeatedly and be blessed.
“OM SREE CHANNABASAVANNARE NAMAHA”
“OM NAMAH SHIVAYA”
Chandidas
INDIAN POET
WRITTEN BY:
The Editors of Encyclopaedia Britannica
Alternative Title: Caṇḍīdās
Chandidas, (flourished 15th century, Bengal, India), poet whose love songs addressed to the washerwoman Rami were popular in the medieval period and were a source of inspiration to the Vaishnava-Sahajiya religious movement that explored parallels between human and divine love.
The popularity of Chandidas’s songs inspired much imitation, making it difficult to establish firmly the identity of the poet. Furthermore, the details of his life have been overlaid with legend. The poems themselves relate that the author was a Brahman and a village priest (in either the village Chhatna in Bankura district or Nannur in Birbhum district) who broke with tradition by openly declaring his love for the low-caste Rami. The lovers viewed their relationship as sacred, the closest possible analogy to the spiritual union of the divine lovers Radha and Krishna. Chandidas refused to relinquish either his temple duties or his love for Rami, much to the chagrin of his family. A feast to placate the village Brahmans was prepared but was thrown into confusion by the unexpected appearance of Rami.
What happened afterward is obscured by legend. One version relates that Chandidas assumed the form of Vishnu; another claims that he was dismissed as priest and fasted to death as a protest but came to life again on the funeral pyre. A third version (based on poems supposedly written by Rami) states that he was whipped to death while tied to the back of an elephant, on the orders of the nawab of Gaur, for having attracted the attention of the Begum.
The poetry of Chandidas had a strong influence on later Bengali art, literature, and religious thought. In the Vaishnava-Sahajiya movement, the love of a man for the wife of another or for a woman of unsuitably low caste was praised above others for its intensity in the face of social disapproval.
Saint Chokhamela
Saint Chokhamela, one of the most significant figures in the Bhakti movement for his radical assertion of spiritual equality from the position of a Dalit. Born 1 January 1400.1. Introduction & Historical Significance
Saint Chokhamela (c. late 13th – early 14th century) is a revered Dalit (Mahar) saint-poet of the Varkari tradition in Maharashtra. He is celebrated not only for his profound devotion to Lord Vithoba (Vitthal) of Pandharpur but also as a powerful symbol of resistance against caste-based oppression. His life and poetry assert that divine grace is accessible to all, irrespective of birth, directly challenging the hierarchical Hindu social order of his time.
2. Social Background & Life
Caste: Born into the Mahar community, which was deemed "untouchable" in the rigid caste system. Mahars were forced to live outside village boundaries, perform "polluting" tasks, and were denied access to temples, common water sources, and basic human dignity.
Family: He was part of a remarkable family of saints. His wife, Soyarabai, and his son, Karmamela, were also accomplished poet-saints. His sister, Nirmala, and nephew, Banka, are also remembered in the tradition. This makes his family one of the most prominent Dalit spiritual lineages in India.
Occupation: Like others in his community, he performed forced labor (veth-begar), likely involved in activities like carrying away dead cattle, building fortifications, and other tasks imposed by the feudal system.
Time Period: He lived during the Yadava dynasty rule in the Deccan, a period marked by deep social stratification.
3. Spiritual Journey & Devotion
Despite being barred from all physical and ritualistic avenues of worship, Chokhamela became a devoted Varkari—a follower of the path of devotion (bhakti) to Vithoba.
Guru: He is considered a disciple of the great saint Sant Namdev, who himself transcended caste boundaries in his fellowship.
Practice: He would travel to Pandharpur on pilgrimage but was forced to pray from outside the temple walls. His devotion was so intense that it is said Lord Vithoba would turn to face him through the wall.
Poetic Expression: He channeled his spiritual longing and social pain into composing abhanga poetry in Marathi. His verses are recorded in the Varkari tradition's sacred texts.
4. Core Themes in His Teachings & Poetry
His abhangas voice two powerful, intertwined themes:
Unflinching Devotion (Bhakti):
Expresses a deeply personal, loving, and sometimes desperate bond with Vithoba, whom he calls his mother, father, and only true refuge.
Example: "Vitthal, you are my only support. You are my mother and father. I have no one else in this world."
Piercing Social Protest:
Directly addresses the injustice of untouchability. His poetry questions the very logic of purity and pollution imposed by caste.
Most Famous Abhanga:
"My birth is low, my caste is low, and my work is low too.
This is my condition, O Lord.
But my soul (chanting your name) is not low.
Chokha says, the Vedas and Puranas proclaim this truth."
This verse is a foundational text of Dalit theology, asserting the inherent divinity and equality of the soul against bodily stigma.
5. Famous Legends & Symbolic Acts
The Gift of Prasad: Legend says Vithoba appeared in his dream and offered him sanctified sweets (prasad). When the temple priest refused him prasad the next day, it miraculously appeared in Chokhamela's hands, proving God's grace supersedes man-made rules.
Chokhamela's Wall (Chokhamelaachi Waad): He worked on building a boundary wall near the Pandharpur temple. This wall became a sacred site where he prayed. It stands as a permanent metaphor for both the physical barrier of caste and the spiritual bridge of devotion.
Death and Samadhi: He died in a tragic accident, reportedly when a wall he was forced to build collapsed on him. His samadhi (tomb) is located at the foot of the steps leading to the main Vitthal temple in Pandharpur. This is profoundly symbolic—physically outside yet spiritually central, a permanent testimony to Dalit exclusion and unwavering faith.
6. Legacy & Contemporary Relevance
In the Varkari Tradition: He is fully canonized as a saint. His abhangas are sung by millions of pilgrims (Varkaris) of all castes during the biannual Pandharpur wari (pilgrimage). This is a radical act of spiritual inclusion.
Dalit Icon & Forefather: He is venerated as a pioneer of Dalit assertion and literature. Figures like Dr. B.R. Ambedkar referenced the Bhakti saints, including Chokhamela, as precursors in the fight against caste. He embodies the principle that liberation (mukti) is intertwined with social justice.
Symbol of Subaltern Resistance: Academics study him as a key figure in "subaltern spirituality"—where the marginalized claim their direct right to the divine, bypassing Brahminical mediation.
Cultural Memory: His life is commemorated in folk songs, plays, and scholarly works. The location of his samadhi makes it a site of pilgrimage and reflection on caste even today.
7. Key Takeaways
Revolutionary Saint: Chokhamela used pure, personal devotion as a weapon to dismantle the ideology of caste pollution.
Theology of the Oppressed: His poetry establishes a direct covenant between God and the devotee, rendering priestly authority and ritual purity irrelevant.
Enduring Symbol: His life—from the legends to the location of his tomb—serves as an eternal reminder of both the historical brutality of caste and the invincible power of faith and human dignity.
In essence, Saint Chokhamela is not just a medieval saint; he is a foundational voice for equality, whose legacy continues to inspire the struggle for dignity and spiritual freedom for millions.
St Dayaramji
Sri Rajrishi Yogiraj Brahmachari Pujya present Gadadhipati Saint Sri Sri 1008 Shri Dayaram Ji Maharaj came to the ashram on
Saints are the representatives, messengers and flag bearers of the martyr. If the true saint is said to be the true form of God, then it will not be exaggerated. A true saint is one who has done his salvation and who has no other wish in life except to salvage another. Which does not smell of selfishness. Who does not know anything other than philanthropy. That true saint is a true teacher. Saints are the deepest pillars of the spiritual world and the common people get supernatural light from them and make their life successful. Sage - A reverent, auspicious, fair, fair, truthful, beneficial, economical, honorable, conflictless and innocent. The saint - bereft of addiction, mourning - calms the temperature and pleases the mind. Bharatvarsha various incarnations of God, monks - saints, ascetics, It has been a land of Mahatmas. Rishis and sages have inherited such an everlasting culture to us through rigorous chanting and meditation of Sadio, who is still immortal even after suffering every bit of time. These mystics have provided us with a vast store of knowledge in the form of Vedas, Puranas, Upanishads, Gita, Ramayana etc. India is a land of saints and our country has also been blessed with titles like Dharmaguru and Jagadguru only because of the uniqueness of saints.
Shikarpura arrival and education initiation
Shri Dayaram Ji Maharaj came to the Ashram on 1st July, 1979. At that time Mahant Shri Devaram Ji Maharaj was absorbed in devotion and Shri Kishan Ram Ji Maharaj was busy in social service. Shri Dayaram Ji had to accept saintliness only with the intention of fulfilling the promise given by Mahant Shri Devadaram Bhuria to Mahant Shri Devaram, the father of Mahant Saint Shri Dayaram Ji Maharaj.
The main things that you contributed to are the following:
1. Construction work of Kishanramji Maharaj Samadhi Temple.
2. CC road construction work in the ashram complex.
3. Sonderization and construction of shops outside the main pole gate.
4. Construction and grand example of Haridwar Dharamshala.
5. Construction of school building at Rajaram Gurukul-Palanpur and inauguration of Hi-Tech Science.
6. Removing all cut fences in the ashram premises, forged lotta fencing and division of the campus into blocks.
7. Construction of separate fair grounds in the campus.
8. Construction of Satsang Bhawan 155210 Modern Teen Sed.
9. Construction of a huge and magnificent tin sed for the food fair near the Krishna Khanshala in the Ashram complex, 190270
संत श्री दयारामजी
श्री राजऋषि योगीराज ब्रह्राचारी पूज्य वर्तमान गाद्धिपति संत श्री श्री 1008 श्री दयाराम जी महाराज दिनांक १ जुलाई १९७९ को आश्रम आ गए| उस समय महंत श्री देवाराम जी महाराज भक्ति में लीन थे एवं श्री किशनाराम जी महाराज समाज सेवा में व्यस्थ थे| श्री दयाराम जी के पिताजी श्री अणदाराम जी भूरिया द्वारा महंत श्री देवाराम को दिए गए वचन को पूरा करने के उद्धेस्य से ही श्री दयाराम जी को साधुत्व स्वीकार करना पड़ा |
संत मरमात्मा के प्रतिनिधि , संदेशवाहक और ध्वजवाहक होते है । यदि सच्चे संत को भगवान का साक्षात स्वरूप कहा जाए तो अतिश्योकित नहीं होगी । सच्चा संत वह होता है जो अपना उध्दार कर चुका है और दूसरे का उध्दार करने के अतिरिक्त जिसके जीवन में दूसरी कोर्इ इच्छा नहीं है । जिसमें स्वार्थ की गंध नहीं है । जिसको परोपकार के अलावा कुछ और आता नहीं है । वही सच्चा संत सच्चा गुरू होता है । संत आध्यातिमक जगत के दीपस्तम्भ होते है और आम जन उनसे अलौकिक प्रकाश प्राप्त कर अपने जीवन का मार्ग सफल बनाते है । संत - पूज्य भाव बढ़ाने वाला , कर्ण सुखद , न्यायानुकूल , सत्य , हितकर , अर्थगर्भित , मानरहित , विवादरहित और निर्दोष वचन आलता है । संत - व्यसन से विमुख , शोक - ताप को शांत करने वाला और चित को प्रसन्न करने वाला होता है । भारतवर्ष भगवान के विभिन्न अवतारों , साधु - संतो , तपस्वियों, महात्माओ का देश रहा है । ऋषि-मुनियों ने सदियो के कठोर जप-तप ध्यान-अध्ययन द्वारा ऐसी सनातन संस्कृति हमें विरासत में दी है , जो समय के हर थपेड़े को सहते हुए भी अजर - अमर है । इन मनीषियो ने वेद , पुराण , उपनिषद , गीता , रामायण आदि के रूप में ज्ञान का अथाह भंडार हमें उपलब्ध कराया है । भारत संतो की भूमि है और संतो के अखंड प्रताप से ही हमारा देश धर्मगुरू , जगदगुरू जैसी उपाधियों से विभूषित भी हुआ है ।
शिकारपुरा आगमन एवं शिक्षा दीक्षा
श्री दयाराम जी महाराज दिनांक १ जुलाई १९७९ को आश्रम आ गए | उस समय महंत श्री देवाराम जी महाराज भक्ति में लीन थे एवं श्री किशनाराम जी महाराज समाज सेवा में व्यस्थ थे | महंत संत श्री दयाराम जी महाराज के पिताश्री अणदाराम जी भूरिया द्वारा महंत श्री देवाराम को दिए गए वचन को पूरा करने के उद्धेश्य से ही श्री दयाराम जी को साधुत्व स्वीकार करना पड़ा |
आपका जिन जिन विशेष कार्यों में योगदान रहा वे मुख्य बातें निम्न है :
1. किशनारामजी महाराज समाधी मंदिर का निर्माण कार्य ।
2. आश्रम परिसर में सी. सी. सड़क निर्माण कार्य ।
3. मुख्य पोल द्वार के बाहर सोंद्रियकरण व दुकानो का निर्माण ।
4. हरिद्वार धर्मशाला का निर्माण व भव्य उदाहरण ।
5. राजाराम गुरूकुल -पालनपुर में स्कूल भवन का निर्माण एवं हार्इटेक सांर्इस का शुभारम्भ ।
6. आश्रम परिसर में समस्त काटे की बाड़ को हटाकर लोटा फेमिंग जाली लगार्इ व परिसर का खण्ड़ो में विभाजन ।
7. परिसर में अलग से मेला ग्राउण्ड का निर्माण ।
8. सत्संग भवन 155210 आधुनिक टीन सेड का निर्माण ।
9. आश्रम परिसर में कृष्ण भोजनशाला के पास मेला भोजन प्रसाधी हेतु विशाल व भव्य टीन सेड का निर्माण जो कि 190270
http://aanjanasamajrajasthan.blogspot.com/p/1008-1.html
Dadu Dayal
Birth Samvat 1601 (AD 1544)
Birth place Ahmedabad
The death Samvat 1660 (AD 1603 AD)
Guardian Lodiram and Basi Bai
children Sons- Garibdas and Miskindas, daughters- Nanibai and Matabai
Karma land Gujarat
Field of work Social poetry
Major compositions Sakhi, verse, Hardevani, Angavadhu
Subject Religion, social reformer
Language Hindi , Gujarati , Rajasthani
Citizenship Indian
Other information Like other devotees and saints of India , there is a lack of authentic information about the life of Dadu Dayal. His birth, death, life and personality are covered with legends, rumors and fantasies.
Dadu Dayal ( English : Dadu Dayal , born 1544 E .; died 1603 AD.) Hindi to Bktikal in Gyanasryi branch headed saint poet. He founded a virtuous sect known as ' Dadupanth '. He was the son of a Dhunia of Ahmedabad and a contemporary of the Mughal emperor Shah Jahan (1627–58). Spent most of his life Rajputana spent out and the Hindu and Islam composed of a number of positions to coordinate. His followers neither worship idolsAnd do not wear any special type of costumes. They only chant the name of Rama and believe in peaceful life, although a section of the Dadu pantheon has also been admitted to the army. Like other devotees and saints of India , there is a lack of authentic information about the life of Dadu Dayal. His birth, death, life and personality are covered with legends, rumors and fantasies. One reason for this is that these saints emerged from the general public.
Life introduction
Dadu was a dhunia by profession and later he became a religious preacher and wanderer. He lived for some time in Sambhar and Amber and eventually Narayana, where he died. All these places are around Jaipur and Ajmer ( Rajasthan state). He rejected the power of Vedas , caste discrimination and all discriminatory lines of worship . Instead, he focused on core emotions like chanting (repetition of God's name) and the soul as the bride of God. His followers emphasize vegetarianism and alcoholism and sanyas are an essential component of the Dadu Panth. The teachings of Dadu are mainly in the form of poetic hymns and Ishvara Bhajan, which is stored in a collection of 5,000 verses, called Bani (Vani). These other saint poets, likePanchvani is also included in the collection of slightly altered verses with compositions of Kabir , Namdev , Ravidas and Haridas . This book is one of the religious texts of Dadu Panth. Details of the general public are generally not found anywhere. That is why we do not get an authentic account of the lives of these saints. Names of Dadu, Raidas and even Kabir are rarely found in the historical texts of that era. The mention of saints begins years after his death, when his disciples began to emerge as organized political-social power. Despite so much neglect, Dadu Dayal is not one of the poets whom the Indian public has forgotten. Modern researchers have done the distinction of finding many such forgotten poets by conducting research.
According to different opinions
According to Chandrika Prasad Tripathi lived in Ahmedabad till the age of eighteen , wandered in Madhya Pradesh for six years and later settled in Sambhar (Rajasthan). If Dadu was born in Ahmedabad, when and why did he come to Sambhar. What they had done before and when they came to Sambhar and they had visited somewhere. We do not get authentic information about this.
According to Jan Gopal's 'Parchi', Dadu started coming to Sambhar at the age of thirty years. A little information about their activities after the days of Sambhar Niwas is available. After Sambhar, he stayed in Amer (near Jaipur) for a few days . There is still a 'by dadu' here.
Some people say that Dadu had met Akbar in Fatehpur Sikri and had been discussing spiritual matters for forty days. Although this information is not available in historical documents. It is a matter of conjecture. By the way, Akbar consulted many religious devotees and saints of that era. Many Hindu saints also went to meet him. It is possible that Dadu may have been one of them and due to not being so famous in his life time, he should not have been focused on them. Like other saints, Dadu Dayal also traveled extensively. Especially in North India , Kashi ), Bihar , Bengal and Rajasthan . Lastly, this slogan,Started living in Rajasthan , where he finished his Ihila.
Birth Saint poet Dadu Dayal was born on Fagun Sudi eight Thursday in Samvat 1601 (AD 1544). Dadu Dayal was born in the city of Ahmedabad in the Indian state of Gujarat , but there is no unanimous opinion about Dadu's place of birth. Dadu Panthi people think that he was found as a small boy (near Ahmedabad) flowing in the Sabarmati river . We no longer have the means to obtain authentic information of whether Dadu Dayal was born in Ahmedabad or not. Yet it is certain that a large part of his life was spent in Rajasthan.
Family life
His family was not related to the court. In the eyes of the then history writers and collectors, the center of history used to be the royal family. Who were the parents of Dadu Dayal and what was his caste. Scholars differ on this subject too. In the absence of authentic information, these differences remain on the basis of inference. Their means of redress are unavailable. According to a legend, Dadu, like Kabir, was also the illegitimate child of a Qawari Brahmini, who made Dadu flow into the Sabarmati river for fear of slander . Later, he grew up in a Dhunia family. They were brought up by a civil Brahmin named Lodiram. Acharya Parashuram ChaturvediAccording to the opinion, her mother's name was Basi Bai and she was a Brahmin. There is no information about how authentic this legend is and from when it came into vogue. It is possible that it was later fabricated. Dadu's disciple Rajab has written-
Dhuni Grabhe Jadeno Dadu Yogandro Mahamuni:
Uttam jog dharanam, tasmat kya nyanyi causam.
Pinjara is a caste-specific tuning rui, hence it is also called Dhunia. Acharya Kshitimohan Sen has related these to Bengal . According to him, Dadu was a Muslim and his real name was 'Dawood'. The life of Dadu Dayal is found in Dadu Panthi Raghodas 'Bhaktamala' and 'Sri Dadu Janma Leela Parachi' composed by Dadu's disciple Janagopal. Apart from this, through the introspection of Dadu's compositions, we can speculate about his life and personality.
Traditionally in Hindu society, a person has been introduced to his clan and his caste. The system of caste was very strong in the medieval period . Most of the nirguna saint poets were among the lower castes and were opposed to caste system. But the aristocracy of his insult was a staunch supporter of caste. The saint poet knew this cruel reality. Nevertheless, he had no inferiority complex in his mind. Therefore, they neither hid their caste nor worshiped it as an extreme truth. Many times even his inquisitive devotees used to ask themselves, Maharaj, what is your caste.
Addressing such curious devotees, Dadu wrote-
Dadu Kul is our Kesava, Sagat Sirjanhar.
Caste Our Jagatgur, Parameshwara Parivar.
Dadu in a real world, Jin hum syronje soi.
Mansa bacha chramanam, na duja no.
Here Dadu has expressed his thought system and said that my true relationship is with God. And it is in this relationship that I am introduced. A sense of alienation comes in the family. Dadu calls it 'Maya' of the world and 'Moh' of the world. Dadu had freed himself from them, he had cut worldly bonds even while in the world. Therefore, how would you give your real introduction in the cosmic language of meaningless caste.
Nevertheless, in many places he has explicitly mentioned that he is a cage. In one of the verses he has written-
Kaun man Kmin perficial, Kiskaun Puga poor Pinjarakktek
I Mass every several Pescara, Bujil Bria more Aparakkl
one remember the Tau Khi Smijaoo, many Aruja predominant Surjounkk
I meet nibble all restorative A predominant Kri Pugun much expanded .
Peev Pukarau Understand Nahi, Dadu Deshi Dishi Jahi.
Dadu has called himself a 'Kaminey' in this post. He has not said this humbly. Rather, they have revealed the name called by the Savarnas to the persons belonging to the lower castes and have also defiantly condemned the understanding of the Savarnas from time to time.
Dadu has said in another post-
Who can lead me bastard here?
Jaka Ajhoon Muni mass castle not Pavakktek
Syu Virnci Narada Gabe, who like Kri Nikti Bulavakkl
Deva gross Tetisu Kodi, are Tadhe to Jodikk2 court
brought Lyu are Sid seeker, Ajhoon thick castle not pie ..
Savaten nich main naan na jaan jaan, Why do Dadu meet Sayana.
The post has a mixture of social sensation and spiritual experience. Dadu wants to meet God, but this society remains a hindrance. In the eyes of God, even if all human beings are equal, what happens. The society calls me as the meanest and the least. Here, along with the disappointment of not meeting God, the pain of heart hurt by social injustice has also been expressed. On the basis of this internal evidence, it can be said that Dadu was a cage. Legends that prove Brahmin were born later. Whether he was a Muslim or not, or he had taken a new initiation into Islam, due to which some Hindu rituals were saved in him, but he was a Muslim. There is no evidence of this. Possibly, it has been said to accuse them. The influence of Islam has been propagated on Nirguna saints to eliminate the influence of anti-Varnashrama consciousness. Since Islam was the official religion of that era, Therefore, an attempt was made to narrow their mass base by linking them with the then rulers. Such an inference can be made because the same charge was also leveled against Kabir. In his works, he has described the routes of both Hindu and Turk as incorrect. His disciples were both Hindus and Muslims. Yet, there is no logical reason for his being initiated into Islam.
Who was Dadu's wife, and what her name was, authentic information is not available. He had two sons named Garibdas and Miskinadas and two daughters named Nanibai and Matabai. Some scholars disagree. According to him, these were his sons. According to some people these were his disciples. According to Janagopal, Dadu settled in Sambhar at the age of thirty and after two years, his eldest son Garibadas was born.
Dadu ka guru
Dadu has sung the glory of Guru much in his speech, but has not named him anywhere, due to whose knowledge, Dadu's personality could cut the temporal barriers. Dadu has elaborated the glory of Guru in his works. Therefore, it is also necessary for us to know who his guru was. But authentic information of this fact is unavailable. According to Jan Gopal's 'Shri Dadu Janma Leela Parachi', at the age of eleven, God appeared in the form of a Buddha and asked him for money. Then delighted with them, placed a hand on their head and touching their entire body, gave 'Saras Paan' in their mouths. According to the Dadu panthis, an unknown saint named Budhan was his guru. According to Jan Gopal, after eleven years of childhood, he had a vision of Guru as an old man.
There is still doubt about whether he was literate or not. His guru, who is unknown till now, even if he was a bit literate, is so certain that he did not study religion and philosophy. The objective analysis of his compositions does not confirm that he studied classical religion. Like other Nirguna saints, he too got knowledge of religion and spirituality through satsang. He has written-
Hari only Adhara, so Taran Tirn Hmarakktek
not I Pandit Pdi Guni Janau, not some knowledge Vicharakkl
not I proceeds Jontig Jannau, not Singarakk me as
Here, reading and writing can be derived from classical lore. In the Middle Ages this facility was available only to the upper castes. On the one hand, the situation of those so-called Savarnas has been satirized. On the other hand, the lack of classical knowledge has also been conveyed. The philosophers of the scriptures had certainly challenged his knowledge and saints like Dadu accepted this deficiency.
Agam mo paani janyu jaayi nahi hai, vimasni jiade mahi.
It is also an accepted fact that Dadu Dayal himself did not collect his compositions but his disciples. This also reinforces the suspicion that Dadu was probably not literate. The great feature of these Nirguna saints of Bhaktikal was also that most of these saints were householders. He preached to renounce worldly temptation. But not the renunciation of the world. This means that even when living in the world, one should rise above the world. Those who boycott the world are queer. How can they get liberation. It is from Sambhar that the devotional practice of Dadu Dayal begins. It was from here that he started preaching and it was here that he founded the 'Brahma Sampradaya'. Which came to be called 'Dadu Panth' after Dadu's death. Dadu mentions his family and family situation in his compositions. He has written-
Dadu is Rosie Ram, Rajik Rijk Hamar.
Dadu, that family, Poshya all the family.
Dadu Sahib my clothes, Sahib my paan.
Sahib is the Nazar of the head, Sahib Pyand Paran.
Give true satisfaction, sentiment of happiness
Siddak saburi sach de, manga dadu das.
It seems that a curious person had asked Dadu a direct question about how your food and drink goes. How do you take care of your family? That is, what are the means of your income. Here, lack is visible everywhere. To calm this curiosity, Dadu said that Ram is my employment, he is my property, the family is being nourished by the same Ram's offerings. It can be easily inferred from these lines that here, there is no rule of opulence, but an empire of poverty. It is worth highlighting here that Dadu has no complaint about his poverty. They accepted it as an easy living situation. The feeling of poverty and outrage arising from it is not found anywhere in Dadu's compositions. Here the poet relies on Rama, Because the temporal position is uncertain. Rama, whom God has given food for the child for nine months in the mother's womb and who has preserved his tender physique amidst the stomach, can never be so merciless nor so impolite that he can make the person in this world. I starve to death. Therefore, man should not be angry about the lack of food and drink. According to Dadu, man should not worry about his personal life, Rama himself cares for man and will. Dadu has said in a Sakhi-
Dadu hanna was so hoi rahya, and no hoivai aayi.
Lena was asleep, she was taken, and neither was she taken.
Social life has also been expressed in these lines of Dadu. This shows the inability of the people in the erstwhile state system. He believes that doing one's own concern cannot solve the problem. Its fruit is harmful. Therefore, Dadu says that man should not worry unproductive. The devotees and saints of that era had concluded empirically that man should not worry about his food and water. He will definitely be found. The desire to accumulate more wealth than this constantly hurts man. He is not able to accumulate wealth, on the contrary he washes his hands with his food. Therefore, a man should keep taking the name of Rama by taking satisfaction. While surveying the society of his time, Dadu has said-
Dadu, sub world, sleepless, none other
So Dhanvanta Janiya, Jaike Ram Padaratha Hoi.
Keeping this social status in mind, the saint poet Moolakadas had said that the dragon does not serve anyone and birds do not do any work. Even then they get food. The giver of all living beings is Rama. Therefore, man should not mortgage his soul for food and drink.
Saintless
Dadu Dayal has named his predecessor Nirgun Saints with great respect and honor. In particular, he Namdeo of Kabir and Raidas profound expressing reverence. Kabir was the ideal of Dadu. He wrote in a post-
Amrit Ram Rasaine Peya, Tathain Amar Kabira Kiya.
Ram Ram Ram Ram Ram Samanam, Jan Raidas Mile Bhagwana.
That is, Kabir had drunk Rama juice, he became immortal. Jan Raidas became like Rama with the name of Rama. The influence of his footsteps and sakhis can be clearly seen on Dadu-Vani. Many accounts are popularly known as both Kabir and Dadu after some manipulation. The compositions of Kabir have also had a profound impact on the works of predecessors Naths and Siddhas. Therefore, looking at their literature, it cannot be said with certainty that their position is original and which is not.
Dadu's disciples
During his lifetime, many of his disciples had become his father. A separate community should be established with the idea of tying them into a sutra, this idea had come in Dadu's mind. And so he established 'Par Brahman Sampradaya' at Sambhar. After Dadu's death, his disciples started calling this sect 'Dadu Panth'. Initially, a total of one hundred fifty-two of his disciples were considered. One hundred of them were disciples (bittaragi) and continued in the Bhagavata hymn. The fifty-two disciples also considered it necessary to carry out the organizational work of propagating knowledge in public with secluded Bhagavad-contemplation. The pranks of these fifty-two disciples came into vogue. Their fans are still mostly Rajasthan, Punjab and Haryana . Are in Dadu-gates were established at many places in this region. Among his disciples, Garibdas, Badhana, Rajjab, Sundardas, Janagopal etc. became famous. Most of these saints also presented their original compositions.
Acharya Parashuram Chaturvedi has written-
Within about a hundred years of the demise of Dadu Dayal ji, the ideological, dress, living and living system of the followers of Dadu Panth began to change more and more, and this began to be seen even in the Pradhan Kendra. It was necessary for the Mahantas of Narana to remain unmarried with Jaitaram ji (No. 1750-1789), Dadu Vani was elevated and started his worship. The aarti and hymns duly began to be sung, the divine sentiment towards the late Sadguru was displayed, and the sentiment of communalism increased steadily. As long as the disciples of Dadu Dayal Ji like Rajjab Ji, Sundaradas Ji, Banwaridas ji remained alive, people's attention was more attracted towards their basics. But when they died too, when the separate pillars became respected and the said idea was widely publicized, due to some local characteristics and some personal differences, Even the creation of sub-sects started. The original universal form of Daduism gradually grew and became a more modern 'Hinduism influenced creed'.
Dadu Dayal's opponents
Where Dadu Dayal had so many disciples and supporters, his opponents and cynics were no less. Dadu Dayal knew his slanders. Therefore, in a verse, he has done a little satire on them. In it Dadu has said that cynic is like a brother to me, who cuts the bond of crores of deeds. One who saves himself by drowning himself in Bhavsagar. He also blesses them to survive for ages -
Nyandak vava bir hamara, bin hi kaude whe vichara. Kusmal katai of tech
karam koti, Kaj savare binahi satte. 1 Aapan
badai and kaun tarai, take such a pritam cross
Upadhyaya on Nyandak Bapura, Nadu Nyandya do ours.
Dadu, on the other hand, has preached to his disciples not to blaspheme, because the person who does not have Rama resides in his heart . Dadu is amazed at how people blasphemously condemn another.
Everybody considers everyone, we are Bhave Ram Piara.
Narsansai nridosh rahteje, tasni kaat gaye re yeh.
Niravari nihkami sadhā, tāsiri dīt too much crime.
Loha Kanchan is similar, Tasani kahan karat abhimana.
Let the praise of God be an exception, say Tasoun.
Dadu blasphemy
Objective study of Dadu's compositions shows that they had less tendency to debate. They have reduced the volume and the higher the volume. It seems that his opposition was either in his absence, which he would get to know later or he himself was so calm that he did not get involved in any controversy. He had received condemnation and praise. However, he has less debate with his opponents and has given more advice to supporters.
Major sub-sect
In time, five major sects of Dadu Panth were formed: -
Khalsa
Ascetic ascetic
Landing or placeholder
Khaki
Naga
Their followers meet at different places. There is also a slight difference of opinion among them. But the importance of Dadu is accepted in all sub-sects. Acharya Parashuram Chaturvedi has written about the various monuments of Saint Dadu Dayal-
Kardala and Kalyanpur are the first places to be memorialized in the form of memorials of Saint Dadu Dayal. Where he first practiced for a long time. To introduce this, there is one of his 'Bhajan Shila' present. There is also made by a Dadu on the bottom of the hill, which is given importance. Apart from Kardala, there is an umbrella of Dadu ji in Sambhar. Which represents the old hut of their stay and a huge temple has also been built at the back. Amber is considered to be the place of his residence for a long time, where a beautiful Dadu is built. But more important than all these is given to Nrane, where till now the tree of Khejade is also shown, where he used to sit. There is a 'Bhajanashala' near it, and a huge temple is also built. It is considered to be the first by Dadu. Dadu's dead body, The place of Bharana is also present as his last memorial, where he was put on his death. A platform has also been made there and the entire place is also named as 'Dadu Khol'. It is said that somewhere here some of his hair, tuba, chola and Patten is still safe. Kalyanpur, Sambhar, Amer, Narana and Bhairana are also considered 'Panchtirtha'.
Two fairs are also organized as his memorial. One of these places Fagun Sudi from five to Ekadashi every year in Nrane. In which Dadu Panthi of almost all places gather. The second fair continues from Faguna Krishna three to Fagun sudi three in Bhairaine .
Dadu's creations
Friend
Verse
Hardevani
Twine
Dadu has written many sakhis and verses. Dadu's compositions were collected by his two disciples Santdas and Jagan Das under the name 'Hardevani'. Later Rajjab edited it under the name 'Angavadhu'. Dadu's poem is written keeping in mind the common man, so it is simple and easy. Dadu, like Kabir, considered experience as proof. There is a sense of love and distraction towards God in Dadu's compositions. Like Kabir, he too has made Nirguna formless God the subject of personal feelings. The words of Islamic practice have been used a lot in his compositions. His language is Hindi influenced by Western Rajasthani . It has a lot of Arabic- Persian words, yet it is easy and accessible.
Twine
Dadu Dayal's voice is edited by Angavadhu Exact Acharya Chandrika Prasad Tripathi published from Ajmer. It has been edited on the basis of many manuscripts. In this sequence, Rajab compiled his vocals in the name of Angavadhu by dividing his voice in orderly and separate parts. An attempt is made to remove all the errors of Harde Vani in Angavadhu. There is an attempt to divide Angavadhu into 37 parts. Based on this, different scholars have edited Dadu Vani in their own way. 59 Dadu Vani has been edited by many people. Among which Chandrika Prasad, Babu Baleshwari Prasad, Swami Narayan Das, Swami Jeevanand, IndiaThe monks etc. are prominent. In 1907, Sudhakar Dwivedi published his compositions in the name of Dadu Dayal's Bani from Kashi Nagari Pracharini Sabha. They have divided it into two parts. There are couplets in the first section and verses in the second, which are classified in terms of raga-raginis.
The death
Dadu Dayal died on Jeth Vadi Ashtami on Saturday Samvat 1660 (AD 1603 AD). There may be scope for differences regarding place of birth. But it is certain that he died in a village called Narana near Ajmer . There is 'Dadu-by' made. A fair is held there every year on his birthday and on his death day. Narana has also been his cultivation land and samadhi land. The traditional importance of this place remains as it is today. For Dadu Panthi saints, this place is similar to a shrine. Since there is no specific information about their place of birth, Dadu-Panthi people also do not worship any particular place. Lastly, this Narana ( Rajasthan), Where he finished his first marriage. According to Dadu's wish, his body was kept in a cave on the hill of Bhairon, where he was given a tomb. This hill is now called 'Dadu Khol'. Where the fair still holds in his memory.
सन्त दादूदयाल जीवनी (in Hindi)
Published By : Jivani.org
दादूदयाल मध्यकालीन भक्ति आंदोलन के प्रमुख संत थे. इनका जन्म विक्रम संवत् 1601 में फाल्गुन शुक्ला अष्टमी को अहमदाबाद में हुआ था. पूर्व में दादूदयाल का नाम महाबलि था. पत्नी की मृत्यु के बाद ये सन्यासी बन गये. अधिकाशतया ये सांभर व आमेर में रहने लगे.
फतेहपुर सिकरी में अकबर से भेट के बाद आप भक्ति का प्रसार प्रसार करने लगे. राजस्थान में ये नारायणा में रहने लगे. 1603 में वही पर इन्होने अपनी देह का त्याग किया. दादूदयाल के 52 शिष्य थे इनमे से रज्जब, सुन्दरदास, जनगोपाल प्रमुख थे. जिन्होंने अपने गुरु की शिक्षाएँ जन जन तक फैलाई. इनकी शिक्षाएँ दादुवाणी में संग्रहित है.
दादूदयाल ने बहुत ही सरल भाषा में अपने विचारों की अभिव्यक्ति की है. इनके अनुसार ब्रह्मा से ओकार की उत्पति और ओंकार से पांच तत्वों की उत्पति हुई. माया के कारण ही आत्मा और परमात्मा के मध्य भेद होता है. दादूदयाल ने ईश्वर प्राप्ति के लिए गुरु को अत्यंत आवश्यक बताया.
अच्छी संगति, ईश्वर का स्मरण, अहंकार का त्याग, संयम एवं निर्भीक उपासना ही सच्चे साधन है. दादूदयाल ने विभिन्न प्रकार के सामाजिक आडम्बर, पाखंड एवं सामाजिक भेदभाव का खंडन किया. जीवन में सादगी, सफलता और निश्छलता पर विशेष बल दिया. सरल भाषा एवं विचारों के आधार पर दादू को राजस्थान का कबीर भी कहा जाता है.
संत दादू जी विक्रम सं. 1625 में सांभर पधारे यहाँ उन्होंने मानव-मानव के भेद को दूर करने वाले, सच्चे मार्ग का उपदेश दिया। तत्पश्चात दादू जी महाराज आमेर पधारे तो वहां की सारी प्रजा और राजा उनके भक्त हो गए।
उसके बाद वे फतेहपुर सीकरी भी गए जहाँ पर बादशाह अकबर ने पूर्ण भक्ति व भावना से दादू जी के दर्शन कर उनके सत्संग व उपदेश ग्रहण करने के इच्छा प्रकट की तथा लगातार 40 दिनों तक दादूजी से सत्संग करते हुए उपदेश ग्रहण किया। दादूजी के सत्संग प्रभावित होकर अकबर ने अपने समस्त साम्राज्य में गौ हत्या बंदी का फरमान लागू कर दिया।
उसके बाद दादूजी महाराज नरेना (जिला जयपुर) पधारे और उन्होंने इस नगर को साधना, विश्राम तथा धाम के लिए चुना और यहाँ एक खेजडे के वृक्ष के नीचे विराजमान होकर लम्बे समय तक तपस्या की और आज भी खेजडा जी के वृक्ष के दर्शन मात्र से तीनो प्रकार के ताप नष्ट होते हैं। यहीं पर उन्होंने ब्रह्मधाम “दादूद्वारा” की स्थापना की जिसके दर्शन मात्र से आज भी सभी मनोकामनाए पूर्ण होती है। तत्पश्चात श्री दादूजी ने सभी संत शिष्यों को अपने ब्रह्मलीन होने का समय बताया।
ब्रह्मलीन होने के लिए निर्धारित दिन (जयेष्ट कृष्ण अष्टमी सम्वत 1660 ) के शुभ समय में श्री दादूजी ने एकांत में ध्यानमग्न होते हुए “सत्यराम” शब्द का उच्चारण कर इस संसार से ब्रहम्लोक को प्रस्थान किया। श्री दादू दयाल जी महाराज के द्वारा स्थापित “दादू पंथ” व “दादू पीठ” आज भी मानव मात्र की सेवा में निर्विघ्न लीन है। वर्तमान में दादूधाम के पीठाधीश्वर के रूप में आचार्य महंत श्री गोपालदास जी महाराज विराजमान हैं।
पारिवारिक जीवन
उनके परिवार का सम्बन्ध राजदरबार से नहीं था। तत्कालीन इतिहास लेखकों और संग्रहकर्त्ताओं की दृष्टि में इतिहास के केंद्र राजघराने ही हुआ करते थे। दादू दयाल के माता-पिता कौन थे और उनकी जाति क्या थी। इस विषय पर भी विद्वानों में मतभेद है। प्रामाणिक जानकारी के अभाव में ये मतभेद अनुमान के आधार पर बने हुए हैं। उनके निवारण के साधन अनुपलब्ध हैं। एक किंवदंती के अनुसार, कबीर की भाँति दादू भी किसी कवाँरी ब्राह्मणी की अवैध सन्तान थे, जिसने बदनामी के भय से दादू को साबरमती नदी में प्रवाहित कर दिया। बाद में, इनका लालन-पालन एक धुनिया परिवार में हुआ। इनका लालन-पालन लोदीराम नामक नागर ब्राह्मण ने किया। आचार्य परशुराम चतुर्वेदी के मतानुसार इनकी माता का नाम बसी बाई था और वह ब्राह्मणी थी। यह किंवदंती कितनी प्रामाणिक है और किस समय से प्रचलित हुई है, इसकी कोई जानकारी नहीं है। सम्भव है, इसे बाद में गढ़ लिया गया हो। दादू के शिष्य रज्जब ने लिखा है—
धुनी ग्रभे उत्पन्नो दादू योगन्द्रो महामुनिः।
उतृम जोग धारनं, तस्मात् क्यं न्यानि कारणम्।।
पिंजारा रुई धुनने वाली जाति-विशेष है, इसलिए इसे धुनिया भी कहा जाता है। आचार्य क्षितिजमोहन सेन ने इनका सम्बन्ध बंगाल से बताया है। उनके अनुसार, दादू मुसलमान थे और उनका असली नाम 'दाऊद' था। दादू दयाल के जीवन की जानकारी दादू पंथी राघोदास 'भक्तमाल' और दादू के शिष्य जनगोपाल द्वारा रचित 'श्री दादू जन्म लीला परची' में मिलता है। इसके अलावा दादू की रचनाओं के अन्तःसाक्ष्य के माध्यम से भी, हम उनके जीवन और व्यक्तित्व के बारे में अनुमान लगा सकते हैं।
हिन्दू समाज में परम्परागत रूप से व्यक्ति का परिचय उसके कुल और उसकी जाति से दिया जाता रहा है। जात-पात की व्यवस्था मध्य काल में बहुत सुदृढ़ थी।
दादू दयाल की मृत्यु
दादू दयाल की मृत्यु जेठ वदी अष्टमी शनिवार संवत् 1660 (सन् 1603 ई.) को हुई। जन्म स्थान के सम्बन्ध में मतभेद की गुंजाइश हो सकती है। लेकिन यह तय है कि इनकी मृत्यु अजमेर के निकट नराणा नामक गाँव में हुई। वहाँ ‘दादू-द्वारा’ बना हुआ है। इनके जन्म-दिन और मृत्यु के दिन वहाँ पर हर साल मेला लगता है।
दादूदयाल
दादूदयाल (1544-1603 ई.) हिन्दी के भक्तिकाल में ज्ञानाश्रयी शाखा के प्रमुख सन्त कवि थे। इनके 52 पट्टशिष्य थे, जिनमें गरीबदास, सुंदरदास, रज्जब और बखना मुख्य हैं। दादू के नाम से 'दादू पंथ' चल पडा। ये अत्यधिक दयालु थे। इस कारण इनका नाम 'दादू दयाल' पड गया। दादू हिन्दी, गुजराती, राजस्थानी आदि कई भाषाओं के ज्ञाता थे। इन्होंने शबद और साखी लिखीं। इनकी रचना प्रेमभावपूर्ण है। जात-पाँत के निराकरण, हिन्दू-मुसलमानों की एकता आदि विषयों पर इनके पद तर्क-प्रेरित न होकर हृदय-प्रेरित हैं।
परिचयसन्त दादूदयाल जी महाराज का अवतार संवत् 1601 वि. में भारतवर्ष के गुजरात राज्य के अहमदाबाद नगर में हुआ था। कहा जाता है कि लोदी राम नामक ब्राह्मण को साबरमती में बहता हुआ एक बालक मिला। अधेड़ आयु के उपरांत भी लोधीराम के कोई पुत्र नहीं था जिसकी उन्हें सदा लालसा रहती थी।
एक दिन उन्हें एक सिद्ध संत के दर्शन हुए और उन्होंने अपनी हार्दिक व्यथा उन संत को कह सुनाई। संत ने शरणागत जानकर लोधीरम को पुत्र रत्न की प्राप्ति का वरदान दिया और कहा "साबरमती नदी में तैरते कमल पत्र पर शयन करते बालक को अपने घर ले आना वही तुम्हारा पुत्र होगा" पुत्र प्राप्ति की कामना लेकर श्री लोधीरम ब्राहमण साबरमती नदी के तट पर गए जहाँ उन्हें पानी पर तैरते कमल पर लेटा हुआ बालक प्राप्त हुआ। इस प्रकार शुभमिति फाल्गुन शुक्ल अष्टमी गुरुवार के दिन विक्रम संवत 1601 में संत शिरोमणि सदगुरु श्री दादू दयाल जी महाराज का अवतार हुआ।
अपनी प्रिय से प्रिय वस्तु परोपकार के लिए तुरंत दे देने के स्वाभाव के कारण उनका नाम “दादू” रखा गया। आप दया दीनता व करुणा के खजाने थे, क्षमा शील और संतोष के कारण आप ‘दयाल’ अतार्थ “दादू दयाल” कहलाये।
विक्रम सं. 1620 में 12 वर्ष की अवस्था में दादूजी गृह त्याग कर सत्संग के लिए निकल पड़े, केवल प्रभु चिंतन में ही लीन हो गए। अहमदाबाद से प्रस्थान कर भ्रमण करते हुए राजस्थान की आबू पर्वतमाला, तीर्थराज पुष्कर से होते हुए करडाला धाम (जिला जयपुर) पधारे और पूरे 6 वर्षों तक लगातार प्रभु की साधना की कठोर साधना से इन्द्र को आशंका हुई की कहीं इन्द्रासन छीनने के लिए तो वे तपस्या नहीं कर रहे , इसीलिए इंद्र ने उनकी साधना में विघ्न डालने के लिए अप्सरा रूप में माया को भेजा। जिसने साधना में बाधा डालने के लिए अनेक उपाय किये मगर उस महान संत ने माया में व अपने में एकात्म दृष्टि से बहन और भाई का सनातन प्रतिपादित कर उसके प्रेमचक्र को एक पवित्र सूत्र से बाँध कर शांत कर दिया।
संत दादू जी विक्रम सं. 1625 में सांभर पधारे यहाँ उन्होंने मानव-मानव के भेद को दूर करने वाले, सच्चे मार्ग का उपदेश दिया। तत्पश्चात दादू जी महाराज आमेर पधारे तो वहां की सारी प्रजा और राजा उनके भक्त हो गए।
उसके बाद वे फतेहपुर सीकरी भी गए जहाँ पर बादशाह अकबर ने पूर्ण भक्ति व भावना से दादू जी के दर्शन कर उनके सत्संग व उपदेश ग्रहण करने के इच्छा प्रकट की तथा लगातार 40 दिनों तक दादूजी से सत्संग करते हुए उपदेश ग्रहण किया। दादूजी के सत्संग प्रभावित होकर अकबर ने अपने समस्त साम्राज्य में गौ हत्या बंदी का फरमान लागू कर दिया।
उसके बाद दादूजी महाराज नरेना (जिला जयपुर) पधारे और उन्होंने इस नगर को साधना, विश्राम तथा धाम के लिए चुना और यहाँ एक खेजडे के वृक्ष के नीचे विराजमान होकर लम्बे समय तक तपस्या की और आज भी खेजडा जी के वृक्ष के दर्शन मात्र से तीनो प्रकार के ताप नष्ट होते हैं। यहीं पर उन्होंने ब्रह्मधाम “दादूद्वारा” की स्थापना की जिसके दर्शन मात्र से आज भी सभी मनोकामनाए पूर्ण होती है। तत्पश्चात श्री दादूजी ने सभी संत शिष्यों को अपने ब्रह्मलीन होने का समय बताया।
ब्रह्मलीन होने के लिए निर्धारित दिन (जयेष्ट कृष्ण अष्टमी सम्वत 1660 ) के शुभ समय में श्री दादूजी ने एकांत में ध्यानमग्न होते हुए “सत्यराम” शब्द का उच्चारण कर इस संसार से ब्रहम्लोक को प्रस्थान किया। श्री दादू दयाल जी महाराज के द्वारा स्थापित “दादू पंथ” व “दादू पीठ” आज भी मानव मात्र की सेवा में निर्विघ्न लीन है। वर्तमान में दादूधाम के पीठाधीश्वर के रूप में आचार्य महंत श्री गोपालदास जी महाराज विराजमान हैं।
वर्तमान में भी प्रतिवर्ष फाल्गुन शुक्ल अष्टमी पर नरेना धाम में भव्य मेले का आयोजन होता है तथा इस अवसर पर एक माह के लिए भारत सरकार के आदेश अनुसार वहां से गुजरने वाली प्रत्येक रेलगाड़ी का नरेना स्टेशन पर ठहराव रहता है।
उनके उपदेशों को उनके शिष्य रज्जब जी ने “दादू अनुभव वाणी” के रूप में समाहित किया, जिसमे लगभग 5000 दोहे शामिल हैं। संतप्रवर श्री दादू दयालजी महाराज को निर्गुण संतो जैसे की कबीर व गुरु नानक के समकक्ष माना जाता है तथा उनके उपदेश व दोहे आज भी समाज को सही राह दिखाते आ रहे हैं।
दादूपन्थ
कबीर के बोध को जन-जन तक पहुँचाने में दादूपंथी संतों की बड़ी भूमिका है। संख्या की दृष्टि से दादू के जीवन में ही जितनी बड़ी संख्या में शिष्य-प्रशिष्य दादू के बने, सम्भवतः उतने शिष्य किसी अन्य संत के नहीं। दादूपंथी संतों में एक बहुत बड़ी संख्या पढ़े-लिखे संतों की है। जगजीवनदास जैसे शास्त्रार्थी, सुन्दरदास जैसे प्रकाण्ड शास्त्र पण्डित और साधु निश्चलदास जैसे दार्शनिक दादूपंथी ही थे। संत साहित्य के संरक्षण और संवर्धन की दृष्टि से बहुत महत्त्वपूर्ण कार्य दादूपंथियों ने किया। इन संतों ने अपने गुरु की वाणियों को संरक्षित तो किया ही, पूर्ववर्ती तमाम संतों की वाणियों का संरक्षण भी किया।
संत दादू दयाल संत कबीर के शिष्यों में से एक थे। संत कवि दादू दयाल फागुन संवत 1601 में अहमदाबाद में साबरमती नदी के तट पर लोदीराम नाम के ब्राह्मण को पानी में बहते मिले थे। 11 की उम्र में श्रीकृष्ण की भक्ति में लीन हो गये। 13 साल में जब वे घर से भागे तो माता-पिता पकड़ कर वापस ले आये। लेकिन सात वर्ष बाद वे फिर भाग खड़े हुए और सागर पहुंच कर धुनिया का काम करने लगे। वहीं 12 साल तक अध्ययन करते रहे। गुरु-कृपा से ज्ञान प्राप्त होने से इनके कई सैंकडों शिष्य हो गए। जिनमें गरीबदास, सुंदरदास, रज्जब और बखना मुख्य हैं। वे हिन्दी, गुजराती, राजस्थानी आदि कई भाषाओं के ज्ञाता थे। इन्होंने शब्द और साखी लिखीं। इनकी रचना प्रेमभावपूर्ण है। जात-पात के निराकरण, हिन्दू-मुसलमानों की एकता आदि विषयों पर इन्होंने अनेक पद/शब्द लिखे हैं। कहते हैं प्रसिद्धि होने पर एक बार उन्हें अकबर ने बुलवाया और पूछा कि अल्लाह की जाति क्या है ? इस पर इन्होंने ने एक दोहा सुनाया-
इश्क अल्लाह की जाती है इश्क अल्लाह का अंग
इश्क अल्लाह मौजूद है, इश्क अल्लाह का रंग ।
साखी/दोहे संत दादू दयाल जी
श्री गुरुदेव का अंग संत दादू दयाल जीदादू नमो नमो निरंजनं, नमस्कार गुरु देवत:।
वन्दनं सर्व साधावा, प्रणामं पारंगत:।।1।।
परब्रह्म परापरं, सो मम देव निरंजनं।
निराकारं निर्मलं, तस्य दादू वन्दनं।।2।।
दादू गैब माँहि गुरुदेव मिल्या, पाया हम परसाद।
मस्तक मेरे कर धारया, दख्या अगम अगाध।।3।।
दादू सद्गुरु सहज में, कीया बहु उपकार।
निर्धन अनवँत कर लिया, गुरु मिलिया दातार।।4।।
दादू सद्गुरु सूं सहजैं मिल्या, लीया कंठ लगाइ।
दया भई दयालु की, तब दीपक दिया जगाइ।।5।।
दादू देखु दयालु की, गुरु दिखाई बाट।
ताला कूंची लाइ करि, खोले सबै कपाट।।6।।
दादू सद्गुरु अंजन बाहिकर, नैन पटल सब खोले।
बहरे कानों सुनने लागे, गूंगे मुख सों बोले।।7।।
सद्गुरु दाता जीव का, श्रवण शीश कर नैन।
तन मन सौंज सँवारि सब, मुख रसना अरु बैन।।8।।
राम नाम उपदेश करि, अगम गवन यहु सैन।
दादू सद्गुरु सब दिया, आप मिलाये अैन।।9।।
सद्गुरु कीया फेरिकर, मन का औरै रूप।
दादू पंचों पलट कर, कैसे भये अनूप।।10।।
साचा सद्गुरु जे मिले, सब साज सँवारै।
दादू नाव चढ़ाय कर, ले पार उतारै।।11।।
सद्गुरु पशु मानुष करै, मानुष तैं सिध्द सोइ।
दादू सिध्द तैं देवता, देव निरंजन होइ।।12।।
दादू काढ़े काल मुख, अंधो लोचन देय।
दादू ऐसा गुरु मिल्या, जीव ब्रह्म कर लेय।।13।।
दादू काढ़े काल मुख, श्रवणहु शब्द सुनाय।
दादू ऐसा गुरु मिल्या, मृतक लिये जिवाय।।14।।
दादू काढ़े काल मुख, गूंगे लिये बुलाय।
दादू ऐसा गुरु मिल्या, सुख में रहे समाय।।15।।
दादू काढ़े काल मुख, महर दया कर आय।
दादू ऐसा गुरु मिल्या, महिमा कही न जाय।।16।।
सद्गुरु काढ़े केश गहि, डूबत इहि संसार।
दादू नाव चढ़ायकरि, कीये पैली पार।।17।।
भव सागर में डूबतां, सद्गुरु काढ़े आय।
दादू खेवट गुरु मिल्या, लीये नाव चढ़ाय।।18।।
दादू उस गुरुदेव की, मैं बलिहारी जाउं।
जहाँ आसन अमर अलेख था, ले राखे उस ठांउं।।19।।
आतम माँहीं ऊपजै, दादू पंगुल ज्ञान।
कृत्रिम जाय उलंघि कर, जहाँ निरंजन थान।।20।।
आत्म बोधा बंझ का बेटा, गुरुमुख उपजै आय।
दादू पंगुल पंच बिन, जहाँ राम तहँ जाय।।21।।
साचा सहजैं ले मिले, शब्द गुरु का ज्ञान।
दादू हमकूं ले चल्या, जहाँ प्रीतम का स्थान।।22।।
दादू शब्द विचार करि, लागि रहै मन लाय।
ज्ञान गहैं गुरुदेव का, दादू सहज समाय।।23।।
दादू सद्गुरु शब्द सुनाय कर, भावै जीव जगाय।
भावै अन्तर आप कहि, अपने अंग लगाय।।24।।
दादू बाहर सारा देखिए, भीतर कीया चूर।
सद्गुरु शब्दों मारिया, जाण न पावे दूर।।25।।
दादू सद्गुरु मारे शब्द सों, निरखि निरखि निज ठौर।
राम अकेला रह गया, चित्ता न आवे और।।26।।
दादू हम को सुख भया, साधा शब्द गुरु ज्ञान।
सुधि बुधि सोधी समझि करि, पाया पद निर्वान।।27।।
दादू शब्द बाण गुरु साधु के, दूर दिशंतर जाय।
जिहिं लागे सो ऊबरे, सूते लिये जगाय।।28।।
सद्गुरु शब्द मुख सों कह्या, क्या नेड़े क्या दूर।
दादू सिख श्रवणों सुन्या, सुमिरन लागा सूर।।29।।
शब्द दूधा, घृत राम रस, मथ कर काढ़े कोइ।
दादू गुरु गोविन्द बिन, घट-घट समझ न होइ।।30।।
शब्द दूधा घृत राम रस, कोइ साधु बिलोवणहार।
दादू अमृत काढ़ ले, गुरुमुख गहै विचार।।31।।
घीव दूधा में रम रह्या, व्यापक सब ही ठौर।
दादू बकता बहुत है, मथि काढ़े ते और।।32।।
कामधोनु घट जीव है, दिन-दिन दुर्बल होय।
गोरू ज्ञान न उपजै, मथि नहिं खाया सोय।।33।।
साचा समरथ गुरु मिल्या, तिन तत दिया बताय।
दादू मोटा महाबली, घट घृत मथिकर खाय।।34।।
मथि करि दीपक कीजिए, सब घट भया प्रकास।
दादू दीया हाथ करि, गया निरंजन पास।।35।।
दीयै दीया कीजिए, गुरुमुख मारग जाय।
दादू अपने पीव का, दरशन देखै आय।।36।।
दादू दीया है भला, दिया करो सब कोइ।
घर में धारया न पाइये, जे कर दिया न होइ।।37।।
दादू दीये का गुण ते लहैं, दीया मोटी बात।
दीया जग में चाँदणा, दीया चाले साथ।।38।।
निर्मल गुरु का ज्ञान गहि, निर्मल भक्ति विचार।
निर्मल पाया प्रेम रस, छूटे सकल विकार।।39।।
निर्मल तन मन आत्मा, निर्मल मनसा सार।
निर्मल प्राणी पंच करि, दादू लंघे पार।।40।।
परापरी पासै रहै, कोई न जाणै ताहि।
सद्गुरु दिया दिखाय करि, दादू रह्या ल्यौ लाय।।41।।
जिन हम सिरजे सो कहाँ, सद्गुरु देहु दिखाय।
दादू दिल अरवाह का, तहँ मालिक ल्यौ लाय।।42।।
मुझ ही में मेरा धाणी, पड़दा खोल दिखाय।
आतम सौं परमातमा, परगट आणि मिलाय।।43।।
भरि-भरि प्याला प्रेम रस, अपने हाथ पिलाय।
सद्गुरु के सदिकै किया, दादू बलि-बलि जाय।।44।।
सरवर भरिया दह दिशा, पंखी प्यासा जाय।
दादू गुरु परसाद बिन, क्यों जल पीवे आय।।45।।
मान-सरोवर मांहि जल, प्यासा पीवे आय।
दादू दोष न दीजिए, घर-घर कहण न जाय।।46।।
दादू गुरु गरवा मिल्या, ताथैं सब गम होय।
लोहा पारस परसतां, सहज समाना सोय।।47।।
दीन गरीबी गहि रह्या, गरवा गुरु गंभीर।
सूक्षम शीतल सुरति मति, सहज दया गुरु धीर।।48।।
सोधी दाता पलक में, तिरै तिरावण जोग।
दादू ऐसा परम गुरु, पाया किहिं संजोग।।49।।
दादू सद्गुरु ऐसा कीजिए, राम रस माता।
पार उतारे पलक में, दर्शन का दाता।।50।।
देवे किरका दरद का, टूटा जोड़े तार।
दादू सांधो सुरति को, सो गुरु पीर हमार।।51।।
दादू घायल होय रहे, सद्गुरु के मारे।
दादू अंग लगाय करि, भव सागर तारे।।52।।
दादू साचा गुरु मिल्या, साचा दिया दिखाइ।
साचे को साचा मिल्या, साचा रह्या समाइ।।53।।
साचा सद्गुरु सोधिले, साँचे लीजे साध।
साचा साहिब सोधि कर, दादू भक्ति अगाध।।54।।
सन्मुख सद्गुरु साधु सौं, सांई सौं राता।
दादू प्याला प्रेम का, महा रस माता।।55।।
सांई सौं साचा रहै, सद्गुरु सौं शूरा।
साधू सौं सन्मुख रहै, सो दादू पूरा।।56।।
सद्गुरु मिलै तो पाइये, भक्ति मुक्ति भण्डार।
दादू सहजैं देखिए, साहिब का दीदार।।57।।
दादू सांई सद्गुरु सेविये, भक्ति मुक्ति फल होय।
अमर अभय पद पाइये, काल न लागे कोय।।58।।
इक लख चन्दा आण घर, सूरज कोटि मिलाय।
दादू गुरु गोविंद बिन, तो भी तिमर न जाय।।59।।
अनेक चंद उदय करे, असंख्य सूर प्रकास।
एक निरंजन नाम बिन, दादू नहीं उजास।।60।।
दादू कदि यहु आपा जायगा, कदि यहु बिसरे और।
कदि यहु सूक्षम होयगा, कदि यहु पावे ठौर।।61।।
विषम दुहेला जीव को, सद्गुरु तैं आसान।
जब दरवे तब पाइये, नेड़ा ही अस्थान।।62।।
दादू नैन न देखे नैन को, अन्तर भी कुछ नाँहि।
सद्गुरु दर्पण कर दिया, अरस परस मिल माँहि।।63।।
घट-घट राम रतन है, दादू लखे न कोइ।
सद्गुरु शब्दों पाइये, सहजैं ही गम होइ।।64।।
जब ही कर दीपक दिया, तब सब सूझन लाग।
यूं दादू गुरु ज्ञान तैं, राम कहत जन जाग।।65।।
दादू मन माला तहाँ फेरिये, जहाँ दिवस न परसे रात।
तहाँ गुरु बानाँ दिया, सहजै जपिये तात।।66।।
दादू मन माला तहाँ फेरिये, जहाँ प्रीतम बैठे पास।
आगम गुरु तैं गम भया, पाया नूर निवास।।67।।
दादू मन माला तहँ फेरिये, जहाँ आपै एक अनन्त।
सहजै सो सद्गुरु मिल्या, जुग-जुग फाग बसन्त।।68।।
दादू सद्गुरु माला मन दिया, पवन सुरति सूँ पोइ।
बिन हाथों निश दिन जपै, परम जाप यूँ होइ।।69।।
दादू मन फकीर मांही हुआ, भीतर लीया भेख।
शब्द गहै गुरुदेव का, माँगे भीख अलेख।।70।।
दादू मन फकीर सद्गुरु किया, कहि समझाया ज्ञान।
निश्चल आसन बैस कर, अकल पुरुष का धयान।।71।।
दादू मन फकीर जग तैं रह्या, सद्गुरु लीया लाय।
अहनिशि लागा एक सौं, सहज शून्य रस खाय।।72।।
दादू मन फकीर ऐसे भया, सद्गुरु के परसाद।
जहाँ का था लागा तहाँ, छूटे वाद विवाद।।73।।
ना घर रह्या न वन गया, ना कुछ किया कलेश।
दादू मनहीं मन मिल्या, सद्गुरु के उपदेश।।74।।
दादू यहु मसीत यहु देहुरा, सद्गुरु दिया दिखाय।
भीतरि सेवा बन्दगी, बाहर काहे जाय।।75।।
दादू मंझे चेला मंझे गुरु, मंझे ही उपदेश।
बाहरि ढ़ूढ़ैं बावरे, जटा बधाये केश ।।76।।
मन का मस्तक मूंडिये, काम-क्रोध के केश।
दादू विषै विकार सब, सद्गुरु के उपदेश।।77।।
दादू पड़दा भरम का, रह्या सकल घट छाय।
गुरु गोविन्द कृपा करैं, तो सहजैं ही मिट जाय।।78।।
जिहिं मत साधु उध्दरैं, सो मत लीया शोध।
मन लै मारग मूल गहि, यह सद्गुरु का परमोध।।79।।
दादू सोई मारग मन गह्या, जिहिं मारग मिलिये जाय।
वेद कुरानों ना कह्या, सो गुरु दिया दिखाय।।80।।
मन भुवंग यहु विष भरया, निर्विष क्यौं ही न होइ।
दादू मिल्या गुरु गारुड़ी, निर्विष कीया सोइ।।81।।
एता कीजे आप तैं, तन मन उनमनि लाय।
पंच समाधी राखिये, दूजा सहज सुभाय।।82।।
दादू जीव जंजालौं पड़ गया, उलझा नौ मण सूत।
कोई इक सुलझे सावधान, गुरु बाइक अवधूत।।83।।
चंचल चहुँ दिशि जात है, गुरु बाइक सों बंधि।
दादू संगति साधु की, पार-ब्रह्म सों संधि।।84।।
गुरु अंकुश माने नहीं, उदमद माता अंधा।
दादू मन चेतै नहीं, काल न देखै फंधा।।85।।
दादू मारया बिन माने नहीं, यह मन हरि की आन।
ज्ञान खड़ग गुरुदेव का, ता संग सदा सुजान।।86।।
जहाँ तैं मन उठि चले, फेरि तहाँ ही राखि।
तहँ दादू लै लीन करि, साधु कहें गुरु साखि।।87।।
दादू मन ही सूं मल ऊपजै, मन ही सूं मल धोय।
सीख चले गुरु साधु की, तो तू निर्मल होय।।88।।
दादू कच्छब अपने कर लिये, मन इन्द्रिय निजठौर।
नाम निरंजन लागि रहु, प्राणी परहरि और।।89।।
मन के मतै सब कोइ खेले, गुरुमुख विरला कोइ।
दादू मन की माने नहीं, सद्गुरु का शिष्य सोइ।।90।।
सब जीवों को मन ठगै, मन को विरला कोइ।
दादू गुरु के ज्ञान सौं, सांई सन्मुख होइ।।91।।
दादू एक सूं लै लीन होना, सबै सयानप येह।
सद्गुरु साधु कहत हैं, परम तत्तव जप लेह।।92।।
सद्गुरु शब्द विवेक बिन, संयम रहा न जाय।
दादू ज्ञान विचार बिन, विषय हलाहल खाय।।93।।
घर-घर घट कोल्हू चले, अमीं महा रस जाय।
दादू गुरु के ज्ञान बिन, विषय हलाहल खाय।।94।।
सद्गुरु शब्द उलंघ करि, जिन कोई शिष्य जाय।
दादू पग-पग काल है, जहाँ जाइ तहँ खाय।।94।।
सद्गुरु बरजे शिष्य करे, क्यों कर बंचे काल।
दह दिशि देखत बहि गया, पाणी फोड़ी पाल।।96।।
दादू सद्गुरु कहै सु शिष्य करे, सब सिध्द कारजहोय।
अमर अभय पद पाइये, काल न लागे कोय।।97।।
दादू जे साहिब को भावै नहीं, सो हम तैं जिन होइ।
सद्गुरु लाजे आपणा, साधु न माने कोइ।।98।।
दादू 'हूं' की ठाहर 'है' कहो, 'तन' की ठाहर 'तूं'।
'री' की ठाहर 'जी' कहो, ज्ञान गुरु का यूँ।।99।।
दादू पंच स्वादी पंच दिशि, पंचे पंचों बाट।
तब लग कह्या न कीजिये, गह गुरु दिखाया घाट।।100।।
दादू पंचों एक मत, पंचों पूरया साथ।
पंचों मिल सन्मुख भये, तब पंचों गुरु की बाट।।101।।
दादू ताता लोहा तिणे सूँ, क्यों कर पकडया जाय।
गहन गति सूझे नहीं, गुरु नहीं बूझे आय।।102।।
दादू अवगुण गुण कर माने गुरु के, सोई शिष्य सुजान।
सद्गुरु अवगुण क्यों करे, समझे सोई सयान।।103।।
सोने सेती वैर क्या, मारे घण के घाइ।
दादू काट कलंक सब, राखे कंठ लगाइ।।104।।
पाणी माँही राखिये, कनक कलंक न जाइ।
दादू गुरु के ज्ञान सौं, ताइ अग्नि में बाहि।।105।।
दादू माँही मीठा हेत कर, ऊपर कड़वा राखि।
सद्गुरु शिष्य को सीख दे, सब साधूं की साखि।।106।।
दादू कहे शिष्य भरोसे आपणै, ह्नै बोली हुसियार।
कहेगा सो बहेगा, हम पहली करैं पुकार।।107।।
दादू सद्गुरु कहैं सु कीजिये, जे तूं शिष्य सुजान।
जहाँ लाया तहाँ लाग रहु, बूझे कहाँ अजान।।108।।
गुरु पहले मन सौं कहैं, पीछे नैन की सैन।
दादू शिष्य समझैं नहीं, कहि समझावै बैन।।109।।
कहे लखे सो मानवी, सैन लखे सो साध।
मन की लखे सु देवता, दादू अगम अगाध।।110।।
दादू कहि-कहि मेरी जीभ रही, सुन-सुन तेरे कान।
सद्गुरु बपुरा क्या करे, जो चेला मूढ़ अजान।।111।।
एक शब्द सब कुछ कह्या, सद्गुरु शिष्य समझाय।
जहँ लाया तहँ लागे नहीं, फिर-फिर बूझे आय।।112।।
ज्ञान लिया सब सीख सुनि, मन का मैल न जाय।
गुरु बिचारा क्या करे, शिष्य विषय हलाहल खाय।।113।।
सद्गुरु की समझे नहीं, अपने उपजे नाँहि।
तो दादू क्या कीजिए, बुरी व्यथा मन माँहि।।114।।
गुरु अपंग पग पंख बिन, शिष्य शाखा का भार।
दादू खेवट नाव बिन, क्यों उतरेंगे पार।।115।।
दादू संशा जीव का, शिष्य शाखा का साल।
दोनों को भारी पड़ी, होगा कौन हवाल।।116।।
अंधो अंधा मिल चले, दादू बन्धा कतार।
कूप पड़े हम देखते, अंधो अंधा लार।।117।।
सोधी नहीं शरीर की, औरों को उपदेश।
दादू अचरज देखिया, ये जाँयेंगे किस देश।।118।।
सोधी नहीं शरीर की, कहैं अगम की बात।
जान कहावें बापुड़े, आयुधा लीये हाथ।।119।।
दादू माया मांहैं काढ़ि कर, फिर माया में दीन्ह।
दोऊ जन समझै नहीं, एको काज न कीन्ह।।120।।
दादू कहै सो गुरु किस काम का, गहि भरमावे आन।
तत्तव बतावे निर्मला, सो गुरु साधु सुजान।।121।।
तूं मेरा हूँ तेरा, गुरु शिष्य कीया मंत।
दोनों भूले जात हैं, दादू विसरा कंत।।122।।
दुहि-दुहि पीवे ग्वाल गुरु, शिष्य है छेली गाय।
यह अवसर यों ही गया, दादू कहि समझाय।।123।।
शिष गोरू गुरु ग्वाल है, रक्षा कर कर लेय।
दादू राखे जतन करि, आनि धाणी को देय।।124।।
झूठे अंधो गुरु घणे, भरम दिढ़ावें आय।
दादू साचा गुरु मिले, जीव ब्रह्म हो जाय।।125।।
झूठे अंधो गुरु घणे, बंधो विषय विकार।
दादू साचा गुरु मिले, सन्मुख सिरजनहार।।126।।
झूठे अंधो गुरु घणे, भरम दिढ़ावें काम।
बंधो माया मोह सों, दादू मुख सों राम।।127।।
झूठे अंधो गुरु घणे, भटकैं घर-घर बार।
कारज को सीझे नहीं, दादू माथे मार।।128।।
दादू भक्त कहावें आपको, भक्ति न जाने भेव।
सपने हीं समझे नहीं, कहाँ बसे गुरुदेव।।129।।
भरम करम जग बंधिया, पंडित दिया भुलाय।
दादू सद्गुरु ना मिले, मारग देइ दिखाय।।130।।
दादू पंथ बतावें पाप का, भरम कर्म विश्वास।
निकट निरंजन जे रहै, क्यों न बतावें तास।।131।।
दादू आपा उरझे उरझिया, दीसे सब संसार।
आपा सुरझे सुरझिया, यहु ज्ञान विचार।।132।।
साधु का अंग निर्मला, तामें मल न समाय।
परम गुरु परगट कहैं, तातैं दादू ताय।।133।।
राम नाम गुरु शब्द सों, रे मन पेलि भरंम।
निहकरमी सूं मन मिल्या, दादू काटि करंम।।134।।
दादू बिन पायन का पंथ है, क्यों कर पहुँचे प्रान।
विकट घाट औघट खरे, माँहि शिखर असमान।।135।।
मन ताजी चेतन चढ़े, ल्यौ की करे लगाम।
शब्द गुरु का ताजणा, कोई पहुँचे साधु सुजान।।136।।
साधों सुमिरण सो कह्या, जिहिँ सुमिरण आपा भूल।
दादू गहि गम्भीर गुरु, चेतन आनँद मूल।।137।।
दादू आप सवारथ सब सगे, प्राण सनेही नाँहि।
प्राण सनेही राम है, कै साधु कलि माँहि।।138।।
सुख का साथी जगत् सब, दुख का नाहीं कोइ।
दुख का साथी सांइया, दादू सद्गुरु होइ।।139।।
सगे हमारे साधु हैं, शिर पर सिरजनहार।
दादू सद्गुरु सो सगा, दूजा धांधा विकार।।140।।
दादू के दूजा नहीं, एकै आतम राम।
सद्गुरु शिर पर साधु सब, प्रेम भक्ति विश्राम।।141।।
दादू शुधा बुधा आत्मा, सद्गुरु परसे आय।
दादू भृंगी कीट ज्यौं, देखत ही हो जाय।।142।।
दादू भृंगी ज्यौं, सद्गुरु सेती होय।
आप सरीखे कर लिये, दूजा नाँही कोय।।143।।
दादू कच्छप राखे दृष्टि में कुंजों के मन माँहिं।
सद्गुरु राखे आपणा, दूजा कोई नाँहिं।।144।।
बच्चों के माता पिता, दूजा नाँहीं कोइ।
दादू निपजे भाव सूं, सद्गुरु के घट होइ।।145।।
एकै शब्द अनन्त शिष्य, जब सद्गुरु बोलै।
दादू जड़े कपाट सब, दे कूँची खोलै।।146।।
बिन ही किये होय सब, सन्मुख सिरजनहार।
दादू कर कर को मरे, शिष्य शाखा शिर भार।।147।।
सूरज सन्मुख आरसी, पावक किया प्रकास।
दादू सांई साधु बिच, सहजैं निपजै दास।।148।।
दादू पंचों ये परमोधा ले, इनहीं को उपदेश।
यहु मन अपणा हाथ कर, तो चेला सब देश।।149।।
अमर भये गुरु ज्ञान सौं, केते इहिं कलि माँहि।
दादू गुरु के ज्ञान बिन, केते मरि-मरि जाँहि।।150।।
औषधि खाइ न पछ रहे, विषम व्याधि क्यों जाय।
दादू रोगी बावरा, दोष वैद्य को लाय।।151।।
वैद्य व्यथा कहे देखि कर, रोगी रहे रिसाय।
मन माँही लीये रहै, दादू व्याधि न जाय।।152।।
दादू वैद्य बिचारा क्या करे, रोगी रहे न साँच।
खाटा मीठा चरपरा, माँगे मेरा वाच।।153।।
दुर्लभ दरशन साधु का, दुर्लभ गुरु उपदेश।
दुर्लभ करिबा कठिन है, दुर्लभ परस अलेख।।154।।
दादू अविचल मंत्रा, अमर मंत्रा अखै मंत्रा, अभय मंत्रा, राम मंत्रा, निजसार।
संजीवन मंत्रा, सबीरज मंत्रा, सुंदर मंत्रा, शिरोमणिमंत्रा, निर्मल मंत्रा, निराकार।
अलख मंत्रा, अकल मंत्रा, अगाधा मंत्रा, अपार मंत्रा, अनंत मंत्रा, राया।
नूर मंत्रा, तेज मंत्रा, ज्योति मंत्रा, प्रकाश मंत्रा, परम मंत्रा, पाया।।155।।
दादू सब ही गुरु किये, पशु पंखी बन राय।
तीन लोक गुण पंच सौं, सब ही माँहि खुदाय।।156।।
जो पहली सद्गुरु कह्या, सो नैनहुँ देख्या आइ।
अरस परस मिलि एक रस, दादू रहे समाइ।।157।।
।।इति गुरुदेव का अंग सम्पूर्ण।।
सुमिरण का अंग संत दादू दयाल जीदादू नमो नमो निरंजनं, नमस्कार गुरु देवत:।
वन्दनं सर्व साधावा, प्रणामं पारंगत:।।1।।
एकै अक्षर पीव का, सोई सत्य करि जाणि।
राम नाम सद्गुरु कह्या, दादू सो परवाणि।।2।।
पहली श्रवण द्वितीय रसन, तृतीय हिरदै गाय।
चतुर्थी चिंतन भया, तब रोम-रोम ल्यौ लाय।।3।।
दादू नीका नाम है, तीन लोक तत सार।
रात दिवस रटबौ करी, रे मन इहै विचार।।4।।
दादू नीका नाम है, हरि हिरदै न विसार।
मूर्ति मन माँहीं बसे, श्वासैं श्वास सँभार।।5।।
श्वासैं श्वास सँभालतां, इक दिन मिलि है आय।
सुमिरण पैंडा सहज का, सद्गुरु दिया बताय।।6।।
दादू नीका नाम है, सो तू हिरदै राखि।
पाखंड प्रपंच दूर कर, सुनि साधु जन की साखि।।7।।
दादू नीका नाम है, आप कहै समझाय।
और आरंभ सब छाड़ि दे, राम नाम ल्यौ लाय।।8।।
राम भजन का सोच क्या, करतां होइ सो होय।
दादू राम सँभालिये, फिर बूझिये न कोय।।9।।
राम तुम्हारे नाम बिन, जे मुख निकसे और।
तो इस अपराधी जीव को, तीन लोक कित ठौर।।10।।
छिन-छिन राम सँभालतां, जे जिव जाय तो जाय।
आतम के आधार को, नाहीं आन उपाय।।11।।
एक महूरत मन रहै, नाम निरंजन पास।
दादू तब ही देखतां, सकल करम का नास।।12।।
सहजैं ही सब होइगा, गुण इन्द्री का नास।
दादू राम सँभालतां, कटै कर्म के पास।।13।।
एक राम के नाम बिन, जीवन की जलनी न जाय।
दादू केते पचि मुये, करि करि बहुत उपाय।।14।।
दादू एक राम की टेक गहि, दूजा सहज सुभाय।
राम नाम छाडै नहीं, दूजा आवै जाय।।15।।
दादू राम अगाधा है, परिमित नाँही पार।
अवर्ण वर्ण न जाणिये, दादू नाम अधार।।16।।
दादू राम अगाधा है, अविगति लखै न कोइ।
निर्गुण सगुण का कहै, नाम विलम्ब न होइ।।17।।
दादू राम अगाधा है, बेहद लख्या न जाय।
आदि अंत नहिं जाणिये, नाम निरंतर गाय।।18।।
दादू राम अगाधा है, अकल अगोचर एक।
दादू नाम विलंबिये, साधू कहैं अनेक।।19।।
दादू एकै अल्लह राम है, समर्थ सांई सोय।
मैदे के पकवान सब, खातां होय सु होय।।20।।
सगुण निर्गुण ह्नै रहे, जैसा है तैसा लीन।
हरि सुमिरण ल्यौ लाइये, का जाणौं का कीन।।21।।
दादू सिरजनहार के, केते नाम अनंत।
चित आवै सो लीजिये, यूँ साधू सुमरैं संत।।22।।
दादू जिन प्राण पिंड हम कूं दिया, अंतर सेवैं ताहि।
जे आवै औसाण शिर, सोई नाम संबाहि।।23।।
दादू ऐसा कौण अभागिया, कछू दिढ़ावे और।
नाम बिना पग धारन कौं, कहो कहाँ है ठौर।।24।।
दादू निमष न न्यारा कीजिए, अंतर तैं उर नाम।
कोटि पतित पावन भये, केवल कहतां राम।।25।।
दादू जे तैं अब जाण्या नहीं, राम नाम निज सार।
फिर पीछे पछिताहिगा, रे मन मूढ़ गँवार।।26।।
दादू राम सँभालि ले, जब लग सुखी शरीर।
फिर पीछैं पछिताहिगा, जब तन मन धारै न धीर।।27।।
दुख दरिया संसार है, सुख का सागर राम।
सुख सागर चलि जाइये, दादू तज बेकाम।।28।।
दादू दरिया यह संसार है तामें राम नाम जिननाव।
दादू ढ़ील न कीजिए, यहु औसर यहु डाव।।29।।
मेरे संशा को नहीं, जीवण-मरण का राम।
सपनैं ही जिन बीसरै, मुख हिरदै हरिनाम।।30।।
दादू दुखिया तब लगै, जब लग नाम न लेह।
तब ही पावन परम सुख, मेरी जीवनि येह।।31।।
कछू न कहावै आपकौं, सांई कूं सेवै।
दादू दूजा छाडि सब, नाम निज लेवै।।32।।
जे चित चहुँटे राम सौं, सुमिरण मन लागै।
दादू आतम जीव का, संशा सब भागै।।33।।
दादू पिव का नाम ले, तौ हि मिटे शिर साल।
घड़ी महूरत चालणां, कैसी आवै कालि।।34।।
दादू औसर जीव तैं, कह्या न केवल राम।
अंतकाल हम कहैंगे, जम वैरी सौं काम।।35।।
दादू ऐसे महँगे मोल का, एक श्वास जे जाय।
चौदह लोक समान सो, काहे रेत मिलाय।।36।।
सोइ श्वास सुजाण नर, सांई सेती लाइ।
करि साटा सिरजनहार सूं, महँगे मोल बिकाइ।।37।।
जतन करे नहिं जीव का, तन मन पवना फेरि।
दादू महँगे मोल का, द्वै दोवटी इक सेर।।38।।
दादू रावत राजा राम का, कदे न विसारी नाँव।
आतम राम सँभालिये, तो सु बस काया गाँव।।39।।
दादू अहनिश सदा शरीर में हरि, चिन्तत दिन जाय।
प्रेम मगन लै लीन मन, अन्तर गति ल्यौ लाय।।40।।
निमष एक न्यारा नहीं, तन मन मंझि समाय।
एक अंग लागा रहै, ताकूं काल न खाय।।41।।
दादू पिंजर पिंड शरीर का, सुवटा सहज समाय।
रमता सेती रमि रहै, विमल-विमल जश गाय।।42।।
अविनाशी सूं एक ह्नै, निमष न इत उत जाय।
बहुत बिलाई क्या करे, जे हरि-हरि शब्द सुनाय।।43।।
दादू जहाँ रहूँ तहँ राम सूं, भावै कंदलि जाय।
भावै गिरि परबत रहूँ, भावै गेह बसाय।।44।।
भावै जाइ जलहरि रहूँ, भावै शीश नवाय।
जहाँ तहाँ हरि नाम सूं हिरदै हेत लगाय।।45।।
दादू राम कहे सब रहत है, नख शिख सकल शरीर।
राम कहे बिन जात है, समझी मनवा वीर।।46।।
दादू राम कहे सब रहत है, लाहा मूल सहेत।
राम कहे बिन जात है, मूरख मनवा चेत।।47।।
दादू राम कहे सब रहत है, आदि अन्त लौं सोय।
राम कहे बिन जात है, यहु मन बहुरि न होय।।48।।
दादू राम कहे सब रहत है, जीव ब्रह्म की लार।
राम कहे बिन जात है, रे मन हो हुशियार।।49।।
हरि भज साफल जीवणा, पर उपकार समाय।
दादू मरणा तहाँ भला, जहाँ पशु पक्षी खाय।।50।।
दादू राम शब्द मुख ले रहै, पीछै लागा जाय।
मनसा वाचा करमना, तिहिं, तत सहजि समाय।।51।।
दादू रचि मचि लागे नाम सौं, राते माते होय।
देखेंगे दीदार कूं, सुख पावैंगे सोय।।52।।
दादू सांई सेवै सब भले, बुरा न कहिये कोइ।
सारौं माँही सो बुरा, जिस घट नाम न होइ।।53।।
दादू जियरा राम बिन, दुखिया इहि संसार।
उपजै विनशै खपि मरे, सुख दुख बारंबार।।54।।
राम नाम रूचि ऊपजे, लेवे हित चित लाय।
दादू सोई जीयरा, काहे जमपुरि जाय।।55।।
दादू नीकी बरियाँ आय करि, राम जप लीन्हा।
आतम साधान सोधि करि, कारज भल कीन्हा।।56।।
दादू अगम वस्तु पानैं पड़ी, राखी मांझि छिपाय।
छिन-छिन सोई संभालिये, मति वै बीसर जाय।।57।।
दादू उज्ज्वल निर्मला, हरि रँग राता होय।
काहे दादू पचि मरे, पानी सेती धोय।।58।।
शरीर सरोवर राम जल, माँहैं संयम सार।
दादू सहजैं सब गये, मन के मैल विकार।।59।।
दादू राम नाम जलं कृत्तवा, स्नानं सदा जित:।
तन मन आतम निर्मलं, पचं भू पापं गत:।।60।।
दादू उत्ताम इन्द्री निग्रहं, मुच्यते माया मन:।
परम पुरुष पुरातनं, चिन्तते सदा तन:।।61।।
दादू सब जग विष भरा, निर्विष विरला कोय।
सोई निर्विष होयगा, जाके नाम निरंजन होय।।62।।
दादू निर्विष नाम सौं, तन मन सहजैं होय।
राम निरोगा करेगा, दूजा नाहीं कोय।।63।।
ब्रह्मभक्ति जब ऊपजे, तब माया भक्ति विलाय।
दादू निर्मल मल गया, ज्यूँ रवि तिमिर नशाय।।64।।
दादू विषय विकार सूं, जब लग मन राता।
तब लग चित्ता न आवई, त्रिाभुवनपति दाता।।65।।
दादू का जाणौं कब होयगा, हरि सुमिरण इकतार।
का जाणौं कब छाड़ि है, यह मन विषय विकार।।66।।
है सो सुमिरण होता नहीं, नहीं सु कीजे काम।
दादू यहु तन यौं गया, क्यूँ करि पाइये राम।।67।।
दादू राम नाम निज मोहनी, जिन मोहे करतार।
सुर नर शंकर मुनि जना, ब्रह्मा सृष्टि विचार।।67।।
दादू राम नाम निज औषधी, काटे कोटि विकार।
विषम व्याधि तैं ऊबरे, काया कंचन सार।।69।।
दादू निर्विकार निज नाम ले, जीवन इहै उपाइ।
दादू कृत्रिम काल है, ताके निकट न जाइ।।70।।
मन पवना गहि सुरति सौं, दादू पावे स्वाद।
सुमिरण माँहीं सुख घणा, छाडि देहु बकवाद।।71।।
नाम सपीड़ा लीजिए, प्रेम भक्ति गुण गाय।
दादू सुमिरण प्रीति सौं, हेत सहित ल्यौ लाय।।72।।
प्राण कमल मुख राम कहि, मन पवना मुख राम।
दादू सुरति मुख राम कहि, ब्रह्म शून्य निज ठाम।।73।।
दादू कहतां सुनता राम कहि लेतां देतां राम।
खातां पीतां राम कहि, आत्म कमल विश्राम।।74।।
ज्यों जल पैसे दूधा में, ज्यों पाणी में लौंण।
ऐसे आतम राम सौं, मन हठ साधो कौंण।।75।।
दादू राम नाम में पैसि करि, राम नाम ल्यो लाय।
यह इकंत त्राय लोक में, अनत काहे को जाय।।76।।
ना घर भला न वन भला, जहाँ नहीं निज नाम।
दादू उनमनी मन रहै, भला तो सोई ठाम।।77।।
दादू निर्गुणं नामं मई, हृदय भाव प्रवर्ततं।
भरमं करमं किल्विषं, माया मोहं कंपितम्ड्ड78।।
कालं जालं सोचितं, भयानक जम किंकरं।
हरषं मुदितं सद्गुरं, दादू अविगत दर्शनं।।79।।
दादू सब सुख स्वर्ग पयाल के, तोल तराजू बाहि।
हरि सुख एक पलक का, ता सम कह्या न जाइ।।80।।
दादू राम नाम सब को कहे, कहिबे बहुत विवेक।
एक अनेकौं फिर मिलै, एक समाना एक।।81।।
दादू अपणी अपणी हद्द में, सबको लेवे नांउ।
जे लागे बेहद्द सौं, तिनकी मैं बलि जांउ।।82।।
कौण पटंतर दीजिए, दूजा नाहीं कोय।
राम सरीखा राम है, सुमिरयां ही सुख होय।।83।।
अपनी जाणे आप गति, और न जाणे कोइ।
सुमिर-सुमिर रस पीजिए, दादू आनँद होइ।।84।।
दादू सब ही वेद पुराण पढ़ि, नेटि नाम निर्धार।
सब कुछ इनहीं माँहि है, क्या करिये विस्तार।।85।।
पढ़-पढ़ थाके पंडिता, किनहुँ न पाया पार।
कथ-कथ थाके मुनि जना, दादू नाम अधार।।86।।
निगम हि अगम विचारिये, तउ पार न पावे।
तातैं सेवक क्या करे, सुमिरण ल्यौ लावे।।87।।
दादू अलिफ एक अल्लाह का, जे पढ़ जाणै कोइ।
कुरान कतेबां इलम सब, पढ़कर पूरा होइ।।88।।
दादू यहु मन पिंजरा, माँही मन सूवा।
एक नाम अल्लाह का, पढ़ हाफिज हूवा।।89।।
नाम लिया तब जाणिये, जे तन मन रहै समाइ।
आदि अंत मधय एक रस, कबहूँ भूलि न जाइ।।90।।
दादू एकै दशा अनन्य की, दूजी दशा न जाइ।
आपा भूलै आन सब, एकै रहै समाइ।।91।।
दादू पीवे एक रस, बिसरि जाय सब और।
अविगत यहु गति कीजिए, मन राखो इहि ठौर।।92।।
आतम चेतन कीजिए, प्रेम रस पीवे।
दादू भूले देह गुण, ऐसै जन जीवे।।93।।
कहि कहि केते थाके दादू, सुनि सुनि कहु क्या लेय।
लूंण मिले गलि पाणियाँ, ता सम चित यौं देय।।94।।
दादू हरि रस पीवतां, रती विलम्ब न लाय।
बारंबार सँभालिये, मति वै बीसरि जाय।।95।।
दादू जागत सपना ह्नै गया, चिन्तामणि जब जाय।
तब ही साचा होत है, आदि अन्त उर लाय।।96।।
नाम न आवे तब दुखी, आवे सुख सन्तोष।
दादू सेवक राम का, दूजा हरख न शोक।।97।।
मिलै तो सब सुख पाइए, बिछुरे बहु दुख होय।
दादू सुख दुख राम का, दूजा नाहीं कोय।।98।।
दादू हरि का नाम जल, मैं मीन ता माँहि।
संग सदा आनन्द करे, विछुरत ही मर जाँहि।।99।।
दादू राम विसार करि, जीवें किहिं आधाार।
ज्यौं चातक जल बूँद कूँ, करे पुकार पुकार।।100।।
हम जीवें इहि आसिरे, सुमिरण के आधाार।
दादू छिटके हाथ तैं, तो हमको वार न पार।।101।।
दादू नाम निमित राम हि भजे, भक्ति निमित भज सोय।
सेवा निमित सांई भजे, सदा सजीवन होय।।102।।
दादू राम रसायन नित चवै, हरि है हीरा साथ।
सो धान मेरे सांइयां, अलख खजीना हाथ।।103।।
हिरदै राम रहे जा जन के, ताको ऊरा कौन कहै।
अठ सिधि नौ निधि ताके आगे, सन्मुख सदा रहै।।104।।
वंदित तीनों लोक बापुरा, कैसे दरश लहै।
नाम निसान सकल जग उपरि, दादू देखत है।।105।।
दादू सब जग नीधाना, धानवंता नहिं कोय।
सो धानवंता जानिये, जाके राम पदारथ होय।।106।।
संगहि लागा सब फिरे, राम नाम के साथ।
चिन्तामणि हिरदै बसे, तो सकल पदारथ हाथ।।107।।
दादू आनँद आतमा, अविनाशी के साथ।
प्राणनाथ हिरदै बसे, तो सकल पदारथ हाथ।।108।।
दादू भावे तहाँ छिपाइये, साच न छाना होय।
शेष रसातल गगन धारू, परकट कहिये सोय।।109।।
दादू कहाँ था नारद मुनिजना, कहाँ भक्त प्रहलाद।
परकट तीनों लोक में, सकल पुकारैं साध।।110।।
दादू कहाँ शिव बैठा धयान धारि, कहाँ कबीरा नाम।
सौ क्यूँ छाना होयगा, जे रु कहेगा राम।।111।।
दादू कहाँ लीन शुकदेव था, कहाँ पीपा रैदास।
दादू साचा क्यों छिपे, सकल लोक परकास।।112।।
दादू कहाँ था गोरख थरथरी, अनंत सिधों का मंत।
परकट गोपीचन्द है, दत्ता कहैं सब संत।।113।।
अगम अगोचर राखिए, कर कर कोटि जतन।
दादू छाना क्यों रहै, जिस घट राम रतन।।114।।
दादू स्वर्ग पयाल में, साचा लेवे नाम।
सकल लोक शिर देखिए, परकट सब ही ठाम।।115।।
सुमिरण का संशय रह्या, पछितावा मन माँहि।
दादू मीठा राम रस, सगला पीया नाँहि।।116।।
दादू जैसा नाम था, तैसा लीया नाँहि।
हौंस रही यहु जीव में, पछितावा मन माँहि।।117।।
दादू शिर करवत बहै, बिसरे आतम राम।
माँहि कलेजा काटिये, जीव नहीं विश्राम।।118।।
दादू शिर करवत बहै, राम हृदै थें जाय।
माँहि कलेजा काटिये, काल दशों दिशि खाय।।119।।
दादू शिर करवत बहै, अंग परस नहिं होय।
माँहि कलेजा काटिये, यहु व्यथा न जाणे कोय।।120।।
दादू शिर करवत बहै, नैनहुँ निरखे नाँहि।
माँहि कलेजा काटिये, साल रह्या मन माँहि।।121।।
जेता पाप सब जग करे, तेता नाम बिसारे होइ।
दादू राम सँभालिये, तो येता डारे धोइ।।122।।
दादू जब ही राम बिसारिये, तब ही मोटी मार।
खंड-खंड कर नाखिये, बीज पड़े तिहिं बार।।123।।
दादू जब ही राम बिसारिये, तब ही झ्रपै काल।
शिर ऊपर करवत बहै, आइ पड़े जम जाल।।124।।
दादूजबही राम बिसारिये, तब ही कँध विनाश।
पग-पग परले पिंड पड़े, प्राणी जाइ निराश ।।125।।
दादू जब ही राम बिसारिए, तब ही हाना होय।
प्राण पिंड सर्वस गया, सुखी न देख्या कोय।।126।।
साहिबजी के नाम मां, विरहा पीड़ पुकार।
ताला-बेली रोवणा, दादू है दीदार।।127।।
साहिबजी के नाम मां, भाव भक्ति विश्वास।
लै समाधि लागा रहे, दादू सांई पास।।128।।
साहिबजी के नाम मां, मति बुधि ज्ञान विचार।
प्रेम प्रीति सनेह सुख, दादू ज्योति अपार।।129।।
साहिबजी के नाम मां, सब कुछ भरे भंडार।
नूर तेज अनन्त है, दादू सिरजनहार।।130।।
जिसमें सब कुछ सो लिया, निरंजन का नांउ।
दादू हिरदै राखिये, मैं बलिहारी जांउ।।131।।
।।इति सुमिरण का अंग सम्पूर्ण।।
विरह का अंग संत दादू दयाल जीदादू नमो नमो निरंजनं, नमस्कार गुरु देवत:।
वन्दनं सर्व साधावा, प्रणामं पारंगत:।।1।।
रतिवंती आरति करे, राम सनेही आव।
दादू औसर अब मिलै, यहु विरहनि का भाव।।2।।
पीव पुकारे विरहनी, निश दिन रहै उदास।
राम राम दादू कहै, ताला-वेली प्यास।।3।।
मन चित चातक ज्यौं रटै, पिव पिव लागी प्यास।
दादू दरशन कारणै, पुरवहु मेरी आस।।4।।
दादू विरहनि दुख कासनि कहे, कासनि देइ संदेश।
पंथ निहारत पीव का, विरहनि पलटे केश।।5।।
विरहनि दुख कासनि कहै, जानत है जगदीश।
दादू निशदिन विरही है, विरहा करवत शीश।।6।।
शब्द तुम्हारा ऊजला, चिरिया क्यों कारी।
तुंहीं तुंहीं निश दिन करूँ, विरहा की जारी।।7।।
विरहनि रोवे रात-दिन, झूरै मन ही माँहि।
दादू औसर चल गया, प्रीतम पाये नाँहि।।8।।
दादू विरहनि कुरलै कूंज ज्यों, निशदिन तलफत जाय।
राम सनेही कारणै, रोवत रैनि बिहाय।।9।।
पासे बैठा सब सुने, हमको जवाब न देय।
दादू तेरे शिर चढे, जीव हमारा लेय।।10।।
सबको सुखिया देखिए, दुखिया नाँहीं कोय।
दुखिया दादू दास हे, ऐन परस नहिं होय।।11।।
साहिब मुख बोले नहीं, सेवक फिरे उदास।
यहु वेदन जिय में रहे, दुखिया दादू दास।।12।।
पिव बिन पल-पल जुग भया, कठिन दिवस क्यों जाय।
दादू दुखिया राम बिन, काल रूप सब खाय।।13।।
दादू इस संसार में, मुझ सा दुखी न कोइ।
पीव मिलन के कारणैं, मैं जल भरिया रोइ।।14।।
ना वह मिले न मैं सुखी, कहो क्यों जीवन होय।
जिन मुझ को घायल किया, मेरी दारू सोय।।15।।
दरशन कारण विरहनी, वैरागनि होवे।
दादू विरह वियोगिनी, हरि मारग जोवे।।16।।
अति गति आतुर मिलन को, जैसे जल बिन मीन।
सो देखे दीदार को, दादू आतम लीन।।17।।
राम विछोही विरहनी, फिर मिलण न पावे।
दादू तलफै मीन ज्यों, तुझ दया न आवे।।18।।
दादू जब लग सुरति समिटे नहीं, मन निश्चल नहीं होहि।
तब लग पिव परसे नहीं, बड़ी विपति यहु मोहि।।19।।
ज्यों अमली के चित अमल है, शूरे के संग्राम।
निर्धान के चित धान बसे, यौं दादू के राम।।20।।
ज्यों चातक के चित जल बसे, ज्यों पानी बिन मीन।
जैसे चन्द चकोर है, ऐसे दादू हरि सौं कीन।।21।।
ज्यों कु×जर के मन वन बसे, अनल पक्षि आकास।
यों दादू का मन राम सौं, ज्यों वैरागी वनखंड वास।।22।।
भँवरां लुबधी वास का, मोह्या नाद कुरंग।
यों दादू का मन राम सौं, ज्यों दीपक ज्योति पतंग।।23।।
श्रवणा राते नाद सौं, नैन राते रूप।
जिह्ना राती स्वाद सौं, त्यों दादू एक अनूप।।24।।
देह पियारी जीव को, निशि दिन सेवा माँहि।
दादू जीवन मरण लों, कबहुँ छाड़ी नाँहि।।25।।
देह पियारी जीव को, जीव पियारा देह।
दादू हरि रस पाइये, जे ऐसा होय सनेह।।26।।
दादू हरदम माँहि दिवान, सेज हमारी पीव है।
देखूँ सो सुबहान, यह इश्क हमारा जीव है।।27।।
दादू हरदम माँहि दिवान, कहूँ दरूने दरद सौं।
परद दरूने जाइ, जब देखूँ दीदार कौं।।28।।
दादू दरूने दरदवंद, यहु दिल दरद न जाय।
हम दुखिया दीदार के, महरवान दिखलाय।।29।।
मूये पीड़ा पुकारता, वैद्य न मिलिया आय।
दादू थोड़ी बात थी, जे टुक दरश दिखाय।।30।।
दादू मैं भिखारी मंगता, दर्शन देहु दयाल।
तुम दाता दुख भंजता, मेरी करहु सँभाल।।31।।
क्या जीये में जीवणा, बिन दरशन बेहाल।
दादू सोई जीवणा, परगट परसन लाल।।32।।
इहि जग जीवन सो भला, जब लग हिरदै राम।
राम बिना जो जीवना, सो दादू बेकाम।।33।।
दादू कहु दीदार की, सांई सेती बात।
कब हरि दरशन देहुगे, यह अवसर चल जात।।34।।
व्यथा तुम्हारे दरश की, मोहि व्यापै दिन-रात।
दुखी न कीजे दीन को, दरशन दीजे तात।।35।।
दादू इस हियड़े यह साल, पिव बिन क्योंहि न जायसी।
जब देखूँ मेरा लाल, तब रोम-रोम सुख आइसी।।36।।
तूं है तैसा प्रकाश करि, अपना आप दिखाय।
दादू को दीदार दे, बलि जाउं विलम्ब न लाय।।37।।
दादू पिवजी देखें मुझको, हूँ भी देखूँ पीव।
हूँ देखूँ देखत मिले, तो सुख पावे जीव।।38।।
दादू कहै-तन मन तुम पर वारणै, कर दीजे कै बार।
जे ऐसी विधि पाइये, तो लीजे सिरजनहार।।39।।
दीन दुनी सदके करूँ, टुक देखण दे दीदार।
तन मन भी छिन-छिन करौं, भिस्त दोजख भी वार।।40।।
दादू हम दुखिया दीदार के, तू दिल तैं दूर न होइ।
भावै हमको जाल दे, होना है सो होइ।।41।।
दादू कहै-जे कुछ दिया हमको, सो सब तुम ही लेहु।
तुम बिन मन माने नहीं, दरश आपणा देहु।।42।।
दूजा कुछ माँगैं नहीं, हमको दे दीदार।
तूं है तब लग एक टग, दादू के दिलदार।।43।।
दादू कहै तूं है तैसी भक्ति दे, तूं है तैसा प्रेम।
तूं है तैसी सुरति दे, तूं है तैसा क्षेम।।44।।
दादू कहै सदके करूँ शरीर को, बेर-बेर बहु भंत।
भाव-भक्ति हित प्रेम ल्यौ, खरा पियारा कंत।।45।।
दादू दरशन की रली, हमको बहुत अपार।
क्या जाणूँ कब ही मिले, मेरा प्राण अधार।।46।।
दादू कारण कंत के, खरा दुखी बेहाल।
मीरा मेरा मिहर करि, दे दर्शन दर हाल।।47।।
ताल-बेली प्यास बिन, क्यों रस पीया जाय।
विरहा दरशन दरद सौं, हमको देहु खुदाय।।48।।
ताला-बेली पीड़ सौं, विरहा प्रेम पियास।
दर्शन सेती दीजिए, विलसे दादू दास।।49।।
दादू कहैµहमको अपना आप दे, इश्क मुहब्बत दर्द।
सेज सुहाग सुख प्रेम रस, मिल खेलें लापर्द।।50।।
प्रेम भक्ति माता रहे, तालाबेली अंग।
सदा सपीड़ा मन रहे, राम रमे उन संग।।51।।
प्रेम मगन रस पाइये, भक्ति हेत रुचि भाव।
विरह विश्वास निज नाम सौं, देव दयाकर आव।।52।।
गई दशा सब बाहुड़े, जे तुम प्रगटहु आय।
दादू ऊजड़ सब बसे, दर्शन देहु दिखाय।।53।।
हम कसिये क्या होइगा, विड़द तुम्हारा जाय।
पीछैं ही पछिताहुगे, तातैं प्रकटहु आय।।54।।
मींयां मैंडा आव घर, वांढी वत्तां लोइ।
डुखंडे मुंहिडे गये, मराँ विछोहै रोइ।।55।।
है सो निधि नहिं पाइये, नहिं सु है भरपूर।
दादू मन माने नहीं, तातैं मरिये झूर।।56।।
जिस घट इश्क अल्लाह का, तिस घट लोही न माँस।
दादू जियरे जक नहीं, सिसके श्वासों श्वास।।57।।
रती रब ना बीसरै, मरै सँभाल सँभाल।
दादू सुहदायी रहे, आशिक अल्लह नाल।।58।।
दादू आशिक रब्बदा, शिर भी डेवे लाहि।
अल्लह कारण आपको, साड़े अन्दर भाहि।।59।।
भोरे-भोरे तन करै, वंडे कर कुरबाण।
मिट्ठा कोड़ा ना लगे, दादू तोहूँ साण।।60।।
जब लग शीश न सौंपिये, तब लग इश्क न होय।
आशिक मरणे ना डरे, पिया पियाला सोय।।61।।
तैं डीनोंई सभु, जे डीये दीदार के।
उंजे लहदी अभु, पसाई दो पाण के।।62।।
बिचौं सभो डूर कर, अन्दर बिया न पाय।
दादू रत्ता हिकदा, मन मुहब्बत लाय।।63।।
इश्क मुहब्बत मस्त मन, तालिब दर दीदार।
दोस्त दिल हरदम हरजू, यादगार हुशियार।।64।।
दादू आशिक एक अल्लाह के, फारिग दुनियाँ दीन।
तारिक इस औजूद तैं, दादू पाक यकीन।।65।।
आशिकां रह कब्ज करदां, दिल वजां रफतन्द।
अल्लह आले नूर दीदम, दिल हि दादू बन्द।।66।।
दादू इश्क अवाज सौं, ऐसे कहै न कोय।
दर्द मुहब्बत पाइये, साहिब हासिल होय।।67।।
कहाँ आशिक अल्लाह के, मारे अपने हाथ।
कहाँ आलम औजूद सौं, कहैं जबाँ की बात।।68।।
दादू इश्क अल्लाह का, जे कबहूँ प्रगटे आय।
तोतन-मनदिन अरवाह का, सब पड़दा जलजाय।।69।।
अरवाहे सिजदा कुनंद, वजूद रा चि:कार।
दादू नूर दादनी, आशिकां दीदार।।70।।
विरह अग्नि तन जालिये, ज्ञान अग्नि दौं लाय।
दादू नख-शिख पर जले, तब राम बुझावे आय।।71।।
विरह अग्नि में जालिबा, दरशन के तांई।
दादू आतुर रोइबा, दूजा कुछ नाँहीं।।72।।
साहिब सौं कुछ बल नहीं, जिन हठ साधो कोय।
दादू पीड़ पुकारिये, रोतां होय सो होय।।73।।
ज्ञान धयान सब छाड़िदे, जप-तप साधान जोग।
दादू विरहा ले रहै, छाड़ि सकल रस भोग।।74।।
जहँ विरहा तहँ और क्या, सुधि-बुधि नाठे ज्ञान।
लोक वेद मारग तजे, दादू एकै धयान।।75।।
विरही जन जीवे नहीं, जे कोटि कहैं समझाय।
दादू गहिला ह्नै रहै, कै तलफि-तलफि मरि जाय।।76।।
दादू तलफै पीड़ सौं, विरही जन तेरा।
सिसकै सांई कारणै, मिल साहिब मेरा।।77।।
पड़ा पुकारै पीड़ सौं, दादू विरही जन।
राम सनेही चित बसै, और न भावै मन।।78।।
जिस घट विरहा राम का, उसे नींद न आवे।
दादू तलफै विरहनी, उसे पीड़ जगावे।।79।।
सारा शूरा नींद भर, सब कोई सोवे।
दादू घाइल दर्दवंद, जागे अरु रोवे।।80।।
पीड़ पुराणी ना पड़े, जे अन्तर बैधया होय।
दादू जीवन-मरण लों, पड़या पुकारे सोय।।81।।
दादू विरही पीड़ा सौं, पड़या पुकारे मिंत्ता।
राम बिना जीवे नहीं, पीव मिलन की चिंत्ता।।82।।
जो कबहूँ विरहनि मरे, तो सुरति विरहनि होइ।
दादू पिव पिव जीवतां, मुवाँ भी टेरे सोइ।।83।।
दादू अपनी पीड़ पुकारिये, पीड़ पराई नाँहि।
पीड़ पुकारे सो भला, जाके करक कलेजे माँहि।।84।।
ज्यों जीवत मृत्ताक कारणे, गत कर नाखे आप।
यों दादू कारण राम के, विरही करै विलाप।।85।।
दादू तलफि-तलफि विरहणि मरे, करि-करि बहुत विलाप।
विरह अग्नि में जल गई, पीव न पूछे बात।।86।।
दादू कहाँ जाऊँ कौन पै पुकारूँ, पीव न पूछे बात।
पिव बिन चैन न आवई, क्यों भरूँ दिन-रात।।87।।
दादू विरह वियोग न सह सकूँ, मों पै सह्या न जाय।
कोई कहो मेरे पीव को, दरश दिखावे आय।।88।।
दादू विरह वियोग न सह सकूँ, निशि दिन साले मोहि।
कोई कहो मेरे पीव कौं, कब मुख देखूँ तोहि।।89।।
दादू विरह वियोग न सहि सकूँ, तन-मन धारे न धीर।
कोई कहो मेरे पीव को, मेटे मेरी पीर।।90।।
दादू कहै-साधु दुखी संसार में, तुम बिन रह्या न जाय।
औरों के आनन्द है, सुख सौं रैनि बिहाय।।91।।
दादू लाइक हम नहीं, हरि के दरशन जोग।
बिन देखे मर जाँहिगे, पिव के विरह वियोग।।92।।
दादू सुख सांई सौं, और सबै ही दु:ख।
देखूँ दर्शन पीव का, तिस ही लागे सुख।।93।।
चन्दन शीतल चन्द्रमा, जल शीतल सब कोइ।
दादू विरही राम का, इन सौं कदे न होइ।।94।।
दादू घाइल दर्दवंद, अन्तर करे पुकार।
साँई सुने सब लोक में, दादू यहु अधिकार।।95।।
दादू जागे जगत् गुरु, जब सगला सोवे।
विरही जागे पीड़ा सौं, जे घाइल होवे।।96।।
विरह अग्नि का दाग दे, जीवत मृतक गौर।
दादू पहली घर किया, आदि हमारी ठौर।।97।।
दादू देखे का अचरज नहीं, अण देखे का होय।
देखे ऊपरि दिल नहीं, अण देखे को रोय।।98।।
पहली आगम विरह का, पीछे प्रीति प्रकाश।
प्रेम मगन लै लीन मन, तहाँ मिलन की आश।।99।।
विरह वियोगी मन भला, साँई का वैराग।
सहज संतोषी पाइये, दादू मोटे भाग।।100।।
दादू तृषा बिना तन प्रीति न उपजे, शीतल निकट जल धारिया।
जनम लगैं जीव पुणग न पीवे, निर्मल दह दिश भरिया।।101।।
दादू क्षुधा बिना तन प्रीति न उपजे, बहु विधि भोजन नेरा।
जनम लगैं जिव रती न चाखे, पाक पूरि बहुतेरा।।102।।
दादू तपति बिना तन प्रीति न उपजे, संग हि शीतल छाया।
जनम लगैं जिव जाणे नाँहीं, तरुवर त्रिाभुवन राया।।103।।
दादू चोट बिना तन प्रीति न उपजे, औषधि अंग रहंत।
जनम लगैं जीव पलक न परसे, बूँटी अमर अनंत।।104।।
दादू चोट न लागी विरह की, पीड़ा न उपजी आय।
जागि न रोवे धाह दे, सोवत गई बिहाय।।105।।
दादू पीड़ न ऊपजी, ना हम करी पुकार।
तातैं साहिब न मिल्या, दादू बीती बार।।106।।
अन्दर पीड़ न ऊभरै, बाहर करे पुकार।
दादू सो क्यों कर लहे, साहिब, का दीदार।।107।।
मन ही माँहीं झूरणा, रावे मन ही माँहि।
मन ही माँहीं धाह दे, दादू बाहर नाँहि।।108।।
बिन ही नैन हुँ रोवणा, बिन मुख पीड़ पुकार।
बिन ही हाथों पीटणा, दादू बारंबार।।109।।
प्रीति न उपजे विरह बिन, प्रेम भक्ति क्यों होय।
सब झूठे दादू भाव बिन, कोटि करे जे कोय।।110।।
दादू बातों विरह न ऊपजे, बातों प्रीति न होय।
बातों प्रेम न पाइये, जिनि रु पतीजे कोय।।111।।
दादू तो पिव पाइये, कुश्मल है सो जाय।
निर्मल मन कर आरसी, मूरति माँहि लखाय।।112।।
दादू तो पिव पाइये, करिये मंझें विलाप।
सुणि है कबहु चित्ता धारि, परगट होवे आप।।113।।
दादू तो पिव पाइये, कर सांई की सेव।
काया माँहि लखाइसी, घट ही भीतरि देव।।114।।
दादू तो पिव पाइये, भावै प्रीति लगाय।
हेजैं हरि बुलाइये, मोहन मंदिर आय।।115।।
दादू जाके जैसी पीड़ा है, सो तैसी करे पुकार।
को सूक्ष्म को सहज में, को मृत्ताक तिहिं बार।।116।।
दरद हि बूझे दरदवंद, जाके दिल होवे।
क्या जाणे दादू दरद की, नींद भर सोवे।।117।।
दादू अक्षर प्रेम का, कोई पढ़ेगा एक।
दादू पुस्तक प्रेम बिन, केते पढ़ैं अनेक।।118।।
दादू पाती प्रेम की, विरला बाँचे कोइ।
वेद पुराण पुस्तक पढ़ै, प्रेम बिना क्या होइ।।119।।
दादू कर बिन, शर बिन, कमान बिन, मारै खैंचि कसीस।
लागी चोट शरीर में, नख शिख सालै सीस।।120।।
दादू भलका मारे भेद सौं, सालै मंझि पराण।
मारण हारा जाणि है, कै जिहिं लागे बाण।।121।।
दादू सो शर हमको मारिले, जिहिं शर मिलिये जाय।
निश दिन मारग देखिए, कबहूँ लागे आय।।122।।
जिहिं लागी सो जागि है, बेधया करै पुकार।
दादू पिंजर पीड़ है, सालै बारंबार।।123।।
विरही सिसकै पीड़ सौं, ज्यों घायल रण माँहि।
प्रीतम मारे बाण भरि, दादू जीवैं नाँहि।।124।।
दादू विरह जगावे दरद को, दरद जगावे जीव।
जीव जगावे सुरति को, पंच पुकारे पीव।।125।।
दादू मारे प्रेम सौं, बेधे साधु सुजाण।
मारण हारे को मिले, दादू विरही बाण।।126।।
सहजैं मनसा मन सधौ, सहजैं पवना सोय।
सहजैं पंचों थिर भये, जे चोट विरह की होय।।127।।
मारण हारा रहि गया, जिहिं लागी सो नाँहि।
कबहूँ सो दिन होइगा, यह मेरे मन माँहि।।128।।
प्रीतम मारे प्रेम सौं, तिनको क्या मारे।
दादू जारे विरह के, तिनको क्या जारे।।129।।
दादू पड़दा पलक का, येता अंतर होइ।
दादू विरही राम बिन, क्यों करि जीवे सोइ।।130।।
काया मांहैं क्यों रह्या, बिन देखे दीदार।
दादू विरही बावरा, मरे नहीं तिहिं बार।।131।।
बिन देखे जीवै नहीं, विरह का सहिनाण।
दादू जीवै जब लगैं तब लग विरह न जाण।।132।।
रोम-रोम रस प्यास है, दादू करहि पुकार।
राम घटा दल उमंगि कर बरसहु सिरजनहार।।133।।
प्रीति जु मेरे पीव की, पैठी पिंजर माँहि।
रोम-रोम पिव-पिव करे, दादू दूसर नाँहि।।134।।
सब घट श्रवणा सुरति सौं, सब घट रसना बैंन।
सब घट नैना ह्नै रहै, दादू विरहा ऐन।।135।।
रात दिवस का रोवणाँ, पहर पलक का नाँहि।
रोवत-रोवत मिल गया, दादू साहिब माँहि।।136।।
दादू नैन हमारे बावरे, रोवे नहिं दिन-रात।
सांई संग न जाग ही, पिव क्यों पूछे बात।।137।।
नैनहु नीर न आइया, क्या जाणैं ये रोइ।
तैसे ही कर रोइये, साहिब नैनहु जोइ।।138।।
दादू नैन हमारे ढीठ हैं, नाले नीर न जाँहि।
सूके सरां सहेत वै, करंक भये गलि माँहि।।139।।
दादू विरह प्रेम की लहरि में, यहु मन पंगुल होइ।
राम नाम में गलि गया, बुझै विरला कोइ।।140।।
विरह अग्नि में जल गये, मन के मैल विकार।
दादू विरही पीव का, देखेगा दीदीर।।141।।
विरह अग्नि में जल गये, मन के विषय विकार।
तातैं पंगुल ह्नै रह्या, दादू दर दीदार।।142।।
जब विरहा आया दरद सौं, तब मीठा लागा राम।
काया लागी काल ह्नै, कड़वे लागे काम।।143।।
जब राम अकेला रहि गया, तन-मन गया बिलाइ।
दादू विरही तब सुखी, जब दरश परस मिल जाइ।।144।।
जे हम छाडैं राम कूँ, तो राम न छाडै।
दादू अमली अमल तैं, मन क्यों करि काढ़ै।।145।।
विरहा पारस जब मिले, विरहनि विरहा होय।
दादू परसै विरहनी, पिव पिव टेरे सोय।।146।।
आशिक माशूक ह्नै गया इश्क कहावे सोय।
दादू उस माशूक का, अल्लह आशिक होय।।147।।
राम विरहनी ह्नै रह्या, विरहनि ह्नै गई राम।
दादू विरहा बापुरा, ऐसे कर गया काम।।148।।
विरह बिचारा ले गया, दादू हमको आइ।
जहँ अमग अगोचर राम था, तहँ विरह बिना को जाइ।।149।।
विरह बपुरा आइ करि, सोवत जगावे जीव।
दादू अंग लगाइ करि, ले पहुँचावे पीव।।150।।
विरहा मेरा मीत है, विरहा वैरी नाँहि।
विरहा को वैरी कहै, सो दादू किस माँहि।।151।।
दादू इश्क अलह की जाति है, इश्क अलह का अंग।
इश्क अल्लाह वजूद है, इश्क अलह का रंग।।152।।
दादू प्रीतम के पग परसिये, मुझे देखन का चाव।
तहँ ले शीश नवाइये, जहाँ धारे थे पाव।।153।।
बाट विरह की सोधि करि, पंथ प्रेम का लेहु।
लै के मारग जाइये, दूसर पाव न देहु।।154।।
विरहा वेगा भक्ति सहज में, आगे-पीछे जाय।
थोड़े माँहीं बहुत है, दादू रहु ल्यौ लाय।।155।।
विरहा वेगा ले मिले, ताला-बेली पीर।
दादू मन घाइल भया, सालै सकल शरीर।।156।।
आज्ञा अपरंपार की, बसि अम्बर भरतार।
हरे पटम्बर पहरि करि, धारती करे सिंगार।।157।।
वसुधा सब फूले-फले, पृथ्वी अनन्त अपार।
गगन गर्ज जल थल भरै, दादू जै जै कार।।158।।
काला मुँह कर काल का, सांई सदा सुकाल।
मेघ तुम्हारे घर घणां, बरसहु दीनदयाल।।159।।
।।इति विरह का अंग सम्पूर्ण।।
शब्द संत दादू दयाल जी
Dirghatamas
From Wikipedia, the free encyclopedia
Dirghatamas Mamateya
In-universe information
Family Utathya (Father), Mamata(Mother), Vrihaspati(uncle), Angiras(Grandfather)
Spouse Pradeshwari
Children Gautama and others (Pradeshwari), Kakshivat and elven sons (Sudra servant woman) and Anga, Vanga, Kalinga, Pundra, Cumbha(Sudeshna)
Dīrghatamas (Sanskrit: दीर्घतमस्) was an ancient sage well known for his philosophical verses in the Rigveda. He was author of Suktas (hymns) 140 to 164 in the first Mandala (section) of the Rigveda.However there was another Dirghatamas named Dirghatama Mamteya.
Background
Dirghatamas was one of the Angirasa Rishis, the oldest of the Rishi families, and regarded as brother to the Rishi Bharadvaja, who is the seer of the sixth Mandala of the Rig Veda. Dirghatamas is also the chief predecessor of the Gotama family of Rishis that includes Kakshivan, Gautam Maharishi, Nodhas and Vamadeva(seer of the fourth Mandala of the Rig Veda), who along with Dirghatamas account for almost 150 of the 1000 hymns of the Rig Veda. Anga, Vanga, Kalinga, Pundra and Suhma, Ondra were also the sons of Dirghatamas through Raja Bali’s wife Sudhesana. His own verses occur frequently in many Vedic texts, a few even in the Upanishads.
He was the reputed purohit or chief priest of King Bharata (Aitareya Brahmana VIII.23), one of the earliest kings of the land, after whom India was named as Bharata (the traditional name of the country).
Birth
Dīrghatama was son of Raṣṭra.
Bhishma tells the narrative of the birth of Dirghatama Mamteya in the Mahabharata (book1, Adi Parva, CIV): "There was in olden days a wise Rishi of the name of Utathya. He had a wife of the name Mamata whom he dearly loved. One day Utathya's younger brother Brihaspati, the priest of the celestials, endued with great energy, approached Mamata. The latter, however, told her husband's younger brother—that foremost of eloquent men—that she had conceived from her connection with his elder brother and that, therefore, he should not then seek for the consummation of his wishes. She continued, 'O illustrious Brihaspati, the child that I have conceived has studied in his mother's womb the Vedas with the six Angas, Seed is not lost in vain. How can then this womb of mine afford room for two children at a time? Therefore, it behoveth thee not to seek for the consummation of thy desire at such a time. Thus addressed by her, Brihaspati, though possessed of great wisdom, could not suppress his desire. The child in the womb protested, 'There is no space here for two. O illustrious one, the room is small. I have occupied it first. It behoveth thee not to afflict me.' But Brihaspati without listening to what that child in the womb said, sought the embraces of Mamata possessing the most beautiful pair of eyes. And the illustrious Brihaspati, beholding this, became indignant, and reproached Utathya's child and cursed him, saying, 'Because thou hast spoken to me in the way thou hast at a time of pleasure that is sought after by all creatures, perpetual darkness shall overtake thee.' And from this curse of the illustrious Brihaspati, Utathya's child who was equal unto Brihaspati in energy, was born blind and came to be called Dirghatamas (enveloped in perpetual darkness). And the wise Dirghatamas, possessed of a knowledge of the Vedas, though born blind, succeeded yet by virtue of his learning, in obtaining for a wife a young and handsome Brahmana maiden of the name of Pradweshi. And having married her, the illustrious Dirghatamas, for the expansion of Utathya's race, begat upon her several children with Gautama Dirghatamas as their eldest. Marriage Laws
Dirghatamas' sons were all covetous. So the sages staying in his hermits left Dirghatamas for he had reared up unvirtuous sons. Dirgatamas became very sad at this incident, and asked his wife, Pradeshwari whether she was also upset with him or not. She answered that she was for DIrghatamas was blind and neither her protector (Pati) nor her supporter (Bhartri), hence she had to bring up their sons by herself. Hearing this Dirghatamas became angry and laid a new law regarding marriage, that a woman could only marry once whether her husband was alive or dead.
Hearing this, Pradeshwari became exceedingly angry and asked her sons to cast their father into the Ganga. So Gautama and his brother tied Dirghatamas with a raft and threw him into the stream. A king named Bali, who was performing his ablutions saw the sage and rescued him. In return, he asked Dirghatamas to raise sons from Sudeshna through the Niyoga tradition. But queen Sudeshna sent a Sudra woman to the sage knowing he was blind and the sage begat eleven sons through that woman, with Kakshivata as eldest. But on knowing Sudeshna's act he became angry and to pacify him the king asked his wife Sudeshna to go to Dirghatams. Then through Sudeshna he had five sons named Anga, Vanga, Kalinga, Pundra and Cumbha, who were given the kingdoms after their names.
Asya Vamasya Hymn
Dirghatamas is famous for his paradoxical apothegms. His mantras are enigmas: "He who knows the father below by what is above, and he who knows the father who is above by what is below is called the poet."
The Asya Vamasya (RgVeda 1.164) is one of the sage's most famous poems. Early scholars (such as Deussen in his Philosophy of the Upanishads) tried to say that the poems of Dirghatamas were of a later nature because of their content, but this has no linguistic support which has been argued by modern Sanskrit scholars (such as Dr. C. Kunhan Raja in his translation of the Asya Vamasya Hymn). The reason that earlier Western scholars believed them to be of a later origin is due to the monist views found there. They believed that early Vedic religion was pantheistic and a monist view of god evolved later in the Upanishads - but the poems of Dirghatamas (1.164.46) which say "there is One Being (Ekam Sat) which is called by many names" proves this idea incorrect.
Earliest Mention of the Zodiac
Some scholars have claimed that the Babylonians invented the zodiac of 360 degrees around 700 BCE, perhaps even earlier. Many claim that India received the knowledge of the zodiac from Babylonia or even later from Greece. However, as old as the Rig Veda, the oldest Vedic text, there are clear references to a chakra or wheel of 360 spokes placed in the sky. The number 360 and its related numbers like 12, 24, 36, 48, 60, 72, 108, 432 and 720 occur commonly in Vedic symbolism. It is in the hymns of the Rishi Dirghatamas (RV I.140 - 164) that we have the clearest such references.
Famous Sayings
A number of famous sayings originate from the verses of Dirghatamas.
Another one bites the dust
The first time the phrase "bites the dust" appears is in the Rigveda (1.158.4-5) where the poet Dirgatama has a prayer to the divine doctors and says ‘may the turning of the days not tire me, may the fires not burn me, may the wood-pyre not eat the earth, may the waters not swallow me’. There are disputes on what "bites the dirt" means in sayana’s commentary in the 14th century- which means the phrase had gone out of style in India at this time as most people began to be cremated instead of buried. But reading the padbandha, it's very clear that it refers to the wood-pyre eating earth, not the deceased human.
mā mām edho daśatayaś cito dhāk pra yad vām baddhas tmani khādati kśāṃ
Note the use of 3rd person singular verb ending -ti for khād (to eat). Dirghatama is using it as a prayer from death - such as don’t let me die and be burned. If it were a prayer saying "let me not eat the earth", the 1st person singular, -mi or -āni would have been used. Here, eating of earth effect is produced by charring of earth by burnt wood-pyre.
Saint Durbalnath Ji
Here is a comprehensive overview of Saint Durbalnath Ji (संत दुर्बल नाथ जी), a 19th-century Indian Hindu saint revered as the "Kulguru" (family guru) of the Hindu Khatik community .
👤 Personal Snapshot
AspectDetailsBirth Name Kalya (presumed)
Born 19th century (Vikram Samvat 1918, Bhadrapada Shukla Ekadashi)
Birthplace Bichgaav village, Alwar district, Rajasthan, India
Died 19th century (Vikram Samvat 1986, Chaitra Shukla Purnima)
Venerated in Hinduism
Known As Kulguru of Hindu Khatik community
Spiritual Guru Shri Garibnath Ji
Major Work Anubhav Atma Prakash (अनुभव आत्म प्रकाश)
📜 Early Life and Background
The details of Saint Durbalnath Ji's early life are not extensively documented. Historical accounts note that he was born into a lower caste family (specifically the Khatik community), and because of the social norms of the time, records of his birth were not maintained by Brahmin scholars . Despite these humble beginnings, he rose to become a highly respected spiritual figure. 🕉️ Spiritual Legacy and Teachings
Saint Durbalnath Ji is best known for his devotional poetry (Dohas) that emphasize spiritual wisdom, humility, and devotion. His teachings focus on:
Spiritual wisdom over material concerns - He wrote about taking "knowledge" as a weapon to conquer death
Simplicity and equality - His verses highlight values like compassion, humility, equality, and contentment as true ornaments of a devotee
Two of his notable Dohas (poetic couplets) are:
"Gyaan gurj liya haath mein, sheel shabd talvaar |
Sheesh kaal ka kootkar, 'Durbal' utra paar ||"
(Taking knowledge in hand and good conduct as a sword, Durbal crossed beyond by crushing the head of time/death)
"Daya, garibi, aadhinata, samta sheel shantosh |
Yeh gehna haribhakt ka, to mite karm ka dosh ||"
(Compassion, humility, equality, good conduct, and contentment - these are the ornaments of a devotee of God that erase the defects of karma)
🛕 Major Temples and Festivals
Temple/FestivalLocationSignificanceMain Temple Bandikui town, Dausa district, Rajasthan Most famous temple dedicated to Saint Durbalnath Ji
Other Temples Various locations across India Temples honoring him exist nationwide
Gyanoprakash Mahautsav Bandikui temple, Rajasthan Annual festival celebrated on Kartik Purnima (full moon day in the Hindu month of Kartik)
🏛️ Modern Recognition
In recent years, Saint Durbalnath Ji has received increased recognition. In January 2024, the Chief Minister of Haryana, Manohar Lal, unveiled a statue of Sant Shiromani 1008 Shri Baba Durbal Nath Ji Maharaj at Banso Gate in Karnal . The Chief Minister emphasized that saints and spiritual leaders have been guiding people on the right path for centuries, and that following their teachings can bring revolutionary changes in life . This event was part of the Haryana government's Sant-Mahapurush Samman evam Vichar Prachar Prasar Yojana, a scheme to honour and promote the thoughts of saints from all communities and religions .
In summary, Saint Durbalnath Ji was a 19th-century saint from Rajasthan who, despite being born into a lower-caste family, became a revered spiritual leader and the "Kulguru" of the Hindu Khatik community. His teachings, preserved in his poetic works and celebrated annually at festivals, continue to inspire devotees across India.
St Dhanurdasa (also Urangavilli)
by kazhiyur varadan,
Pillai Uranga Villidasan was a favorite disciple to Swamy Ramanuja .He became very close to his Master so rare that was his piety though belonged to a lower caste he had privileges conferred upon him .
The abundant compassion Jagath Acharyar Swamy Ramanuja had on Villidasan is presented in the movie clip below .Click and relish the pastime before reading the appended pastime …
Very often Swamy Ramanuja was seen returning from Kaveri leaning on the shoulders of Swamy MudaliAndaan and Villidasan .
A brahmana is unclean before bath and clean after a bath and the disciples watching were curious with their Masters way why they had not changed places while accompanying Swamy Ramanuja .
They took courage to question their Master for an explanation.
Swamy condescended to them saying , my children !
Have you not heard that learning , riches and high birth swell a fool with pride , but adorn the wise man ?
This man our villidasan is utterly destitute of this three fold vice but we are not .
Hence he is fit enough to be touched by me .
On hearing the golden words the disciples bent their head in shame and dared make any further protest , but all the same malice kindled their minds against the favorite disciple Villidasan who was a sudra and more close to their master than a Brahmin disciple could be .
They could not digest a sudra should stand so high to their masters estimation , as their own prestige as Brahmins was being jeopardized.
Srirangam Sri Ranganathaswamy Kovil
Swamy Ramanuja was aware of the disciples grudge towards the advanced devotee who was a gem among all of them .
As a true Master he wanted to convince the error which is making them spiritually fatal .
He devised a plan and hence called a close disciple in private and ordered him to secrete all the clothes of the disciples in the night when they were fast asleep. ( these were the clothes which are washed and hanged high to be dried up ) .
The task was accomplished .
The next day all the disciples were aghast with the missing of their daily wear . Each one was accusing the other and the entire scene turned into chaos.
They were calling names against each other .
Swamy Ramanuja walked into the chambers hearing the unusual noise . All the disciples vented their anguish about the missing clothes .
Swamy Ramanuja calmed them and advised them to accept the same as Lords providence . Alternate arrangements were made .
Days passed , Villidasan who was living near to the Ashram was serving Acharyar with utmost devotion .
One day it got delayed as Villidasar was entrusted some jobs for some festival .
Swamy Ramanuja walked into the disciples chamber and told them that they all must go to Villidasars house located few metres away and make an attempt to rob the precious jewellery and other ornaments from Ponnachee his wife when she is asleep.
All of them knew Villidasar was a rich person and had gifted many golden jewellary to his wife Ponnachee in the past on several occasions and she was always bedecked with the ornaments .
It was decided that they need to rob the jewels when Villidasar was serving Swamy Ramanuja in the ashram .
The disciples were very happy . All of them marched hurriedly to Villidasars house .They could see Ponnachee fast asleep .
Ponnachi was sleeping on the floor of the hut using her hand as a pillow. She was bedecked with wonderful gold jewelry The moment one of the disciples bent down to unhook her ear-ring, she woke up.
Without any inhibitions they waited , collected all the jewellery from the chest and attempted to remove the jewellery worn by her during her sleep once again .
But , Ponnachee recognised the disciples and did not want to startle him. She thought ,when Swamy Ramanuja’s disciple committed such an act of theft it must have a divine sanction .
She then laid still and allowed them remove the ear-rings, bangles and the nose-ring she was wearing on the left side of her body.
She felt they were taking away their own property for whatever effects she owned in this world were not really hers but entrusted to her for their sake .
This is how Property is to be spiritually viewed . She gently rolled over for them to strip the other side of the jewellery she was wearing .
She was anxious that the vaishnavas should complete their work and not go away with half work done . But her movement however created a fright and put the disciples on their toes to leave the place .
The vaishnavas returned to the ashrama .Pillai dasar after completing all the works assigned to him submits his humble prayers to Acharya and takes leave . Meanwhile , the disciples entered the ashram and explain the happenings at Villidasars house in detail to Acharyar.
Swamy Ramanujar orders them to follow Villidasar immediately up to his house and watch all that might take place in the house . The disciples quickly left the jewellery in Ashram and followed him in the dark .
In the house Ponnachee was eagerly waiting for her husband as done daily.When she heard the footsteps of Villidasar , she hurriedly went to the entrance and welcomed him .She washed his feet with all affection .
Villidasar looked at her very strangely as she had decked jewellery one sided only.
He said , What is this lady ?? taken aback with her strange dress sense .
Nothing My Lord she replied soothingly .
I shall explain you in detail ……..
Please honor the prasada quickly as it is already too late .
She continued about the incident that happened few minutes back .
She pleasingly said that the vaishnavas who are our gurus had come to our house just now my dear …..while I was lying asleep.
May be they were in need of their jewels .I could hear them whisper that I was asleep and It was the right time to take the jewellery .
Lying down hearing their whisper , I pretended to be fast asleep so that they could complete their task .
They laid hands on me and took all the jewels from my right side as the left side was visible .
Our effects are theirs as you know , so to let them have all , I quietly turned around my right side with all my care doing so to make them believe that I was really fast asleep, but my bad luck it some how gave them a alarm and to my utter regret they left without completing the job they had come for .
On hearing this Pillai urangi got upset and was angry with her . He said ..Hey Foolish woman !!! you have spoiled the great opportunity to serve the vaishnavas .
You must have laid motionless till their work is completed …. …..
.If the jewels were theirs Its their wish to take them as they like . I am really very upset with your behaviour……
He said half the jewels have been best invested , the remaining are vanity .
The vaishnavas were observing the conversation behind the doors .
They hurriedly left back to Ashrama and gave a full report of the conversation .
Swamy Ramanuja the Acharyar now spoke to his disciples and asked them to remain awake. He then instructed them to wake up all the other disciples.
All of them should clean themselves and assemble before the Acharya for an important lesson. Eager to hear new lessons from the Acharya, they all gathered around him in no time.
Suddenly from no where Villidasan ran into the mutt with his wife . He fell down at the Acharya’s feet like an uprooted tree. He and his wife Ponnachee were with tears . The other disciples were stunned at the unusual sight. They had never seen Villidasan crying so much.
“We have committed a grace sin Acharya.
We have together sinned.
We are no longer fit to be your disciples.
Condemn us to the worst of hells; even then the retribution will not be
adequate.” cried Villidasan..
“What happened, my child? Why are you crying?
Why is your wife crying?”
Swamy Ramanuja asked the devotee disciple ..
ACHARYA “SOME OF YOUR LEARNED DISCIPLES HAD COME INTO OUR HUT TODAY TO TAKE MY WIFE’S JEWELS.
SHE WAS SLEEPING.
YOUR DISCIPLES TOOK THE TROUBLE OF REMOVING THE JEWELS FROM HER PERSON THEMSELVES. PONNACHI DID NOT WANT TO STARTLE THEM BY WAKING UP ALL OF A SUDDEN.
WHEN SHE TURNED THE OTHER SIDE SO THAT THEY CAN REMOVE THOSE JEWELS ALSO, THEY JUST RAN AWAY.
“ACHARYA,
I AM NOT EVEN FIT TO BE A DUST IN THE FEET OF THOSE LEARNED DISCIPLES.
AREN’T YOU CALLED THE UDAIYAVAR?
DOESN’T THAT MEAN THAT ALL OF US,ALL OUR BELONGINGS, PROPERTIES AND EVERYTHING BELONG TO YOU?
WHEN YOU SENT YOUR MEN TO TAKE YOUR THINGS, PONNACHI SHOULD HAVE WELCOMED THEM AND SHOULD HAVE GIVEN THEM WHATEVER SHE HAD.
SHE HAS SINNED, MY LORD. “AND I HAVE SINNED TOO. PLEASE CURSE US A PUNISHMENT .
MY WIFE HAS DECIDED NOT TO WEAR JEWELS ON THE ONE SIDE OF HER BODY FOR THE REST OF HER LIFE.” FOR THE GRAVE SIN COMMITTED ….
“You showed LORD to me.
And I could not even give some worthless piece of yellow metal to you, when you needed it!
What a sinner I am!
There is no hope for me, there is no salvation for me!”he was uncontrollable ….
Swamy Ramanuja turned to his other disciples.
Please tell me whose wisdom is better , great yours or his ?
PLEASE KNOW THAT CASTE IS OF NO IMPORTANCE..
IT IS THE VIRTUE THAT IS MOST IMPORTANT AND PRIZED .
This is why I say ….
Even River Cauvery cannot clean me completely.
But this man’s touch can purify me.
That’s why I lean on him when I return from the river.
Villi, my child ….. please teach these people how to love.”
The disciple who first complained to Ramanuja about Villidasan prostrated to him and Ponnachi’s feet begging their pardon.
Swamy Ramanuja then returned the jewels to Ponnachi and commanded her to wear them then and there.
And also ordered that she should never be without those jewels.
The silence that reigned in the Ashram was pregnant with many lessons, many teachings
and many leanings….
It is told that Villidasan was called as Mahamati ( a human wiser than wisdom ) the wisdom blinded by love for Lord .
He was love blind as to fear any danger for one who is above all dangers .
Mahamati used to walk with his sword drawn in front of the Lord so that he may stop anyone who dared to do any act in the least offensive to the Lord of Lords………………..
More details about this great disciple can be read in this post linked below :
THE WRESTLER AND THE MOST BEAUTIFUL EYES
Pillai Uranga Villidasan was a powerful wrestler. Not just any ordinary wrestler but one of very high standing. Almost all the wrestlers in the Chola Kingdom used to pay him a ‘protection fee’.
A Famous Wrestler was majestic in his looks and a terror to his rivals naturally .There was a beautiful lady in the village Ponnachi. (Pon in Tamil means gold.) Every one who saw her swore that she richly deserved her name. Her complexion, came closest to the yellow metal. She was slightly on the plumpy side. Her dance-like walk, her height and her dimpled cheeks made her the much-acclaimed beauty in her village. But the most prominent feature of her face was her eyes , very large, round and from which you cannot take your eyes off.

Ponnachi’s beauty was at least as well known as Villi’dasan s prowess. Villidasan was a very good man and had never abused his strength or position. And yes, he was the most eligible, most sought after bachelor in his town. As it would happen in love stories, he heard of Ponnachi’s beauty and set out to see her, more out of curiousity than anything else. Once he saw her eyes, he could not think of anything else. As if possessed he sought her hand in marriage, something which Ponnachi was only too eager to give. Villidasan was virtually consumed by his love for the damsel.

He stopped fighting and was thinking of nothing else other than his lady love. Villidasan and Ponnachi got married on an auspicious day. Their married life was most blissful in karmic world , which never ended. They had been married for years. Still to Villidasan Ponnachi was the most beautiful woman in the world with the most beautiful eyes. It was spring time. Festival time at Capital town of Srivaishnavisim , Srirangam. Vasanthotsavam. Ponnachi wanted to see the festival.

To Villidasan her slightest whim was a Royal Command. He made elaborate arrangements to ensure a comfortable travel for Ponnachi. She was borne in a palanquin till the main street of Srirengam where she had to get down and walk. Ponnachi got down from the palanquin. Villidasan who was standing nearby was stunned by her beauty. She was dressed up in an exquisite silk saree. What captivated his attention even after years of marriage was her eyes. Villidasan could not take his eyes away from hers. As she started to walk towards the temple, Villidasan did the unthinkable. He was walking backwards facing her, unable to see anything else but her large eyes. Those who saw this amusing sight giggled. Some even laughed out aloud. Villidasan gave a damn to what others thought. After all Ponnachi was his lawfully wedded wife and what was wrong in seeing her eyes? Ponnachi was half consumed by shyness and half by pride. She too loved her husband so much that she did not have the mind to object to his act, though she knew that it made people laugh behind their backs.

This strange procession – Ponnachi walking forward, Villidasan walking backwards, and the palanquin bearers and the retinue following Ponnachi – was nearing the temple gate. On the other side of the street, a very great saint was walking away from the temple followed by 1000 of his disciples. The name of the great saint was Swamy Ramanujacharya. Swamy Ramanujacharya was amused by the strange sight..
Ponnachi walking towards the temple followed by her retinue and Villidasan walking backwards unable to take off his eyes from those of his beautiful wife! The great saint was moved on seeing this wonderful sight. He inquired about the couple and then sent word to Villidasan asking him to come and meet him in his Ashram alone.Swamy Ramanuja had decided to do something about that. Now why should Swamy Ramanuja do something about Villi’dasans love? As a spiritual Master of people he instinctively knew that Villi’s love was quite unique.

If only Swamy Ramanujacharya could make people love something as intensely as Villidasan did, yes, he would have made a difference in their lives.At the same time if he showed Villi’s love as an example to be followed,then ignorant people might mistakenly think that they also should love Ponnachi. In other words at the present level Villidasan’s love is not a copyable, replicable model. So Sri Ramanuja wanted to first shift Villi’dasans love to something else and then make people understand the greatness of love. And in order to make so many people understand the meaning of love, there is no harm in shifting one person’s object of love. Ramanuja was a highly respected Acharya. So Villidasan was excited came running to see him in his Ashram as soon as he got his call.It was late in the night. The Srirangam temple would be closed for the day in another half an hour. Swamy Ramanuja wanted to accomplish his missionwithin that time.

He asked Villidasan in a sarcastic tone,“Aren’t you ashamed , Villidasan , to be seeing your wife’s eyes, when God’sfestival is on?” Villidasans ’s reply was a correct blend of humility and the force of truth.“Is there anything more beautiful than my wife’s eyes?”Ramanujacharya was waiting for this question. “What will you do if I show something more beautiful than that?”Now Villi knew for sure that there was nothing like that and so hiswords came with confidence. “Then I will fall in love with those eyes. Ponnachi and I will be yourslaves for the rest of our lives.” “Deal. Come with me.” Swamy Ramanujar took Villidasan to the sanctum sanctorum of the temple.
The God of Love,Sri Ranganathar, Thiruvarangan, was sleeping in his comfortable snake-bed attended by his Devis. Then the great Acharyatook hold of Villidasan’s hands. The Acharya’s touch sent waves of electric shock in his body. Ramanujar closed his eyes and prayed to the Lord.
“Oh, Lord, here’s is an example of perfect love. And thewhole world is steeped in misery unaware of this kind of love. I want the people to know that there is something like this love and that every one of us is capable of it. For that you need to give these two people to me. “I know that these two people are as precious to you as your Devis and are holier than the holiest scriptures ever written on you. I promise you my Lord, I’ll give them the reverence they deserve. Now please, LORD Ranganatha show the beauty of your eyes to this man of love.”
A selfless prayer!
Two loving souls standing before Him! Ranganathar was helpless!
He had to grant the Acharya’s wish. And the great Lord, whose eyes are not to be seen even by the highest of Devas and the wisest of Rishis, whose Feet cannot even be touched by Vedas and all the knowledge in the world, opened his most beautiful eyes for Villidasan to see. Villidasan was awe-struck; no he was love-struck. The sight lasted for a fraction of a second. Villidasan instantly fell in love with those large, beautiful eyes, for which nothing in the world is even a pale comparison. Villi prostrated at Sri Ramanujar’s feet proclaiming his slavery to the saint.
Swamy Ramanuja lifted him as a loving father would lift his loving son. Swamy Ramanujar’s eyes were so full with tears, his heart so full with love that for a few seconds he could not talk.
Villidasan continued to be in a state of ecstasy. If God decides to show His eyes even for a nanosecond, the effect will last for centuries, extending into millions of life –times, for ever, for eternity and even thereafter. When he went back to Ponnachi that night and told about his experience, she was also transformed. She did not whine that her husband had found out another object of love.
She was ecstatic because she was the loving wife of a man to whom even the Great God had shown His eyes. The next morning Pillai Uranga Villidasan gives away his possessions, erects a small hut near Swamy Ramanuja’s Ashram and starts living there along with Ponnachi serving Swamy Ramanuja the entire life ….
Sri.Pillai Uranga Villidasar thiruvadigale sharanam.
Adiyen Ramanuja dasan
Pictures : Courtesy: Google
Dalai Lama
The 14th Dalai Lama was born Lhamo Döndrub, the 5th child of a large family in the farming village of Qinghai, China. At the age of two, he was picked out as the rebirth of the thirteenth Dalai Lama and sent for formal monastic training to become a Buddhist monk and eventually become the spiritual head of the Tibetan people. His spiritual name is Tenzin Gyatso, though he is mostly referred to as the ‘Dalai Lama’
“My religion is very simple. My religion is kindness.”
– Dalai Lama
He was formally enthroned as the Dalai Lama in 1950, shortly after the Chinese invasion of Tibet. He was thrust into a position of immense significance becoming both spiritual and political leader to a country under invasion and occupation.
After several years of Chinese occupation and persecution of the Tibetan religious practices, the Dalai Lama feared capture by the Chinese and so reluctantly decided to leave and fled over the border into India. It was a perilous journey – undertaken mostly on foot. After meeting with the prime minister of India, Jawaharlal Nehru, the Dalai Lama and up to 80,000 Tibetan exiles were allowed to stay and set up a government in exile in Dharamshala, India.
The Dalai Lama has followed a long campaign of non-violent resistance to the Chinese occupation. He has frequently called on the Chinese to respect the basic human rights of the indigenous Tibetans and end the migration of the ethnic Han Chinese into Tibet. In 1987 he proposed a five-point peace plan about the future of Tibet and called Tibet to be made into a zone of peace. He also secured United Nations resolutions to support the right for Tibetan self-determination.
As well as being the leader of the political struggle for Tibet, he has taught extensively on Buddhist philosophy, and in particular his teachings of loving kindness and the spiritual practice of Dzogchen.
As a monk, he follows a celibate lifestyle. He rises early every morning and undertakes periods of meditation according to his Buddhist teachings. He is a vegetarian and encourages others to adopt a vegetarian diet or at least reduce consumption of meat.
Interfaith Meetings
The Dalai Lama has met with many representatives of different religions. The Dalai Lama has been keen to stress the underlying unity of different religions; he has even said he is not keen to convert people to Buddhism.
“All major religious traditions carry basically the same message, that is love, compassion and forgiveness … the important thing is they should be part of our daily lives.” – As quoted in Especially for Christians: Powerful Thought-provoking Words from the Past (2005) by Mark Alton Rose, p. 19
“I am convinced that everyone can develop a good heart and a sense of universal responsibility with or without religion.”
“I don’t want to convert people to Buddhism — all major religions, when understood properly, have the same potential for good.” – from Nobel prize acceptance speech 1989
He said Pope John Paul II was sympathetic to his plight, even though he was reluctant to antagonise the Chinese because of the plight of Catholics in China.
The Dalai Lama was awarded the Nobel Prize for peace in 1989.
He has remained active until his later years, frequently travelling around the world to talk on Buddhism and issues relating to human rights. Outside of religion, he has a great interest in technology and science, being fascinated with mechanical objects from an early age. He once remarked if he wasn’t a monk, he might have been an engineer. He has sought to develop a meaningful relationship between Buddhism and science. He has maintained an active interested in Mind & Life Institute – which investigates the scientific background to contemplative practices such as meditation.
The Dalai Lama has also spoken out about the importance of protecting the environment, avoiding war, the benefits of nuclear disarmament and has been critical of the worst excesses of capitalism.
Citation: Pettinger, Tejvan. “Biography of the 14th Dalai Lama”, Oxford, UK www.biographyonline.net. Published 10 Feb 2011. Updated 1 February 2018.
Saint Devar Dasimayya
Here is a detailed account of Saint Devar Dasimayya (also known as Jedar Dasimayya), the 11th-century Kannada poet-saint who was one of the earliest propagators of the Veerashaiva (Lingayat) faith and a powerful voice against the caste system .
Saint Devar Dasimayya is a towering figure in the history of the Bhakti movement in South India. A weaver by profession, his life and vachanas (devotional poems) challenged the rigid social hierarchies of his time, emphasizing that true devotion to God transcends caste and occupation.
📜 Biographical Summary
AttributeDetailsIdentity 11th-century Kannada poet, vachanakara (saint-poet), and social reformer
Born Mid-11th century CE in Mudanuru village, Shorapur Taluk, Yadgir district, Karnataka, India
Community/Profession Weaver (belongs to the Devanga weaving community)
Pen Name (Ankitanama) Ramanatha (meaning "Rama's Lord," i.e., Lord Shiva)
Spouse Duggale, who was also a vachana poet
Historical Role One of the earliest propagators of the Veerashaiva/Lingayat faith, preceding Basavanna and Akka Mahadevi
Key Teachings Complete nonviolence, equality, and rejection of the caste system
🧬 From Ascetic to Weaver: The Divine Calling
The most famous legend about Devar Dasimayya explains his unique identity as a "weaver-saint." According to tradition, Dasimayya was initially performing intense ascetic practices in a jungle . It is believed that Lord Shiva appeared to him and instructed him to stop torturing his body and instead engage in the practical world . Heeding this divine command, Dasimayya renounced his severe practices and took up the trade of a weaver .
This act was revolutionary. By choosing weaving—a profession considered "low" or "Shudra" in the traditional ritual hierarchy—as his path, Dasimayya demonstrated that manual labor and devotion could be combined. This is why he is also known as Jedar Dasimayya, which means "Dasimayya of the weavers" . The Devanga weaving community of South India traces its spiritual lineage back to him . 📖 Poetry as Protest: Defying the Caste System
Devar Dasimayya is celebrated as one of the early social reformers who fought against the caste system to bring equality to society . His vachanas, written in simple Kannada, were powerful tools of social critique. They directly questioned the logic of caste discrimination, which was based on birth and occupation.
The following vachana (poem 96) brilliantly deconstructs the meaninglessness of caste:
"Does the housewife's meal have breasts and long hair?
Or the master's meal a sacred thread?
Or does the outcaste, the last in line,
Sustain his tribe's rank with his exhalations?
What do the fools of this world know
About the traps you set for them,
Oh Ramanatha."
In this poem, Dasimayya argues that food itself has no caste, so the people who eat it cannot be defined by it either. This direct and logical rejection of caste hierarchy was radical for its time and remains a powerful statement for social equality.
⚔️ Challenging Authority and Spreading the Faith
Dasimayya was not just a poet; he was an active missionary and debater. He is said to have engaged in several debates with the dominant Jain community, which had significant influence in the region . Through these debates, he converted many people, including members of the royal court, to the worship of Shiva .
A notable event was his initiation of Suggale, the wife of the local Chalukya king Jayasimha, who was a Jain . This act of converting a queen highlights his spiritual authority and the powerful appeal of his egalitarian message, which reached across social strata. 📝 Legacy and Modern Recognition
Devar Dasimayya's legacy as a pioneer of the Lingayat faith and a champion of social justice continues to be honored today.
Literary and Spiritual Influence: As an early propagator of the Veerashaiva faith, he laid the groundwork for the movement that would later be consolidated by saints like Basavanna and Akka Mahadevi .
Teachings of Nonviolence: He taught a life of complete nonviolence, even convincing local hunting tribes to give up meat and take up the peaceful occupation of pressing and selling oil .
Public Commemoration: His importance is recognized by the state. In October 2022, a street in the heart of Bengaluru was renamed "Sree Devara Dasimayya Road" in his honor . Government ministers have also announced funds to build community halls in his name .
In summary, Saint Devar Dasimayya was an 11th-century weaver-saint whose life and poetry were a direct challenge to the caste system. By choosing a "low" profession on divine instruction, he sanctified manual labor. His vachanas, written with the pen name 'Ramanatha,' remain powerful testaments to the core Bhakti principle that sincere devotion, not social status, is the true path to God.
Saint Dohaara Kakkayya
Here is a detailed account of Dohaara Kakkayya (also known as Dohara Kakkayya), the 12th-century saint, poet, and social reformer from Karnataka.
Dohaara Kakkayya was a prominent Shivasharana (devotee of Lord Shiva) and a contemporary of the great social reformer Basaveshwara . He is a significant figure in the Lingayat tradition and is revered for his spiritual contributions as a Vachanakara (poet-saint) and his role in the 12th-century social revolution. 🧬 Community and Background
Dohaara Kakkayya belonged to the Dhor (also spelled Dohor) community, traditionally involved in leather tanning and related occupations .
AttributeDetailsIdentity 12th-century Sharana saint, poet, and social reformer
Time Period Contemporary of Basaveshwara (12th century CE)
Birthplace Malwa region (present-day Madhya Pradesh)
Community/Caste Dhor (Kakkayya) – traditional leather tanners and workers
Modern Classification Scheduled Caste (SC) in India
Spiritual Signature Abhinava Mallikarjuna (used in his Vachana poems)
Role Member of Anubhava Mantapa (the first democratic parliament of spiritual experience)
👤 Origin and Name
According to a myth of origin, the Dhors are descendants of some Kshatriyas who were exiled after losing a war in the Malwa region . These families settled in Karnataka, where they met Basaveshwara, the prime minister of the Kalachuri king Bijjala II .
Kakkayya's original name was Shrikar . Basaveshwara was so impressed by Shrikar that he addressed him as "Kakkayya" out of respect—and the name stuck . Shrikar came under the influence of Lingayatism along with all those who had followed him from Malwa, and they became members of the Anubhava Mantapa . 📜 Role in the Sharana Movement
Kakkayya was an active participant in the revolutionary Anubhava Mantapa ("Hall of Spiritual Experience") established by Basaveshwara . This institution welcomed people from all castes, including those considered "untouchable," and served as a platform for discussing spiritual and social issues.
He was recognized as one of the "Dalit Vachanakaras" (Dalit poet-saints) of the 12th century, alongside other figures such as Madar Channayya, Madar Dhoolayya, Samagar Haralayya, and Urilingapeddi . His Philosophy: A Vachana on Caste
Kakkayya openly acknowledged his low birth and composed powerful Vachana poems expressing his devotion despite societal discrimination. One of his most famous Vachanas is :
"O Linga father, You made me take birth in a mean caste
I am undone as I touch you and yet do not touch
If my hand cannot touch you, can't my mind too touch you?"
— Abhinava Mallikarjuna
This poem reflects the pain of being born into a marginalized community while asserting that divine connection transcends physical touch and social barriers.
⚔️ The Battle and His Death
Kakkayya died in a battle defending the Sharana community. Here is what happened:
EventDetailsContext After Basaveshwara left Kalyana following social unrest, King Bijjala was murdered. The Sharanas were falsely accused of the crime . Exodus Unable to bear harassment, hundreds of Sharanas left Kalyana, carrying their Vachana collections. Kakkayya, along with Basaveshwara's sister Akka Nagamma and nephew Chennabasavanna, were part of this large group . Chase The group was pursued by Bijjala's soldiers . Battle A battle took place at Kadrolli (on the banks of the Malaprabha River near Kittur). The Sharanas won, and the soldiers retreated . Injury and Death Kakkayya was severely injured during the fight and later died near Alnavar . Place Named After Him The location where he died was named Kakkeri (in present-day Belagavi district, Karnataka) in his memory .
🕊️ Memorial Site and Legacy
Dohara Kakkayya Aikyasthala (sacred memorial) is located in Kakkeri village, Belagavi district, Karnataka
A temple has been built at the site believed to be his tomb (aikya sthana)
An annual fair called Bhistadevi Jatre (named after his wife Bhistadevi, who also died in the battle) happens every year at Kakkeri
🔗 Academic Recognition
The significance of Dohaara Kakkayya has been formally recognized in academia. In 2024, 89-year-old Markandeya Doddamani secured a doctoral degree from Karnatak University for his research on Dohaara Kakkayya . Doddamani spent 18 years collecting information about Kakkayya, traveling to Kadrolli, Kakkeri, and other places, and wrote a 150-page essay on the Shivasharana . His thesis covers the history of the Dohaara community, Basavanna's recollection of Kakkayya in his vachanas, his death near Dharwad, and ties with Shivasharanas who came from as far as Gujarat, Kashmir, and Tamil Nadu . 🔗 Connection to Basaveshwara
Basaveshwara himself acknowledged his solidarity with lower castes by declaring in one of his Vachanas:
"My father is Maadara Channayya / Dohara Kakkayya my elder Uncle..."
This demonstrates the deep bond and mutual respect between these reformers, regardless of caste background.
📝 Summary
Dohaara Kakkayya was born into the Dhor (Kakkayya) community—a traditional leather-working caste officially classified as a Scheduled Caste (SC) in modern India . Despite facing caste-based discrimination, he rose to become a respected saint, poet, and social reformer in the 12th-century Sharana movement. His life and Vachanas remain an inspiration, particularly for marginalized communities, and he is honored with a memorial shrine at Kakkeri in Karnataka, where devotees gather annually to remember his sacrifice and teachings. St Dnyaneshwar
In the thirteenth century, a small percentage of the society in Maharashtra knew the Sanskrit language and followed the religious and other books written in that language. The majority of the people of the society were therefore denied the key to religious books or to knowledge. At such a stage in the history of Maharashtra, there arose a very bright star on the horizon of knowledge, who pledged himself to writing in the language of the people, the Marathi Language. This star was none else but the Saint Dnyaneshwar who was bold enough to go against the traditions of his times of writing in the Sanskrit language and to use Marathi as the vehicle of his preaching. Dnyaneshwar was so very sure about the power of the Marathi language that he writes in Dnyaneshwari that, his highly appreciative readers will surely say that Marathi Language is even sweeter than nectar.
Family Traditions
Dnyaneshwari is the most revered book of the “Warkari” Sect. Every member of that sect regards that book as the base of the “Warkari” sect; but it is a great pity that fully authentic account of the life of the writer of Dnyaneshwari is not known. A few fragments of his life are available in ‘Dnyaneshawar Vijay’ by Satchita-nand Baba and a few Abhangas composed by Namdeo. The complete life account of Dnyaneshwar is more or less legendary and has got to be constructed from the fragments of facts selected from the aforesaid books.
On the North bank of the Godawari river and at a distance of about eight miles on the East side of Paithan, there is a village known as Apegaon. The forefathers of Saint Dnyaneshwar were holding the ‘watan’ of Kulkarni in this village. This office was hereditary in that family. From the information available it can be said that in Shaka 1060 (1138 A. D.), one of the ancestors of Saint Dnyaneshwar, Haripant by name, held this office. After Haripant, Rama-chandrapant, his son, came to the office. After the death of Rama-chandrapant, his son Gopalpant followed him in the office of ‘Kulkarni.’ Ramachandrapant, the son of Gopalpant, next came to Office. Gopalpant’s son Trimbakpant followed him. At that time Jaitrapal was the ruler of the country. He deputed Trimbakpant’s, son Haripant on a mission to subjugate one rebellious Deshmukh in the country. In the battle that followed, however through misfortune, Haripant was slain. Because of the sad demise of his son. Trimbakpant lost all his interest in the worldly affairs and dedicated his life to God. Later on the great ascetic Gorakhanath, while on pilgrimage, happened to visit Apegaon. He initiated Trimbakpant and accepted him as his disciple. Trimbakpant, who was the great-grand-father of Dnyaneshwar, was the first person in the family of Dnyaneshwar to have a philosophical and religious bent of mind
Trimbakpant’s son Govindpant and Vithalpant the son of Govindpant were respectively the grandfather and father of Dnyaneshwar. The thread ceremony of Vithalpant took place at the age of seven. Thereafter, he very soon completed his study of the Vedas and Shastras and with the permission of his father, he started on a pilgrimage of the holy places. From his childhood Vithalpant was of religious nature. After visiting Dwarka, Prabhas, Sapta-shringi, Trimbakeshwar, Bhimashankar and such other holy places, Vithalpant came to Alandi. Here one Shri Sidhopant, who thought that Vithalpant was a suitable match for his daughter, gave his daughter to Vithalpant in marriage. After the marriage, Vithalpant went to Shri Shaila, Vyankatgiri, Rameshwar, Gokarna and such other holy places in the South and returned to Alandi. From here he went to Apegaon along with his wife and his in-laws. There he bowed down to his parents and stayed with them. After the death of his- father and mother, the responsibility of the whole house fell on Vithalpant; but because of his religious and philosophical bent of mind he could never take keen interest in the household duties and therefore remained aloof from them. When his wife Rukminibai noted this, she informed her parents about it, so they came to Apegaon from Alandi and returned to Alandi along with their daughter and son-in-law.
Vithalpant was often telling his wife Rukminibai that he had a strong desire to go to Kashi and become a Sanyasi. He was therefore, often requesting his wife to grant him permission for the same; but the wife would not give it to him. One morning, however, he saught permission of his wife to go to the river for a bath and after getting out of the house he straight-away went to Kashi (Benaras). There he became a disciple of Shri Ramanandswami and observed celibacy. By and by he told Swamiji that he was all alone and that he had no bondage of the wife or children. He entreated Swamiji to give him Mantra and to initiate him as a Sanyasi. Ramananda-swami took the words of Vithalpant as authentic and after initiating him as a Sanyasi gave him his new name “Chaitanyashram.”
Somehow the news about Vithalpant’s Sanyasa fell on the ears of Rukminibai; but she did not get disheartened. Her devotion to God was firm. She continued her worship of the God as if nothing abnormal had happened. Twelve years rolled on in this fashion. One evening she went to the Maruti temple as usual. There she saw one Swami of outstanding brilliance. As a matter of course she bowed down to the Swamiji, who blessed her that she may get a son. When Rukminibai heard the blessing she could not help laughing. Looking to the smile on the face of Rukminibai, Swamiji enquired what was the matter, when Rukminibai told her whole story pointing out how it was now not possible for her to have a child. After listening to the whole story, the Swamiji took pity on Rukminibai and it at once flashed upon his mind that Chaitanvashram, who took Sanyasa at his hand, must be Vithalpant. Swamiji also felt very sorry that because of the belief, which he blindly kept in the words of Vithalpant, a poor lady had to suffer and has been deprived of the pleasures of a married life. The Swamiji immediately decided to abandon his Southward journey and started for Kashi along with Sidhopant and Rukminibai.
After reaching Kashi Ramanandaswami called his disciple Chaitanyashram and placed all the facts before him, when he confessed everything and expressed his sorrow for having given a false account. Thereupon Swamiji reprimanded and ordered him to cast away his “Sanyasa” and begin his family life (Grihastha-shram) again. Vithalpant had no other go but to obey the orders of his Guru and he returned along with his wife and father-in-law to Alandi immediately after taking the orders of his Guru.
Vithalpant’s Children
In course of time Vithalpant got the first son in Shaka 1195. He was named Nivrittinath. Rukminibai gave birth to three more children after that and they were named as follows : Dnyaneshwar (Shaka 1197) Sopan (Shaka 1199) and Muktabai (Shaka 1201). Vithalpant was already a pious person conversant with the traditions of Indian Philosophy. He was more or less averse to worldly life. He, therefore, appears to have named his children according to the maxims of the Indian philosophy. When one gets out of this worldly life (Nivritti) he obtains real knowledge (Dynana), when real knowledge is obtained, he finds the bridge (Sopan) leading to the liberation or Mukti (Muktabai). These steps of obtaining Moksha were as if suggested by Vithalpant by the names of his children.
The children were thus growing in Alandi under the care of Vithalpant and Rukminibai, who were both extremely religious and devoted to God. According to the traditions of the time, when Nivrittinath became due for the thread ceremony, Vithalpant requested the Brahmins to perform the same; but they were all against performing any ceremony, as they said vehemently that it was against the orders of the Shastras, to start a family life after once taking Sanyasa. Vithalpant entreated the Brahmins in various ways and requested them to suggest something for atoning the sin committed by him; but the orthodox element in the Brahmins was not prepared to budge an inch and to give permission for the thread ceremony-Ultimately, they referred to all the religious books and said that, if Vithalpant has got to be free from the great sin committed by him, he and his wife Rukminibai should sacrifice their lives at the conference of Ganga and Yamuna. Vithalpant who was really a Godfearing person, accepted the unanimous decision of the Brahmins and with his wife jumped in the holy waters of the Ganga and Yamuna at Prayag.
The four children were thus rendered destitute at a very young age due to the orthodoxy and uncompromising attitude of the Brahmins of Alandi. At that time Nivrittinath might hardly be about 10 years of age, and the others still younger. We can hardly picture the youngsters plungeed deeply in the sorrow of the loss of their parents; but it is a wonder how all the Brahmins of that time could afford to be so merciless !
Calamities
Time teaches a person to gather strength. The eldest of Vithalpant’s children, Nivrithtnath, had therefore, to rise to the occasion. He bravely bore the massive grief due the loss of his parents, consoled his two younger brothers and the sister and went to Apegaon to get some support at least from the other relatives of his father; but in the absence of Vithalpant all his relatives at Apegaon shut their doors for these homeless and desolate orphans.
Nirvttinath and Dnyaneshwar therefore started begging alms and -they somehow kept their bodies and souls together.
Completely baffled in this fashion and getting no support from their relatives, all the four children left Apegaon and came to Alandi; but as they were being treated as outcast their minds were not at rest. Paithan was in those days a great seat of learning and a stronghold of the Brahmins. Hence Dnyaneshwar had a feeling that they may try to get a certificate of purity from the learned Brahmins of Paithan. Because of the request of Dnyaneshwar, Nivrittinath along with his brethren came to Paithan all the way on foot, with standing many dangers and fighting with difficulties. All the brahmins of Paithan were looking upon them with scorn. Hence when Dnyaneshwar said that the God was alike in all the living beings, he was asked to make the passing he-buffalo to recite Vedas and it is said that no sooner Dnyaneshwar placed his hand on the head of the animal, than the he-buffalo started reciting Vedas as well as the Brahmins did. The animal continued to recite Vedas for hours together and all the Brahmins collected on the Bank of Godavari to see this miracle. The performance of this miracle made the Brahmins nowhere and they had to accept the greatness and supernatural power of Dnyaneshwar. The result was that ultimately the certificate of purity was granted to the children by the Brahmins of Paithan; but the Thread ceremonies of Nivritti and Dnyaneshwar were never performed ! !
After performing one miracle Dnyaneshwar went to Newase where another miracle was waiting for him. The mention of Newase is found in Dnyaneshwari, where this exquisite book was written. As these children were entering Newase, they found that one person was lying dead and his wife was lamenting bitterly by the side of his corpse. Dnyaneshwar asked as to what was the name of the person and on being told that it was Sat-chit-ananda, he said that a person bearing that name could never be lifeless. He therefore touched that lifeless body with his nectar like hand and asked the person to get up, when Sat-Chit-Anandababa at once got up as if from sleep. This same Sat-Chit-Anandbaba later on worked as the scribe of Dnyaneshwari, when Dnyaneshwar dictated his great book.
It is reported that this same Sat-chit-Anandbaba had written a book in verse form under the caption of “Dnyaneshwar Vijay”; but unfortunately that book is swallowed by time and is not available. If this book would have been available, we could have had some authentic information about this great personality as written by his contemporary; but the will of God is otherwise and we have to construt the life of Dnyaneshwar by collecting the fragments from various other sources as already said.
Dnyaneshwari or Bhavartha deepika
From the internal evidence in Dnyaneshwari, it is clear that this unique criticism on Bhagwatgeeta was completed in Shaka 1212. It will be seen from the life of Dnyaneshwar that he composed this book at a very early age of sixteen. The knowledge of all the philosophical books, which were then in existence, the different theories of life, the knowledge of the customs and manners of the people of his times and all such things which are evident from the book, simply make the readers wonder how a boy of sixteen could acquire so much maturity and knowledge at that age; but as Lord Krishna has himself expressed in Bhagwatgeeta ‘a very learned person take s rebirth in a great family with all his achievements” and hence he proves to be a progidy. Hence as belivers in rebirth, we might say that the knowledge already acquired by Dnyaneshwar in the previous birth came along with him in his present birth. Though Dnyaneshwari is apparently a criticism on the Bhagwatgeeta, still we find that it is really an in -dependent book expounding the Indian Philosophy. It has only taken Bhagwatgeeta as its base, because it was a known book revered by all. The very fact that the commentary on 700 and odd shlokas of Bhagwatgeeta should expand into over 8,500’ Ovees goes to prove the independent nature of the book.
If specific examples are to be cited we might point out that in the sixth canto of Bhagwatgeeta there are only 47 shlokas while the commentery thereon runs into 497 ovees. Similarly, the number of Ovees in the tenth canto is 1124. Similar figures about the extent of other cantoes could be given for comparison, but it is not quite necessary to prove the aforesaid fact.
Dnyaneshwari is not important only from the point of view of philosophy, it also is a very good example of poetry full of imagination. The use of language is also unique. The words and phrases used are so very appropriate that nobody has been able to suggest so far a substitute for any one of them. The figures of speech like simile, metaphor etc. are met with very often in the book. They are not only appropriate but they show profuse knowledge on the part of the author. The language used is so captivating that any reader will agree to the statement made by Dnyaneshwar that he will get a certificate from his appreciative readers that the Marathi language is even sweeter than the nectar.
Gnyaneshwar is a Yogi. He appears to be well-versed in all practices of Yoga. Whenever he has spoken of Yoga and its practices he appears to be speaking with so much confidence that we feel that he is speaking not from heresay but from his personal experience. The ultimate live Samadhi, that Dnyaneshwar took, to put an end to his life, shows also that he had full knowledge of the practice of Yoga.
Along with Yoga, Dnyaneshwar has not neglected other ways of devotion like “Bhakti” and worship of the idol of the God. He has done enough justice to all these whenever necessary and has also described their importance in human life.
From the point of view of the development of Rasas. Dnyaneshwari is not wanting. In the eleventh canto when Lord Krishna shows to Arjuna the whole universe, we see the develpment of different Rasas like Rowdra, Bhayanaka, Shanta etc. This also shows that Dnyaneshwar had studied the books on literary criticism that were existing at his time.
Dnyaneshwari is supposed to be the basic book of the. “War-kari” sect. Every “Warkari” who recognises God Vithal as his God revers this book unequivocally. In all the lectures of these people they will be constantly referring to “Ovees” from this highly revered book. Apart from the followers of the Warkari Sect, every student of the Marathi Literature has got to peep into this book. No student of Marathi literature can say that his study is complete without the study of Dnyaneshwari. Other great Marathi Saints like Namdeo, Eknath, Tukaram, Ramdas have always mentioned Dnyaneshwari with reverence, and have taken pride in stating that they have been the followers of Dnyaneshwar. Most of the Marathi poets who wrote on religious subjects have made free use of the similies, ideas and quotations from Dnyaneshwari, and even acknowledged that they got inspiration to write their books after reading it.
As Bhagwatgeeta was the source of inspiration for writing a criticism to many Mara-thi poets, similarly there have also been a number of books in Marathi for explaining the philosophy of Dnyaneshwari. As nearly 700 years have elapsed since the composition of Dnyaneshwari, its language has become obscure at certain places, some of the words used therein cannot be understood by the modern generation, hence the modern generation is mostly not able to read or understand Dnyaneshwari without a commentary or a guide.
Other Works
Even though, as pointed out before, Dnyaneshwari is as good as an independent work, though technically speaking it is a commentary on Bhagwatgeeta, the story goes that, when after completing Dnyaneshwari, Dnyaneshwar went to Nivrittinath, whom he called his Guru, he said, “This is after all a commentary. It is not an independent work. So I want you to do some independent work.” Hence Dnyaneshwar wrote the “Amritanubhava” or “Anubhava-mrit” in which he has stated his experiences in Yoga and Philosophy, whereby we can get the experience of nectar. This work of Dnyaneshwar, though not so much universally acknowledged, is also as great and important as Dnyaneshwari itself. The style of writing, the use of words and phrases the use of figures of speech, the ease in writing and the confidence with which the book is written leave no doubt that the work must be of the Dnyaneshwar himself. The subject of this book is abstract and is dealt with great brevity and directness.
One more book in Ovee form under the caption of [Yoga Vashishtha] goes as a work of Dnyaneshwar; but on close study o-the book, though it appears to be written in the same style as that of Dnyaneshwari, we feel that the grace of the words and the poetic imagination is not of the same level as that in Dnyaneshwari. The scholars of Marathi literature have therefore a serious doubt whether this work is of the same Dnyaneshwar who composed Dnyaneshwari. It is suspected that somebody else has imitated the style of Dnyaneshwari and has pawned his own work under the name of Dnyaneshwar.
Apart from the above works there are about 1200 Abhangas said to be composed by Dnyaneshwar, but on their close examination we find that all of them are not of the same standard. From the style of the use of words, the ideas and the philosophy embodied therein we may say that only about two to three hundred of these abhangas must have been composed by Dnyaneshwar himself and the others are composed and interspersed by other writers.
Miracles
The two miracles, in Dnyaneshwar’s life, one of making the he-buffalo repeat Vedas and the other of bringing to life Sat-chit-Anandbaba have already been referred to. A few more can be narrated here.
At Paithan once a Brahmin wanted to perform the Shraddha (death anniversary) of his father. So Dnyaneshwar requested the Brahmin to make all the preparations and after going there invited all the forefathers for lunch. At other places these ancestors are supposed to come, but they are not visible. However, here they remained physically present and enjoyed the feast.
In Alandi there was a Brahmin named Visoba Chati. He was very orthodox and used to ridicule the Sadhus and sages. Once Nivrittinath expressed his desire to Muktabai to eat “Mande” which are required to be baked on a frying pan. So Muktabai went round the village for buying a pan; Vosoba, who was wicked, had informed all the potters in the village not to give the pan to Muktabai and hence she could not get it in the whole village. She came home empty-handed and was sobbing, because she thought that Nivrittinath, her eldest brother, would get annoyed at this. When Dnyaneshwar knew about this he consoled Muktabai and by the power of Yoga, he kindled the fire inside his stomach and told Muktabai to bake the “Mande” on his back which was as red hot as the frying pan.
One Yogi, Changdeo by name, was said to be fourteen hundred years old. By his Yogic power he had subdued all fierce beings like the tiger and the serpent. After knowing the power of Dnyaneshwar he started for a visit to him. He rode on a tiger and was using a serpent as a whip. At that time Dnyaneshwar and his brethren were sitting on a compound wall outside their house. When they were told that Changdeo was coming to them on tiger backs they made the wall itself to move and thus went forward to receive Changdeo. When Changdeo found that Dnyaneshwar was having control over inanimate objects as against his control on living beings, he was completely subdued and knew his folly in underestimating the power of Dnyaneshwar. He at once fell at the feet of Dnyaneshwar and became his disciple.
A number of such other miracles are narrated under the name of Dnyaneshwar; but they need not all be listed over here. The miracles already referred to are enough to show the supernatural power of Shri Dnyaneshwar.
Samadhi
After composing ‘Amritanubhava’, Dnyaneshwar went to visit the holy places along with Namdeo and other saints of his time. In his Abhangas known as “Tirthawali” Namdeo has given a graphic description of this their visit to the holy places from which we know that Dnyaneshwar had visited many holy places of his day.
After completing their visits to the holy places, Dnyaneshwar felt that the mission of his life was over. He therefore, expressed his intention to take live Samadhi. When all his colleagues knew about this they felt sorry that this ocean of knowledge was leaving them; but Dnyaneshwar was firm on his decision. Ultimately, on the 13th day of the second half of Kartik in Shaka 1218 Dnyaneshwar Maharaj took live Samadhi at Alandi. An account of this heartrending incident is graphically pictured by Namdeo in his Abhangas known as “Samadheeche Abhanga”. After setting of this Sun of Knowledge, pitch darkness spread before the eyes of Dnyaneshwara’s brothers and sister. After the departure of Dnyaneshwar, they also therefore decided to end their existence in this world and within a year’s time from the Samadhi of Dnyaneshwar Maharaj they all left this perishable world. Thus ended the tragic life of all these four children of Vithalpant, whose only fault was that he did not observe the traditional sequence of the Ashrams.
St Eknath
(1533-1599)
Sank Eknath
Sant Eknath Maharaj, considered the Spiritual successor to the work of Sant Dnyaneshwar and Sant Namadev, was a great Saint from Maharashtra. Sant Eknath was known for His spiritual prowess as well as His immense efforts in awakening people and safeguarding Dharma. Sant Eknath id the author of numerous hymns and books on Bhakti and Spirituality, including the famous Eknathi Bhagwat, the spiritual essence of the Bhagavad Geeta and his magnum opus Bhavarth Ramayan.
Purpose of birth
During the time of Sant Dnyaneshwar and Sant Namadev in Maharashtra, Devgiri was a prosperous and content kingdom under the king Shree Ramdevrai Yadav. Unfortunately after the death of the king Devgiri fell into the hands of Muslim invaders. The reformative and uplifting work started by Sant Dnyaneshwar and Sant Namdev came to a stop. The war and foreign invasions had taken a heavy toll in the life of the people. People were aimless and resigned to the drudgery of being slaves to invaders. For nearly 200 years, this was the state of the people, the nation and Dharma, till a bright soul took birth to awaken the masses.
5 year old Eknath leaves home to seek a Guru
Little Eknath had been impressed upon the importance of the Gurucharitra. He was constantly asking others on how he could meet His Guru. The learned men around him were baffled and told him to ask the river Godavari. So the very next day little Eknath went to the river and asked his question with great earnestness and urgency. And the infinitely compassionate mother answered! ‘Your Guru is waiting in the fort of Daulatabad’, little Eknath was told. He promptly left home for Daulatabad!
The Guru meets the Disciple
Janardan swami was the head of the fort of Daulatabad. He used to go on leave every Thursday. It was a fateful day, when 5 year old Eknath who was resolutely climbing the steps of the fort, came across Janardan Swami. Janardan Swami welcomed the boy with the word ‘I have been expecting you’. The Guru always waits and knows when a worthy disciple will come along. Janardan Swami entrusted the task of making preparations for puja to little Eknath, who performed it with great devotion, which pleased the Guru immensely. Janardan swami took young Eknath
Earnest cry to Jagdamba mata to help awaken the people
The Devgiri fort was under the Nizam rule. Sant Eknath who lived nearby saw that the people silently suffered the excesses of the rulers, while having resigned to their fate of being enslaved. The people were alive because they were not dead already! Sant Eknath decided that he needed to start a mass movement for awakening the people. He earnestly prayed to the Kulswamini Jagdambamata to manifest and bless the work of awakening the people. (Vishwapandhari Year 1, Issue 2, page 13)
The masses awaken
Slowly but surely, the people began to realise that they were living a caged life. Sant Eknath’s efforts bore fruit when the demoralised people started expressing their dissatisfaction against the foreign rulers.
Kshatriya Dharma
दया तिचे नाव भूतांचे पालन ।
आणिक निर्दाळण कंटकांचे ।।
Meaning : Kindness and compassion for the people |
Strict and fiery towards unjust ||
One fateful day, Janardan Swami was deep in Samadhi, when an attacking army raised an alarm. Eknath Maharaj did not hesitate, despite not being a combatant, he donned the armour and stepped out to fight the invaders. He had only one thought on his mind, that his Guru Janardan Swami’s Samadhi state should not be disturbed. So Eknath Maharaj fought valorously for 4 hours and drove the invaders away.
Eknath Maharaj was lauded for his bravery. He proved that the Guru and Shishya are one! Janardan Maharaj was not informed of anything of this. When Swamiji came to know of this he felt a sense of fulfilment for his disciple. The disciples such as Eknathji Maharaj who can wipe out the difference between a Guru and his disciple and can do the work of Guru are extremely rare so to say. (The life of Eknath Maharaj by Laxman Ramchandra Pangarkar Ramyakatha Publications Pune – 2, pg 62 & Sanatan Prabhat 3.8.2006)
Books in vernacular to reach out to the masses
Eknathji had a tremendous respect for mother tongue. For the sake of uplifting of common people he wrote simple stories, Kirtans or stories of Goddesses, Prayers to Goddesses for fulfilment of desires, on the Art of Dance etc. He also wrote a book on Ramayana to give the people of what Ram Rajya or an Ideal State is.
Sant Eknath writes Bhavarth Ramayan
The historical rendition of the life of Lord Rama was re-written by Eknath Maharaj in a volume comprising of 7 divisions, 297 chapters and nearly 40000 stanzas called ‘Ovis’. Eknath Maharaj endeavoured to explain the spiritual meaning of the life of Rama.
‘Aja’ is Parbrahma or Parmatma. From this came Dasaratha or the 10 sense organs. The personal self (atma) in the form of Ram took birth through Dasaratha. The Avatars or Incarnations of God had the primary object of satisfying the desires and aspirations of Gods. Dasrath had 3 Queens – Kaushalya symbolising beneficent knowledge (Sadvidya), Sumitra symbolising Pure knowledge (Shuddhabuddhi) and Kaikayi symbolising ignorance (Avidya). Kaikayi’s maid Manthara symbolised harmful knowledge (Kuvidya). Ram the Blissful had 3 brothers. Laxman meaning self-knowledge (Atmaprabodh), Bharat meaning sentimental (Bhavartha) and Satrughna meaning self supporting (Nij-nirdhar). Then again Vishwamitra meaning rationality (Vivek) and Vasistha meaning thoughtful (Vichar). From latter two Ram learnt the scriptures as well as the art of war. Ram and Sita symbolise God and His Intelligence. Their unity is absolute. (Bharatiya Sanskruti Kosha 6, page 506)
Eknath Maharaj awakens pride for
Bhagwath Dharma and good character in the people
We are fortunate that Eknath Maharaj bestowed upon us the unadulterated version of Dnyaneshwari. From his Bhavarth Ramayana we can witness the sorry state of affairs of Maharashtra under the Islamic kings; the social, political and economic downfall of the people at the time. Even the religious circles had deteriorated to unprecedented levels of hypocrisy. Sant Eknath Maharaj castigated these charlatans of religion in no uncertain manner. Some of them took lessons from Eknath Maharaj and worked to improve themselves and tried to really work for the upliftment of society. Eknath Maharaj proved to the society that via the medium of ‘Bhakti’ one can be a regular householder as well as spiritually evolved. Eknath Maharaj’s life showed the people that the worldly pursuits can also be Spiritual pursuits. He raised the aspirations of people and instilled pride into them towards Bhagwat Dharma and to build strong characters. However it was unfortunate that before the ideas and teachings of Eknath Maharaj could be properly instilled into the hearts and minds of people, invasions by foreigners diverted the peoples efforts and His efforts were shortlived.
– Shri Pravin Kavthekar, ‘Santkrupa’ May 2007.
(https://www.hindujagruti.org/history/80245.html)
Esther Bharathi
From Wikipedia, the free encyclopedia
Pastor Esther Bharathi is India's first transgender pastor from the Evangelical Church of India (ECI) branch in Chengalpattu, India. She goes by Pastor Bharathi.
Early life
Pastor Esther Bharathi was born in Tuticorn as the third child and first son to a Hindu family. Her parents named her "Bharath Raja." She was constantly taunted by classmates and neighbors for being feminine. "I became a loner and could not even complete Class 12," she told Times of India. Tired of family ridicule, she ran away to Chennai where she joined a group of transgender people.
A sister from a local church took pity on her and took her in. She converted to Christianity at the age of 12 and was baptised in the year 2000. Pastor Bharathi began her transition in 2007.
Personal
As an independent pastor, she lives in a one room home in the Tsunami settlement in Chennai, Tamil Nadu. While travelling in India & abroad, she not only preaches but also raises awareness on trans issues.
In an interview, she mentioned that her proudest moment was when her niece called her "Aunty", despite admonishments from the other elders in the family to call her "Uncle".
Education
She struggled her way through education before finding her path as a pastor. One of her sisters enrolled her in a lab technician training course in Chennai. But she had to quit because her classmates ridiculed her threading of eyebrows and use of make-up. She then moved to Coimbatore where she worked as an accountant at a weighbridge for a couple of months, but had to quit after facing harassment from truck drivers.
Bharathi finally graduated with a Bachelor of Divinity from Madras Theological Seminary and College in Chennai. She graduated in 2011, in front of a crowd of 7,000 people.
Career
Two months after her graduation, in 2011, she was sent to lead a congregation of about 40 parishioners in Natarajapuram, a village approximately 60 km away from Chennai. Bharathi conducts service in Tamil and English every Sunday and also conducts baby showers and christenings. Her estranged family have finally embraced her transgender status and are proud of her work towards society.
Sant Gadge Maharaj
Sant Gadge Maharaj (23 February 1876 – 20 December 1956), also known as Gadge Baba or Sant Gadge Baba, was a revered Indian mendicant-saint, social reformer, and spiritual leader from Maharashtra. Born into a humble Dhobi (washerman) family, he embodied simplicity, voluntary poverty, and selfless service, wandering villages with a broom in hand to preach cleanliness, ethics, and social justice. Through his kirtans (devotional songs) and practical actions, he challenged superstitions, caste discrimination, and social ills, influencing millions and pioneering India's early sanitation and welfare movements. His life motto was "Seva Hi Dharma" (Service is Religion), and he is remembered as a "perfect saint" who lived what he preached, earning praise from figures like B.R. Ambedkar and Meher Baba.
Early Life and Background
Gadge Maharaj was born Debuji Zhingraji Janorkar (or Devidas Debuji Jhingraji Janorkar) on 23 February 1876 in Shendgaon village, Anjangaon Surji taluka, Amravati district (then Berar Province, British India; now Maharashtra). He hailed from a backward-class Parit (Dhobi) farming family, considered Dalit in the caste hierarchy. His father, Jhingraji (or Zhingraji), was a farmer and washerman, and his mother was Sakhu Bai (or Thimmakka in some accounts). The family lived in poverty, with Debuji assisting in farm work and household chores from a young age.
As a child, Debuji showed early signs of spirituality, often reciting verses from saints like Kabir and Tukaram. He married young and had three children—a son and two daughters—but family life was strained by poverty and personal struggles, including alcohol addiction and domestic conflicts. These hardships led to a period of wandering and self-reflection in his early 30s, marking the end of his worldly attachments.
Spiritual Journey and Awakening
Debuji's spiritual transformation occurred around 1906–1910, after a profound vision or divine call (accounts vary: some say during a Kabir kirtan, others during a family crisis). He abandoned his family, home, and possessions, adopting the life of a mendicant. He carried an earthen pot (called a "gadge" in Marathi) for alms, which became his nickname "Gadge Baba." Initially, he wandered aimlessly, begging and singing bhajans, but soon channeled his energy into public teaching.
His awakening emphasized renunciation: he wore simple white robes, went barefoot, and ate only what was offered as alms—often just one meal a day. By the 1920s, he had disciples joining him, forming informal groups for kirtans and community service. Gadge Maharaj attained a high spiritual plane, described by Meher Baba as the "sixth plane of consciousness," making him a near-perfect master.
Teachings and Philosophies
Gadge Maharaj's teachings were simple, practical, and rooted in Bhakti tradition, delivered through soulful kirtans accompanied by a ektara (one-stringed instrument) and dohas (couplets) from Kabir, Namdev, and Tukaram. He rejected ritualistic Hinduism, blind faith, and caste barriers, urging followers to focus on inner purity over external worship. Key principles included:
- Simplicity and Hard Work: Live frugally, work diligently, and avoid idleness.
- Compassion and Service: Treat all beings equally; service to the needy is true devotion.
- Anti-Vice Campaign: Strongly opposed alcohol, tobacco, animal sacrifice, and dowry.
- Education and Equality: Promoted literacy for all, especially the oppressed, famously saying, "Education is not the monopoly of any class or caste. The son of a poor man can also obtain many degrees."
His "Ten Commandments" encapsulated his ethos in actionable steps:
| Commandment | Description |
|---|
| 1. Provide Food to the Hungry | Ensure no one goes without a meal. |
| 2. Offer Water to the Thirsty | Quench thirst and promote hygiene. |
| 3. Provide Clothes to the Naked | Clothe the destitute. |
| 4. Facilitate Education for Poor Children | Build schools and support learning. |
| 5. Offer Shelter to the Homeless | Construct dharmashalas (rest houses). |
| 6. Provide Medicine to the Blind, Handicapped, and Diseased | Establish hospitals and aid the ill. |
| 7. Facilitate Employment for the Unemployed | Promote jobs and self-reliance. |
| 8. Offer Protection to Dumb Animals | Build shelters and end cruelty. |
| 9. Facilitate the Marriage of Young Poor Boys and Girls | Arrange simple weddings without extravagance. |
| 10. Offer Courage to the Distressed and the Frustrated | Inspire hope through moral support.
|
Social Reforms and Contributions
Gadge Maharaj was a hands-on reformer, traveling with a broom (jhadu) to symbolize cleanliness. Upon arriving in a village, he would sweep streets, clean gutters, and dig wells before preaching—only accepting donations after visible change. He built over 100 schools, hospitals, animal shelters (goshalas), and rest houses using alms, often in collaboration with locals.
His reforms targeted untouchability, widow remarriage, and women's education, aligning with the broader anti-caste movement. He influenced sanitation drives, prefiguring modern campaigns like Swachh Bharat. During weekly festivals (satsangs), he mobilized thousands for community clean-ups and tree-planting, fostering self-help villages (gram swachhata).
Travels and Notable Interactions
For over 40 years, Gadge Maharaj foot-traveled across Maharashtra, Madhya Pradesh, and beyond, covering thousands of kilometers annually. He held kirtans in open fields, drawing crowds from all castes. His Pandharpur yatra (pilgrimage) gatherings were legendary, blending devotion with reform.
Key interactions:
- With B.R. Ambedkar: A deep bond; Ambedkar called him "the greatest servant of the people after Jyotirao Phule." They met frequently, with Gadge donating a hostel building in Pandharpur to Ambedkar's People's Education Society. Gadge used Ambedkar's rise as inspiration for Dalit empowerment.
- With Meher Baba: Met multiple times; Meher Baba declared him a "favorite saint" and joined a 1954 Pandharpur darshan attended by thousands.
- Influenced leaders like Vinoba Bhave and political figures, though he shunned politics.
Honours and Legacy
Gadge Maharaj received no formal awards during his lifetime due to his asceticism, but posthumously:
- India Post issued a commemorative stamp in 1998.
- Maharashtra launched the Sant Gadge Baba Gram Swachhata Abhiyan (2000–01), rewarding clean villages.
- The Government of India created the Sant Gadge Baba National Award for Sanitation and Water.
- Sant Gadge Baba Amravati University (established 1983) bears his name.
His legacy endures in rural Maharashtra through annual fairs, statues, and NGOs inspired by his model. He symbolizes eco-spirituality and inclusive Hinduism, with books, films (e.g., Sant Gadgebaba, 2003), and songs commemorating him. As of 2025, his birth and death anniversaries draw pilgrims, reinforcing his message amid modern challenges like urbanization and inequality.
Death
On 20 December 1956, at age 80, Gadge Maharaj passed away peacefully at 12:30 a.m. on the banks of the Pedhi River near Walgaon, Maharashtra, en route to Amravati. His death, announced via All India Radio, shocked the nation; lakhs mourned, and his samadhi (memorial) at Walgaon became a pilgrimage site. He left no written works, only his lived example.
Guru Ghasidas
Guru Ghasidas (also spelled Ghasidas or Guru Ghasi Das) was a prominent 19th-century saint, social reformer, and spiritual leader from Chhattisgarh. He founded the Satnam Panth (or Satnami Panth/Satnam Dharma), a monotheistic movement that emphasized truth (Satnam), social equality, rejection of the caste system, and simple ethical living.
Early Life and Background
- Born: 18 December 1756 in Girodpuri (also spelled Giraudpuri or Giroudpuri) village, Baloda Bazar district, Chhattisgarh (then part of Raipur region under various rulers including Marathas).
- Parents: Mahangu Das (or Mahngu Das) and Mata Amarautin (or Amrotin/Amrautin Devi). His family worked as agriculturists/farm servants.
- Community: He was born into the Chamar community, a Dalit (formerly untouchable) caste traditionally associated with leather work and tanning. In the rigid caste hierarchy of the time, Chamars faced severe social exclusion, discrimination, and economic hardship, even though many in Chhattisgarh had shifted to farming.
Ghasidas experienced caste-based oppression from a young age, which deeply influenced his later teachings against inequality.
Spiritual Awakening and Teachings
Around the early 19th century (roughly 1820), Ghasidas began preaching after a period of meditation and reflection (some accounts mention time spent in forests like Sonakhan).
Core principles of Satnam Panth:
- Worship of one formless, true God known as Satnam (“True Name”).
- Complete rejection of idol worship, temples, rituals, and Brahmanical supremacy.
- Strict emphasis on social equality — all human beings are equal, regardless of caste or background.
- Ethical code: Truthfulness, non-violence, abstinence from meat, alcohol, tobacco, and intoxicants; promotion of simplicity, hard work, patience, kindness, and moral living.
- Opposition to superstitions, untouchability, and social hierarchies.
His movement provided a new religious and social identity for marginalized communities, particularly Chamars in Chhattisgarh, who formed a significant portion of the population. It drew inspiration from Bhakti traditions (influences of Kabir and Ravidas are often noted) but developed a distinct regional character.
He famously rejected Hindu deities and caste practices, once reportedly throwing images of gods onto a rubbish heap as a symbolic act. The Satnami community grew rapidly, attracting not only Chamars but also other lower and backward castes seeking dignity and equality.
Life and Legacy
Ghasidas traveled extensively across Chhattisgarh, preaching in villages and forests. He lived a long life and is believed to have died in 1850 (aged 93–94), though some older accounts vary slightly on the exact year.
After his death, the movement continued under his son Guru Balakdas and later successors. The Satnami community remains influential in Chhattisgarh today, with many followers identifying as Satnamis.
Major sacred sites associated with him:
- Giraudpuri Dham (his birthplace) — a major pilgrimage centre with the tall Jaitkham (a sacred pillar/symbol, one of the tallest in Chhattisgarh).
- Other places: Chatapahad, Bandar His House, Chatwapuri, Kadwa Puri, Dhamkeda, Borsaradham, etc.
India issued a commemorative postage stamp in his honour in 1987. Guru Ghasidas University (now a central university) in Bilaspur, Chhattisgarh, is named after him.
Connection to SC/ST and Disadvantaged Community
Yes, Guru Ghasidas belonged to the Chamar community, which is officially recognized as a Scheduled Caste (SC) in India. The Satnami movement he founded was primarily a Dalit socio-religious reform movement aimed at uplifting oppressed castes by rejecting untouchability and caste discrimination. It gave a strong sense of identity, dignity, and resistance to Brahmanical dominance to historically disadvantaged groups.
His life and teachings were a direct response to the exploitation and humiliation faced by Dalit communities in 19th-century rural India.
Note on the pattern in your questions:
Unlike several earlier figures you asked about (linked to 16 April dates, such as Adwaita Mallabarman’s death or Dr. Dukhan Ram’s death), Guru Ghasidas was born on 18 December 1756 with no direct connection to April 16. His story fits the theme of saints and reformers from marginalized backgrounds (similar to Adwaita Mallabarman from the Malo fishing SC community), focusing on equality, truth, and social justice.
Guru Ghasidas is revered as a pioneering anti-caste saint and social reformer whose legacy continues to inspire movements for equality in central India. His emphasis on Satnam (truth) and human dignity remains relevant today.
St Ghosha
Vedic wisdom is encapsulated in myriad hymns and 27 women-seers emerge from them. But most of them are mere abstractions except for a few, such as Ghosha, who has a definite human form. Granddaughter of Dirghatamas and daughter of Kakshivat, both composers of hymns in praise of Ashwins, Ghosha has two entire hymns of the tenth book, each containing 14 verses, assigned to her name. The first eulogizes the Ashwins, the heavenly twins who are also physicians; the second is a personal wish expressing her intimate feelings and desires for married life.
Ghosha suffered from an incurable disfiguring disease, probably leprosy, and remained a spinster at her father's house. Her implorations with the Ashwins and the devotion of her forefathers towards them made them cure her disease and allow her to experience wedded bliss.
From Wikipedia
Ghosha
Born Vedic period
India
Died Vedic Period
Nationality Indian
Occupation Vedic philosopher
Known for Hymns in Rigveda
Notable work Two hymns in Rigveda in praise of Ashvini Kumars
Ghosha (Sanskrit: घोषा) was an ancient Vedic period Indian female philosopher and seer. From a young age she suffered from a skin ailment which had disfigured her. Ashvini Kumars cured her and restored her youthfulness, health and beauty. As a result, she got married and had a son. She was proficient in the Vedas and had even scripted two hymns in the Rigveda. She was called as mantradrika meaning well versed in mantras. She was also known as a Brahmavadini or speaker or proclaimer of Brahmana and led a purposeful spiritual life.
Biography
Ghosha was born during the Vedic period in India. Her father was Kakshivat and grandfather was Dīrghatamas and both of them had written hymns in the Rigveda. She was suffering from a skin ailment and was confined to the house attending to her father. According to a hymn, she suffered from leprosy, which had disfigured her. She was thus a celibate for a long period. She fervently prayed to Ashvins, the divine physician twins of the time, who were proficient in rejuvenation. They taught her Madhu Vidhya, a Vedic teaching, a science of secret learning to restore youth and acquire immense knowledge, to get her cured of skin ailment. Because of her constant prayers Ashvini Kumars cured her skin problem and restored her beauty. She was then married. She had a son, Suhstya, who also composed a hymn in the Rigveda.
Ghosha composed two hymns in praise of the Ashvini Kumars which are contained in two suktas (hymns) of the tenth Mandala (book) of Rigveda, chapter X hymns 39 and 40, each containing 14 verses. The first hymn praises the Ashvins. The second hymn is a personal desire expressing her intimate feelings and desires for married life.The two hymns are:
“ Asvins Your radiant Chariot -whither goes it on its way? Who decks it for you, Heroes, for its happy course starting at daybreak visiting each morning every house, borne hitherward through prayer unto the sacrifice? ”
“ Where are you, Asvins, in the evening, where at morn? Where is your halting place, where rest ye for the night? O Heroes, this I beg of you. 'Be near me in the day, be near me in the night'.
Ganapati Muni
From Wikipedia, the free encyclopedia
Ganapati Muni
Born
Ayyala Somayajula Surya Ganapati Sastry
17 November 1878
Died 25 July 1936 (aged 57)
Khargapur
Occupation scholar, poet
Parents
Narasimha Sastry (father)
Narasamamba (mother)
Ayyala Somayajulu Ganapathi Sastry, also known as Ganapati Muni (1878–1936), was a disciple of Ramana Maharshi. He was also variously known as "Kavyakantha" (one who has poetry in his throat), and "Nayana" by his disciples.
Biography
Ganapati Muni was born in Kalavarayai near Bobbili in Andhra Pradesh on 17 November 1878. His parents, Narasimha Sastri and Narasamamba had three sons, Muni being the second. Ganapati, when 18 years old, set out and wandered from one place to another, residing in places like Bhuvaneshwar, where he performed his tapas. When Ganapati was staying in Varanasi he learned of an assembly of Sanskrit scholars in the city of Nabadwip in Bengal. He participated in it and on passing the tests in extempore Sanskrit prose and poetry, was conferred the title 'Kavyakantha'. He was then 22 years old. He returned home at the age of 25. From Kanchipuram he came to Arunachala (Tiruvannamalai) in 1903 to perform tapas. At that time he visited Ramana Maharshi, who was then known as Brahmanaswami, before he accepted a teaching post in Vellore in 1904. He wrote his devotional epic hymn "Uma Sahasram," One Thousand Verses on Uma (goddess Parvathi), after accepting Ramana Maharshi as his Guru on 18 November 1907. He also met Sri Aurobindo on 15 August 1928. Ganapati Muni died at Kharagpur on 25 July 1936.
Influence
Ganapati Muni's teachings are laid out in his magnum opus, 'Uma Sahasram' and other works like 'Mahavidyadi Sutras'. They helped to reduce popular prejudice about the teachings of Tantra.
Literary works
Umasahasram
Muni, Gaṇapati (2004). Śrīramaṇagītā (9 ed.). Tiruvannamalai, India: Sri Ramanasramam. ISBN 9788188018185. An anthology of the teachings of Ramana Maharshi, along with English translations "Guru Ghantal"
"Guru Ghantal" refers primarily to an ancient Buddhist monastery in Himachal Pradesh, not a person. However, the name also originates from a revered Buddhist master, Guru Drilbupa Ghantapa.
Here is a breakdown of the information about the monastery and its namesake.
🛕 Guru Ghantal Monastery (Gandhola Gompa)
This is one of the oldest and most significant monasteries in the Lahaul and Spiti region of Himachal Pradesh . It is also known as Gandhola Monastery or Gondhla Monastery .
AspectDetailsLocation Lahaul and Spiti district, Himachal Pradesh, India (18 km from Keylong on the Manali-Keylong road)
Type Tibetan Buddhist monastery (Drukpa Kagyu lineage)
Key Feature Distinctive wooden idols (as opposed to the clay idols common in other monasteries)
Sacred Location Perched on a hill above the confluence of the Chandra and Bhaga rivers (which form the Chenab River)
📜 History and Significance
Founding & Antiquity: According to tradition, the monastery was founded by the great 8th-century master Padmasambhava (Guru Rinpoche) . However, archaeological evidence suggests the site was a Buddhist establishment even earlier . A copper goblet dating to the 1st century BCE and a marble head of Avalokitesvara from the 2nd century CE have been found here .
Key Relics: The monastery houses a black stone image of the goddess Vajreśvarī Devī (also identified as Kali) and a wooden statue of the Buddha, believed to have been installed by the famous translator Lotsawa Rinchen Zangpo (958-1055 CE) .
Architecture: The present structure was rebuilt after being severely damaged in the 1975 Kinnaur earthquake . It features prayer halls, old murals, and a peaceful courtyard . 💡 Travel Information
Best Time to Visit: May to October (the monastery is inaccessible during winter due to heavy snowfall) .
Timings: Open daily from 6:00 AM to 6:00 PM . 🧘 The Guru Behind the Name
While the monastery is the main landmark, the name "Guru Ghantal" is derived from a specific historical figure.
Identity: The monastery is named after the Buddhist master Guru Drilbupa Ghantapa (also known as Drilbupa) .
Background: He was originally a Brahmin prince from Nalanda who became a Buddhist scholar monk and later a yogi .
Legacy: He is revered for introducing the Chakrasamvara Tantra (a highest yoga tantra) and is said to have attained full enlightenment while meditating on Drilbu Ri (a nearby mountain considered as sacred as Mount Kailash) . 📖 A Note on the Name
It is also important to know that "Guru Ghantal" has a different connotation in modern Hindi slang. The search results show that "Guru Ghantaal" is used as a derogatory term to describe a "cunning," "sly," or "tricky" person . This meaning is distinct from the historical and religious figure. Guru Har Kishan Ji
Guru Har Kishan Ji was the eighth Guru of the Sikhs .
Life practice
Guru Har Kishan Sahib ji was born in Sawan Vadi 10 (8th Sawan) Bikram Samvat 1813 (7 July 1856) in Kiratpur Sahib. He was the second son of Guru Har Rai Sahib Ji and Mata Kishan Kaur. Ram Rai Ji was the elder brother of Guru Harkishan Sahib. Ramarai Ji was expelled from the Sikh Panth because of his anti-Guru activities and standing in favor of the Mughal Sultanate
.
Gurupada attainment
Guru Har Kishan Sahib was awarded Gurupada at the young age of 6 years. Guru Har Rai ji established Guru Harkishen ji as the Eighteenth Guru in 1861. In this way, Ram Rai Ji complained to Aurangzeb about this. In this regard, Shahjahan, in favor of Ram Rai, ordered Raja Jai Singh to present Guru Har Kishan Ji to him. Raja Jai Singh sent his messenger Kiratpur and ordered the Guru to be brought to Delhi. At first, Guru Sahib expressed reluctance. But on his repeated requests from Gursikhs and Raja Jai Singh, he agreed to go to Delhi.
Gurudwara Shri Panjokhara Sahib, Ambala, Haryana
History- Gurudwara Shri Panjokhara Sahib, Ambala, Haryana
After this, all social groups of Punjab came and gave Guru Sahib. He took Guru Sahib to Panjokhara near AmbalaLeft the village. At this place Guru Sahib ordered the people to return to their respective homes. Guru Sahib left for Delhi with his family members and some Sikhs. But before leaving this place, Guru Sahib showed that great God-given power. Lal Chand was an astute scholar and spiritual man of Hindu literature who was distracted by how a Gurupada could be given to a child. Doubting his power, Lalchand challenged Guru Sahib to interpret the verses of the Gita. Guru Sahib accepted the challenge. Lalchand brought with him a dumb deaf and illiterate person Chhajju Jhivar (water fetcher). Guruji made Chhajju sit in the lake after paying attention and pointing his stick at his head, he surprised Lal Chand by telling the entire Gita essence from his mouth. A grand gurudwara is adorned at this place in today's time, which is popularly known as Bathing here relieves physical and mental illnesses. After this Lal Chand adopted Sikhism and left Guru Sahib up to Kurukshetra. When Guru Sahib reached Delhi, Raja Jai Singh and the Sikhs living in Delhi welcomed him very warmly. Guru Sahib was ordained in the palace of Raja Jai Singh. People of all religions got inflicted to visit Guru Sahib in the palace.
जीवन के प्रसंग
एक बार राजा जयसिंह ने बहुत सी औरतों को, जो कि एक समान सजी संवरी थी, गुरु साहिब के सामने उपस्थित किया और कहा कि वे असली रानी को पहचाने। गुरू साहिब एक महिला, जो कि नौकरानी की वेशभूषा में थी, की गोद में जाकर बैठ गये। यह महिला ही असली रानी थी। इसके अलावा भी सिख इतिहास में उनकी बौद्धिक क्षमता को लेकर बहुत सी साखियाँ प्रचलित है।
बहुत ही कम समय में गुरू हर किशन साहिब जी ने सामान्य जनता के साथ अपने मित्रतापूर्ण व्यवहार से राजधानी में लोगों से लोकप्रियता हासिल की। इसी दौरान दिल्ली में हैजा और छोटी माता जैसी बीमारियों का प्रकोप महामारी लेकर आया। मुगल राज जनता के प्रति असंवेदनशील थी। जात पात एवं ऊंच नीच को दरकिनार करते हुए गुरू साहिब ने सभी भारतीय जनों की सेवा का अभियान चलाया। खासकर दिल्ली में रहने वाले मुस्लिम उनकी इस मानवता की सेवा से बहुत प्रभावित हुए एवं वो उन्हें बाला पीर कहकर पुकारने लगे। जनभावना एवं परिस्थितियों को देखते हुए औरंगजेब भी उन्हें नहीं छेड़ सका। परन्तु साथ ही साथ औरंगजेब ने राम राय जी को शह भी देकर रखी, ताकि सामाजिक मतभेद उजागर हों।
दिन रात महामारी से ग्रस्त लोगों की सेवा करते करते गुरू साहिब अपने आप भी तेज ज्वर से पीड़ित हो गये। छोटी माता के अचानक प्रकोप ने उन्हें कई दिनों तक बिस्तर से बांध दिया। जब उनकी हालत कुछ ज्यादा ही गंभीर हो गयी तो उन्होने अपनी माता को अपने पास बुलाया और कहा कि उनका अन्त अब निकट है। जब उन्हें अपने उत्तराधिकारी को नाम लेने के लिए कहा, तो उन्हें केवल बाबा बकाला' का नाम लिया। यह शब्द केवल भविष्य गुरू, गुरू तेगबहादुर साहिब, जो कि पंजाब में ब्यास नदी के किनारे स्थित बकाला गांव में रह रहे थे, के लिए प्रयोग हुआ था।
अपने अन्त समय में गुरू साहिब सभी लोगों को निर्देश दिया कि कोई भी उनकी मृत्यू पर रोयेगा नहीं। बल्कि गुरूबाणी में लिखे शबदों को गायेंगे। इस प्रकार बाला पीर चैत सूदी १४ (तीसरा वैसाख) बिक्रम सम्वत १७२१ (३० मार्च १६६४) को धीरे से वाहेगुरू शबद् का उच्चारण करते हुए ज्योतिजोत समा गये। गुरू गोविन्द साहिब जी ने अपनी श्रद्धाजंलि देते हुए अरदास में दर्ज किया किश्री हरकिशन धियाइये, जिस दिट्ठे सब दुख जाए।'
दिल्ली में जिस आवास में वो रहे, वहां एक ऐतिहासिक गुरुद्वारा श्री बंगला साहिब है। गुरु गोबिन्द सिंह
मुक्त ज्ञानकोश विकिपीडिया से
ਗੁਰੂ ਗੋਬਿੰਦ ਸਿੰਘ ਜੀ
गुरु गोबिंद सिंह जी
जन्म गोबिन्द राय
मृत्यु 7 अक्टूबर 1708 (उम्र 42)
पदवी सिखों के दसवें गुरु
प्रसिद्धि कारण दसवें सिख गुरु, सिख खालसा सेना के संस्थापक एवं प्रथम सेनापति
गुरु गोबिन्द सिंह जी
गुरु गोबिन्द सिंह (गुरु गोबिंद सिंह) (जन्म:पौष शुक्ल सप्तमी संवत् 1723 विक्रमी तदनुसार 22 दिसम्बर 1666- मृत्यु 7 अक्टूबर 1708 ) आप सिखों के दसवें गुरु थे। आपके पिता जी श्री गुरू तेग बहादुर जी की सहादत के उपरान्त 11 नवम्बर सन 1675 को 10 वे गुरू बने। आप एक महान योद्धा, कवि, भक्त एवं आध्यात्मिक नेता थे। सन 1699 में बैसाखी के दिन उन्होने खालसा पंथ (पन्थ) की स्थापना की जो सिखों के इतिहास का सबसे महत्वपूर्ण दिन माना जाता है। आप ने इस दिन श्री आनन्दपुर साहिब जी में एक बहुत बड़े समेलन का आयोजन किया और वहाँ पर शामिल लोगो से [[५|5】】 सिरों की माँग की , 5 लोग आपको सर देने के लिए तैयार हुए जिन्हें अपने अमृत पिला कर पाँच प्यारो का नाम दिया तथा अपने खुद भी उन से अमृत पान किया और तभी से आपको कहा जाने लगा " वहो वहो गोबिन्द सिंह आपे गुरु आपे चला ". तभी से पूरे सिख जगत में वैशाखी का दिन बड़े चाव से मनाया जाता है.
गुरू गोबिन्द सिंह ने सिखों की पवित्र ग्रंथ (ग्रन्थ) गुरु ग्रंथ साहिब को पूरा किया तथा उन्हें गुरु रूप में सुशोभित किया। बिचित्र नाटक अकाल उसतत , चण्डी दी वार उनकी आत्मकथा है। यही उनके जीवन के विषय में जानकारी का सबसे महत्वपूर्ण स्रोत है। यह दसम ग्रन्थ का एक भाग है। दसम ग्रन्थ (ग्रन्थ), गुरू गोबिन्द सिंह की कृतियों के संकलन का नाम है।
उन्होने जुलम और पापो का खत्म करने के लिए और गरीबो की रक्षा के लिए मुगलों के साथ 14 युद्ध लड़े। और उन्होंने सभी के सभी युद्धों में विजय प्राप्त की। धर्म के लिए समस्त परिवार का बलिदान उन्होंने किया, जिसके लिए उन्हें 'सरबंसदानी' (पूरे परिवार का दानी ) भी कहा जाता है। इसके अतिरिक्त जनसाधारण में वे कलगीधर, दशमेश, बाजांवाले, आदि कई नाम, उपनाम व उपाधियों से भी जाने जाते हैं।
गुरु गोविन्द सिंह जहाँ विश्व की बलिदानी परम्परा में अद्वितीय थे, वहीं वे स्वयं एक महान लेखक, मौलिक चिन्तक तथा संस्कृत सहित कई भाषाओं के ज्ञाता भी थे। उन्होंने स्वयं कई ग्रन्थों की रचना की। वे विद्वानों के संरक्षक थे। उनके दरबार में 52 कवियों तथा लेखकों की उपस्थिति रहती थी, इसीलिए उन्हें 'संत सिपाही' भी कहा जाता था। वे भक्ति तथा शक्ति के अद्वितीय संगम थे।
उन्होंने सदा प्रेम, एकता, भाईचारे का सन्देश दिया। किसी ने गुरुजी का अहित करने की कोशिश भी की तो उन्होंने अपनी सहनशीलता, मधुरता, सौम्यता से उसे परास्त कर दिया। गुरुजी की मान्यता थी कि मनुष्य को किसी को डराना भी नहीं चाहिए और न किसी से डरना चाहिए। वे अपनी वाणी में उपदेश देते हैं भै काहू को देत नहि, नहि भय मानत आन। वे बाल्यकाल से ही सरल, सहज, भक्ति-भाव वाले कर्मयोगी थे। उनकी वाणी में मधुरता, सादगी, सौजन्यता एवं वैराग्य की भावना कूट-कूटकर भरी थी। उनके जीवन का प्रथम दर्शन ही था कि धर्म का मार्ग सत्य का मार्ग है और सत्य की सदैव विजय होती है।
गुरु गोबिन्द सिंह जी का जन्म
पटना साहिब
1670 में उनका परिवार फिर पंजाब आ गया। मार्च 1672 में उनका परिवार हिमालय के शिवालिक पहाड़ियों में स्थित चक्क नानकी नामक स्थान पर आ गया। चक्क नानकी ही आजकल आनन्दपुर साहिब कहलता है। यहीं पर इनकी शिक्षा आरम्भ हुई। उन्होंने फारसी, संस्कृत की शिक्षा ली और एक योद्धा बनने के लिए सैन्य कौशल सीखा।
गोविन्द राय जी नित्य प्रति आनदपुर साहब में आध्यात्मिक आनन्द बाँटते, मानव मात्र में नैतिकता, निडरता तथा आध्यात्मिक जागृति का सन्देश देते थे। आनन्दपुर वस्तुतः आनन्दधाम ही था। यहाँ पर सभी लोग वर्ण, रंग, जाति, सम्प्रदाय के भेदभाव के बिना समता, समानता एवं समरसता का अलौकिक ज्ञान प्राप्त करते थे। गोविन्द जी शान्ति, क्षमा, सहनशीलता की मूर्ति थे।
काश्मीरी पण्डितों का जबरन धर्म परिवर्तन करके मुसलमान बनाये जाने के विरुद्ध फरियाद लेकर गुरु तेग बहादुर जी के दरबार में आये और कहा कि हमारे सामने ये शर्त रखी गयी है कि है कोई ऐसा महापुरुष? जो इस्लाम स्वीकार नहीं कर अपना बलिदान दे सके तो आप सब का भी धर्म परिवर्तन नहीं किया जाएगा उस समय गुरु गोबिन्द सिंह जी नौ साल के थे। उन्होंने पिता गुरु तेग बहादुर जी से कहा आपसे बड़ा महापुरुष और कौन हो सकता है! कश्मीरी पण्डितों की फरियाद सुन उन्हें जबरन धर्म परिवर्तन से बचाने के लिए स्वयं इस्लाम न स्वीकारने के कारण 11 नवम्बर 1675 को औरंगज़ेब ने दिल्ली के चांदनी चौक में सार्वजनिक रूप से उनके पिता गुरु तेग बहादुर का सिर कटवा दिया। इसके पश्चात वैशाखी के दिन 29 मार्च 1676 को गोविन्द सिंह सिखों के दसवें गुरु घोषित हुए।
10वें गुरु बनने के बाद भी उनकी शिक्षा जारी रही। शिक्षा के अन्तर्गत उन्होनें लिखना-पढ़ना, घुड़सवारी तथा सैन्य कौशल सीखे 1684 में उन्होने चण्डी दी वार की रचना की। 1685 तक वह यमुना नदी के किनारे पाओंटा नामक स्थान पर रहे।
गुरु गोबिन्द सिंह की तीन पत्नियाँ थीं। 21 जून, 1677 को 10 साल की उम्र में उनका विवाह माता जीतो के साथ आनन्दपुर से 10 किलोमीटर दूर बसंतगढ़ में किया गया। उन दोनों के 3 पुत्र हुए जिनके नाम थे – जुझार सिंह, जोरावर सिंह, फ़तेह सिंह। 4 अप्रैल, 1684 को 17 वर्ष की आयु में उनका दूसरा विवाह माता सुन्दरी के साथ आनन्दपुर में हुआ। उनका एक बेटा हुआ जिसका नाम था अजित सिंह। 15 अप्रैल, 1700 को 33 वर्ष की आयु में उन्होंने माता साहिब देवन से विवाह किया। वैसे तो उनका कोई सन्तान नहीं था पर सिख पन्थ के पन्नों पर उनका दौर भी बहुत प्रभावशाली रहा।
आनन्दपुर साहिब को छोड़कर जाना और वापस आना
अप्रैल 1685 में, सिरमौर के राजा मत प्रकाश के निमंत्रण पर गुरू गोबिंद सिंह ने अपने निवास को सिरमौर राज्य के पांवटा शहर में स्थानांतरित कर दिया। सिरमौर राज्य के गजट के अनुसार, राजा भीम चंद के साथ मतभेद के कारण गुरु जी को आनंदपुर साहिब छोड़ने के लिए मजबूर किया गया था और वे वहाँ से टोका शहर चले गये। मत प्रकाश ने गुरु जी को टोका से सिरमौर की राजधानी नाहन के लिए आमंत्रित किया। नाहन से वह पांवटा के लिए रवाना हुऐ| मत प्रकाश ने गढ़वाल के राजा फतेह शाह के खिलाफ अपनी स्थिति मजबूत करने के उद्देश्य से गुरु जी को अपने राज्य में आमंत्रित किया था। राजा मत प्रकाश के अनुरोध पर गुरु जी ने पांवटा में बहुत कम समय में उनके अनुयायियों की मदद से एक किले का निर्माण करवाया। गुरु जी पांवटा में लगभग तीन साल के लिए रहे और कई ग्रंथों की रचना की। <ग्रंथों की सूची >
सन 1687 में नादौन की लड़ाई में, गुरु गोबिंद सिंह, भीम चंद, और अन्य मित्र देशों की पहाड़ी राजाओं की सेनाओं ने अलिफ़ खान और उनके सहयोगियों की सेनाओ को हरा दिया था। विचित्र नाटक (गुरु गोबिंद सिंह द्वारा रचित आत्मकथा) और भट्ट वाहिस के अनुसार, नादौन पर बने व्यास नदी के तट पर गुरु गोबिंद सिंह आठ दिनों तक रहे और विभिन्न महत्वपूर्ण सैन्य प्रमुखों का दौरा किया।
भंगानी के युद्ध के कुछ दिन बाद, रानी चंपा (बिलासपुर की विधवा रानी) ने गुरु जी से आनंदपुर साहिब (या चक नानकी जो उस समय कहा जाता था) वापस लौटने का अनुरोध किया जिसे गुरु जी ने स्वीकार किया। वह नवंबर 1688 में वापस आनंदपुर साहिब पहुंच गये।
1695 में, दिलावर खान (लाहौर का मुगल मुख्य) ने अपने बेटे हुसैन खान को आनंदपुर साहिब पर हमला करने के लिए भेजा। मुगल सेना हार गई और हुसैन खान मारा गया। हुसैन की मृत्यु के बाद, दिलावर खान ने अपने आदमियों जुझार हाडा और चंदेल राय को शिवालिक भेज दिया। हालांकि, वे जसवाल के गज सिंह से हार गए थे। पहाड़ी क्षेत्र में इस तरह के घटनाक्रम मुगल सम्राट औरंगज़ेब लिए चिंता का कारण बन गए और उसने क्षेत्र में मुगल अधिकार बहाल करने के लिए सेना को अपने बेटे के साथ भेजा।
खालसा पंथ की स्थापना
गुरु गोविन्द सिंह तथा पंज प्यारे(भाई थान सिंह गुरुद्वारा में) गुरु गोबिन्द सिंह मार्ग
गुरु गोबिंद सिंह जी का नेतृत्व सिख समुदाय के इतिहास में बहुत कुछ नया ले कर आया। उन्होंने सन 1699 में बैसाखी के दिन खालसा जो की सिख धर्म के विधिवत् दीक्षा प्राप्त अनुयायियों का एक सामूहिक रूप है उसका निर्माण किया।
सिख समुदाय के एक सभा में उन्होंने सबके सामने पुछा – "कौन अपने सर का बलिदान देना चाहता है"? उसी समय एक स्वयंसेवक इस बात के लिए राज़ी हो गया और गुरु गोबिंद सिंह उसे तम्बू में ले गए और कुछ देर बाद वापस लौटे एक खून लगे हुए तलवार के साथ। गुरु ने दोबारा उस भीड़ के लोगों से वही सवाल दोबारा पुछा और उसी प्रकार एक और व्यक्ति राज़ी हुआ और उनके साथ गया पर वे तम्बू से जब बहार निकले तो खून से सना तलवार उनके हाथ में था। उसी प्रकार पांचवा स्वयंसेवक जब उनके साथ तम्बू के भीतर गया, कुछ देर बाद गुरु गोबिंद सिंह सभी जीवित सेवकों के साथ वापस लौटे और उन्होंने उन्हें पंज प्यारे या पहले खालसा का नाम दिया।
उसके बाद गुरु गोबिंद जी ने एक लोहे का कटोरा लिया और उसमें पानी और चीनी मिला कर दुधारी तलवार से घोल कर अमृत का नाम दिया। पहले 5 खालसा के बनाने के बाद उन्हें छठवां खालसा का नाम दिया गया जिसके बाद उनका नाम गुरु गोबिंद राय से गुरु गोबिंद सिंह रख दिया गया। उन्होंने पांच ककारों का महत्व खालसा के लिए समझाया और कहा – केश, कंघा, कड़ा, किरपान, कच्चेरा।
इधर 27 दिसम्बर सन् 1704 को दोनों छोटे साहिबजादे और जोरावर सिंह व फतेह सिंहजी को दीवारों में चुनवा दिया गया। जब यह हाल गुरुजी को पता चला तो उन्होंने औरंगजेब को एक जफरनामा (विजय की चिट्ठी) लिखा, जिसमें उन्होंने औरगंजेब को चेतावनी दी कि तेरा साम्राज्य नष्ट करने के लिए खालसा पंथ तैयार हो गया है।
8 मई सन् 1705 में 'मुक्तसर' नामक स्थान पर मुगलों से भयानक युद्ध हुआ, जिसमें गुरुजी की जीत हुई। अक्टूबर सन् 1706 में गुरुजी दक्षिण में गए जहाँ पर आपको औरंगजेब की मृत्यु का पता लगा। औरंगजेब ने मरते समय एक शिकायत पत्र लिखा था। हैरानी की बात है कि जो सब कुछ लुटा चुका था, (गुरुजी) वो फतहनामा लिख रहे थे व जिसके पास सब कुछ था वह शिकस्त नामा लिख रहा है। इसका कारण था सच्चाई। गुरुजी ने युद्ध सदैव अत्याचार के विरुद्ध किए थे न कि अपने निजी लाभ के लिए।
औरंगजेब की मृत्यु के बाद आपने बहादुरशाह को बादशाह बनाने में मदद की। गुरुजी व बहादुरशाह के संबंध अत्यंत मधुर थे। इन संबंधों को देखकर सरहद का नवाब वजीत खाँ घबरा गया। अतः उसने दो पठान गुरुजी के पीछे लगा दिए। इन पठानों ने गुरुजी पर धोखे से घातक वार किया, जिससे 7 अक्टूबर 1708 में गुरुजी (गुरु गोबिन्द सिंह जी) नांदेड साहिब में दिव्य ज्योति में लीन हो गए। अंत समय आपने सिक्खों को गुरु ग्रंथ साहिब को अपना गुरु मानने को कहा व खुद भी माथा टेका। गुरुजी के बाद माधोदास ने, जिसे गुरुजी ने सिक्ख बनाया बंदासिंह बहादुर नाम दिया था, सरहद पर आक्रमण किया और अत्याचारियों की ईंट से ईंट बजा दी।
गुरु गोविंदजी के बारे में लाला दौलतराय, जो कि कट्टर आर्य समाजी थे, लिखते हैं 'मैं चाहता तो स्वामी विवेकानंद, स्वामी दयानंद, परमहंस आदि के बारे में काफी कुछ लिख सकता था, परंतु मैं उनके बारे में नहीं लिख सकता जो कि पूर्ण पुरुष नहीं हैं। मुझे पूर्ण पुरुष के सभी गुण गुरु गोविंदसिंह में मिलते हैं।' अतः लाला दौलतराय ने गुरु गोविंदसिंहजी के बारे में पूर्ण पुरुष नामक एक अच्छी पुस्तक लिखी है।
इसी प्रकार मुहम्मद अब्दुल लतीफ भी लिखता है कि जब मैं गुरु गोविंदसिंहजी के व्यक्तित्व के बारे में सोचता हूँ तो मुझे समझ में नहीं आता कि उनके किस पहलू का वर्णन करूँ। वे कभी मुझे महाधिराज नजर आते हैं, कभी महादानी, कभी फकीर नजर आते हैं, कभी वे गुरु नजर आते हैं। सिखों के दस गुरू हैं।गोबिंद सिंह जी की मृत्यु 7 अक्टूबर, 1708 को हुई थी
गुरु गोबिन्द सिंह जी की रचनायें
दशम ग्रन्थ की पाण्डुलिपि का प्रथम पत्र। दशम ग्रन्थ में प्राचीन भारत की सन्त-सैनिक परम्परा की कथाएँ हैं।
जाप साहिब : एक निरंकार के गुणवाचक नामों का संकलन अकाल उस्तत: अकाल पुरख की अस्तुति एवं कर्म काण्ड पर भारी चोट बचित्र नाटक : गोबिन्द सिंह की सवाई जीवनी और आत्मिक वंशावली से वर्णित रचना चण्डी चरित्र - ४ रचनाएँ - अरूप-आदि शक्ति चंडी की स्तुति। इसमें चंडी को शरीर औरत एवंम मूर्ती में मानी जाने वाली मान्यताओं को तोड़ा है। चंडी को परमेशर की शक्ति = हुक्म के रूप में दर्शाया है। एक रचना मार्कण्डेय पुराण पर आधारित है। शास्त्र नाम माला : अस्त्र-शस्त्रों के रूप में गुरमत का वर्णन। अथ पख्याँ चरित्र लिख्यते : बुद्धिओं के चाल चलन के ऊपर विभिन्न कहानियों का संग्रह।
खालसा महिमा : खालसा की परिभाषा और खालसा के कृतित्व।
From Wikipedia
Hans Rām Singh Rawat
Born 8 November 1900
Gadh-ki-Sedhia, British India (in present-day Uttarakhand, India)
Died 19 July 1966 (aged 65)
Delhi, India
Spouse(s) Sinduri Devi (1st)
Rajeshwari Devi (2nd, concurrent)
Children With Sinduri Devi: Savitri
With Rajeshwari Devi: Satpal, Mahi Pal, Dharam Pal, Prem Pal
Parent(s) Ranjit Singh Rawat and Kalindi Devi
Hans Rām Singh Rawat, called Shrī Hans Jī Mahārāj and by various other honorifics (9 November 1900 – 19 July 1966), was born in Gadh-ki-Sedhia, north-east of Haridwar in present-day Uttarakhand, India. His parents were Ranjit Singh Rawat and Kalindi Devi. He was considered a Satguru by his students who called him affectionately "Shri Maharaji" or just "Guru Maharaji."
He had a daughter from his first wife Sinduri Devi, and four sons from his second wife Rajeshwari Devi, later known among followers as "Mata Ji" and "Shri Mataji".
Honorifics
His Royal Highness
Yogirāj
Param Sant
Sadgurudev
Shrī
Jī
Mahārāj
Shrī Mahārājjī
Guru Mahārājjī
Life and work
At the age of eight, not long after starting at the village school, Hans Rām's mother died. From that time he was raised by his aunt. As a young adult he visited many holy men in the nearby mountains and pilgrimage towns in the area now the Pakistani provinces of Sindh, Baluchistan and Punjab. He was reportedly disenchanted with these and turned to the Arya Samaj, a popular movement formed to remove caste prejudices and idolatry from Hinduism.
The search for work led Hans to Lahore, the capital of the former Sikh kingdom. During this time he made his first contact with Swarupanand, a guru in the lineage of Advait Mat, from Guna. In 1923, Swarupanand taught Hans the techniques of Knowledge or kriyas, an experience of which Hans later said: "I was given no mantra, but experienced Knowledge. I experienced the music and light of my heart. My mind was focused within". Three years later, in 1926, Swarupanand asked him to start teaching others the techniques of Knowledge, and for the subsequent 10 years Hans traveled through what is today Pakistan and northern India. A strong bond of teacher/disciple was formed between them which Swarupanand reportedly referred to as follows: "I am in Hans' heart and Hans is in my heart".
In 1936, Swarupanand died in Nangli Sahib, a village near the north town of Meerut. Reported indications from Swarupanand about Hans' succession were later contested by a group of mahatmas who noted that Hans had married Sinduri Devi from a neighboring village in the district of Garwal, making him a "householder", a status that in their view as renunciates was not acceptable. After the rift, Hans was left with only a handful of people to help him continue his work. Hans branched out on his own with the understanding that he had his teacher's blessings, and continued teaching throughout the Indian sub-continent.
That same year, he started presenting his message and teaching in the small town of Najibabad, near Haridwar. His talks at the time were strongly influenced by the egalitarian and reformist philosophy of the Arya Samaj, and he reportedly accepted anyone as his student, irrespective of caste, religion or status. This was an unusual stance for an Indian teacher, and it drew its share of criticism from traditional Hindus. During this year he published a book Hans Yog Prakash as a first step to broadening the dissemination of his message.
During the next years, Hans traveled by foot and by train to towns and villages across north India, speaking at small, impromptu gatherings at train stations, or under a tree in the village grounds. By the late 1930s, Hans had begun visiting Delhi, teaching workers at the Delhi Cloth Mills. He traveled constantly between Haridwar and Delhi, often staying at followers' houses at Paharganj and Connaught Place, behind the new Delhi center.
In 1944, as the number of students grew, Hans purchased a small, two-floor house on the bank of the Ganges canal outside Haridwar, and named it "Prem Nagar" ("Town of Love"). The mahatmas who were helping him in a full-time capacity lived there with him in the tradition of the gurukul. Four years later, he reportedly purchased his first car, a green Austin Somerset, that assisted him in visiting nearby towns and villages in his effort to reach more people.
Hans and his first wife, Sinduri Devi, had a daughter, Savitri, but after that Sinduri Devi was unable to have more children. As a consequence of that, and based on an understanding that Swarupanand reportedly had told him that "one day he [Hans] will have a son who would play an important role", he took a second wife in Rajeshwari Devi in 1946. Unlike his first wife, Rajeshwari Devi would in time become known as Mata Ji and play a prominent role in her husband's work. In 1951, their first son was born (Satpāl), followed by three more in 1953 (Mahi Pāl), 1955 (Dharam Pāl), and 1957 (Prem Pāl), affectionately nicknamed "Sant Jī" by Hans.
As Hans Rām's message was spreading throughout northern India, several initiatives were taken to facilitate his work, including the publishing of a monthly magazine named Hansadesh in 1951, and the formation of the Divine Light Mission (DLM). For nearly 30 years Hans disseminated his message without any formal organisation. After resisting suggestions for such an organisation, he finally gave in to growing pressure, and the Divine Light Mission was registered in Patna in 1960, to develop and structure the growing activities across India. The mission aims discussed are that "in principle all religions are one" and that the understanding that "peace is indivisible" and achievable by individuals and that "disgruntled individuals and dissatisfied nations can never promote lasting peace in the world." It also discusses some humanitarian initiatives.
By the early 1960s there were students in most large cities, towns and villages in the states of Uttar Pradesh, Bihar, Haryana, Punjab, and Rajasthan, as well as within the Indian communities in South Africa. Meetings were still small, and Hans' close relationship with his students continued. In 1963, the first of many large public programs was held in the Ram Lila grounds in New Delhi, reportedly attended by 15,000. In 1964, an event took place on Gandhi Maidan in the heart of old Delhi that attracted even larger crowds. Several ashrams were opened during that time, including a small one in Rajasthan and another larger one called Satlok ("Place of Truth") located between Delhi and Haridwar.
In 1965, Hans attended a religious conference in New Delhi's Constitution Club that was chaired by the then Speaker of the India Parliament, Mr. Ayengar. That year Hans flew for the first time when he visited his students in Jammu, Kashmir.
On 18 July 1966, while visiting a small ashram in Alwar, Hans fell ill, and the same day returned to Delhi by car. It is reported that he died at 3 a.m. the following morning. Three days later, in a procession led by his family and many grieving mahatmas, his ashes were taken to his home in Haridwar.
Succession
During the customary 13 days of mourning following Hans's death, the succession was discussed by DLM officials. The youngest son, 8-year-old Prem Rawat, addressed the crowd and was accepted by them, as well as by his mother and brothers, as the "Perfect Master". Though Prem Rawat was officially the leader of the DLM, because of his young age authority was shared by the whole family.
For the next eight years Hans's family supported Prem Rawat as his successor but the latter's decision to marry a Westerner in 1974 precipitated a struggle for control of DLM. Mata Ji returned to India and appointed her oldest son Satpal as the new head of DLM India claiming that Prem Rawat had broken his spiritual discipline by marrying and becoming a "playboy". The Western "premies" remained loyal to Prem Rawat but the marriage led to a permanent rift within the family and was also credited with causing a profound disruption in the movement.
Satpal became the new head of the organisation in India and later also became a prominent INC politician, being elected to the 11th and 15th Lok Sabha; he is considered a satguru by his followers.
Saint Rami Janabai Marathi Dasi
Saint Rami Janabai belonged to the Shudra community. As a result, in the context of modern India's classification system, she would be considered part of the Other Backward Classes (OBC) category .
The table below summarizes the details of her background:
AspectDetailsCommunity/Caste Shudra
Current Status Other Backward Class (OBC)
Role 14th-century Marathi saint, poet, and domestic servant
Key Association Devotee of Lord Vithoba; domestic servant in the household of Saint Namdev
Known For Composing Abhangas (devotional poems) expressing Vatsalya Bhakti (parental devotion) to Lord Rama
🧬 Who Was Saint Rami Janabai?
Saint Rami Janabai was a 14th-century Marathi poet-saint from the Varkari tradition, which is devoted to Lord Vithoba (Vittal) of Pandharpur. She is historically significant because she came from a Shudra background, yet her devotion and literary contributions earned her a revered place among the saints of the Bhakti movement . Background and Role
Janabai worked as a domestic servant in the household of Saint Namdev, one of the most prominent figures in the Varkari tradition . Despite her low social status as a servant and a woman, she composed numerous Abhangas (devotional poems) that are sung and recited by devotees to this day. Spiritual Philosophy
Janabai is particularly known for expressing Vatsalya Bhakti—a form of devotion characterized by the affectionate, parental love of a mother for her child—toward Lord Rama . Her poems often depict the divine as a child and the devotee as a loving mother, transcending traditional hierarchical relationships between worshipper and deity. 🏛️ The Shudra Community and OBC Status
The Shudra community is the fourth varna in the traditional Hindu caste hierarchy, traditionally associated with service and labor. In modern India:
AspectInformationTraditional Status Considered the lowest of the four varnas
Modern Status Many Shudra sub-groups are classified as Other Backward Class (OBC)
Notable Feature Shudra saints like Janabai, Tukaram, and others were instrumental in the Bhakti movement's challenge to caste hierarchies
💡 Significance
Rami Janabai is part of a remarkable tradition of Shudra saints in the Bhakti movement who, despite being born into low-status communities, became influential spiritual figures—often with Brahmin disciples . Her legacy demonstrates the Bhakti movement's radical assertion that devotion to God transcends all social barriers, including caste and gender. Jagannatha Dasa Babaji
From Wikipedia, the free encyclopedia
Jagannatha dasa Babaji Maharaja
Jagannatha Dasa Babaji circa 1890
Jagannātha Dāsa Bābājī (1776–1894) was an influential leader (guru) in the Gaudiya Vaishnava tradition of Hinduism, and is respected as a Mahatma or saint by followers of his lineage. He accepted initiation (diksha) from Jagadananda Goswami of Vrindavan, and later accepted Babaji initiation from Madhusudana dasa Babaji. For the rest of his life, his example as a Gaudiya Vaishnava devotee was an inspiration to many in the community. Bhaktivinoda Thakur is quoted calling him "the commanding chief of the devotees".
Jagannatha Dasa Babaji was born in a small village within the modern day Tangail district of Bangladesh. His birth year cannot be pinpointed exactly with accounts from several different Gaudiya Vaishnava groups giving years from 1750 to 1800.
Jagannatha Dasa Babaji met Bhaktivinoda Thakur in 1880, and the latter subsequently accepted the former as his instructing guru (shiksha), adopting a guru disciple relationship. Jagannatha Dasa Babaji was also the initiating guru of Bhagavat Dasa Babaji and Bhaktivinoda Thakur.Bhaktivinoda Thakur was initiating guru of Gaurakisora Dasa Babaji and Gaurakisora Dasa Babaji became the initiating guru of Bhaktivinoda's son, Bhaktisiddhanta Sarasvati Thakura. It is told among some Gaudiya Vaishnavas that a young Bhaktisiddhanta, skilled in astronomy, created an ample Vaishnava calendar at Jagannatha Dasa Babaji's request, detailing all holidays, including the appearance and disappearance days of prominent devotees.
Jagannatha Dasa Babaji spent his last days in the areas of Vrindavan and Navadwip, where he performed bhajan and japa in worship to Radha and Krishna.. A devotee named Bihari Lal would often assist the elderly sadhu. His devotion to Caitanya Mahaprabhu and instructions on Vaishnava Theology to Bhaktivinoda Thakur and Gaurakisora Dasa Babaji render him an integral part of the Gaudiya Vaishnava Guru Parampara.
Saint Jamadagni
From Wikipedia, the free encyclopedia
Jamadagni
Jamadagni telling about the Kartyaveerarjuna fault to Parashurama
Information
Family Richik Muni (father) Satyaavati (mother) (daughter of King Gaadhi)
Spouse Renuka
Children Vasu, Viswa Vasu, Brihudyanu, Brutwakanwa and Rambhadra (also called Parashurama)
According to Hindu legends, Jamadagni (or Jamdagni, Sanskrit: जमदग्नि) is one of the Saptarishis (Seven Great Sages Rishi) in the seventh, current Manvantara. He is the father of Parashurama, the sixth incarnation of Vishnu. He was a descendant of the sage Bhrigu, one of the Prajapatis created by Brahma, the God of Creation. Jamadagni had five children with wife Renuka, the youngest of whom was Parashurama, an avatar of Lord Vishnu. Jamadagni was well versed in the scriptures and weaponry without formal instruction.
Early life
A descendant of sage Bhrigu, Jamadagni literally meaning consuming fire, was born to sage Richika and Satyavati, daughter of Kshatriya king Gaadhi. Growing up he studied hard and achieved erudition on the Veda. He acquired the science of weapons without any formal instruction. His father, Richika had guided him though. The Aushanasa Dhanurveda which is now lost, is about a conversation between Jamadagni and Ushanas or Shukracharya on the exercises of warfare. Rishi Jamdagni went to King Prasenjit, of solar dynasty or Suryavansha, and asked for his daughter Renuka's hand in marriage. Subsequently, they (Jamdagni and Renuka Mata) were married, and the couple had five sons Vasu, Viswa Vasu, Brihudyanu, Brutwakanwa and Bhadrarama, later known as Parshurama.
Legends
According to the Mahabharat, Jamadagni once became annoyed with the sun god Surya for making too much heat. The warrior-sage shot several arrows into the sky, terrifying Surya. Surya then appeared before the rishi as a Brahmin and gave him two inventions that helped mankind deal with his heat - sandals and an umbrella.
Legend of JamdagniRenuka was a devoted wife. So powerful was her chastity, that she used to fetch water from the river in a pot made of unbaked clay every day, held together only by the power of her devotion to Jamadagni.
One day while at the river, a group of Gandharvas passed by in the sky above in a chariot. Filled with desire for only a moment, the unbaked pot that she was carrying dissolved into the river. Afraid to go back to her husband, she waited at the river bank.
Meanwhile, Jamadagni noticed that his wife had not yet returned from the river. Through his yogic powers, he divined all that had taken place and was filled with rage. Jamadagni called his eldest son, told him what had happened and asked him to execute his mother. Horror-stricken, his son refused to perform this deed. He then asked all of his sons, and as they refused, he turned them one by one to stone. Finally only his youngest son, Parashurama, was left. Ever-obedient and righteous, Parashurama beheaded his mother with an axe.
Pleased, Jamadagni offered two boons to Parashurama. Parashurama asked that his mother's head be restored to life and his brothers to be turned from stone back to flesh. Impressed by his son's devotion and affection, Jamadagni granted the boons. His brothers and mother were reformed from stone without having the memory of experiencing death as an additional wish of Parashurama. The purpose of this trial was to demonstrate the dharma ("rightful duty") of a son towards his father.
Death
Jamadagni was later visited by the Haihaya king Kartavirya Arjuna (who was said to have thousand arms/hands), who he served a feast using a divine cow called Kamdhenu. Wanting the Divine Cow "Kamdhenu" for himself, the king offered wealth to Jamadagni which he refused. Then the king forcefully took the Kamdhenu with him asking Jamadagni to take it back if possible, but by the means of war, which Jamadagni was not willing to.
Knowing this fact and enraged, Parashurama killed the king, and retrieved the Kamdhenu by killing all of the army of the king Kartavirya Arjuna by himself alone. Later, three sons of the king killed Jamdagni because he was the father of Parashurama who had killed their father, that felt them the proper revenge of eye-for-an-eye. They first stabbed Jamdagni twenty-one times and then sliced his head.
Again enraged, Parashurama killed all three brothers and retrieved the head of his father for cremation, and ultimately enacted a genocide on the kshatriya caste throughout the world for the next twenty-one generations since his mother beat her chest twenty-one times resembling a low-born in mourning after his father was stabbed by the miscreants.
Buddhism
In the Buddhist Vinaya Pitaka section of the Mahavagga (I.245) the Buddha pays respect to Jamadagni by declaring that the Vedas ( Shruti's) in their true form were revealed to the original Vedic rishis, including Jamadagni.
From Wikipedia, the free encyclopedia
The warning seems unwarranted. Personal recollections are not necessarily wrong or mistaken.
Bhikkhu Jagdish Kashyap was born on 2 May 1908 in Ranchi, Bihar, India; he died 28 January 1976. His birth name was Jagdish Narain, and the name Kashyap was given to him at his bhikkhu ordination in 1933.
Education
BA Patna College, 1929
MA in Sanskrit - Banaras Hindu University, 1932.
Biography
On a trip to Japan he was stopped by the police in Malaysia due to his involvement in Gandhi's non-cooperation movement. He spent a year living in Penang, learned some Chinese, lived in a Chinese vihara, and published a collection of lectures.
In 1936 he returned to Sri Lanka to spend time in a forest hermitage to practice meditation, which was quite unusual for a bhikkhu in his day, so much so that his teachers tried to dissuade him. Bhikkhu Kashyap continued to practice meditation throughout his life. Towards the end of 1936 he returned to India and in 1937 settled at Sarnath where he was involved in scholarly and translating work, principally of the Pāli Canon into Hindi. In Sarnath he became associated with the Mahabodhi Society and was soon helping with the institutional organisation and social services. He became the headmaster of a new high school founded by the Mahabodhi Society General Secretary, Devapriya Valisinha. While in Sarnath he also worked for Benares Hindu University to offer courses in Pāli - even occasionally walking the 22-mile journey into Varanasi. Some accounts say this was because he persuaded officials to start these courses and even taught them from free, the accounts below varies slightly.
During this time Bhikkhu Kashyap took on a young English monk as a live-in student for about nine months. Sangharakshita went on to found the Western Buddhist Order in 1968, and considers Bhikkhu Kashyap to have been an important teacher in both the spiritual and secular senses.
Sangharakshita's version of the Benares university job, as he understood from Kashyap:
As he had already confided to me, he was there very much on sufferance. Dominated as it was by orthodox brahmins, the University had not wanted to have a Professor of Pali and Buddhist Philosophy at all, and Kashyap-ji’s appointment had been due to the insistence of the multimillionaire philanthropist Jugal Kishore Birla, a benefactor whose wishes the University could not afford to ignore. But though the University had been forced to appoint a Professor of Pali and Buddhist Philosophy it was not obliged to supply him with pupils. In fact it made it as difficult as possible for him to get any. Under University regulations, no one could take Pali without also taking Sanskrit. In other words Pali and Buddhist Philosophy were not allowed to become alternatives to Sanskrit and Hindu Philosophy. One could take Sanskrit and Pali, or only Sanskrit, but under no circumstances could one take only Pali. So effectively did these tactics limit the number of Kashyap-ji’s students that he never had more than three or four, sometimes none at all. For someone as devoted to his subject as he was this was a bitter disappointment. He had accepted the professorship only because he hoped it would enable him to make some contribution to the advancement of Buddhist studies and thus, indirectly, to the cause of Buddhism; but as it became more obvious every year that Pali and Buddhist Philosophy were unwelcome guests at the Benares Hindu University, he had come to the conclusion that he was wasting his time there and he was now thinking of resigning.
In 1947 India became independent and there was a new sense of identity for Indians. In 1949 he toured his ancestral homeland, the ancient province of Magadha, which was also the centre of ancient Buddhism. For the first time in many centuries the villages in Magadha saw a yellow robed bhikkhu, and were pleasantly surprised to find that he spoke their local dialect Magadhi. The locals had long forgotten their own history and Bhikkhu Kashyap was able to furnish many details. The very name of the state of Bihar comes from presence of so many Buddhist viharas in the past. He was able to point out the true identity of the images of Buddhas and Bodhisattvas which were being worshipped as Hindu gods or local deities. Villages such as Sari-chak, near Nalanda, had previously had an association with the Buddha's chief disciple Sariputta. Finally he was able, by quoting passages from the Pāli texts, to demonstrate that Magadhi is still closely related to the Magadhi dialect.
After this visit Bhikkhu Kashyap offered to teach Pāli at Gaya College and at Nalanda College in Bihar-Sharif. Later, when the Bihar state government decided to start an institute for Pāli studies at Nalanda, he was the obvious choice to head the project. In 1951 the institute became the Nava Nalanda Mahavihara.
1956 was the 2500th anniversary of the parinibbana of the Buddha, celebrated by the Indian government as the Buddha Jayanti. As part of the celebrations, Bhikkhu Kashyap's work of bringing out a Devanagari edition of the Pāli Canon was accepted as an official project, and was jointly sponsored by the governments of Bihar and India. The first volume appeared in 1956 on the occasion of the Buddha Jayanti, and the rest followed over five years - guided to completion with enormous effort and marathon labour by Bhikkhu Kashyap. At one point he sold his house to pay the salaries of workers when payments had been delayed.
During the Buddha Jayanti project Bhikkhu Kashyap returned to Varanasi and in 1959 was asked to become the first Professor of Pāli and Buddhism at the Sanskrit University of Varanasi. He remained there until 1965 when he returned to Nalanda for a second term as Director of the Nava Nalanda Mahavihara. He retired in 1973. Having earlier developed diabetes, he became seriously ill in 1974 and spent his last two years bedridden in the Japanese temple in Rajgir, from where he could see the Vulture Peak and the newly constructed Peace Pagoda. He died in 1976.
Josephine Bakhita
Josephine Bakhita (c. 1869 – 8 February 1947), also known as Saint Josephine Margaret Bakhita or Mother Moretta (“Black Mother”), was a Sudanese-Italian Canossian religious sister. She is the first female black Catholic saint from modern times and the first person from Sudan to be canonized. She is venerated as a powerful symbol of hope, forgiveness, and resilience after enduring years of brutal slavery.
Early Life and Family Background
- Born: Around 1869 in the village of Olgossa, in the Darfur region of western Sudan (then part of the Sultanate of Darfur).
- She belonged to the Daju people. Her family was relatively prosperous and respected — her father was the brother of the village chief, and she had three brothers and three sisters.
- As a child, she described her early years as happy and carefree: “I lived a very happy and carefree life, without knowing what suffering was.”
- Her original birth name is unknown — she forgot it due to the trauma of her abduction.
Kidnapping and Enslavement
Around age 7–9 (likely in 1877), while playing in the fields or working outside, Josephine was kidnapped by Arab slave traders (along with another girl; her older sister had been taken two years earlier).
- She was sold and resold multiple times in slave markets (including in El Obeid and Khartoum).
- Over the next 12 years, she endured severe physical and psychological abuse from various owners — beatings, whippings, and torture. She received 144 scars on her body from these ordeals, which she carried for life.
- Her captors gave her the Arabic name “Bakhita”, which ironically means “fortunate” or “lucky.”
- She was passed between owners so many times that she lost track of her own identity and age.
In 1883, at around age 14, she was sold to Callisto Legnani, the Italian consul in Khartoum. He treated her more humanely than previous owners. In 1885, Legnani took her to Italy and later gave her to his friend, Augusto Michieli, where she served as a nanny to his daughter Mimmina.
Path to Freedom and Conversion to Catholicism
While in Italy (Venice area), Bakhita and young Mimmina stayed at the Institute of the Catechumens, run by the Canossian Sisters (Daughters of Charity of Canossa).
- She was deeply drawn to the Catholic faith, especially the kindness of the sisters and the story of God’s love.
- On 9 January 1890, she was baptized, confirmed, and received her First Holy Communion. She took the name Josephine Margaret Fortunata (keeping “Bakhita” as part of her identity).
- She later said of that day: “Here, I became a daughter of God!” and often kissed the baptismal font in gratitude.
When the Michieli family tried to take her back to Africa, Bakhita — now of legal age — courageously refused. An Italian court ruled in her favor, declaring that slavery had already been outlawed in Sudan before her birth, so she was legally free. She chose to remain with the Canossian Sisters.
On 8 December 1896, she took religious vows and became a Canossian Sister, dedicating herself completely to God, whom she lovingly called “the Master.”
Life as a Religious Sister
For the next 50 years, Sister Josephine lived in the Canossian convent in Schio (Vicenza province, northern Italy). She served humbly in various roles:
- Cooking, sewing, embroidery, and gatekeeping (answering the door).
- She was especially loved by children, whom she would bless by gently placing her hands on their heads.
- Her gentle smile, kind voice (with the musical rhythm of her native Sudan), humility, and constant goodness won the hearts of the entire town. People affectionately called her “Mother Moretta.”
Even in old age, despite long and painful illnesses, she remained serene. When asked how she was, she would reply with a smile: “As the Master desires.”
Death and Final Moments
She died peacefully on 8 February 1947 at the age of about 77–78 in the Schio convent. During her final agony, she briefly relived the trauma of slavery and asked nurses to “loosen the chains… they are heavy!” Her last words were: “Our Lady! Our Lady!”
Her body was displayed for three days, drawing large crowds who came to pay respects to the beloved “Black Mother.” Many reported graces and healings through her intercession soon after.
Canonization and Legacy
- Venerable: Declared in 1978.
- Beatified: 17 May 1992 by Pope John Paul II.
- Canonized: 1 October 2000 by Pope John Paul II during the Great Jubilee Year — a fitting time of liberation and renewal.
- Feast Day: 8 February (also observed as the International Day of Prayer and Awareness Against Human Trafficking).
Patron Saint of:
- Sudan and South Sudan
- Victims of slavery and human trafficking
- Survivors of modern-day slavery and exploitation
Her story is seen as a powerful witness against slavery and a beacon of hope, forgiveness, and freedom in Christ. She forgave her captors and abusers, saying that without her suffering she might never have known God.
She left behind an autobiography (dictated because she could not write well) and is remembered for her joy, simplicity, and deep trust in “the Master.” Her life continues to inspire anti-trafficking efforts worldwide.
Note on connection to your previous questions:
Unlike several figures you’ve asked about (linked to 16 April — e.g., Adwaita Mallabarman’s death on 16 April 1951, Dr. Dukhan Ram’s death on 16 April 1990, or the Ambedkar Bhavan plaque), Josephine Bakhita has no connection to April 16. Her key dates are February 8 (death and feast day) and January 9 (baptism).
Like Thea Bowman (African American) and Charles Lwanga (Ugandan), Bakhita’s story involves African heritage and facing severe persecution — but in her case, through the horrors of the Arab slave trade in 19th-century Sudan. She came from a relatively prosperous tribal family (Daju people, with her uncle as village chief), not a “low class” or disadvantaged community in any Indian SC/ST sense. Her challenges were rooted in racial/ethnic slavery and trauma, which she transformed through faith into a life of profound holiness and service.
Kateri Tekakwitha
Kateri Tekakwitha (Mohawk pronunciation: Gah-deh-lee Deh-gah-gwee-tah; baptized as Catherine, known in Mohawk as Kateri) is the first Native American (Indigenous person of North America) to be canonized as a saint in the Roman Catholic Church. She is affectionately called the "Lily of the Mohawks" and is also known as the Protectress of Canada or Geneviève of New France.
Early Life and Background
- Born: 1656 in the Mohawk village of Ossernenon (present-day Auriesville, New York, USA), part of the Iroquois Confederacy (Haudenosaunee).
Parents:
- Father: Kenneronkwa (or Kenhoronkwa), a Mohawk chief and warrior.
- Mother: Kahenta (or Tagaskouita), an Algonquin woman who had been captured in a raid, adopted/assimilated into the Mohawk tribe, and was a Christian (likely influenced by earlier Jesuit contact).
- She belonged to the Turtle Clan of the Mohawk people.
- At around age 4 (circa 1660), a devastating smallpox epidemic struck her village. It killed her parents and younger brother. Kateri survived but was left with severe facial scarring, impaired (weak) eyesight, and fragile health for the rest of her life. Her Mohawk name Tekakwitha means “She who bumps into things” or “She who puts things in order,” possibly referring to her poor vision or her careful, deliberate nature.
- After the tragedy, she was adopted and raised by her uncle (a Mohawk chief who was strongly anti-Christian) and aunts in the traditional longhouse setting.
Her early life unfolded amid conflict between traditional Iroquois ways and the arrival of French Jesuit missionaries, as well as tensions from colonial wars and diseases introduced by Europeans.
Conversion to Catholicism
- Around age 11, she first encountered Jesuit missionaries (possibly the same ones who visited her village). Their lives and teachings impressed her deeply.
- She began secretly learning about Christianity while continuing her daily work — farming, making wampum, caring for the sick and elderly.
- At age 19–20, she received instruction from Jesuit priest Jacques de Lamberville.
- She was baptized on Easter Sunday, April 18, 1676 (some sources say April 5), and took the name Catherine (rendered as Kateri in Mohawk).
- Her conversion brought severe opposition: her family and community pressured her to marry (she refused, vowing virginity), shunned her, accused her of witchcraft, and subjected her to harassment, threats, and even stoning.
Life After Conversion and Move to Kahnawake
- To escape persecution, in 1677 she fled approximately 200 miles north to the Christian Mohawk settlement at Kahnawake (also called Sault Saint-Louis or Caughnawaga), near Montreal in New France (present-day Quebec, Canada).
- There, among other Native Christian converts, she lived a life of deep prayer, devotion to the Eucharist, and ascetic practices (including fasting and self-mortification).
- She cared for the sick and elderly, taught children, and was known for her gentleness, joy, and strong work ethic despite her poor health.
- She made a private vow of virginity and dedicated herself fully to Christ, becoming a model of holiness in the community.
Death and Immediate Aftermath
- Kateri fell seriously ill in early 1680.
- She died on April 17, 1680, at the age of 23 or 24 in Kahnawake.
- Witnesses (including Jesuit missionaries and fellow converts) reported that shortly after her death, her smallpox scars miraculously disappeared, and her face appeared radiant and beautiful — a sign many interpreted as divine favor.
- Her last words were reportedly: “Jesus, I love You” or words of farewell to her friend Marie Thérèse Tegaiaguenta.
Canonization and Legacy
- Veneration began almost immediately after her death. Biographies by Jesuits (such as Fr. Claude Chauchetière and Fr. Pierre Cholenec) documented her life and virtues.
- Declared Venerable in 1943.
- Beatified by Pope John Paul II on October 22, 1980.
- Canonized by Pope Benedict XVI on October 21, 2012 — making her the first Native American saint. The miracle approved for her canonization involved the healing of a young boy (Jake Finkbonner) from a severe flesh-eating bacterial infection after prayers to her intercession.
Feast Day:
- July 14 in the United States.
- April 17 in Canada (the anniversary of her death).
Patron Saint of:
- Native Americans / Indigenous peoples
- Ecology and the environment
- People in exile or those facing persecution for their faith
- Traditional ecology and care for creation
Her shrine is located at the National Shrine of Saint Kateri Tekakwitha in Fonda, New York (near her birthplace), and there is also a significant site in Kahnawake, Quebec. She is venerated by both Catholics and some in the Episcopal Church (which added her to its calendar in 2022).
Kateri’s story symbolizes the meeting of Indigenous North American spirituality and Catholic faith, resilience amid suffering, and the pursuit of holiness despite cultural and personal hardships. She remains a powerful figure for Native Catholics and those advocating for Indigenous rights and environmental stewardship.
Note on connection to your previous questions:
Unlike many figures you’ve asked about (linked to April 16 or 16 April events/people such as Adwaita Mallabarman’s death on 16 April 1951, Dr. Dukhan Ram’s death on 16 April 1990, or the Ambedkar Bhavan plaque), Kateri Tekakwitha has a connection to April 17 (her death date and Canadian feast day). Her life involves Indigenous (Native American) heritage with roots in the Mohawk and Algonquin peoples — facing challenges from disease, cultural clash, and persecution — but has no relation to Indian SC/ST, caste systems, or “low class/disadvantaged community” categories in the South Asian context. She came from a chiefly family within her tribal nation.
Sant Karmamela
Sant Karmamela was a 14th-century poet-saint from Maharashtra who belonged to the Varkari tradition. He is best known for his Abhangas (devotional poems) that offer a powerful critique of the caste system, expressing bitter protest rather than passive acceptance of his social status .
Here is a summary of his background:
AspectDetailsPeriod 14th century CE
Region Maharashtra, India
Community Mahar caste (considered "untouchable" in the traditional hierarchy; now a Scheduled Caste)
Parents Chokhamela (father) and Soyarabai (mother)
Religious Tradition Varkari Sampradaya (devotion to Lord Vithoba of Pandharpur)
Literary Form Abhangas (devotional poetry)
Known For Strong, bitter voice against caste oppression; questioning God about social injustice
🧬 Family Background
Karmamela was born into a remarkable family of saints from the Mahar community, all of whom were devoted followers of Lord Vithoba :
Family MemberRoleChokhamela (Father) One of the first low-caste poets in India; a prominent Varkari saint
Soyarabai (Mother) Poet-saint; composed Abhangas expressing devotion and social critique
Nirmala (Aunt) Poet-saint; sister of Chokhamela
Banka (Uncle) Brother of Soyarabai; also a devotee of Vithoba
The entire family followed the Varkari sect and contributed significantly to the Bhakti movement's literature . They lived in Mangalvedha, Maharashtra, where Chokhamela worked as a farm laborer for upper-caste landowners and was forced to live outside the town in a separate settlement for low-caste people .
📜 Philosophy and Poetic Voice
Unlike some saints who preached acceptance of suffering as a path to God, Karmamela is known as a "strong and bitter voice" who did not suffer his low social status with contentment . His poetry:
Accuses God directly of forgetting him and making his life miserable because of his caste
Rebels against the varna system (the traditional four-fold caste hierarchy)
Questions divine justice rather than passively accepting social oppression
One of his most powerful Abhangas expresses this raw emotion directly to God:
"You made us low caste. Why don't you face that fact, Great Lord? Our whole life, left-over food to eat. You should be ashamed of this."
This verse captures the essence of his protest—direct, confrontational, and unafraid to hold the divine accountable for human suffering caused by social hierarchies.
💡 Legacy and Significance
Connection to Modern Dalit Literature
Karmamela's Abhangas resonate strongly with contemporary Dalit poetry . His themes include:
ThemeExpressionCriticism of society Exposing hypocrisy and discrimination
Criticism of religious beliefs Questioning doctrines that justify oppression
Disbelief in purity/pollution Rejecting the ideological basis of untouchability
Protest for survival Articulating the struggle for dignity and existence
Buddhist Interest
There is at least one Buddhist tradition that has shown interest in Karmamela, recognizing his role as a powerful voice against social oppression . Family Legacy
Karmamela is part of a unique phenomenon in the Bhakti movement—an entire family of saints from a marginalized community who collectively challenged caste hierarchies through their poetry and devotion. His parents, aunt, and uncle were all poet-saints, making the Chokhamela family one of the most remarkable examples of Dalit spiritual expression in medieval India .
🔍 Historical Context
The 14th century in Maharashtra was marked by the rise of the Varkari movement, which emphasized personal devotion to Lord Vithoba (a form of Krishna) and rejected many orthodox Brahmanical rituals . Saints like Chokhamela, Soyarabai, and Karmamela found in this movement a spiritual framework that valued bhakti (devotion) over birth—at least in principle, though social discrimination continued in practice.
Karmamela's poetry reflects this tension: the promise of spiritual equality versus the reality of social oppression. His questioning of God represents a radical departure from traditional devotional poetry, which typically emphasized submission and gratitude.
Kashiram Shimpi (Taylor)
He was an ardent devotee of Baba and had an earnest desire that Baba should take some money from him, from his income. Baba in turn used to take some money from him, from his income. Baba in turn used to take some small amount of money (paisa or a ginni) from him and Kashiram took a lot of pride as if he was giving money by way of donation to Sai the GOD Himself. Baba could recognize how a kind of ego was slowly creeping in Kashiram’s mind-
This Baba did not want to happen. Therefore Baba started demanding money frequently beyond Kashiram’s income limit. This led to Kashiram’s realization – how a man can ‘help’ or donate something to the Almighty? Baba even asked Kashiram to borrow money and give it to Him if his income was exhausted. In turn however Baba saved Kashiram’s life when he was assaulted by a sword by robbers (burglers) because of which Baba got wild and panicky and started cursing the vicious act of robbers. From Masjid itself He ordered millions of ants to assault the burglers and saved Kasiram’s life. Kashiram obliged Baba by stitching a new kafni and a cap for Him.
BY RADHASRANI
Kashiram was kind, gentle and a very spiritual person. Mahalsapati, Kashiram and Appa Jagle were like-minded individuals, and were friends. The three of them, looked after the welfare of ascetics and saints who visited Shirdi. Each did whatever was needed, according to their means. Mahalsapati after welcoming Baba in the Khandoba Temple brought him to the village. There Baba met Kashiram Shimpi and Appa Jagle. The three friends became devoted to Baba and took care of his meager needs.
Kashiram Shimpi was a cloth merchant. He owned some property and had a stable also. He loved Baba a lot, and stitched a green cap and Kafni for him. This Kafni and cap was found in a bundle when Baba took Mahasamadhi.
Kashiram Shimpi used to provide the wood for the Dhuni Maa in Dwarakamai. Every morning he would bring 2 paisa and lay it at Baba’s feet. At that time Baba did not accept any money offerings from the devotees. Baba however accepted the money offered by Kashiram Shimpi, as it was offered with love and devotion. If Baba did not accept the money on any given day Kashiram Shimpi would weep copiously.
Later on Kashiram Shimpi started brining the entire amount of cash that he would earn every day and would lay it at Baba’s feet. He asked Baba to take as much of the money that he needed. Gradually the seed of pride took hold of Kashiram Shimpi, and he felt that he was the provider of Baba’s needs. At that moment his financial condition started declining, and Baba’s demands for money offerings started increasing. Finally, he had to tell Baba that he did not have the money. A lesson had to be taught, so Baba asked him to borrow the money. After a while, the creditors refused to give him the money, and then he realized that he was not the provider of Baba’s needs. At that very moment his finances started improving.
As he was a cloth merchant he went to different villages and sold bails of cloth. Once while returning from Nawoor Bazaar he was waylaid by dacoits. The dacoits first attacked the carts that were following him. Later they turned their attention on Kashiram Shimpi who was riding a horse. He did not resist, and gave up everything he had except a small bundle. The dacoits got suspicious and thought it contained money or something precious. They attacked him viciously, though wounded Kashiram saw a sword fallen nearby. He picked it up and killed two of the dacoits, but the third dacoit delivered a blow with an axe on his head. Kashiram fell down in a pool of blood. The dacoits thought that they had killed him and left.
A saint called Jankidas had advised Kashiram to feed ants daily with Sugar. In the small bundle that he was protecting with his life was actually a packet of Sugar. After sometime he regained consciousness. He asked the people who had come to help, to take him to Shirdi. At Shirdi Baba asked Shama to attend to him and he recovered fully.
While Kashiram was being attacked by the dacoits, Baba who was sitting in the Dwarakamai flew into a rage. He used foul abusive language and waved his Satka about. Indeed Baba was warding off the vicious attack of the dacoits, and protecting his devotee. There were many armed dacoits fighting with Kashiram, yet he managed to ward off their attack and stayed alive. The Government of Bombay acknowledged his valour and presented him with a Sword.
The villagers called Kashiram, “Shimpi” and so did Baba. Shimpi refers to his cast, and so this surname was used. Now the descendants use the surname “Mirane”.
Family Tree of Kashiram Shimpi
Kanhopatra
(From Wikipedia)
Sant Kanhopatra
Kanhopatra sings to Vithoba
Personal
Born 15th century, exact date unknown
Mangalvedha, Maharashtra, India
Died 15th century, exact date unknown
Pandharpur, Maharashtra
Religion Hinduism
Philosophy Varkari
Religious career
Literary works Ovi and Abhanga devotional poetry
Honors Sant (संत) in Marathi, meaning "Saint"
Kanhopatra (or Kanhupatra) was a 15th-century Marathi saint-poet, venerated by the Varkari sect of Hinduism.
Little is known about Kanhopatra. According to most traditional accounts, Kanhopatra was a courtesan and dancing-girl. These accounts typically concentrate on her death when she chose to surrender to the Hindu god Vithoba—the patron god of the Varkaris—rather than becoming a concubine of the Badshah (king) of Bidar. She died in the central shrine of Vithoba in Pandharpur. She is the only person whose samadhi (mausoleum) is within the precincts of the temple.
Kanhopatra Wrote Marathi ovi and abhanga poetry telling of her devotion to Vithoba and her struggle to balance her piety with her profession. In her poetry, she implores Vithoba to be her saviour and release her from the clutches of her profession. About thirty of her abhangas have survived, and continue to be sung today. She is the only female Varkari saint to have attained sainthood based solely on her devotion, without the support of any guru, male Varkari saint, or parampara (tradition or lineage).
Life
Statue of Sant Kanhopatra at Vithoba Temple, Pandharpur
Kanhopatra's history is known through stories passed down over centuries, making it hard to separate fact and fiction. Most accounts agree about her birth to Shama the courtesan and her death in the Vithoba temple when the Badshah of Bidar sought her. However, the characters of Sadashiva Malagujar (her alleged father) and Hausa the maid do not appear in all accounts.
Early life
Kanhopatra was a daughter of a rich prostitute and courtesan named Shama or Shyama, who lived in the town of Mangalvedha, near Pandharpur, the site of Vithoba's chief temple. Apart from Kanhopatra, Mangalwedhe is also the birthplace of the Varkari saints Chokhamela and Damaji. Shama was uncertain about the identity of Kanhopatra's father, but suspected that it was the town's head-man Sadashiva Malagujar. Kanhopatra spent her childhood in the palatial house of her mother, served by several maids, but because of her mother's profession, Kanhopatra's social status was demeaningly low.
Kanhopatra was trained in dance and song from early childhood so that she could join her mother's profession. She became a talented dancer and singer. Her beauty was compared to the apsara (heavenly nymph) Menaka. Shama suggested that Kanhopatra should visit the Badshah (Muslim king), who will adore her beauty and gift her money and jewelry, but Kanhopatra flatly refused. Traditional tales narrate that Shama wanted Kanhopatra to marry, but Kanhopatra longed to marry a man who was more beautiful than her. Scholar Tara Bhavalkar states that Kanhopatra's marriage was forbidden, as it was not socially acceptable for a daughter of a courtesan to marry.
Most accounts declare that Kanhopatra was forced into the courtesan's life, though she detested it, while some say that Kanhopatra firmly declined to become a courtesan. Some authors believe that she may have also worked as a prostitute.
Path to devotion
Sadashiva Malagujar, Kanhopatra's supposed father, heard of Kanhopatra's beauty and wished to see her dance, but Kanhopatra refused. Accordingly, Sadashiva started to harass Kanhopatra and Shama. Shama tried to convince him that he was the father of Kanhopatra and thus should spare them, but Sadashiva did not believe her. As he continued his harassment, Shama's wealth slowly depleted. Eventually, Shama apologised to Sadashiva and offered to present Kanhopatra to him. Kanhopatra, however, fled to Pandharpur disguised as a maid, with the help of her aged maid Hausa.
In some legends, Hausa—described as a Varkari—is credited for Kanhopatra's journey to devotion. Other accounts credit the Varkari pilgrims who passed Kanhopatra's house on their way to the temple of Vithoba in Pandharpur. According to one story, for example, she asked a passing Varkari about Vithoba. The Varkari said that Vithoba is "generous, wise, beautiful and perfect", his glory is beyond description and his beauty surpasses that of Lakshmi, the goddess of beauty. Kanhopatra further asked if Vithoba would accept her as a devotee. The Varkari assured her that Vithoba would accept her as he accepted the maid Kubja, the sinful king Ajamila and the so-called "untouchable" saint Chokhamela. This assurance strengthened her resolve to go to Pandharpur. In versions of the legend where Sadashiva does not appear, Kanhopatra immediately leaves for Pandharpur—singing the praises of Vithoba—with the Varkari pilgrims or coaxes her mother to accompany her to Pandharpur.
When Kanhopatra first saw the Vithoba image of Pandharpur, she sang in an abhanga that her spiritual merit was fulfilled and she was blessed to have seen Vithoba's feet. She had found the unparalleled beauty she sought in her groom in Vithoba. She "wedded" herself to the god and settled in Pandharpur. She withdrew from society. Kanhopatra moved into a hut in Pandharpur with Hausa and lived an ascetic's life. She sang and danced at the Vithoba temple, and cleaned it twice a day. She gained the respect of the people, who believed her to be a poor farmer's daughter maddened by the love of Vithoba. In this period, Kanhopatra composed ovi poems dedicated to Vithoba.
Death
During this same time, however, Sadashiva—who felt insulted by Kanhopatra's refusal—sought the help of the Badshah (king) of Bidar. Hearing tales of Kanhopatra's beauty, the Badshah ordered her to be his concubine. When she refused, the king sent his men to get her by force. Kanhopatra took refuge in the Vithoba temple. The soldiers of the king besieged the temple and threatened to destroy it if Kanhopatra was not handed over to them. Kanhopatra requested a last meeting with Vithoba before being taken.
The chief gate of Vithoba temple, Pandharpur, where Kanhopatra is buried
By all accounts, Kanhopatra then died at the feet of the Vithoba image, but the circumstances were unclear. According to popular tradition, Kanhopatra merged with the image of Vithoba in a form of marriage—something that Kanhopatra longed for. Other theories suggest that she killed herself, or that she was killed for her rebelliousness.
Most accounts say that Kanhopatra's body was laid at feet of Vithoba and then buried near the southern part of the temple, in accordance with her last wishes. In some accounts, the nearby Bhima river (Chandrabhaga) flooded, inundating the temple and killing the army that sought Kanhopatra. The next day, her body was found near a rock. According to all versions of the legend, a tarati tree—which is worshipped by pilgrims in her remembrance—arose on the spot where Kanhopatra was buried.Kanhopatra is the only person whose samadhi (mausoleum) is in the precincts of the Vithoba temple.
Dating
Several historians have attempted to establish the dates of Kanhopatra's life and death. One estimate places her life circa 1428 CE by relating her to a Bahamani king of Bidar who is often associated with the Kanhopatra story—although in most accounts, that king is never explicitly named. Pawar estimates that she died in 1480. Others suggest dates of 1448, 1468 or 1470, or simply say that she lived in the 15th century—or in rare instances, the 13th or 16th century. According to Zelliot, she was a contemporary of saint-poets Chokhamela (14th century) and Namadeva (c.1270-c.1350).
Literary works and teachings
Kanhopatra's patron deity: Vithoba, the Pandharpur image at whose feet, Kanhopatra died.
Kanhopatra is believed to have composed many abhangas, but most were not in written form: only thirty of her abhangas or ovis survive today. Twenty-three verses of her poems are included in the anthology of Varkari saints called Sakal sant-gatha. Most of these verses are autobiographical, with an element of pathos. Her style is described as unadorned by poetic devices, easy to understand, and with a simplicity of expression. According to Deshpande, Kanhopatra's poetry reflects the "awakening of the downtrodden" and the rise of female creative expression, ignited by the sense of gender equality enforced by the Varkari tradition.
Kanhopatra's abhangas frequently portray her struggle between her profession and her devotion to Vithoba, the patron deity of the Varkaris. She presents herself as a woman deeply devoted to Vithoba, and pleads for him to save her from the unbearable bondage of her profession. Kanhopatra speaks of her humiliation and her banishment from society owing to her profession and social stature. She expresses disgust for the society which adored her as an object of beauty rather than as a human being, and abhorred her for profession. She describes how she has been the object of lustful thoughts. She worries that she was beyond the "scope of God's love". In Nako Devaraya Anta Aata—believed to be the last abhanga of her life—unable to bear the thought of separation from her Lord, Kanhopatra begs Vithoba to end her misery. In the abhanga Patita tu pavanahe, she acknowledges her Lord as the saviour of the fallen and asks him to save her as well:
O Narayana, you call yourself
savior of the fallen...
My caste is impure
I lack loving faith
my nature and actions are vile.
Fallen Kanhopatra
offers herself to your feet,
a challenge
to your claims of mercy.
Kanhopatra refers to Vithoba by names such as Narayana (a name of Vishnu, who is identified with Vithoba), Krishna (an incarnation of Vishnu, identified with Vithoba), Sripati ("husband of goddess Sri," an epithet of Vishnu) and Manmatha (a name of Kamadeva, the god of love, used by Vaishnava saints to describe Vishnu). She refers to Krishna-Vithoba as the "champion of the low", and as a mother. Kanhopatra also asserts the importance of repeating the names of God and reveals how chanting His names has helped her. She says that even Death would fear God's name, which purified the sinner king Ajamila – who ascended to heaven when he coincendentally called to God at his death bed, the "robber" Valmiki – who was transformed into a great sage by utterance of God's name – and even the prostitute Pingala. Kanhopatra says, she wears the garland of His names. She hoped that her chanting would ultimately lead her to salvation. Kanhopatra also extols the deeds of Dnyaneshwar—the first great saint of the Varkaris—and his siblings.
Kanhopatra's abhangas also show her concern for her body, her sense of vulnerability and her will to "remain untouched in the midst of turbulence". She compares herself to food being devoured by wild animals – an expression never used by male saints:
If you call yourself the Lord of the fallen,
why do O Lord not lift me up?
When I say I am yours alone,
who is to blame but yourself
if I am taken by another man.
When a jackal takes the share of the lion,
it is the great, who is put to shame.
Kanhopatra says, I offer my body at your feet,
protect it, at least for your title.
According to Ranade, this abhanga was composed by Kanhopatra when invited by the Bidar king.
Kanhopatra advises against seeking mere sexual pleasure; she speaks of the evils of sexual attraction, citing mythological characters who suffered the consequences of sexual temptation: the demon-king Ravana, the demon Bhasmasura, the god-king of heaven Indra and the moon-god Chandra.
Legacy and remembrance
Script of the drama Sant Kanhopatra, depicting Bal Gandharva (left) as Kanhopatra
Kanhopatra is formally included in the list of Sants, meaning saints in Marathi in the text Bhaktavijaya. Mahipati (1715–1790), a traditional biographer of Marathi saints, devotes an entire chapter to her in his Bhaktavijaya extolling her devotion to Vithoba. In his Bhaktalilamrita Mahipati refers to Kanhopatra as one of the saints who sit surrounding Krishna (identified with Vithoba in Maharashtra). Kanhopatra is cited by the Vakari saint-poets as "an example of the real downtrodden and deserving people persons that are saved by the merciful God". In one of his abhangas, the Varkari saint and poet Tukaram (1577 – c.1650) uses the example of Kanhopatra and other famous saints who were low in the social caste hierarchy, to illustrate that caste is irrelevant when compared with devotion and merit. Her death and her surrender to Vithoba is regarded as a "great legacy of self respect combined with spiritualism." Kanhopatra is considered unique since she is the only prominent woman in Maharashtra who rose to fame without a traditional family backing. She was born in a household where devotion was unthinkable. She is the only woman Varkari saint, who is not associated with any male Varkari saint, who has no guru, nor any parampara (tradition or lineage). She is credited to have attained sainthood exclusively on the basis of her intense devotion to Vithoba, a devotion reflected in her abhangas.
Kanhopatra's life has been recounted in a 1937 Marathi film Kanhopatra written and directed by Bhalji Pendharkar. She was also the subject of the popular 1931 Marathi drama named Sant Kanhopatra, in which Bal Gandharva played the lead. Kanhopatra's abhangas Aga Vaikunthichya Raya and Patita tu pavanahe; and Nako Devaraya Anta Aata are used in that drama and in the 1963 Marathi film Sadhi Manase respectively. A 2014 short film Katha Sant Kanhopatra by Sumeet video featured Pallavi Subhash as Kanhopatra.
Kanhopatra's abhangas are still sung in concerts and on radio, and by Varkaris on their annual pilgrimage to Pandharpur. The tree that rose at her burial spot in the Pandharpur temple is worshipped as her samadhi by devotees even today. A small shrine is also dedicated to her in her home town Mangalvedhe.
Karunakara Guru
From Wikipedia, the free encyclopedia
Karunakara Guru
Born 1 September 1927
Chandiroor, Alappuzha, Kerala, India
Died 6 May 1999
Pothencode, Trivandrum, Kerala, India
Other names Navajyoti Sri Karunakara Guru, Nava Jyoti Sri Karunakara Guru
Karunakara Guru (1 September 1927 – 6 May 1999) also known as Navajyothi Sree Karunakara Guru, is the founder guru of Santhigiri Ashram in Pothencode, Kerala, India, and the revolutionary and fundamental force behind the re-emergence of Sanathana Dharma or Eternal religion. Believers understand him as Kaalanthara Guru who can see threefold time and affirm their faith in the philosophy, "Word is truth, truth is Guru, Guru is God", which is roughly translated from the fact that Navajyothi Sree Karunakara Guru works from what is revealed by the supreme light or Atheeva Sathya Prakasham or God and provides appropriate spiritual guidance for everyone who seeks this, for the correction and evolution of the soul and human condition as per God's will. Chosen and kept aside by God, through eons of time, Navajyothi Sree Karunakara Guru, was predicted by Nostradamus and Sri Aurobindo as the Guru of Kaliyuga, bringing about an eternal change and correction and enlightenment for all humanity beyond measure.
Birth and childhood
Karunakara was born into a modest family in the picturesque Chandiroor village in the Alappuzha district of Kerala on 1 September 1927. His birth was preceded by several notable events, including a plethora of visionary experiences received by his mother wherein she "saw" celestial beings and people professing different faiths bowing before her during her pregnancy.
Named Karunakaran by the family elders, he was only nine months old when his father Govindan died. Karunakaran spent the early years at his mother Karthyayani's house. Of a quiet, calm and contemplative disposition, he began receiving spiritual experiences in childhood. The most significant of these was the presence of a figure in an aura of bright light that he perceived within himself at all times. He mumbled a few words only when prompted by this figure and was mistaken to be mute. Due to this, he was not sent to school. The bright light started fading and disappeared completely by the time he reached nine years. He started speaking normally after this and received some informal instruction. He later realised the inner figure in the celestial light to be Sri Krishna.
Even as a child, he maintained the utmost cleanliness, austerity and a regular prayer routine. When he was around 10 years, elders in the family got his mother remarried. He moved to the stepfather's house in a neighbouring village but was not at peace there. Around the age of 14, he left home to lead a monastic life and became an inmate of Advaita Ashram at Alwaye (near Kochi), a branch of Sivagiri Mutt, founded by the social reformer and great spiritual personality Narayana Guru (1855–1928).
In search of truth
He spent the next 17 years at the various branches of Sivagiri, performing a wide variety of tasks. The industrious, young ascetic, radiating an aura of joy, humility and compassion, attracted the attention of the visitors to Sivagiri. His soulful rendering of prayers vibrated deep within them and even dignitaries began to wait for him to conduct prayers for them. While he received enormous love and respect from the common people, he also faced hostility and harassment from certain quarters. He later realised that these tribulations were due to the influence of malefic forces present in the subtle spheres which try to block the spiritual ascension of an aspirant.
Ultimately, he left Sivagiri and moved to a hut on a nearby hill in 1957. This spot came to be called "Santhigiri'"' (the giri – hill – where the santhi – priest – resided), by the local people, who flocked to him in increasing numbers after finding even chronic ailments being cured by receiving holy ash (vibhuthi) and holy water (theertham) from his benign hands. During this period, he accompanied his mentor, Khureshia Fakir, a Sufi saint, on spiritual wanderings (avadhoota), in the course of which he received several visionary experiences. In 1968, following a visionary directive, he moved to Pothencode, near Thiruvananthapuram, where he had put up a thatched hut in 1964 on a small piece of land donated by a well-wisher. This spartan hut became the foundation of the present-day Santhigiri Ashram.
Karunakara spent several years in intense meditation and prayers, undergoing severe physical hardships and the ebb and flow of visionary experiences. All along, he continued to be a source of solace and help to the people who thronged his new abode also. On 20 September 1973, at the end of a tumultuous period of spiritual turmoil and trials, during which the Divine Vigil of Sri Krishna provided a protective shield in the subtle atmosphere of the Ashram, the truth behind the his birth and mission as well as his supreme spiritual status were shown to the disciples. On that day, it was revealed from the Supreme Light of the Almighty – "What I had been waiting for, through the Yugas (eons), is realized."
Path to one universal God through a Guru-Sishya Order
Following an instruction from the Transcendental Radiance which appeared in the Ashram during the realisation of his supreme spiritual status, his followers adopted a worship system based on faith in one universal God – the Brahman. They accepted the path of guru – Guru Margam – reposing complete faith in him as the medium to the transcendent supreme plane. The doors of Santhigiri Ashram were open to all. Ignoring his personal comforts, he would spend hours meeting the people who came with all kinds of personal and family problems to find a release in this cleansing ocean of compassion and succour. For the seekers of higher truths, he was undoubtedly the way to the ultimate spiritual experience and evolution.
==Merger in 'Adisankalpam'; eternal presence as 'Nava Oli' Karunakara died and merged in 'Adisankalpam' (the plane of primordial consciousness) on 6 May 1999. In accordance with directions from the supreme, his body was placed in the one-room parnasala (hermitage) which had been his living quarters. This building has now been raised as a grand monument in the shape of a full bloomed lotus in pure white marble, in keeping with its significance as the resting place of the supreme guru. It has been revealed that he continues to be present as nava oli (new light and sound), protecting and nurturing all. His guidance continues to flow to the world through his principal disciple, Her Holiness Sishyapoojitha Amritha Jnana Thapaswini, who is now the gurusthaneeya (guru apparent) of the Santhigiri Order.
Santhigiri Ashram
The Santhigiri Ashram is situated amidst green hills and valleys near the southern most sea cost of Kerala, India, about two hours journey from Kanyakumari, the confluence of three oceans, well known for the Lotus Parnasala, the resting place of Navajyoti Sri Karunakara Guru.
It is located 21 km from Thiruvananthapuram, the capital city of Kerala,
Special events are held in August–September (Navapoojitham or birthday of guru) and on 6 May (Nava Oli Jyotirdinam - the day of the merger of the guru in the eternal consciousness).
Prayers are held every three hours, day and night, from 3am.
Attractions include the resting place of the guru in the form of a gigantic 91 feet high Lotus Parnasala built in marble, traditional Ayurveda and Siddha treatments and therapies. It is very near to tourist sites such as Varkala, Kovalam, Kanyakumari and Kerala backwaters.
Admission is open to all regardless of sex, caste or religion. The dress code is dhoti for men and sari for women for prayers and other spiritual functions. Women are banned during their menstrual cycles.
Kaalavve (ಕಾಳವ್ವೆ)
She is probably considered the first-ever Dalit woman poet in the known history. Inspired from the legendary Basavanna who gave a call for struggle against regressive social conventions in Karnataka, Kalavve whose full name was Urilinga Peddigala Punya Stri Kalavve went on to become a leading voice of reform against caste discrimination and degenerating position of woman. Her commitment and strict observance of vows are recorded in vachanas. In her observations, one common thread is the purity of heart through faith in spiritual declarations.
Full Name: Urilingapeddigala Punyastree Kaalavve
Pen Name (Vachana Signature): Urilingapeddigalarsa
Kalavve was wife of Urilingapeddi who hailed from shudraa community. She was truly dedicated to her kāyaka. She has said:
Those who are without kāyaka are not devotees.
That which is not truthful and pure is not kāyaka.
Desire is the seed of this world,
Lack of desire is liberation
Look avva,
It’s not easy with Urilingapeddigalarasa.
The Sharanas believed that without financial self dependence the fabric of the society would be torn asunder and collapse. Hence, they paid paramount importance to the principle of ‘kāyakave Kailasa’ and hence, they devised the concept of kāyaka to afford everyone an opportunity to contribute to the health of the society according to his/her best ability. This is certainly depicted in the Vachana of Urilinga Kalavve. Her succinct statement, that the prasäd prepared by borrowing from friends and relatives becomes unfit for offering to GOD, clearly suggests her spiritual attainment
To her, a religious vow is not just a vow. It was a sacred, binding covenant. One has to fulfil it at all costs, otherwise no meaning to it. Twelve of her vachanas are currently available. She has made her conviction abundantly clear in her own words: ‘Urilingapeddigaarasa' does not appreciate those who break their vows.” She considers it an unholy act to offer things obtained through false pretense and means. She condemns those who speak ill of other devotees, a virtue we all need to practice in this day and age. She has stated that a person is not a devotee if her/his kāyaka is performed without devotion and purity of heart.
Her main concern, like other women saints, was strict adherence to vow. She slashed boldly at the high caste Brahmins. The Basava movement had reached the lowest of the low. Ka1avve’s defiant attitude is a result of the involvement of the low caste people in the movement which encouraged women and low caste people to join the band of liberators. Her vachana also contain a criticism against caste-hierarchy.
Kirtan Ghoxa
From Wikipedia, the free encyclopedia
The Kirtan Ghoxa (Assamese: কীৰ্তন ঘোষা Assamese pronunciation: [kiɹ.tɔn.ɡʱʊ.xa]) is a collection of poetical works, primarily composed by the medieval saint Srimanta Sankardev meant for community singing in the Ekasarana religion. Its importance in the religion is second only to the primary text, the Bhagavat of Sankardeva.
Texual history
The text of the kirtan ghoxa consists of twenty six sections and thirty one kirtans (or narratives of Krishna). Sankardev had instructed Madhabdev during his last visit to Patbausi to compile the kirtans that were scattered then at different places—and they were posthumously compiled into a single text by Ramcharan Thakur, the nephew of Madhabdev. All the kirtans were composed by Srimanta Sankardeva, except for one by Ratnakar Kandali and another by Madhabdeva. Two of Sankardeva's kirtans were later additions to Ramcharan Thakur's compilation. In some versions, there is an additional kirtan composed by Sridhar Kandali.
Texual description
Each kirtan consists of a ghoxa or refrain followed by a number of verses, called padas, written in different meters. Some of the meters used, with examples
namo goparupi meghasama syama tanu | gawe pitvastra hate singa veta venu ||
Jhuna
pitavastra sobhe syamala kaya | tadita jadita jalada praya ||
Laghu payara
sundara hasikaka alpa hasa | caru syama tanu pitabasa ||
Dulari
pache trinayana divya upavana dekhilanta vidyamana | phala phala dhari jakamaka kari ache yata vriksamana ||
Chabi
hena maha divyavana dekhilanta trinayana divya kanya eka ache tate | koti lakshmi sama nohe katashe trailokya mohe bhanta kheri kheli duyo hate ||
The Kirtans history
Chaturvimsati avatara varnana
Pasanda mardana
Namaparadha
Dhyana Varnana
Ajamilopakhyana
Prahlada carita
Haramohana
Balichalana
Gajendropakhyana
Sisulila
Rasa krida
Kamsa vadha
Gopi udhava samvada
Kujir vancha purana
Akrurar vancha purana
Jarasandhar yuddha
Kaalyavana vadha
Mucukunda stuti
Syamanta harana
Naradar krishna darsana
Vipra putra anayana
Damodara upakhyana
Daivakir putra anayana
Veda stuti
Krishna lilamala
Srikrishnar vaikuntha prayana
Bhagavatar tatparya
Uresa varnanaKuber Das
Koli Princely State Of Jawhar
Maharaja Yashwantrao Martandrao Mukne
2 Anna Court Fee Stamp
Used In 1927 To 1938
Kuber Das or Kubera Was A Saint From Gujarat. He Founded The Kuber Panth Mostly Followed By Luhar Caste Of Gujarat. He Was Pupil Of Karsandas. Kubera Was A Talpada Koli By Caste Of Sarsa Near Anand Of Gujarat. He Believe In The Doctrine Of The Unity With Attributes. He Was Devotee Of The Lord Krishna. Kubera Was Followed By 20,000 Disciples And Called Them Kuber Panthi. The Kubera Is Worshiped By His Follower As Their Founder. Kannappa
From Wikipedia
Kannappa Nayanar
Kannappa Nayanar
Born
Dinna Vyadha
c. 3102/3101 BCE
Uduppura, Bharatavarsha
Kannappa was a staunch devotee of Shivaand is closely associated with Srikalahasteeswara Temple. He was a hunter and is believed to had plucked his eyes to offer to Srikalahasteeswara linga, the presiding deity of Srikalahasti Temple. He is also considered one of the 63 Nayanars or holy Saivite saints, the staunch devotees of Shiva. According to historical chronicles, he was Arjuna of the Pandavas in his past life.
Birth and Life
Kannappa Nayanar is also known as Thinnappan, Dinna, Kannappa, Tinnappan, Dheera, Bhakta Kannappa, Thinnan, Kannappan, Dinnayya, Kannayya, Kannappa Nayanar or Nayanmar, Kannan, Bhakta Kannappan and Dheeran. He was born in a vyadha (hunter) family, the son of Raja Naga Vyadha and his wife in Uduppura (modern Vutukuru) near Sri Kalahasti, in present-day Utukkuru, Rajampet Andhra Pradesh. He is an ancestor of the modern-day Vettuvar community. His father was a notable gerent among their hunting community and a great Shaiva devotee of Sri Kartikeya. He was named Dinna or Dheera by his parents, which is known to Tamil-speakers today as Thinnan or Dheeran respectively. His wife's name was Neela.
History
Kannappa stopped by Shiva as he tries to remove his second eye
Dinna was a staunch devotee of the Vayu linga of SriKalahasti which he found in the forest while hunting. Being a hunter, he did not know how to properly worship Lord Shiva. It is said that he poured water from his mouth on the Shiva lingam which he brought from the nearby river Swarnamukhi. He also offered Lord Shiva whatever animal he hunted, including swine flesh. But Lord Shiva accepted his offerings since Thinnan was pure at heart and his devotion was true. Once, Lord Shiva tested the unshakable devotion of Tinna. With his divine power, He created a tremor and the roof-tops of the temple began to fall. All the sages ran away from the scene except for Dinna who covered the linga with his body to prevent it from any damage. Hence he was named thereafter as Dheera (valiant one).
Tinna noticed that one of the eyes of the Shiva linga was oozing blood and tears. Sensing that Lord Sri Bhalanetra's eye had been injured, Dheera proceeded to pluck his one eye out with one of his arrows and placed it in the spot of the bleeding eye of the Shiva linga. This stopped the bleeding in that eye of the linga. But to complicate matters further, he noticed that the other eye of the linga has also started oozing blood. So Tinna thought that if he were to pluck his other eye too, he would become blind to exactly know the spot where he has to place his own second eye over the bleeding second eye of the lingam. So he placed his great toe on the linga to mark the spot of the bleeding second eye and proceeded to pluck out his other and only eye. Moved by his extreme devotion, Lord Sri Priyabhakta appeared before Dinna and restored both his eyes. He made Dinna as one of the Nayanmars and he was called as Kannappan or Kannappa Nayanar.
When Arjuna was meditating on Sri Shiva for Pasupathastra, to test him Sri Shiva entered that forest as an animal hunter and due to word war between Sri Shiva and Arjuna, a battle took place between both and finally impressed by Arjuna's efforts, Sri Mahashiva gave him the Pasupathasthra. However, because of his boastful nature of being the greatest warrior, he is born again as a devotee in the Kali Yuga as Kannappa Nayanar and finally got liberation.
Kakshivat Rishi
From Wikipedia, the free encyclopedia
Kakshivat son of Dirghatamas was an ancient vedic sage(rishi). He was called praja(Stong). He had his daughter Ghosha as student, who like her father, composed Vedic verses. His descendants are also called Kakshivatas.
Ancient Voice
Mbh.1.104.5880 And upon that Sudra woman the virtuous Rishi of passions under full control begat eleven children of whom Kakshivat was the eldest.
Mbh.1.104.5881 And beholding those eleven sons with Kakshivat as the eldest, who had studied all the Vedas and who like Rishis were utterers of Brahma and were possessed of great power, king Vali one day asked the Rishi saying, Are these children mine'
Mbh.1.104.5883 Kakshivat and others have been begotten by me upon a Sudra woman.
Mbh.1.121.6493 And, O king, Vyushitaswa had for his dear wife, Bhadra, the daughter of Kakshivat, unrivalled for beauty on earth.
Mbh.2.4.119 Janghabandhu, Raibhya, Kopavega, and Bhrigu: Harivabhru, Kaundinya, Vabhrumali, and Sanatana, Kakshivat, and Ashija, Nachiketa, and Aushija, Nachiketa, and Gautama; Painga, Varaha, Sunaka, and Sandilya of great ascetic merit: Kukkura, Venujangha, Kalapa and Katha, these virtuous and learned Munis with senses and souls under complete control, and many others as numerous, all well-skilled in the Vedas and Vedangas and conversant with rules of morality and pure and spotless in behaviour, waited on the illustrious Yudhishthira, and gladdened him by their sacred discourses.
Mbh.2.7.328 And Sahadeva, and Sunitha, and Valmiki of great ascetic merit; and Samika of truthful speech, and Prachetas ever fulfilling their promises, and Medhatithi, and Vamadeva, and Pulastya, Pulaha and Kratu; and Maruta and Marichi, and Sthanu of great ascetic merit; and Kakshivat, and Gautama, and Tarkhya, and also the Muni Vaishwanara; and the Muni Kalakavrikhiya and Asravya, and also Hiranmaya, and Samvartta, and Dehavya, and Viswaksena of great energy; and Kanwa, and Katyayana, O king, and Gargya, and Kaushika, all are present there along with the celestial waters and plants; and faith, and intelligence, and the goddess of learning, and wealth, religion, and pleasure; and lightning.
Mbh.2.17.764 One day the king heard that the high-souled Chanda-kausika, the son of Kakshivat of the illustrious Gautama race, having desisted from ascetic penances had come in course of his wanderings to his capital and had taken his seat under the shade of a mango tree.
Mbh.2.21.906 It was here that the illustrious Gautama of rigid vows begat on the Sudra woman Ausinari the daughter of Usinara Kakshivat and other celebrated sons.
Mbh.12.296.18481 My grandfather Vasishtha, Rishyasringa, Kasyapa, Veda, Tandya, Kripa, Kakshivat, Kamatha, and others, and Yavakrita, O king, and Drona, that foremost of speakers, and Ayu, and Matanga, and Datta, and Drupada, and Matsya, all these, O ruler of the Videhas, obtained their respective positions through penance as the means.
Mbh.13.150.12607 They are Yavakrita, and Raibhya, and Arvavasu, and Paravasu, and Aushija, and Kakshivat, and Vala the son of Angiras.
Mbh.13.165.13699 They are Yavakrita and Raibhya and Kakshivat and Aushija, and Bhrigu and Angiras and Kanwa, and the puissant Medhatithi, and Varhi possessed of every accomplishment.
Jijith Nadumuri Ravi
Sant Kabir Das
Sant Kabir Das: The Unique Saint-Poet of the Bhakti Movement
Sant Kabir Das (1398–1518 CE) was a 15th-century Indian mystic poet, saint, social reformer, and a prominent pillar of the Bhakti movement. His verses are enshrined in the Guru Granth Sahib of Sikhism, and his followers, known as the Kabir Panth, are spread across the world.
AspectDetailsBorn - Died 1398 – 1518 CE (approximately 120 years)
Birthplace Varanasi, Uttar Pradesh (near Lahartara Lake)
Raised by Neeru and Neema, a Muslim Julaha (weaver) couple
Guru Swami Ramananda (Hindu Bhakti leader)
Major Works Bijak, Sakhi Granth, Kabir Granthavali, Anurag Sagar
Language Sadhukkadi (mix of Khari Boli, Braj, Bhojpuri, and Awadhi)
Samadhi Site Maghar, Uttar Pradesh
🧬 Life and Background
Birth and Early Life
Scholars have differing opinions about Kabir's birth, but most historians accept 1398 CE (Jyestha Purnima) as his birth date. According to a popular legend, he was found as an infant on a lotus flower in Lahartara Lake (Varanasi). A Muslim weaver couple, Neeru and Neema, raised him as their own child.
Although raised in a Muslim family, he was deeply influenced by the Hindu Bhakti leader Swami Ramananda and became his disciple. Ramananda taught him the Vaishnava tradition and Advaita philosophy, which focused on the concept of Nirguna Brahman (a formless, attributeless God).
Social Background
Kabir belonged to the Julaha (weaver) community – a group that had recently converted to Islam but remained low in the social hierarchy. In his own compositions, he referred to himself as "Julaha" and "Kori" (weaver). Despite this background, Kabir completely rejected the caste system and instructed his followers never to mention their caste.
📜 Philosophy and Teachings
Nirguna Bhakti
Kabir was a leading saint of the Nirguna Bhakti tradition. He believed that God is formless, all-pervading, and beyond everything. He said:
"Hari is in the east, Allah is in the west – look within your heart, there you will find both Karim and Ram."
Rejection of the Caste System
Kabir strongly opposed the caste system and untouchability. According to him, all human beings are equal in the eyes of God. Through his couplets, he sharply criticized Brahminical hypocrisy and caste-based discrimination.
Critique of Religious Rituals
Kabir severely criticized the meaningless rituals and customs of both Hinduism and Islam:
Hindu RitualsMuslim RitualsOpposition to idol worship Opposition to circumcision
Futility of pilgrimages Criticism of mechanical namaz (prayer)
Ridicule of the sacred thread (Janeu) Criticism of fasting (Roza)
Futility of bathing in the Ganges Criticism of animal sacrifice (Qurbani)
His famous couplet states:
"The Hindu says Ram is dear to me, the Muslim says Rahman is dear. The two fight and die fighting – neither knows the secret."
Hindu-Muslim Unity
Kabir's greatest contribution was his message of Hindu-Muslim unity. He believed that God is one, whether called Ram or Rahim, Hari or Allah. He considered communal bigotry the greatest enemy of humanity.
🖋️ Literary Works
Writing Style
Kabir wrote his compositions in Sadhukkadi language – a mixture of Khari Boli, Braj, Bhojpuri, and Awadhi. This was a simple, colloquial language of the common people, making his message easily accessible to the masses.
Major Works
WorkDescriptionBijak The primary scripture of the Kabir Panth; contains Ramaini, Sabad, and Sakhi
Sakhi Granth Collection of couplets (over 5000 Sakhis are in circulation)
Kabir Granthavali Compilation of various compositions
Anurag Sagar Work based on love and devotion
Guru Granth Sahib Contains the highest number of Kabir's verses (approximately 500) among non-Sikh contributors
Famous Couplets
On the Caste System:
"Do not ask the caste of a saint; ask only about their wisdom. Appraise the sword by its value, let the scabbard remain as it is."
On Idol Worship:
"If worshipping a stone could get you God, I would worship a mountain. Better to worship a grinding stone, it feeds the world."
On Bathing in the Ganges:
"You bathe in the Ganges and think you have collected a treasure of virtue. The frog bathes every day too – has it been liberated?"
On True Devotion:
"When I was, Hari was not; when Hari is, I am not. All darkness has been dispelled; I see the light within."
📚 Major Disciples and Tradition
Kabir had two primary disciples:
Bhagodas – who organized the Kabir Panth
Dharmadas – who compiled the Bijak scripture
The Kabir Panth
After Kabir's death (in the 17th-18th century), his followers established the Kabir Panth:
DetailNumber/FactNumber of Followers Approximately 9.6 million
Major Centers North and Central India, diaspora communities
Kabir Chaura (Varanasi) Main monastery and pilgrimage site
Maghar (Gorakhpur) Samadhi site and pilgrimage center
Distinctive Practices Vegetarianism, abstinence from alcohol
In Varanasi, there are two temples dedicated to Kabir – one maintained by Hindus and one by Muslims. Both follow similar traditions of bhajan, kirtan, and aarti.
💡 Influence on Sikhism
Kabir's ideas had a profound impact on Guru Nanak and Sikhism. Guru Arjan Dev (the fifth Sikh Guru) compiled Kabir's compositions into the Guru Granth Sahib. Today, Kabir's couplets are included in the highest number (among non-Sikh contributors) in Sikhism's holy scripture.
🔍 Death and Controversy
Death (1518 CE)
Kabir spent his final days in Maghar (Gorakhpur, Uttar Pradesh). Legend has it that when he died, both Hindu and Muslim communities claimed his body for their respective funeral rites. When the cloth was removed, only a pile of flowers remained – which the Hindus cremated and the Muslims buried.
Two Samadhis
Even today, two samadhis exist in Maghar – one in Hindu style and one in Muslim style.
🌟 Legacy and Summary
Sant Kabir left an indelible mark on Indian society by raising his voice against the caste system, religious rituals, and communal bigotry. His greatest gift is the message of humanity, equality, and the oneness of God.
Area of ContributionImpactReligion Paved the way for Hindu-Muslim unity
Literature Enriched the Doha (couplet) form in Hindi literature
Social Reform Created mass awareness against caste system and untouchability
Philosophy Strengthened the Nirguna Bhakti tradition
Saint Tradition Established the Kabir Panth with over 9.6 million followers
Today, more than 600 years later, Kabir's couplets and ideas remain relevant. He teaches us that God is one, all humans are equal, and true devotion lies not in external rituals but in inner purity and love.
"I set out to find the wicked – but found none. When I searched my own heart, I found none worse than me."
This couplet is the greatest testament to Kabir's humble nature and self-reflection, inspiring us even today to engage in introspection.
Saint Kumardas
SANT KURMADAS and SANT SAVANTA MALI
Pandharpur VITTHAL & RUKMINI Temple
Lord VITTHAL Goddess RUKMINI
Lord VITTHAL
Kurmadas was born around 70kms from Pandharpur. He was born with out limbs. As he had no limbs he only had to roll over and couldn’t walk. One day he was listening to a discourse about Vitthal and understood the greatness of Pandharpur and going there on an ekadasi day. He immediately decided that he would visit Pandhari for the next ashada ekadasi. Hearing about his decision the villagers said that it would be difficult for him to go to Pandhari and that sitting here he could think about Vitthal and do his prayers. He then told them that his love for Vitthal is so much that he will put all efforts to roll over and go there. He also said if Vitthal wishes I may reach Pandhari, else let me die on my way to Pandhari; any way I am not of any use to anyone here. He then said if I am able to reach Pandhari I will have the darshan of Vitthal and stay in Pandhari. Immediately he left for Pandhari with a group of Pilgrims. The pilgrims looking at him crawling left him behind and started moving at their own pace as they felt that Kurmadas would only delay them. However Kurmadas was firm in his decision to go to Pandhari and continued to move towards that direction.
As he was rolling over the roads his body was fully wounded. Kurmadas braved all this and continued to cover whatever small distance he could everyday. One day a rich passer by saw him and asked him where he was going. Kurmadas then told him that he was going to Pandharpur for ashada ekadasi. He then told him that Pandharpur was very far and that it would be difficult for him to go there. Kurmadas then told him that he will put all efforts to go there and if god wishes he would reach Pandhari. He then asked him what he will do for his food. Kurma then told him that he can’t go to the place where food is available and that he will have food only if some one gives it to him, else he will starve. Hearing this rich man told him that doing seva for bhakthas is Panduranga seva and as he is also going only to Pandhari he will give food for him every day and they could go together. Every day the rich man would go to a distance that Kurma could cover and prepare food for both of them and wait for Kurma to come. They would then have food, sing the praise of god in the evening, sleep under the tree and then leave again the next day morning. They went for several days and almost came near Pandhari. The rich man who came with Kurma told him that the next day was ashada ekadasi and that he would like to go and visit Vitthal. He also said that if he waited for Kurma, he may miss seeing Vitthal on this auspicious day. Kurma immediately told him that he has done a great favor to him all these days and that he should now go and see Vitthal tomorrow. Kurma then requested him to tell Vitthal that a cripple by name Kurma is coming to meet him. The rich guy then left Kurma and disappeared. This rich man was none other than Vitthal him self but Kurma did not recognize him.
Kurma now sitting there was telling every yathri to think of him when they have the darshan of Vitthal. That day in the temple bhajans started as usual and saints like Namdev, Gyaneshwar were also there. Namdev and Gyaneshwar are great bhakthas who see Vitthal and speak to him. When everyone were singing and dancing Vitthal slowly stepped out of the temple and started going some where. Namdev and Gyaneshwar saw this and followed him thinking when so many sadhus are singing his praise here, where he was going and why. They then caught him near Chandrabhaga and asked him where he was going when so many thousands of bhakthas were singing here. Vitthal then told them that there is one bhaktha of his called Kurmadas and that he individually was equal to all of them in his bhakthi. Hearing this Namdev and Gyaneshwar said that they would also like to have a darshan of such a big bhaktha. Though Vitthal wanted to meet Kurmadas alone, he agreed to their request and asked them to come along with him. On the way there was a big garden, seeing the garden Vitthal said that he was feeling very thirsty and that he would go in have some water and come back. He also asked them to wait there till he comes back. Vitthal’s idea was to give darshan to another great bhaktha of his in that garden.
His name was Savanta Mali, he had a huge garden and would give flowers to the temple everyday. He dint come to the temple today as he was in the process of making a huge multi color garland for ashada ekadasi. He would also prepare garlands for all the saints and sadhus who participate in the bhajans. This seva was more important for him than coming to the temple or participating in the bhajans. Vitthal came inside the garden and stood in front of Savanta and gave him his darshan. Seeing this Savanta was excited, he woke up worshiped him and asked him why he had come here when there were so many bhakthas performing kirthans and bhajans in the temple. Vitthal then asked Savanta why he dint come to the temple for the bhajans. Savanta then replied to him that he would be happy only when he sees, Vitthal wearing his garland and that he was about to finish this work and then come to the temple. Vitthal then asked him to put the garland on him. Savanta then happily put it on him. Vitthal then told Savanta that there were two thieves outside and that he wants to hide from them. Savanta then asked him if there was any place in the universe where he was not there. He then said as there is no such place and how would he be able to show him such a place. Vitthal then told Savanta that he doesn’t have time for all these Vedanta and asked him to give him some place where no one would find out. Savanta then told him that his heart would be the right place for him to hide in that case. As Savanta was a yogi he closed his eyes and sat in meditation and Vitthal went in to his heart and stayed there. Namdev and Gyaneshwar who were waiting outside for quiet some time, then came inside the garden in search of Vitthal. Nama was searching for Vitthal all over the garden but Gyaneshwar was just standing in one corner. Nama was a Prema bhaktha and Gyaneshwar was a Gyani, so Gyaneshwar understood where Vitthal was and was looking at Savanta. After searching all over the garden, Nama started crying and asked Gyaneshwar where Vitthal went, but Gyaneshwar was smiling. Nama then asked him why he was smiling. Gyaneshwar then told Nama that the guy sitting in front of him who is acting like doing meditation is the guy who swallowed Vitthal. Hearing this Nama got angry and ran towards Savanta to hit him. Seeing this Vitthal called Nama and appeared in front of him, as Vitthal dint want his bhaktha to be hurt. They then understood the leela of Pandurang, hugged each other and all four of them started going towards the direction where Kurmadas was there.
Kurmadas was sitting in the place where he was left by the rich man earlier and was crying and thinking of Vitthal. Vitthal came to Kurmadas gave him his darshan, hugged him and put him in his lap. He then became an idol there and told him that the place where you are will be like Pandhari and that I will be there with you where ever you are. This village is now called Kurmia in his remembrance.
Saint Kavasha Ailusha
Saint Kavasha Ailusha (also known as Kavasa Ailusha or Kanvasha Ailusha) is a unique and important figure in Vedic literature. He is known as a Sudra Rishi—a seer from a marginalized community—who is credited with composing several hymns in the Rigveda, including the famous "Gambler's Lament" .
His life story, preserved in ancient texts, is a powerful narrative of caste-based exclusion, divine intervention, and ultimate acceptance by the gods.
📜 Biographical Summary
AttributeDetailsIdentity Vedic Seer (Rishi) credited with composing Rigvedic hymns
Community Status Described as a Sudra; son of a slave-girl (dasi-putra)
Patrons King Kurusravana and Mitratithi (he served as their purohita or chief priest)
Notable Composition Rigveda 10.30 (the "Waters Hymn") and the famous 10.34 (the "Gambler's Lament")
📖 The Story of His Exclusion and Divine Acceptance
The most detailed account of Kavasha Ailusha's life comes from the Aitareya Brahmana (2.19) , a key Vedic text explaining rituals . The narrative is significant for its clear depiction of social prejudice and the spiritual merit that transcends it.
1. Exclusion Due to Low Birth
While a group of Rishis were performing a grand Soma sacrifice on the banks of the Sarasvati river, they expelled Kavasha Ailusha. Their reasoning was explicitly based on his lineage. They questioned, "How should the son of a slave-girl, a gambler, who is no Brahman, remain among us and become initiated (into all sacrificial rites)?" .
2. Abandoned to Die
He was cast out into a barren desert and forbidden from drinking the waters of the Sarasvati, essentially left to die of thirst .
3. Revelation of the Sacred Hymn
As Kavasha was dying of thirst, he perceived a sacred mantra (hymn) now known as the Apam Napat (Rigveda 10.30). Through the power of this hymn, he prayed for a way to reach the gods .
4. Divine Validation
The waters were pleased with him and miraculously rose to surround him. The river Sarasvati itself flowed around him to protect him. Seeing this divine miracle, the other Rishis realized their error and declared, "The gods know him; let us call him back." They unanimously consented and brought him back to the sacrifice . 🎲 The Gambler's Lament (Rigveda 10.34)
Kavasha Ailusha is most famous for composing the "Gambler's Lament" , a poetic and dramatic monologue found in the 10th Mandala (Book) of the Rigveda .
The Poem: The hymn is a first-person account of a repentant gambler who laments the ruin brought upon his life. He speaks of losing his wife, being disowned by his parents, and being shunned by his neighbors .
Literary Significance: It is considered one of the oldest surviving pieces of secular, non-religious poetry in existence. Scholar Moriz Winternitz called it the "most beautiful among the non–religious poems of the Rig Veda," and Arthur Anthony Macdonell called it "the most remarkable literary product" .
Symbolic Depth: The poem is not just a cautionary tale against gambling. It serves as a metaphor for the human condition—the "game" of life where one can lose everything, including family and status. Scholars have also noted that the theme of a noble figure losing everything through a game of dice served as an archetype for the central conflict in the Mahabharata, particularly the story of Yudhishthira . 🔍 Scholarly Perspectives on His Identity
While the Brahmana texts unequivocally state he was a Sudra (son of a slave-girl), other Vedic indices provide a more nuanced picture .
The Purohita: The Anukramanī (Vedic Index) acknowledges his low birth but also records that he served as the Purohita (chief priest) to King Kurusravana . This role—being a royal priest—would have been one of immense prestige, suggesting that his spiritual authority was recognized despite his social standing.
Conflicting Traditions: Some scholars, like Hopkins, have suggested he might have been a king . This confusion likely arises because his position as a spiritual guide to royalty was so influential that later traditions may have conflated him with his patrons. 💡 Legacy and Significance
Saint Kavasha Ailusha's story stands as one of the earliest recorded arguments in Indian spiritual history that divine grace and spiritual attainment are determined by inner realization, not by birth. His acceptance by the gods and subsequent recall by the Brahmins serves as a powerful counter-narrative to rigid caste hierarchies, establishing him as a figure of immense importance for understanding social and religious dynamics in the Vedic period.
Mrs. Laxmibai Shinde
Here is a comprehensive overview of Mrs. Laxmibai Shinde, one of the closest and most devoted female followers of Shirdi Sai Baba.
👤 Personal Snapshot
AspectDetailsAlso Known As Laxmi Ma, Lakshmibai Shinde
Time Period Late 19th – early 20th century CE (died after 1918)
Region Shirdi, Maharashtra, India
Spouse Tukaram Patil Shinde
Children Two sons – Tatya and Nana
Title of Husband "Mulki Patil" (Village Officer), conferred by the British
Occupation Managed farmland, collected taxes as Mulki Patil after being widowed
Known For Exclusive female devotee allowed in Dwarkamai at night; daily service of food to Sai Baba
Special Honor Received nine silver coins from Sai Baba moments before his Mahasamadhi
👰 Early Life and Family
Laxmibai Shinde was married at the tender age of thirteen to Tukaram Patil Shinde and came to Shirdi as a young bride. Her husband was a Revenue Officer, and the British had conferred the title of "Mulki Patil" (village officer) on him .
Tragically, she was widowed at a very young age, leaving all family responsibilities on her shoulders. Despite this hardship, Laxmibai proved to be a capable and determined woman. She looked after her children, managed her farmland, and undertook the job of Mulki Patil herself. She meticulously collected taxes and deposited them at the office at Ragoba Dada Wada. The British were so pleased with her dedication and efficiency that they gave her a stipend. Laxmibai was a well-to-do woman who owned her own home in Shirdi . 🧘♀️ Her Role and Service to Sai Baba
Laxmibai Shinde occupies a unique and revered position among Sai Baba's devotees. She was the only woman permitted to enter the Dwarkamai (the mosque where Sai Baba lived) when the sacred curtain was drawn . Along with Bhagat Mhalasapati and Tatya Kote Patil, she was allowed to step into the Masjid at night, a privilege granted to no other woman . The Lesson of the Dog
One of the most famous incidents involving Laxmibai illustrates a profound spiritual teaching. One evening, when Sai Baba was sitting in the Masjid, Laxmibai came to salute him. Baba said to her, "Oh Laxmi, I am very hungry." Laxmibai rushed home, prepared bread with her own hands, and returned with bread and vegetables .
To her shock, Baba took the food and gave it to a dog without eating a morsel himself. Distressed, Laxmibai asked, "What is this, Baba? I ran in haste, prepared bread with my own hands for You, and You threw it to a dog without eating it; You gave me trouble unnecessarily" .
Baba replied with a timeless truth:
"Why do you grieve for nothing? The appeasement of the dog's hunger is the same as Mine. The dog has got a soul; the creatures may be different, but the hunger of all is the same, though some speak and others are dumb. Know for certain, that he who feeds the hungry, really serves Me with food. Regard this as an axiomatic Truth."
From this day onward, Laxmibai began to offer Baba daily bread and milk with love and devotion, which Baba accepted appreciatively . 🪙 The Nine Silver Coins
The most significant event in Laxmibai's life occurred just before Sai Baba left his mortal body on 15 October 1918. Knowing his time had come, Baba called Laxmibai and gave her a gift: first Rs. 5, then Rs. 4—a total of nine silver coins .
This act is deeply symbolic. The number nine represents the Navavidha Bhakti—the nine forms of devotion described in the Bhagavata Purana :
Form of BhaktiMeaning1. Shravana Hearing
2. Kirtana Praying/Singing
3. Smarana Remembering
4. Padasevana Resorting to the feet
5. Archana Worship
6. Namaskara Bowing
7. Dasya Service
8. Sakhyatva Friendship
9. Atmanivedana Surrender of the self
These nine coins are preserved and displayed at her house-turned-temple in Shirdi, where devotees can see them to this day .
🏛️ Legacy: House and Temple
Laxmibai Shinde's house, known as "Laxmibai Shinde Patil Wada" , is located on a narrow lane opposite the Chavadi, near Dwarkamai in Shirdi. The house was built around 1831, with a traditional roof of wood and walls of mud clay .
Today, it has been preserved as the LaxmiBai Shinde Temple, a small yet spiritually powerful memorial. Inside, visitors can see:
A beautifully crafted statue of Laxmibai
The sacred nine silver coins gifted by Sai Baba
Personal relics connected to her service to Baba
Visitor Information:
Location: Gate No. 2, opposite Sai Baba Temple, Mauli Nagar, Shirdi
Timings: 7:00 AM to 10:00 PM, all days
Nearby Landmarks: Dwarkamai, Chavadi, Sai Baba Samadhi Mandir
Laxmibai Ma is hailed as an example of a sincere, devoted, and selfless devotee of Sai Baba. Her life demonstrates that true devotion transcends all worldly barriers, and her service continues to inspire millions of Sai devotees around the world .
In summary, Mrs. Laxmibai Shinde was a widowed village officer who became Sai Baba's most trusted female devotee, the only woman allowed in Dwarkamai at night, and the recipient of the sacred nine coins symbolizing the nine forms of devotion. Her house in Shirdi remains a cherished pilgrimage site for Sai devotees seeking a deeper connection with Baba's divine presence.
Lahuji Raghoji Salve
Lahuji Raghoji Salve (1794–1881) was a revolutionary, social reformer, and martial arts master from Maharashtra, often hailed as the 'First Revolutionary Guru' (Adya Krantiguru). While he is referred to by some as a "saint" figure due to his moral authority and social reform work, he is primarily celebrated as a warrior, mentor, and activist rather than a religious saint in the traditional sense .
AspectDetailsFull Name Lahuji Raghoji Salve (also known as Vastad/Lahujibuwa Mang)
Born - Died 14 November 1794 – 17 February 1881
Community Matang (Mang) community, now recognized as Scheduled Caste (SC) in Maharashtra
Role Martial arts trainer, mentor to revolutionaries, social reformer, activist
Core Philosophy "Live for the country, die for the country" (जगेन तर देशासाठी, मरेन तर देशासाठी)
Key Disciples Jyotiba Phule, Bal Gangadhar Tilak, Vasudev Balwant Phadke, Chapeker brothers
Title/Honor Adya Krantiguru (First Revolutionary Guru), Vastad (Master)
Early Life and Background
Lahuji Raghoji Salve was born on 14 November 1794 in Narayanpur village at the foothills of Purandar fort in present-day Maharashtra . He was born into the Matang (Mang) community, a group that faced severe caste discrimination as "untouchables" in 19th-century society .
His family had a distinguished martial heritage. His ancestors served in Chhatrapati Shivaji Maharaj's army and were entrusted with the defense of Purandar fort, earning the title "Raut" from Shivaji Maharaj in recognition of their valor . His father, Raghoji Salve, was a warrior, and Lahuji learned wrestling and martial arts from him from an early age .
The Turning Point (1817)
When Lahuji was 23 years old, he witnessed the Battle of Khadki (also known as the Battle of Kirkee) on 5 November 1817, where the Peshwa forces were defeated by the British . In this battle, Lahuji fought alongside his father. Raghoji Salve was executed, and Pune fell under British control . On 17 November 1817, when the Union Jack replaced the Bhagwa flag on Shaniwar Wada, Lahuji swore an oath to drive the British out of India .
Revolutionary Activities and Training Center
The Akhada (Gymnasium) in Pune
In 1822, Lahuji established one of India's first armed training centers (talimkhana or akhada) at Rasta Peth (Ganjpeth), Pune . This center was unique for its time because it was open to students from all castes and communities, breaking social barriers .
Skills taught at his akhada included:
Dandpatta (a specialized gauntlet-sword weapon)
Swordsmanship (talwar-bazi)
Horse riding
Marksmanship and firearm handling
Unarmed combat
Mentorship of Revolutionaries
Lahuji's akhada became a gathering place for some of the most prominent figures of the Indian freedom struggle and social reform movement. He not only taught them martial arts but also acted as a political mentor, preaching the need for Indian freedom and the upliftment of oppressed communities .
Notable disciples included:
Jyotiba Phule – social reformer and founder of Satyashodhak Samaj
Bal Gangadhar Tilak – nationalist leader
Vasudev Balwant Phadke – known as the father of Indian armed revolution
Gopal Ganesh Agarkar – social reformer and educator
Chapeker brothers – revolutionaries
Social Reform and Support for Phule
Lahuji actively fought against caste discrimination and worked towards the upliftment of marginalized communities . He joined Jyotiba Phule's Satyashodhak Samaj (Truth Seeker Society) and played a crucial role in supporting Phule's educational and social reform work .
Key contributions to social reform:
He helped recruit Dalit students for the schools established by Jyotiba and Savitribai Phule
It was upon Lahuji's physical strength and protection that Phule faced the attacks hurled at him and his wife Savitribai for challenging caste norms
He used his influence to spread the importance of education among the Dalit communities in Pune
Philosophy and Slogans
Lahuji Raghoji Salve is remembered for his revolutionary spirit and powerful slogans:
"जगेन तर देशासाठी, आणि मरेन तर देशासाठी"
(If I live, I live for the country; if I die, I die for the country)
He believed that India could only achieve freedom through armed struggle, and that training in warfare was essential to defeat the organized British army . Unlike moderate nationalists of his time, he advocated for radical revolutionaries rather than peaceful reformers . Death and Legacy
Lahuji Raghoji Salve passed away on 17 February 1881 in Pune at the age of 86 . His samadhi (memorial) is located in the Wakdewadi/Sangamwadi area near Pune .
Recognition and Memorials
Memorial/RecognitionDetailsSamadhi at Wakdewadi A shrine built by Lahuji to honor his father, known as "Mangir Baba" (Mang Veer Baba)
Sangamwadi Memorial A Rs. 20 crore memorial approved by Pune's standing committee on 22,000 sq. ft. of land
Postage Stamp Demand BJP MLA Sunil Kamble has demanded that a postage stamp be issued in Lahuji's name to honor his contribution
The "First Freedom Fighter" Title
Lahuji is often called the "first freedom fighter of India" because he was the mentor of Vasudev Balwant Phadke, who is widely recognized as the father of India's armed revolution . His armed training center and revolutionary philosophy laid the groundwork for subsequent generations of freedom fighters.
Is He Considered a Saint?
While Lahuji is occasionally referred to with the honorific "Buwa" (a term often associated with holy men), he is primarily remembered as a revolutionary, social reformer, and martial arts master, not a religious saint . His legacy is rooted in:
Armed resistance against British rule
Fighting caste discrimination through action, not just philosophy
Promoting education for oppressed communities
Mentoring the next generation of revolutionaries
His moral authority came from his actions—sacrificing his life for the nation and the liberation of the oppressed—rather than from religious or spiritual leadership
Maharishi Naval
Sat Guru Maharishi Naval The life and personality of Great Saint "SAT GURU MAHARISHI NAVAL" never ever consider in the Hindi and Marwari Language before. We are trying to explain of his real image of life and personality in distinguishable ascertainment (research).
The incarnation of "MAHARISHI NAVAL" in the family of MATA SINGHARI and PITA KHUSHAAL RAM in the year of 1783 and according to Vikram Samvant 1840 in the "Harsala" village district Nagore the famous province Rajesthan of India.
His mother MATA SINGHARI was died in his childhood when he was the aged of one month. After his mother death, all the nourishment done of MAHARISHI NAVAL by his father. MAHARISHI NAVAL was interested in Bahjans Kirtans and Lord Worship when he became younger aged of his childhood and his father Sree Khushaal Ram was very pleasant (glad) from his practices (habits).
In MEGHWAREN family (Meghwaar Pirwaar) of Hindu, Guru Shree Kerta Ram Maharaj known great Hindu ascetic(SAINT). The father of Maharishi Naval made him the devotee student to the great ascetic Kerta Ram Maharaj and he performed different activities in worship and Maharishi Naval became a spiritualized (SAINT) in the Hindu Religion.
In Ancient India, Maharshi is a Sanskrit word, written as "महर्षि" in Devanagari (formed from the prefix mahā- meaning "great" and r̥ṣi meaning "seer"), meaning a member of the high class of ancient Indian scientists, popularly known in India as "Rishis", or "seers", especially those who do research to understand and know Nature and its governing laws. There were many Maharshi in ancient India who shaped the ancient Indian ways of life and made a very deep and profound impact on the civilization of the Indian sub-continent.
Description and usage
Maharshi may also refer to "seers" or "sages" in India. The term became popular in English literature "sometime before 1890" and was first used in 1758.
Alternate meanings describe Maharshi as a collective name that refers to the seven rishis or saptarishis (including Maharishi Bhrigu) cited in the scriptures of Rig Veda and the Puranas, or any of the several mythological seers that are referenced in Vedic writings and associated with the seven stars of the constellation Ursa Major.
The only ones who can adopt the title are those who achieve the highest state of awareness in the path of evolution and completely understand the working of parabramha. The Maharshis are capable of making others as saints and impart the knowledge of the working of the divine.
Ramana Maharshi (1879–1950) was an "Indian sage" with a philosophy about the path to self-knowledge and the integration of personality espoused in books by author Paul Brunton and Ramana's own writings such as the Collected Works (1969) and Forty Verses on Reality (1978).
The title was also used by Valmiki, Patanjali and Dayananda Sarasvati.
Matsyendranath
Vishvayogi Svami Machindranath
Other names Swami Machindranath, Matsyendranath, Macchindranath
Known for Founder of Natha Pantha
Matsyendranatha (Sanskrit: मत्स्येन्द्रनाथ) or Machindranath (9th-10th century) was one of the eighty-four Mahasiddhas. He was the guru of Gorakshanath, with whom he founded the school of Hatha yoga. He is considered as the author of the Kaulajñānanirṇaya ("Discussion of the Knowledge Pertaining to the Kaula Tradition"), one of the earliest texts on
According to the popular belief, Swami Machhindranath was created from a fish. But the fact is that neither was he created from a fish nor was he born from a womans' womb because Lord Shiva wanted to create him from absolute purity and absolute purity can be found in the five elements of life: fire, water, sky, earth and air. Lord Shiva took a certain percentage from each of the 5 elements and created Swami Machhindranath and gave Him a human form. Another reason why he created Swamiji from the 5 elements was because Lord Shiva wanted his creation to be more powerful than Lord Brahma (one of the gods of the Hindu trinity) . Since Swamiji was created from the 5 elements he is indestructible. After creating Swamiji Lord Shiva gave him all his knowledge, thoughts, philosophies. Swamiji is a Sanyasi in the true sense because apart from being born out of purity he was endowed with pure qualities like 'Tyag' or 'Sacrifice'. 'Bhakti and Shraddha', 'Gyan or Knowledge', 'Yog and Rishimayta'.
Birth
He was popularly known as Minanatha and was an inhabitant of either Chandradwip (Barisal) or sandwip in Bengal.
Spiritual Seats
Kadri Manjunath Temple in Mangalore, Karnataka
Madyar Sri Parashakthi temple (Sri Parashakti Temple is situated at Madyar, near Mangalore in Dakshina Kannada District of Karnataka)
Viratnagar in Rajasthan
Hellapatnam in Bengal
Chitrakoot Karvi (Border of Madhya Pradesh and Uttar Pradesh near the banks of the river Piyushini.
Gumbahatta in Kalimpong, Dist. Darjeeling, West Bengal.
Disciples
Shri Kanifnath Maharaj
Shri Gorakshanath Maharaj
Shri Madhavnath Maharaj
Shri Mangalnath Maharaj
He has eight disciples, They along with Matsyendranath are called as Navanathas.
Machindranath Temples
Toyu (white) Machindranath temple in Kathmandu.
Macchendranath Guru Peeth in Sri Guru Parashakthi Kshethra, Madyar, Mangalore.
Hyangu (red) Machindranath temple in Patan
Vishwayogi Swami Machindranath Mandir, Mitmita, Aurangabad The samadhi place of Machindranath is in Ujjain, Madhya Pradesh(India).
Mayamba Temple ( Garbhagiri Pravat as mentioned in Navnath Grantha) at Shri Kshetra Machindranath Devasthan at Sawargaon, Tal: Ashti, Dist: Beed.
Definition - What does Matsyendranath mean?
Matsyendranath, born in Bengal around the 10th century C.E., was a medevial Indian sage, revered by both Hindus and Buddhists. He is considered one of the first Hatha yogis, having number of disciples including Goraksha, who was a driving force in establishing Hatha yoga as a cultural element. Matsyendranath and Goraksha are traditionally accepted as founders of Hatha yoga and authors of some of its earliest texts.
Matsyendranath is also the namesake for Matsyendrasana (half lord of the fishes pose), which is one of the few poses described in the "Hatha Yoga Pradipika."
There are many myths about how Matsyendranath became a realized adept, all of them illustrating the transformational possibilities of yoga. Some legends say that as a baby, Matsyendranath was thrown into the ocean because he was born under inauspicious stars. He was then swallowed by a fish where he lived for 12 years. He began to practice yoga sadhana inside the fish's belly after overhearing Lord Shiva imparting the secrets of yoga to his consort at the bottom of the ocean. After 12 years, he finally emerged as an enlightened siddha. This story is the origin for his name, lord of the fishes. Another myth states that Matsyendranath was born as a fish and turned into a siddha by Shiva.
Matsyendranath is credited with composing some of the earliest texts on Hatha yoga in Sanskrit in the 11th century, such as the "Matsyendrasanhita" (a collection of mantras and hymns) and the "Kaulajnananirnaya" (discussion of the knowledge pertaining to the Kaula tradition).
संत मत्स्येंद्रनाथ की जीवनी | Biography of Saint Matsyendranath in HindiArticle shared by : 
संत मत्स्येंद्रनाथ की जीवनी
मत्स्येन्द्रनाथ का भगवान् शंकर के भक्तों में विशिष्ट स्थान है । समस्त मानव जगत में शिव भक्ति का अलख जगाने वाले मत्स्येन्द्रनाथ की जन्मकथा अत्यन्त चमत्कारिक है । एक बार भगवान् शंकर समुद्र तट पर विचरण करते हुए पार्वतीजी को एक अमर कथा सुना रहे थे ।
कथा सुनते-सुनते पार्वतीजी को एक झपकी-सी आ गयी । कथा सुनने के पश्चात् हुंकारा देने का जो कार्य पार्वतीजी को करना था, वह कार्य एक अण्डे से निकले तोते ने कर दिया । उसी समय महादेवजी ने देखा कि एक विशालकाय मत्स्य बालक को निगल गया था । भगवान ने मन्त्र प्रयोग कर उस मत्स्य को जल से बाहर बुलाया ।
तभी वह रूपवान बालक उस मत्स्य के मुख से निकलकर देवी पार्वती और भगवान् शिव के चरणों में जा गिरा । महादेवजी ने पार्वती से कहा कि यह तो तुम्हारा पुत्र है । तुम इसका लालन-पालन करो । पार्वती ने उस बालक को अत्यन्त प्रेमपूर्वक गोद में उठाकर कहा: “जगत में तुम्हारा यश विख्यात होगा ।” ऐसा करके शंकर-पार्वती अन्तर्ध्यान हो गये ।
बालक समुद्र तट के रास्ते कामाक्षा देवी के स्थान जा पहुंचा । वहां देवी को प्रसन्न कर वर प्राप्त करते हुए बद्रीकाश्रम पहुंचा । वहां पर शंकर-पार्वती की कठोर तपस्या केवल वायु का आहार लेकर करने लगा । इन बारह वर्षो में उसका शरीर पूरी तरह से सूख गया । महादेवजी उसकी तपस्या पूर्ण करने के उपरान्त उसे वर देने चले आये ।
उसने भगवान् शिव से कहा कि: ”आप अपना स्वरूप मुझे प्रदान करें ।” शंकरजी ने तथास्तु कहा । इस तरह महादेवजी ने कुण्डल आदि पहनाकर बालक का नाम मत्स्येन्द्रनाथ रखा । वह शिव भक्ति का प्रचार करता हुआ जगन्नाथपुरी आ पहुंचा ।
Madara Chennaiah
the Dalit Saint of Medieval Karnataka
After the establishment of Anubhava Mantapa by Basaveshvara, a galaxy of enlightened men and women including mystics and seekers of truth came to Kalyana from all parts of India. Among them was Madara Chennaiah, who is said to have come from Tamil Nadu.
Belonging to the Madiga caste, Madara Chennaiah was a stanch devotee of Lord Shiva and actively participated in the discussions at Anubhava Mantapa. To eke out a living he used to work as a cobbler and make sandals for shivasharanas. Basaveshvara had a very high regard for Madara Chennaiah and mentions his name several times in his vachanas (sayings). In one of his vachana Basaveshvara says Madara Chennaiah is his grandfather, in another he says that he was fondled and brought up by his junior uncle Madara Chennaiah and in yet another vachana Basaveshvara says that he is born from the union of the son of a maid servant in the house of Chennaiah and the daughter of a maid servant in the house of Kakkayya and Kudalasangama is the eyewitness to this. All this shows that Madara Chennaiah was an elderly contemporary of Basaveshvara.
Won over the Lord through sincere devotion
According to Harihara’s Madara Chennayyana Mahatme, Madara Chennaiah used to supply fodder to the stables of the Chola King Karikala Chola who was himself a great devotee of Lord Shiva. To bring fodder, Madara Chennaiah used to go to the forest. It is said that after cutting the grass and tying it, he used to go to a secluded spot and meditate upon Shiva. His devotion to Lord Shiva was so intense and pure that the Lord used to accept the gruel offered by Chennaiah as naivedhya (offerings). Once having tasted the gruel offered by Madara Chennaiah, Lord Shiva did not accept the offering of King Karikala Chola which consisted of sumptuous food served in golden dishes. When Karikala asked the reason for not accepting his offerings, Lord Shiva told him that he is full after taking the tasty gruel offered by Madara Chennaiah. Moreover the Lord told him that he was pleased by the sincere devotion of Madara Chennaiah who makes his offering without any ostentation and display. Hearing this Karikala went to the house of Madara Chennaiah and fell at his feet and offered his obeisance to the great Shiva bhakta.
Were there two Madara Chennaiah?
Were there two different persons by the name Madara Chennaiah? This question arises because Karikala Chola to whose stable Madara Chennaiah provided fodder ruled during 2nd century A.D., while Basaveshvara lived during 12th century A.D. and the contemporary Chola rulers of that period were Kulathunga Chola II, Rajaraja Chola II and Rajadhiraja Chola II. Moreover having lived in Tamil Nadu, was it possible for Madara Chennaiah to compose his vachanas in Kannada? Perhaps Madara Chennaiah could have lived in a Kannada speaking territory ruled by a Chola feudatory with the name Karikala before coming to Kalyana. But there is also a possibility of Madara Chennaiah migrating to a place in Tamil Nadu due to the upheavals which followed after the murder of Bijjala II (1167-1168 A.D.), when the shivasharanas became the target of attack. However the Chola ruler at that time was Rajadhiraja Chola II and not Karikala Chola. Having fled Kalyana Madara Chennaiah could have followed the vocation of providing fodder to the stables of the chieftain of the place where he had migrated. Perhaps the episode of Lord Shiva accepting the offering of Madara Chennaiah could have taken place at that time. If this incident had taken place earlier the said chieftain would not have possibly allowed Madara Chennaiah to go to Kalyana given the reverence he had for the latter.
Questioned the futility of flaunting one’s caste
Madara Chennaiah has composed several vachanas which end with the ankitanama (penname), ‘Nijaatmaraama Raamana’. At present only ten of his vachanas are available. In his vachanas Madara Chennaiah spoke about the futility of flaunting one’s caste as superior and says that all humans are born through their mother’s vagina and are composed of flesh and bones. Hence there is no logic in claiming oneself as superior and degrading another as inferior. According to him a person’s pedigree depends upon one’s righteous conduct alone and not on caste. There are only two castes; virtuous or immoral for humans to choose.
Giving the analogy of a glowing lamp, Madara Chennaiah says that a lamp glows when there is a combination of oil, wick and fire; likewise only through the synthesis of action and knowledge can one comprehend the truth. He says that one should be absorbed in the divine even while engaged in one’s profession.
Mariam Thresia Chiramel Mankidiyan
Basic Details
- Born: 26 April 1876 in Puthenchira village, Thrissur district, Kerala, India.
- Died: 8 June 1926 in Kuzhikattussery, Thrissur district, Kerala (aged 50).
- Canonized: 13 October 2019 by Pope Francis in St. Peter’s Square, Vatican City.
- Beatified: 9 April 2000 by Pope John Paul II.
- Religious Identity: Syro-Malabar Catholic (an ancient Eastern Catholic Church in India with roots in the St. Thomas Christian tradition).
- Feast Day: 8 June (some local celebrations mention 6 June).
- Title: Foundress of the Congregation of the Holy Family (CHF).
Family and Social Background
Mariam Thresia was born into the Chiramel Mankidiyan family, a well-known and historically respected Syro-Malabar Catholic family in Puthenchira. The family belonged to the Ollur branch and had produced several priests and nuns. One ancestor had even received a hereditary title (“Tharakan”) for saving the Maharaja of Cochin.
The family was once rich and noble, owning extensive landed property. However, it became financially poor when her grandfather arranged costly dowries for seven daughters and sold much of the land. This led to hardship: her father (Thoma) and brothers turned to drinking to cope with the reduced circumstances.
- Parents: Father – Thoma Chiramel Mankidiyan; Mother – Thanda (from the Mangali family of Thuravoor). Thoma’s first wife had died in childbirth; Thanda was his second wife.
- She was the third of five children (two brothers and two sisters).
Important clarification on “low-class”:
The family experienced economic hardship due to excessive dowry expenses, and her childhood home had problems with alcoholism. However, the Chiramel Mankidiyan family was not a low-class, backward, or SC/ST community. It was a traditional, land-owning, upper/middle-level Syro-Malabar Catholic family with a respected social standing in Kerala’s Christian community. In the Indian context, Syro-Malabar Christians (St. Thomas Christians) are generally not classified under Scheduled Castes (SC) or Scheduled Tribes (ST). They form part of Kerala’s ancient Christian communities, often considered forward or general category in social terms.
Life and Spiritual Journey
From a young age, Thresia showed deep piety, prayerfulness, and mystical experiences (visions, ecstasies, and later the stigmata — the wounds of Christ — which she kept hidden). She had only elementary schooling but displayed great wisdom.
She felt a strong call to religious life and service. In her late 20s, she began apostolic work with poor families — visiting homes affected by alcoholism, violence, immorality, and poverty. She nursed the sick (including lepers), comforted the lonely, cared for orphans, and helped the marginalized.
She never made distinctions based on caste, creed, or culture and served people compassionately across all backgrounds, including the poor and Dalit converts where needed.
In 1913–1914, with three companions and the bishop’s permission, she started a small community focused on prayer and service. This grew into the Congregation of the Holy Family (CHF), officially founded on 14 May 1914. The congregation’s charism centers on:
- Family apostolate (strengthening Christian families)
- Care for the poor, sick, elderly, and orphans
- Education and social service
She lived a life of austere penance, deep prayer, and active charity despite opposition and personal suffering.
Mystical Experiences
Mariam Thresia was a mystic who experienced:
- Frequent visions of Jesus, Mary, and saints
- Levitation during prayer
- Stigmata
- A “dark night of the soul” and spiritual trials
- The gift of prophecy and healing
Death and Canonization
She suffered from diabetes and died from complications of a leg wound (caused by a falling object) on 8 June 1926. Her final words reflected her deep faith in the Holy Family.
Her cause for sainthood advanced due to her heroic virtue and reported miracles. She was canonized in 2019 as one of India’s modern saints, highlighting the rich spiritual heritage of Kerala’s Syro-Malabar Church.
Legacy
- She is especially venerated as the Patroness of Families and an apostle of family holiness.
- The Congregation of the Holy Family (CHF) continues her mission today with thousands of sisters working in education, healthcare, and social service in India and abroad.
- Her shrine and museum are in Puthenchira and Kuzhikattussery, Kerala.
- She is remembered as a social reformer who worked for the upliftment of families and the poor in a time when women’s public apostolic work was not common.
Correction to the Description You Provided
- Not “low-class”: The family was historically respected and land-owning, though it faced temporary poverty due to dowry expenses.
- Served the marginalized: Yes — she helped the poor, sick, orphans, and families in distress without distinction of caste or creed, including Dalit converts where present. However, her primary focus was family apostolate and holistic service to suffering families.
- Feast day: Correctly 8 June (not October 8).
- She was a visionary mystic and foundress, not merely a “visionary nun.”
In short, Saint Mariam Thresia came from a traditional, once-prosperous Syro-Malabar Catholic family in Kerala. She overcame family difficulties and societal challenges through deep faith, becoming a pioneer in family ministry and service to the poor. Her life exemplifies charity, mysticism, and dedication to the Holy Family.
Saint Martin de Porres
Saint Martin de Porres (full name: Martín de Porras Velázquez, also known as Martin of Charity or Saint of the Broom) was a Peruvian lay brother of the Dominican Order. He is one of the most beloved saints of the Americas, recognized for his extraordinary humility, charity, healing abilities, and devotion to the poor and sick.
He is often called the first Black saint of the Americas and is a powerful symbol of racial harmony and social justice.
Early Life and Family Background
- Born: December 9, 1579, in Lima, Viceroyalty of Peru (Spanish Empire, present-day Peru).
Parents:
- Father: Don Juan de Porres (or Porras) y de la Peña — a Spanish nobleman and knight from Burgos, Spain.
- Mother: Ana (or Anna) Velázquez — a freed slave from Panama, of African descent (possibly with some Indigenous/Native Peruvian ancestry as well).
- Martin was illegitimate (his parents never married). He and his younger sister Juana inherited their mother’s dark complexion and features, which led to social stigma in the racially stratified colonial society.
- His father initially abandoned the family when Martin was very young (some sources say shortly after his sister’s birth). The family lived in deep poverty; his mother supported them by taking in laundry.
- Around age 8, his father returned and acknowledged the children (publicly identifying them as “mulatto”), providing some support and later apprenticing Martin to a barber-surgeon.
- At age 12, Martin began training as a barber-surgeon (a common profession then that included bloodletting, wound care, and basic medicine). He quickly became skilled and compassionate in this work.
He faced discrimination and ridicule throughout his life due to his mixed-race heritage and illegitimate birth, yet he responded with profound humility and love.
Religious Life
- At age 15, Martin began volunteering at the Dominican priory (Convento de Santo Domingo) in Lima. He worked in the kitchen, laundry, and infirmary, caring for the sick.
- In 1601, he became a donado (a lay volunteer or oblate) living with the community.
- Despite colonial laws and racial prejudices that often barred people of African or mixed descent from full religious profession, the Dominicans made an exception due to his exceptional virtue.
- In 1610, he was allowed to profess as a lay brother (not a priest) in the Dominican Order. He took the habit and lived a life of strict poverty, fasting, prayer, and penance.
- He served humbly for decades: sweeping floors (hence the nickname “Saint of the Broom”), nursing the sick (including those with contagious diseases like plague), feeding the hungry, and caring for animals. He also founded an orphanage and a children’s hospital.
- When the convent faced financial debt, he famously offered: “I am only a poor mulatto, sell me” to help raise funds.
Miracles and Spiritual Gifts
Martin was known for many extraordinary phenomena reported during and after his life:
- Healing the sick instantly.
- Bilocation (being in two places at once).
- Levitation during prayer.
- Miraculous knowledge of distant events.
- Ability to communicate with and tame animals (he is often depicted with a dog, cat, bird, and mouse eating peacefully together).
- Ecstasies and visions.
He treated everyone equally — rich or poor, Black, Indigenous, Spanish, or mixed — and showed special compassion to the marginalized.
Death and Funeral
- He suffered a long illness (likely malaria or similar) in his final year.
- Died: November 3, 1639, at age 59–60 in Lima.
- His death caused great mourning. The funeral was attended by high-ranking officials, including the Archbishop and viceroy. Many miracles were reported at his tomb shortly afterward.
Canonization and Legacy
- Beatified: October 29, 1837, by Pope Gregory XVI.
- Canonized: May 6, 1962, by Pope John XXIII (one of the first major acts of his papacy). He became the first person of African descent from the Americas to be declared a saint.
- Feast Day: November 3 (in the Catholic calendar; also observed in the Anglican Communion).
Patron Saint of:
- People of mixed race / multiracial backgrounds
- Racial harmony and social justice
- Black people (in some contexts)
- Barbers, hair stylists, and public health workers
- Innkeepers
- The poor
- Animals
- Public schools and education
- Peru and several dioceses
He is widely venerated in Latin America, especially Peru, and among African diaspora communities. Churches, schools, and hospitals are named after him worldwide. He is often depicted in art as a mixed-race Dominican brother holding a broom, a crucifix, and surrounded by animals.
Connection to Your Previous Questions
Martin de Porres has no direct connection to April 16 (unlike Adwaita Mallabarman’s death on 16 April 1951 or Dr. Dukhan Ram’s death on 16 April 1990). His key dates are December 9 (birth) and November 3 (death and feast day).
Like the other saints you’ve asked about recently:
- Thea Bowman (African American, faced racial discrimination in the U.S.)
- Charles Lwanga (Ugandan, martyred for faith)
- Kateri Tekakwitha (Mohawk Native American, faced cultural persecution)
- Josephine Bakhita (Sudanese, survivor of brutal slavery)
Martin’s challenges stemmed from colonial racial hierarchies and illegitimacy in 16th–17th century Peru. He came from a mixed heritage (Spanish father + African/possibly Indigenous mother) and experienced poverty and prejudice, but rose to sainthood through humble service rather than any formal “low class” or disadvantaged caste status in the Indian SC/ST sense.
His life beautifully illustrates overcoming societal barriers through faith, charity, and equality — themes that resonate across many of the figures you’ve explored.
Matang Rishi
Here is a comprehensive overview of Rishi Matanga (मतंग ऋषि), a revered sage from ancient Indian scriptures known for his profound tapasya (penance), his role as the guru of Shabari, and his foundational contributions to Indian music.
👤 Who Was Rishi Matanga?
Rishi Matanga is a prominent figure in Hindu scriptures, most notably the Ramayana, but he is also a significant historical figure in the development of Indian classical music. He is distinct from another sage named Matanga mentioned in the Mahabharata .
AspectDetailsAssociated Era Treta Yuga (Ramayana era)
Famous Disciple Shabari - the devoted hunter woman
Associated Place Rishyamukha Mountain, near Pampa Lake (modern-day Hampi, Karnataka)
Ashram Location Near Pampa Sarovar, in the region of Kishkindha
Role in Ramayana Guru of Shabari; the curse on King Bali that protected Sugriva
Contribution to Music Authored Brihaddeshi (c. 6th-9th century CE), the first text to define Raga
Other Names/Assoc. Known as Matanga Muni; associated with Kinnari Veena (a musical instrument)
🧘♂️ Life and Legends: The Sage of Ramayana
Rishi Matanga's story is deeply woven into the narrative of the Ramayana. He is most famous for his extraordinary penance and his relationship with his disciple, Shabari.
The Curse on Bali
One of the most pivotal acts of Rishi Matanga involved the Vanara king Bali. When Bali, in his arrogance, threw the blood-soaked body of the demon Dundubhi towards the Rishyamukha mountain, it polluted the sage's ashram . Enraged by this disrespectful and unholy act, Rishi Matanga cursed Bali: if the king ever set foot on the Rishyamukha mountain, his head would burst into pieces . This curse created a safe haven for Sugriva, who took refuge on that very mountain when Bali pursued him . The Ashram of Miracles
Shabari, who served Rishi Matanga, described his ashram to Lord Rama as a place of great spiritual power .
Eternal Freshness: Flowers offered by the sage remained fresh for thirteen years without wilting .
Ever-flowing Water: The water he used to water the trees never dried up, a testament to the power of his penance .
Conjuring the Seas: When he was too old and weak to travel to sacred rivers, he simply summoned all seven oceans to his ashram for his bath . The Guru of Shabari
Rishi Matanga's most touching legacy is his relationship with Shabari. He accepted the tribal woman as his disciple, demonstrating that spiritual knowledge transcends social boundaries . Before his death, he assured Shabari that Lord Rama would visit the ashram, instructing her to wait for him . This promise sustained Shabari for years until Rama and Lakshmana finally arrived. 🎶 The Scholar of Music: Brihaddeshi
While the Ramayana depicts him as a powerful rishi, Indian music history remembers Rishi Matanga as a revolutionary scholar. He authored the Brihaddeshi, a Sanskrit text written between the 6th and 9th centuries CE .
This work is a landmark in music history for several reasons:
First Definition of Raga: It is the earliest known text to define the term Raga, the melodic framework that is the very soul of Indian classical music .
Marga vs. Desi: It distinguishes between the ancient, rigid classical music (Marga) and regional or folk music (Deshi) .
Introduction of Sargam: The text introduced the notation system using the syllables Sa, Re, Ga, Ma (Sargam) .
Kinnari Veena: He is credited with developing or being a master of the Kinnari Veena, an ancient string instrument . 📖 Scriptural Variations: A Note on his Birth
It is important to note that Hindu scriptures contain different accounts of Rishi Matanga's origins, reflecting different theological perspectives.
Ramayana Account: This is the most popular version, where he is a great sage whose power comes from his own penance.
Skanda Purana Account: One narrative describes him as being born a Chandala (a term for a person of a "low" caste) who, through intense penance, attained the status of a Brahmin Rishi . This story emphasizes the theme of spiritual merit overriding birth. Medara ketayya
Here is a detailed account of Medara Ketayya (also spelled Medara Kethayya), a legendary figure from the folklore of the Medara community in Southern India.
Medara Ketayya's story is recorded in the colonial-era ethnographic volume Castes and Tribes of Southern India as a devotional tale about a poor but charitable couple who were tested by the god Iswara (Shiva) . 📜 Legend of Medara Ketayya
According to the legend preserved in the ethnographic record, the story unfolds as follows :
ElementDescriptionProtagonists Medara Ketayya and his wife
Character Very poor, but charitable
Divine Tester The god Iswara (Shiva)
The Miracle of the Bamboo:
In order to test Ketayya's virtue, the god Iswara magically created grains of gold in large quantities inside the hollow of a bamboo plant.
The Discovery:
Ketayya initially avoided cutting certain bamboos, believing they were full of vermin and therefore useless. Eventually, he came across an ant-hill with a bamboo growing in it. Knowing that bamboos growing on ant-hills would not be attacked by vermin, he decided to cut it down.
The Tragedy:
As he cut the bamboo, he accidentally cut off the head of a Rishi (sage) who was doing penance inside it. Realizing the crime he had committed, he cried out "Siva, Siva."
The Miracle of Hearing:
Remarkably, his wife—who was miles away—heard his cry and immediately knew that he must be in some distress.
🧬 The Medara Community
To understand Medara Ketayya's social standing, it is important to look at the community he represents:
AttributeDetailsCommunity Name Medara (also Meda or Medaru)
Traditional Occupation Basket-making and bamboo work
Social Status Historically considered a low-status / Backward Caste
Geographic Distribution Southern India (primarily Andhra Pradesh, Telangana, Karnataka, Tamil Nadu)
Related Legendary Figures
The same ethnographic source mentions other legendary figures from the Medara community :
FigureLegendMedara Chennayya Said to have fed thousands of people with just a potful of rice
Medara Thodayya (grandson of Chennayya) Practiced basket-making and bathed three times daily. A Brahmin afflicted with leprosy was cured after falling into a ditch of water where Thodayya had bathed
🏛️ Modern Commemoration
Medara Ketayya's legacy continues to be honored in modern times. There is a public park named after him in Ballari, Karnataka:
AttributeDetailsName Medara Ketayya Nagara Udyanavana
Location 1st Cross, Indira Nagar, Ballari, Karnataka 583104, India
Type Urban park (Nagara Udyanavana translates to "City Park")
📝 Summary
Medara Ketayya is a legendary figure representing the Medara (basket-making) community of Southern India, which has historically been considered a disadvantaged or low-status community. His story—recorded in colonial ethnographic literature—depicts a poor but charitable couple tested by the god Shiva, with themes of poverty, devotion, divine testing, and miraculous events. Today, his memory is honored through a public park named after him in Ballari, Karnataka . Maharshi Mehi Paramhans
Maharshi Mehi Paramhans (1885–1986) was a revered Indian saint, mystic, and philosopher in the Sant Mat tradition. He is best known for harmonizing ancient Vedic scriptures with the practical mysticism of saints like Kabir and Guru Nanak, demonstrating that the essence of all spiritual paths is the same . His 101-year life was dedicated to meditation and teaching the "Yoga of Sound" (Surat Shabd Yoga) as the direct route to liberation .
Here is a comprehensive overview of his life and teachings:
👤 Personal Snapshot
AspectDetailsBirth Name Ramanugrah Lal Das
Born 28 April 1885, in Khokhsi Shyam village, Bihar, India
Died 8 June 1986 (aged 101), at Kuppaghat Ashram, Bhagalpur, Bihar
Also Known As Mehi Das, Gurumaharaj
Guru (Master) Baba Devi Sahab of Moradabad
Successor Maharshi Santsevi Paramhans
Headquarters Kuppaghat Ashram, Bhagalpur, Bihar (on the banks of the Ganges)
🧘 The Turning Point: Walking Out of an Exam
Mehi’s spiritual journey began dramatically. On 4 July 1904, while answering an English exam question on the poem "Builders" (which speaks of building one's character), he was overcome with such a powerful wave of vairagya (renunciation) that he stood up, asked the invigilator for permission to leave, and walked out of the examination hall—and out of worldly life for good . 🙏 The Quest for a Guru
Before finding his true master, Mehi sought guidance from three other gurus, but remained unsatisfied until he met Baba Devi Sahab in 1909 .
GuruTradition/PracticeReason for LeavingRam Jha Worship of Shiva/Kali Didn't offer a path to ultimate liberation . Ramanand Swami Dariyapanth (Mantra & Light meditation) Could not teach the secret of the "Quintessential Sound" (Saar Shabd) . Rajendra Nath Singh Disciple of Baba Devi Sahab Initiated Mehi but declared himself not the true Guru; directed Mehi to Baba Devi Sahab . Baba Devi Sahab Sant Mat (Surat Shabd Yoga) The "true Guru" who finally satisfied Mehi's spiritual thirst .
✍️ Major Literary Works
Maharshi Mehi was a prolific writer who sought to bridge the gap between scriptural theology and the experiential poetry of saints. He composed his magnum opus, "Satsang Yoga" (in four parts) , to prove that the Vedas and the saints are in perfect agreement .
Philosophy of Liberation (Moksha Darshan) : The English translation of the fourth part of Satsang Yoga, outlining the practical philosophy of Sant Mat .
Mehi Padavali: A collection of his devotional verses .
Ramcharitmanas Sar Sateek: A commentary on Tulsidas's Ramcharitmanas . 🧘♂️ Core Teachings & Meditation (Sant Mat)
Maharshi Mehi taught that God resides within, not in external rituals . He prescribed a four-stage systematic meditation practice to realize this:
Manas Jap (Repetition): Mentally chanting a sacred mantra given by the Guru to focus the mind .
Manas Dhyan (Concentration): Focusing internally on the form of the Guru or a deity .
Drishti Yoga (Yoga of Light): Concentrating at the "Third Eye" (Til Dwar or Ajna Chakra) to see inner light .
Surat Shabd Yoga (Yoga of Sound): Listening to the inner divine sounds (Anahad Nada or "Unstruck Melody") to rise to higher spiritual realms . 🕊️ Legacy and Modern Recognition
Maharshi Mehi is often called a "Bridge between Hindu Scriptures and Sant Mat" because he used quotes from the Upanishads to validate the experiences of the saints . His legacy is preserved by the "Akhil Bhartiya Santmat Satsang" .
His 141st birth anniversary, for example, was celebrated in Jamalpur, Bihar, with processions, devotional singing, and community meals (langar) . His samadhi (memorial shrine) is located at the Kuppaghat Ashram in Bhagalpur .
I hope this gives you a detailed understanding of Maharshi Mehi Paramhans. Would you like to explore the specific techniques of Surat Shabd Yoga in more detail?
Saint Minanath
Here is a detailed account of Saint Minanath, also widely known as Matsyendranath, the 10th-century saint and yogi who is considered the founder of the Nath Sampradaya and the revivalist of Hatha Yoga .
Saint Minanath (Matsyendranath) is a remarkable figure whose story transcends social barriers. He is revered in both Hindu and Buddhist traditions as a Mahasiddha ("great accomplished one") and as the guru of Gorakhnath . 📜 Biographical Summary
AttributeDetailsAlso Known As Matsyendranath, Macchindranath, Minapa, Luipa
Time Period Early 10th century CE
Birthplace Kamarupa (present-day Assam) or Barisal (Chandradwip), based on varying legends
Community Kaibarta (fisherman) community - historically considered a low/Shudra caste
Spiritual Lineage Received teachings directly from Lord Shiva
Notable Disciples Gorakshanath, Jalandharnath, Kanifnath, Charpatinath
Major Works Kaulajnananirnaya, Akulaviratantra, Matsyendrasamhita
Founder of Nath Sampradaya, Hatha Yoga (as a systematic practice)
Honorific Title Incarnation of Avalokiteshvara (in Nepal/Tibetan Buddhism)
🧬 Community Background: The Fisherman Caste
Saint Minanath was born into a fisherman community (known as Kaibarta in Bengal) . This community was historically considered a low or Shudra caste in the traditional Hindu social hierarchy . The Banglapedia explicitly notes that the Naths, who trace their origin to Matsyendranath, "belong to a low or shudra weaving caste of Bengal" . Tibetan sources also confirm he was "originally belonging to the fisherman caste" .
In the modern Indian context, traditional fishing communities like the Kaibarta are classified as OBC (Other Backward Class) or, in some regions, SC (Scheduled Caste). This background makes Minanath's rise to becoming a revered spiritual master particularly significant, as he emerged from a marginalized section of society.
🐟 The Legend: Birth from a Fish
The name "Minanath" or "Matsyendranath" means "Lord of the Fishes" and is derived from a famous legend explaining his miraculous birth and enlightenment .
The Core Legend:
According to the most popular version, Minanath was born under an inauspicious star, which led his parents to throw the baby into the ocean. There, he was swallowed by a large fish. This fish swam to the bottom of the ocean where Lord Shiva was secretly imparting the secrets of yoga to his consort, Parvati. Unseen, the baby inside the fish overheard the divine teachings. He began to practice yoga sadhana within the fish's belly and after twelve years emerged as an enlightened Siddha .
Variations of the Legend:
Tibetan Version: Describes a fisherman named Mina who was eaten by a fish while working in the Bay of Bengal .
Maharashtra Version: A fisherman couple found a baby inside a fish egg that had been washed ashore. They raised the child, who later renounced his life as a fisherman to become an ascetic .
This legend carries a powerful symbolic message: spiritual attainment transcends the circumstances of birth. A being born in the belly of a fish—the lowest of origins—emerged as the greatest of yogis and the founder of an influential spiritual tradition.
🕉️ Role as Founder of the Nath Sampradaya
Minanath is considered the founder of the Nath Sampradaya (Nath tradition), a Shaiva sub-tradition that combined elements of Shaivism, Buddhism, Tantra, and Hatha Yoga .
AspectDetailsHistorical Role The Nath tradition "began around the 8th or 9th century with a simple fisherman, Matsyendranath"
Key Philosophy Total release of the soul through yoga meditation (Kaya Sadhana - culture of the body)
Caste Rejection The Nath Sampradaya does not recognize caste barriers; its teachings were adopted by outcasts and kings alike
Navnath Minanath is the first of the Navnath (nine masters), with Gorakhnath being the second
The Nath tradition's inclusive philosophy is a direct reflection of Minanath's own journey—a person from a marginalized community became the spiritual preceptor of kings and sages.
📚 His Works and Contribution to Hatha Yoga
Minanath is credited with composing some of the earliest texts on Hatha Yoga in Sanskrit, dated to the 11th century .
WorkSignificanceKaulajnananirnaya "Discussion of Knowledge Pertaining to the Kaula Tradition" - a foundational Tantric text
Akulaviratantra A key Tantric scripture
Matsyendrasamhita A collection of teachings on yoga and philosophy
Connection to Luipa: In Tibetan and Bengali traditions, Minanath is often identified with Luipa, one of the earliest Siddhacharyas (Buddhist tantric poets) who wrote the oldest known Bengali verses (Caryapada) around the 10th-11th centuries . This has led scholars to conclude that "Luipa and Matsyendra were one and the same person" . 👥 His Disciples and Legacy
Minanath's most famous disciple is Gorakhnath (also known as Gorakshanath), who systematized the Nath tradition and became the founder of the Kanphata Yogis (an order of ascetics known for their split-earrings) .
The Eight Disciples (Navnath):
Along with Gorakhnath, Minanath is said to have had eight other disciples, including Jalandharnath, Kanifnath, Gahininath, Bhartrinath, Revan Nath, Charpatinath, and Naganath. Together, they are called the Navnath ("nine masters") .
Worship in Nepal:
In Nepal, Minanath is worshipped as the god of rain under the name Machhindranath (or Bunga Dyah). An annual chariot festival (Machhindranath Jatra) is held in Patan to honor him, based on a legend where his presence was required to release rain-causing serpents captured by Gorakhnath . 📝 Conclusion
Saint Minanath (Matsyendranath) was born into a fisherman community—traditionally considered a low or Shudra caste in the Hindu social hierarchy, which in modern India would be classified as a disadvantaged group (OBC/SC). However, his legacy is defined not by his birth but by his spiritual achievements.
His story serves as one of the earliest and most powerful examples in Indian spiritual history of divine grace and spiritual realization transcending the circumstances of birth. As the founder of the Nath Sampradaya—a tradition that explicitly rejected caste barriers—and the revivalist of Hatha Yoga, Minanath remains a towering figure whose influence continues to shape yogic and spiritual traditions across India and Nepal today . Saint Madivala Machideva
Here is a comprehensive overview of Saint Madivala Machideva, a revered 12th-century warrior-saint from Karnataka.
👤 Who Was Saint Madivala Machideva?
AspectDetailsAlso Known As Veera Ganachari Madivala Machideva, Machideva, Machaiyya
Born Divara Hipparagi village, Sindagi Taluk, Vijayapura District, Karnataka
Time Period 12th century CE (reigned approx. 1120-1130 AD)
Parents Parvatappa (father) and Sujnani (mother)
Spouse Mahamane (also known as Malligemma/Malligauvva)
Occupation Dhobi (washerman)
Religion Lingayatism (Veerashaiva)
Contemporary Guru Basaveshwara, Allama Prabhu
📜 The Divine Origin: A Curse from Shiva
According to puranic legends, Machideva was no ordinary man but an incarnation of Veerabhadra, the fierce warrior-god created by Lord Shiva .
The story goes that after Veerabhadra destroyed Daksha's yagna on Shiva's command, he arrived in Shiva's court with blood stains on his clothes. When Shiva pointed out that this had defiled the assembly, he declared that Veerabhadra must be born on Earth as a washerman (Madivala) to cleanse the clothes of devotees and atone for his sin .
Thus, Machideva was born into a Madivala family and dedicated his life to the philosophy of Kayaka (sacred work)—the belief that one's occupation, when performed with devotion, is a form of worship . ⚔️ The Warrior Who Saved Sacred Manuscripts
Machideva is most celebrated for his bravery during the Kalyana Kranti (Kalyana Revolution)—a period of intense social upheaval in the 12th century.
The context: Under the patronage of King Bijjala, the Lingayat saint Basavanna had established the Anubhava Mantapa, a spiritual parliament promoting social equality. However, when an inter-caste marriage was permitted between a Brahmin girl and a boy from the "lower" castes, orthodox Brahmins pressured King Bijjala. The king ordered the execution of the families involved and commanded all Lingayat saints to leave Kalyana .
In this chaos, King Bijjala's army sought to destroy the precious Vachana manuscripts—spiritual poems containing the teachings of Basavanna and other Sharanas (devotees) .
Machideva rose as the protector: He fought valiantly against Bijjala's army, rescued the manuscripts, and transported them safely from Basava Kalyana to Ulavi (in present-day Karwar district) . He led a brigade of Sharanas including Chenna Basavanna, Akka Nagamma, and others, losing many companions along the way . 🧺 The Washerman Who Defied a King
Several legendary stories highlight Machideva's unwavering principles and divine powers:
The Test of Faith: Once, Lord Shiva disguised as a wandering monk (Jangama) asked Machideva to wash his clothes on his wife's chest. Without hesitation, Machideva agreed, trusting his customer as a form of God. His wife Malligemma tore her heart to provide the blood for washing. Pleased with this supreme sacrifice, Shiva appeared in his true form and blessed them both .
The King's Arrogance: When King Bijjala arrogantly asked Basavanna to wash his royal clothes, Basavanna directed him to Machideva. Seeing the king's ego, Machideva made the cloth knot burn instantly. Enraged, Bijjala sent blind and lame soldiers to capture him—but Machideva miraculously gave them sight and legs. When Bijjala released a drunk elephant to crush him, Machideva defeated the elephant as well. The king eventually realized his mistake and surrendered . 📝 His Literary and Spiritual Legacy
Machideva composed 345 Vachanas (devotional poems), all bearing the signature "Kalidevaradeva" . These poems emphasize:
The dignity of labor (Kayaka): He famously declared "Kingship is not above - Agasatan is not below" —meaning no occupation is superior or inferior .
Social equality: He refused to wash clothes of the lazy, corrupt, or those who exploited the poor .
Devotion through work: He taught that sincere work performed as an offering to God is the highest form of worship.
🏛️ Modern Recognition
Today, Saint Madivala Machideva is honored in several ways:
Madivala Machideva Jayanti is celebrated annually on February 1st or May 1st across Karnataka .
Madivala (Madiwala) locality in Bengaluru is named after him, featuring a statue, a road, and a flyover in his honor .
Madivala Mutt continues his spiritual legacy, with Basava Machideva Swamiji as a present-day pontiff .
His life remains a powerful symbol of how a person from a humble background—a washerman—became a great warrior, saint, and protector of sacred literature through courage, faith, and unwavering principles.
Maharishi Shambook

Burnaby :( Ambedkartimes.com News Bureau):- The Maharishi Shambook Memorial Day was observed on Sunday, November 11, 2007 by Chetna Association of Canada. The function was held at the Dr. Ambedkar Memorial Hall Gilley AVE Burnaby. The painting (by Artist Shital Anmol) depicting Rama in anger at Maharishi Shambook just prior tp killing him was unveiled by Chanchal Mall of Golden, BC. After viewing the film Teesari Azadi, several participants discussed the importance of hosting events with the ultimate goal of creating caste-free societies. Participants also appreciated Maharishi Valmiki Ji for giving a granth that gives a true picture of the Ram Raj- a raj that served imnterests of only the upper classes.
The oldest mention of Shambuka occurs in the Ramayana of Valmiki. It is found in the last book of the epic Uttara Kanda which is believed a later addition to Ramayana as it contains many later social issues like casteism, Sita's abandonment etc. After Lord Rama returns to Ayodhya and is crowned the king of Ayodhya.
One citizen of the Republic of Kosalas, an old Brahmin, is waiting in front of the gate of the Rama's palace cuddling the dead body of his fourteen-year-old only son. He is cursing Rama and Rama-Rajya and threatening to kill himself if Rama did not bring back to life his son, and thus emburden Rama with the sin of 'brahma-hatya'.
(सीता-परित्याग के बाद एक दिन, एक वृद्ध ब्राह्मण एक मृत बालक को ले आता है। श्रीराम के प्रासाद के सामने वह बहुत विलाप करता है। अपने बेटे की अकाल मृत्यु का कारण राजा का ही कोई दोष बताता है )
नेदृशं दृष्टपूर्वं मे श्रुतं वा घोरदर्शनम्।
मृत्युरप्राप्तकालानां रामस्य विषये यथा।।
रामस्य दृष्कृतं किंचिन्महदस्ति न संशय:।
राजद्वारि मरिष्यामि पत्न्या सार्धमनाथवत्।
ब्राह्महत्यां ततो राम समुपेत्यु सुखी भव।।
राजदोषैर्विपद्यन्ते प्रजा ह्यविधिपालिता:।
असद्वृत्ते तु नृपतावकाले म्रियते जन:।।
श्रीराम मन्त्रिपरिषद् बुलाकर ब्राह्मण के लगाये अपराध के बारे में प्रश्न करते हैं। नारद एक भाषण देकर यह सिद्ध करते हैं कि शूद्र के तपस्या करने से ही ब्राह्मण की अकाल मृत्यु हुई है।
"Rajan, during the Krita yuga only the Brahmins used to do 'tapa'. During Treta yuga the Ksatriyas started doing it along with the Brahmins. In the present Dwapar yuga even the Vaishyas are also doing the 'tapascharya'. But it is great 'adharma' - sacrilege - when the Shudras start doing it. In your kingdom some unwise Shudra is doing 'tapascharya'. That is the reason of this 'baal-vadha'. You remove this misdeed. Then the religion and the 'dwija--varna' would progress, and this Brahmin child will become alive again". [Uttar-kand, sarga 74]
Thus the maha-brahmanas in Rama's court, like Vashishtha etc. indicted the Shudra 'tapaswi' - very much .
Rama calls the "Pushpak viman, who comes, salutes and stands aside. Rama rides on his shoulder and goes alone in search of the Shudra Tapas. He goes towards the South, the direction of death or of Shudras, who are called as 'cremation ground' by the Dharma-shastras. To the south, on the bank of a lake on the mount of 'Shaivala', there was found a Tapasi hanging himself up side down and performing deep 'tapascharya'.
Rama got down from Pushpaka and went near him. He praised the 'tapashya' of the Tapas and asked him his 'varna'. The Tapas replied that to obtain god-hood and enter heaven with the body, he is doing the tapascharya and that he was a Shudra and his name was Shambuka. That was enough inquiry for Rama. He removed his 'Vimal' sword from the scabbard and separated the hanging head of the Tapas from his body. All the devas in the heaven applauded with cheers and flowers. Why were the gods happy? They said to Rama, "Raghunandana, it is because of you that this Shudra who was entitled for heaven, is prevented from coming here." [7.76.8] The rebel Shudra was unwanted even for the devas, who themselves had the system of 'chaurvarna' among them.
Rama asks a boon from the devas to make alive the son of the Brahmin. They tell him that the moment you killed the Shudra Tapas, the boy has become alive. Ramayana does not say whether actually the son of the Brahmin became alive or not. It also does not mention the names of the Brahmin son and father for whom all these events took place
The Imperial Gazetteer emphasizes the religious influence of the two great epics; in addition, the Imperial Gazetteer provides a summary discussion of the Ramayana's plot.
Ralph Griffith's translation (1870-74) of the Valmiki Ramayana is now available online, but it doesn't include the final book that contains the story of the killing of Shambuka. The killing of Shambuka appears in the Valmiki Ramayana, Book 7, the 'Uttarakanda' [Final Chapter], sargas 73-76. Three scene-setting sargas are paraphrased, and then the crucial one is presented in full: (73) When Rama is reigning as a virtuous king, a humble aged Brahmin comes to him, weeping, with his dead son in his arms. He says that Rama must have committed some sin, or else his son would not have died.(74)
The sage Narada explains to Rama that a Shudra is practicing penances, and this is the cause of the child's death. (75) Rama goes on a tour of inspection in his flying chariot, and finds an ascetic doing austerities, and asks who he is. "(76) Hearing the [inquiring] words of Rama of imperishable exploits, that ascetic, his head still hanging downwards [as part of his austerities] answered:— 'O Rama, I was born of a Shudra alliance and I am performing this rigorous penance in order to acquire the status of a God in this body. I am not telling a lie, O Rama, I wish to attain the Celestial Region. Know that I am a Shudra and my name is Shambuka.' As he was yet speaking, Raghava [Rama], drawing his brilliant and stainless sword from its scabbard, cut off his head. The Shudra being slain, all the Gods and their leaders with Agni's followers, cried out, 'Well done! Well done!' overwhelming Rama with praise, and a rain of celestial flowers of divine fragrance fell on all sides, scattered by Vayu. In their supreme satisfaction, the Gods said to that hero, Rama:— 'Thou hast protected the interests of the Gods, O Highly Intelligent Prince, now ask a boon, O beloved Offspring of Raghu, Destroyer of Thy Foes. By thy grace, this Shudra will not be able to attain heaven!'" (583-84) The Ramayana of Valmiki trans.
Criticism and apologetics
In the modern context, this incident is quoted often to condemn Rama, the varna system, or both. E.V. Ramasami used this episode to argue that Rama as depicted in the Ramayana was clearly not the benevolent king devotees claimed him to be, and often used depictions of the scene of Shambuka's beheading at rallies.Ambedkar, in contrast, said that to condemn Rama based on this incident was to miss the point. The true point of the story of Shambuka was that it demonstrated the unsustainability of the varna system, and the extent to which its existence depended on the harsh punishment of those who sought to transgress it.
The story of Shambuka was problematic for early Hindu authors. Bhavabhuti (c. 7th century) is clearly uncomfortable with the story in his Uttara Rama Charita,while Kalidasa (c. 4th century) mentions the incident of Shambuka without any comment in his Raghuvamsa.
Later Hindu authors adopt various means to explain the reason behind Rama's killing of Shambuka. The Pushtimarg Vaishnavite tradition of Gujarat points out that the Ramayana refers to other Shudras, such as Shabari, who were dear to Rama and meditated without incurring any penalty. It explains Shambuka's death through a backstory, which states that Shamba was an asura in a previous birth, and did penance with the view of attempting to seduce Parvati, the wife of Shiva. He was cursed to be born as Shambuka, a Shudra, and remain so until he was redeemed by Rama. Shambuka therefore deliberately violated dharma in order to get Rama's attention, and attained salvation when he was beheaded.The celebrated Kannada poet Kuvempu, in his play Shudra Tapasvi shows Rama as having to both carry out his duty by punishing Shambuka, and simultaneously protect Shambuka, as a pious and devout sage, from persecution, and thereby turns the story into a critique of Brahminical attitudes and a defence of Rama.
Later propaganda insertion
Many scholars believe that this story was made up to eliminate any threats to the upper-castes.
Some authors also argue that this story of Shamnuka seems false as Lord Rama cared for all human beings and was around peoples from all castes. For example, Maharishi Valmiki, the composer of the original Ramayana is a Bhil Adivasi.Lord Rama with his brother Laxmana also visits Maharishi Matanga's Ashram - an ashram of the Harijan Matanga, a Mang outcaste that became a Brahmana. Also, Lord Rama, while searching for Sita Devi together with His brother Laxmana was offered half-eaten 'ber' from a Bhil tribal devotee - Rama and Laxmana gladly accepted and ate her remnants. Maharishi Narada was a great devotee of Shri Rama and came from a Shudra caste and himself taught Ratnakar or Vailya (yet to become Valmiki) to meditate on the mantra "Rama Rama". Maharishi Vashista was reborn of Urvasi, an Apsara. He was a guru of Lord Rama. Maharishi Parashara, son of a fisherwoman (Matsyakanya-Satyavathi Devi) and narrated the stories of the 10 avatars of Vishnu. Shri Rama and Shri Laxmana also . Lord Rama after all was the "noble that cared for the equality of all."
Scholar Purushottama Candra Jaina writes that this story "is of late origin".
Even many Harijans themselves reject the claim that Rama ever killed any Shambuka. For example, Harijan members of the Ramnami Vaishnava sect claim that this was a later insertion for the upper-castes to assert their superiority. After all, Rama Himself slayed Ravana (a Brahmin). However, Dravidian movements hold the position that Lord Rama murdered shambuka to reinstate the apartheid varna system, which is an important feature of Hindu Dharma.
References:
Government of (in Gujarati) (Ahmedabad, 1961).
'M. Raghava, "The king and the protector of the devout" The Hindu (October 26, 2004). Maharishi Vashista
P. 16 Labour in Ancient India By Purushottama Candra Jaina
Maharashtra, Nasik District Gazeteer: History - Ancient Period (text credited to Mahamahopadhyaya Dr. V. V. Mirashi)
Countercurrents, "Periyar's movement" (June 28, 2003).
B.R. Ambedkar, Annihilation of Caste with A Reply to Mahatma Gandhi (1936)
David Shulman, "Bhavabhuti on Cruelty and Compassion" in Questioning Ramayanas: A South Asian Tradition (edited by Paula Richman). University of California Press. 2001. ISBN 0520220749. pp. 49-82.
Motiramji Sastri, Ramayan P. 196 Rapt in the Name By Ramdas Lamb
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सर्वप्रथम शम्बूक कथा का वर्णन वाल्मीकि रामायण में उत्तर कांड के 73-76 सर्ग में मिलता हैं।
शम्बूक वध की कथा इस प्रकार हैं-
एक दिन एक ब्राह्मण का इकलौता बेटा मर गया। उस ब्राह्मण ने लड़के के शव को लाकर राजद्वार पर डाल दिया और विलाप करने लगा। उसका आरोप था की बालक की अकाल मृत्यु का कारण राज का कोई दुष्कृत्य हैं। ऋषि- मुनियों की परिषद् ने इस पर विचार करके निर्णय दिया की राज्य में कहीं कोई अनधिकारी तप कर रहा हैं। रामचंद्र जी ने इस विषय पर विचार करने के लिए मंत्रियों को बुलाया। नारद जी ने उस सभा में कहा- राजन! द्वापर में भी शुद्र का तप में प्रवत होना महान अधर्म हैं (फिर त्रेता में तो उसके तप में प्रवत होने का प्रश्न ही नहीं उठता?)। निश्चय ही आपके राज्य की सीमा में कोई खोटी बुद्धिवाला शुद्र तपस्या कर रहा हैं। उसी के कारण बालक की मृत्यु हुई हैं। अत: आप अपने राज्य में खोज कीजिये और जहाँ कोई दुष्ट कर्म होता दिखाई दे वहाँ उसे रोकने का यतन कीजिये। यह सुनते ही रामचन्द्र जी पुष्पक विमान पर सवार होकर शुम्बुक की खोज में निकल पड़े और दक्षिण दिशा में शैवल पर्वत के उत्तर भाग में एक सरोवर पर तपस्या करते हुए एक तपस्वी मिल गया जो पेड़ से उल्टा लटक कर तपस्या कर रहा था।
उसे देखकर श्री रघुनाथ जी उग्र तप करते हुए उस तपस्वी के पास जाकर बोले- “उत्तम तप का पालन करते हए तापस! तुम धन्य हो। तपस्या में बड़े- चढ़े , सुदृढ़ पराक्रमी पुरुष! तुम किस जाति में उत्पन्न हुए हो? मैं दशरथ कुमार राम तुम्हारा परिचय जानने के लिए ये बातें पूछ रहा हूँ। तुम्हें किस वस्तु के पाने की इच्छा हैं? तपस्या द्वारा संतुष्ट हुए इष्टदेव से तुम कौन सा वर पाना चाहते हो- स्वर्ग या कोई दूसरी वस्तु? कौन सा ऐसा पदार्थ हैं जिसे पाने के लिए तुम ऐसी कठोर तपस्या कर रहे हो जो दूसरों के लिए दुर्लभ हैं?
तापस! जिस वस्तु के लिए तुम तपस्या में लगे हो, उसे मैं सुनना चाहता हूँ। इसके सिवा यह भी बताओ की तुम ब्राह्मण हो या अजेय क्षत्रिय? तीसरे वर्ण के वैश्य हो या शुद्र हो?”
कलेश रहित कर्म करने वाले भगवान् राम का यह वचन सुनकर नीचे मस्तक करके लटका हुआ वह तपस्वी बोला – हे श्री राम ! मैं झूठ नहीं बोलूँगा। देव लोक को पाने की इच्छा से ही तपस्या में लगा हूँ। मुझे शुद्र जानिए। मेरा नाम शम्बूक हैं।
वह इस प्रकार कह ही रहा था की रामचन्द्र जी ने म्यान से चमचमाती तलवार निकाली और उसका सर काटकर फेंक दिया।
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शंबूक पौराणिक कथा के अनुसार एक शूद्र व्यक्ति, जिसने देवत्व एवं स्वर्ग प्राप्ति के लिए विंध्याचल के अंगभूत शैवल नामक पर्वत पर घोर तप किया था। किंतु शूद्र धर्म त्याग कर तप करने से एक ब्राह्मण पुत्र की असामयिक मृत्य हो गई। अत: राम ने उसका वध किया; तब ब्राह्मणपुत्र जीवित हो गया।
कथा
एक बार एक ब्राह्मण राम के द्वार पर पहुँचा। उसके हाथ में उसके पुत्र का शव था। वह रो-रोककर कह रहा था कि- "राम के राज्य में मेरा बेटा अकाल मृत्यु को प्राप्त हुआ है। निश्चय ही कोई पाप हो रहा है।" राम बहुत चिंतित थे। तभी नारद ने आकर बतलाया- "हे राम! सतयुग में केवल ब्राह्मण तपस्या करते थे। त्रेता युग में दृढ़ काया वाले क्षत्रिय भी तपस्या करने लगे। उस समय अधर्म ने अपना एक पांव पृथ्वी पर रखा था। सतयुग में लोगों की आयु अपरिमित थी, त्रेता युग में वह परिमित हो गई। द्वापर युग में अधर्म ने अपना दूसरा पांव भी पृथ्वी पर रखा। इससे वैश्य भी तपस्या करने लगे। द्वापर में शूद्रों का यज्ञ करना वर्जित है। निश्चय ही इस समय कोई शूद्र तपस्या कर रहा है, अत: इस बालक की अकाल मृत्यु हो गई।"
नारद के मुख से यह सुनकर शव की सुरक्षा का प्रबन्ध कर राम ने पुष्पक विमान का स्मरण किया, फिर उसमें बैठकर वे चारों दिशाओं में तपस्यारत शूद्र को खोजने लगे। दक्षिण में शैवल नाम के एक पर्वत पर सरोवर के किनारे एक व्यक्ति उलटा लटककर तपस्या कर रहा था। राम ने उसका परिचय पूछा। उसका नाम शंबूक था। वह शूद्र योनि में जन्म लेकर भी देवलोक प्राप्ति की इच्छा से तप कर रहा था। राम ने उसे मार डाला और ब्राह्मण का पुत्र जीवित हो उठा।
Matangi bhikkuni
Here is a comprehensive overview of Matangi Bhikkhuni (also known as Prakriti or Chandalika), one of the earliest known women from an "untouchable" background to join the Buddhist Sangha as a nun.
👤 Personal Snapshot
AspectDetailsAlso Known As Prakriti, Pakati, Chandalika
Time Period c. 560–480 B.C.E. (contemporary of the Buddha)
Community/Caste Matanga (also referred to as Chandala) – considered an "outcaste" or "untouchable" in ancient India
Role One of the earliest Bhikkhunis (Buddhist nuns)
Encounter with Ananda – the Buddha's closest disciple
🧬 Understanding Her Social Background
Matangi Bhikkhuni's story is significant precisely because of her origins in a marginalized community:
Born into the Matanga Caste: She was born into the Matanga (or Matang) caste. Historically, the term "Matanga" was synonymous with Chandala, which refers to a person of the lowest caste, an outcast . In the social hierarchy of ancient India, this community was subjected to "untouchability."
Forced to Live on the Periphery: As a Matang woman, her fundamental humanity had always been shunned. She was not permitted to approach higher-caste individuals or share water with them, reflecting the deep-seated social discrimination of the time .
Modern Context: In modern Indian terms, the Matanga/Chandala community would be recognized as a Scheduled Caste (SC) . 💧 The Story of Her Conversion
Her story is central to understanding the Buddhist rejection of caste . The Encounter with Ananda
One day, Ananda, a close disciple of the Buddha, was walking through her neighborhood. Thirsty, he approached Matangi, who was drawing water from a well, and asked for a drink .
Matangi was terrified and fearful. She knew the social rules of her time and said, "I cannot give you water. Do you not see that I am from an untouchable caste?"
Ananda replied calmly, "I did not ask you for your caste — I asked you for water to drink" . A First Experience of Equality
This simple request was entirely new to her. She couldn't believe someone thought it fine to drink water from her hands. This unusual reception of her humanity—her first experience of equality—was profound and caused her to fall in love with Ananda . As he was a celibate monk, he led her to the Buddha. From Desire to Enlightenment
After spending time in the presence of the Buddha and learning about Buddhism, she realized that her love for Ananda was, in fact, a reflection of a deeper love for existential equity. She then asked the Buddha to allow her to join the Sangha as a bhikkhuni. The Buddha welcomed her into the fold, and at this moment, she is said to have become one of the earliest bhikkhunis of the Sangha .
🏛️ Defending Equality in the Sangha
Her induction into the monastic order was not without controversy. The historical records note that a protest was staged by some of the once-Brahmin and Kshatriya members of the Sangha .
They argued: "Lord, a Brahmin and a Chandala (untouchable) cannot worship together! They cannot even share space together!"
The Buddha's reply forms the philosophical bedrock of the Buddhist rejection of caste :
"The Brahmin is not born of friction between pieces of dry wood, he does not descend from the sky or the wind and does not arise piercing the earth. A Brahmin is born from a womb just as a Chandala is. Nature itself contradicts the assumptions of inequalities between people. She shall stay and she shall serve the Sangha!"
✨ Her Legacy
AspectDetailsIn Buddhist Scriptures Her story appears in both Hinayana and Mahayana Buddhist scriptures, specifically the Śārdūlakarṇāvadāna in the Divyāvadāna
In Modern Literature Her story has been retold by Thich Nhat Hanh (Old Path White Cloud) and Rabindranath Tagore (Chandalika)
Symbolic Meaning In Mahayana tradition, Matangi's daughter is an allegorical figure representing the journey from desire and attachment to enlightenment through wisdom
Historical Significance She documents the fortitude of early "untouchable" women and the possibilities that new, revolutionary faiths like Buddhism offered to change the lives of the oppressed
Matangi Bhikkhuni's story remains a powerful testament to the Buddha's radical teaching that spiritual worth is determined by actions and character, not by birth. Her life demonstrates how Buddhism offered a path to liberation that transcended the rigid social hierarchies of ancient India.
Nayakanahatti Thipperudra Swam
y From Wikipedia, the free encyclopedia
Nayakanahatti Thipperudra Swamy, (c. 15th or 16th century), also referred as Tippeswamy,Thippeswamy or Thippeswami, was an Indian Hindu spiritual Guru, and social reformer. He is revered by both his Hindu and Muslim devotees.
He preached that Kayakave Kailasa (Work is worship) and that Madidastu Needu Bhikshe (Your reward will be as per your work).
Birth and Early life
The details of his early life are not clearly documented. Though there are several legends and references to his origins and early life before arrival at Nayakanahatti (also spelled as Nayakanahatty), they are mostly constrained to oral history.
The date of his birth, place of birth and details of his parents or siblings are not known.
As for the time period of the Guru’s life in Nayakanahatti; the Temple Information System website of the Hindu Religious Institutions & Charitable endowments Department (Government of Karnataka) mentions a rough time period between the 15th and the 16th century, possibly 1570 - 1646 AD.
Purpose of life
Legend has it that Thipperudraswamy was an incarnation of one of the five Ganadheeswaras (Pancha Ganadheeshwara), who originally spread Shaivism (Worship of Shiva) as they were ordered by Lord Shiva himself. These five Gurus were reincarnated across various places in India at various periods of time, with an intention to spread Shiva Dharma in that specific area.
During Sri Guru Thipperudraswamy’s times, the other four Ganadheeshwaras were reincarnated as Sri Vrishabhendra Swamy of Sarasipur (Kottur), Sri Kolashanteshwara of Arasikere, Sri Kempaiah Swamy of Harapura (Harpanahalli) and Sri Maddanaswamy of Kulahalli.
Thipperudra Swamy’s purpose of life was to spread the word of Dharma and provide guidance and solace to fellow human beings.
The legend behind the origins of his name – Thippeswamy or Thipperudraswamy.
The Guru’s original name was Rudraswamy. During the course of his travels across Southern India, he met one of the other reincarnated Ganadheeshwaras, Sri Kempaiah Swamy, who had forgotten his original purpose of life and was caught up in the mundane pleasures, problems and desires of human life.
With the intent to enlighten Kempaiah Swamy, Rudraswamy sat in meditation on a big mound of refuse and cow dung (referred to as ‘Thippe’ in the local languages). This foul smelling mound was intended to be composted for use as a fertilizer in the fields and such mounds can be seen even today in the fields of rural India.
Since the ‘Thippe’ was along the path that Kempaiah had to take to reach his fields, he could not help but notice the divine looking Sadhu seated on the foul heap of refuse. Slowly other passersby too noticed this Sadhu and began referring to him as ‘Thippe’ swamy – the Swamy who was seated on the mound. Though the locals started to stop by to pay their respects and leave food and other offerings for the meditating Sadhu, he continued to sit in silence for many days, undisturbed by the Sun, the Wind and the Rain.
as to why the Guru was seated on this mound of refuse, when there were plenty of shady trees around or caves in the nearby hills where the Swamy could have meditated.
Rudraswamy then opened his eyes and revealed his identity to Kempaiah. He stated that even though he was seated on the mound of refuse, he was not letting the smell or the dirt affect his senses and he continued with his original purpose of meditating on Shiva.
Kempaiah realized the allegory wherein he had been distracted from his original purpose of life by the pains and pleasures of normal human life and he remembered his true identity and purpose. Eventually Kempaiah Swamy let go of his worldly pursuits and went on to become the Sri Guru Kempaiah Swamy of Harapura (Harpanahalli).
Arrival at Nayakanahatti
Nayakanahatti is a small town located 35 km from the District headquarters, Chitradurga. Its original name was Nishadapura, however it slowly came to be referred as ‘Nayakana Hatti’ – The Leader’s place; after Sri Guru Thipperudraswamy took up residence there.
One of the Guru’s early disciples, a trader named Phaniyappa, requested Thipperudraswamy to visit his town, Nishadapura. When Thipperudraswamy arrived, he wished to stay at the temple of a local deity.
As per legend, the local deity refused to allow the Guru to enter the temple and the doors could not be opened. Realizing the background, Thipperudraswamy prayed to the deity that though he could not stay in the temple premises, he should at least be allowed to keep his ‘Betta’ (Walking stick) and ‘Jolige’ (Shoulder bag) in the temple for safekeeping, as they were his only essential worldly possessions.
The doors of the temple could then be opened and the Guru left his Betta and Jolige inside and walked away. Overnight the two objects expanded to become so large that they pushed out the statue of the local deity, who then left the place. The temple became the residence of the Guru Thipperudraswamy, who installed a Shivalinga there.
While the above legend can be discounted as a local myth, since the Guru Thipperudraswamy was spreading the worship of Shiva, at some point in his lifetime, the popularity of the previous local deity Mariamma seems to have waned and her temple were converted into the current Nayakanahatti Shiva temple.
Teachings and Philosophy
While Sri Guru Thipperudraswamy preached the worship of Shiva, the highlight of his teachings and philosophy seem to be the importance he gave to work. He preached and practiced ‘Kayakave Kailasa’ – work is worship. During his lifetime, apart from his religious work, he was also instrumental in the creation and expansion of water reservoirs around Nayakanahatti, some of which continue to store and provide water in the drought prone region.
He also preached ‘Madidastu Needu Bhikshe’ (Your reward will be as per your work), whereby he paid men and women equal wages for their work on the reservoirs. He also started a custom of paying one and a half times the wages for any pregnant ladies working on the projects; with the logic that even the unborn child was involved in the effort and should be paid at least half the normal wages.
Claimed miracles
Bringing a dead Buffalo back to life
When the Guru was still new in Nayakanahatti, there was a noble widow in the village, with two young children. Her only source of income to feed her family was from selling the milk of a water buffalo she owned. Even on days when she could not earn enough, she would not seek help from others. Preferring to go hungry and give her children water to try and quell their hunger.
One day, the buffalo fell ill and died. Without any other source of income and too self-respecting to beg help from anyone, she contemplated committing suicide along with her children, by jumping into a deep well. The next evening, she was walking towards a well outside the town along with her children who were excited to be going on a trip with their mother, blissfully unaware that this would be their last walk.
On the way, she encountered Guru Sri Thipperudraswamy sitting in discussion under a tree, with a group of people from the village. She stopped briefly to pay respect to the Guru and was turning around to continue on her journey.
The Guru called out to her and said “We are feeling very hungry and thirsty sitting here all day, go and get us a pitcher of milk from your buffalo.” With a tear in her eye, the lady replied that her buffalo had died the previous day.
The Guru rebuked her with a smile and said “What do you mean the buffalo has died? It is hale and hearty and can give enough milk for your family and also for all of us. Don’t waste time, go quickly and fetch the milk.”
When the widow walked back to her house, she found the buffalo in full health and from that day onwards, the widow and her children did not face any paucity of food.
The episode is used to indicate that if you persist in the right path through difficult times, the Guru appreciates your efforts and you will be rewarded.
Curing Hyder Ali's son Tipu Sultan
When Hyder Ali’s son Sultan Sayyid was severely ill as a child and could not be cured for a long time, Hyder Ali, who then happened to be engaged in the assault on the nearby Chitradurga fort, prayed for his recovery at Thipperudraswamy’s Samadhi.
When Sultan Sayyid eventually recovered, a grateful Hyder Ali had a structure built around the Guru’s Samadhi. The Indo-Saracenic style tomb existing on the Samadhi stands as a symbol of Hindu-Muslim unity; and is revered by believers from both religions.
The legend also mentions that Hyder Ali added the word 'Thippu' to Sultan Sayyid's name in honor Thipperudraswamy; and the boy was called 'Thippu Sultan' who would eventually go on to become the famous Tipu Sultan.
While it is a historical fact that Hyder Ali donated various articles to the Nayakanahatti Temple and he got the structure constructed on the Guru's Samadhi, the part of the legend about how Tipu Sultan got his name may be contested as it is generally believed that Sultan Sayyid was called 'Tipu' after the saint Tipu Mastan Aulia of Arcot.
Construction of the water reservoir at Nayakanahatti
When a severe drought hit the region around Nayakanahatti, the local farmers could do nothing but sit idle. With every passing week, their stores of grain and food diminished and even their cattle started to die due to lack of fodder and water.
Guru Sri Thipperudraswamy realized that there had to be a short-term fix and a long-term solution for the problem on hand. People immediately needed some regular work to earn a living till the rains arrived. Also, there was a need to store water from the rains and the small seasonal streams, to be used during the dry periods.
The Guru then requested the local Palegar (Administrator) to build a water reservoir in Nayakanahatti. Due to the drought, even the tax collections had fallen drastically and the Palegar expressed his inability to fund the reservoir construction. The Guru then assured the Palegar that if he could get the construction of the reservoir started, he would take care of the payments to the workers.
With the Guru’s blessings, a suitable location was finalized and the construction began in earnest. At the end of the first day, the Guru asked the laborers to make small mounds of earth. He then proceeded to touch each mound with his ‘Betta’ – walking stick.
When the workers dug up the mounds they had made, they found Gold, Silver or Copper coins commensurate with the work that they had done during the day.
This miracle continued every evening for several months and the people of Nayakanahatti and the surrounding villages could earn enough to feed themselves and their families.
Some unscrupulous men tried to take advantage of the Guru’s largess by arriving just before the day ended, mingling with the crowd of workers and building their own mounds of earth. However, miraculously, only the people who actually worked on the reservoir would find the coins. The Guru had noticed this and proclaimed Madidastu Needu Bhikshe (Your reward will be as per your work).
When a woman working on the project found one and a half times the normal sum she was expecting, she mentioned this to the Guru that she had been paid more. The Guru then told the lady that she was pregnant and since her unborn child was also toiling with her on the project, it was but fair that the child too should get at least half the amount as would be paid to an adult worker.
The Nayakanahatti reservoir is still in use and continues to provide water for drinking and irrigation in the region.
Jeeva Samadhi
On Chitra nakshatra Phalguna Bahula day as per the Hindu Calendar, Thipperudraswamy is said to have been entered Jeeva Samadhi, i.e. he was buried alive as per his wishes. There is a temple car - Rathothsava festival organized every year in the memory of the famous saint, which is attended by lakhs of people from across Karnataka, Andhra Pradesh and Telangana. The Temples or Mata's of Nayakanahatti
There are three Mata’s or Temples in Nayakanahatti.
OlaMata or inner Mata also called Darbar Mata
The OlaMata - Nayakanahatti Shiva temple
The OlaMata, also referred to as HireMata or DarbarMata is the focal point of Nayakanahatti. It was the primary residence of the Guru Thipperudraswamy and he would normally entertain visitors here.
This structure was originally a temple of a local deity Maramma. After the Guru took up residence here, a Shivaling was installed here, converting it into a Shiva temple.
The temple has 18 stone pillars with various carvings and elegantly designed stone roof. The ‘Rajagopura’ at the entrance was added at a later date and is said to be around 200 years old.
HoraMata or the outer Mata
The HoraMata, where Thipperudraswamy took up Jeeva Samadhi
The HoraMata, located in the outskirts of the town has the Jeeva Samadhi of the Guru Thipperudraswamy.
The HoraMata was originally built by Raja Bhichchugatti Bharamanna, the ruler Palegar of Chitradurga in the year 1721 AD. Subsequent additions were made to the HoraMata, including the Indo-Saracenic structure added by Hyder Ali.
The Sanctum of the temple is covered with a dome that is typically seen in Islamic structures such as Mosques or Dargahs. The rest of the temple is built like a typical Hindu structure. This temple is therefore considered to be a symbol of Hindu-Muslim unity and visited by believers from both religions.
Ekantha Mata
The Ekantha Mata, also called the Ekanthaswamy Mata is located at a distance of 3 Kilometers from the OlaMata, on the route leading towards Challakere. This was a small place where the Guru would retreat for penance.
A unique custom of burning dry coconut
Coconut Kernel (Copra) being burnt in an open metal tub at the Nayakanahatti temple.
A unique custom that is practiced in the Nayakanahatti temple is to burn dry coconut meat (copra) and consuming a portion of it as a 'prasad' - holy offering. The custom is attributed to Guru Thipperudraswamy's liking for the burnt coconut.
Local experts believe that the custom may have been originally started to burn dry coconut husks (Instead of the dried coconut meat, as it is done now.) over an enclosed low fire, which would then become activated charcoal. This activated charcoal was consumed by the devotees for its medicinal and purifying properties.
During the annual Jathra days, thousands of devotees would arrive at Nayakanahatti, leading to sanitation issues and there would be a general increase in caes of diarrhea, indigestion, food poisoning and flatulence. Activated charcoal may be an effective remedy for such cases.
Over the centuries, the purpose and reasons behind the old custom was forgotten and today devotees burn copra over a fire outside the temple as prasad.
In culture
Film and television
Shree Guru Thipperudraswamy has been the subject of a full-length feature film in Kannada language.
YearFilmTitle roleSupporting rolesDirectorLanguageAwards
2014 Nayakanahatti Shree Guru Thipperudraswamy Mahatme BC Patil Arun Devasya, Disha Poovaiah and Moogu Suresh B Shivanand Kannada Karnataka State Film Awards 2014 - Best Supporting Actor – Arun Devasya
He has also been the subject of documentary in an episode of TV9's series OM. YearName of DocumentaryProduced byViewable at
2014 TV9 Special: "OM": Nayakanahatti Thipperudraswamy TV9 Television Channel https://www.youtube.com/watch?v=-24JUM26rV0
The Temple Chariot at Nayakanahatti
An annual Jatra (Fair and Festival) and Rathotsava (Chariot festival) are held annually in Nayakanahatti, over a period of three to eight days in the Hindu calendar month of Phalguna.
Lakhs of people from across Karnataka, Andhra Pradesh and Telangana arrive to participate in the festivities.
The highlight of the festival is the Rathothsava, where the wooden temple car is pulled by thousands of devotees through a predetermined route.
Sant Nabha Dass
Sant Nabha Dass (also known as Guru Nabha Dass, Nabhadas, or Goswami Nabha Dass) was a prominent 16th–17th century Hindu saint, theologian, poet, and reformer belonging to the Ramanandi Sampradaya (the largest Vaishnava monastic order devoted to Lord Rama). He is best remembered as the author of Bhaktamal, one of the most important hagiographical works in the Bhakti tradition.
Early Life and Background
- Born: 8 April 1537 at Bhadrachalam village on the banks of the Godavari River, in present-day Bhadradri Kothagudem district, Telangana (then part of Andhra region under the Qutb Shahi dynasty).
- Original Name: Narayan Dass (or Nabhadas).
- Parents: Father – Shri Ram Dass (also called Ramdassu); Mother – Smt. Janaki Devi. Both were ardent devotees of Lord Rama.
- He was orphaned at a very young age (around 5 years old). Some traditional accounts mention he was blind from birth and was miraculously cured by his gurus.
- He belonged to the Mahasha (also called Doom, Dumna, or Doma) community, traditionally involved in making bamboo and cane baskets, grain storage containers, and as musicians. This community is now known as Nabhadassia in his honour and is classified as a Scheduled Caste (SC) in several states, particularly Punjab, Himachal Pradesh, and parts of North India.
Spiritual Journey
After becoming an orphan, two Ramanandi saints — Agar Dass (or Agradas) and Keel Dass (or Kilhadās) — took him under their care. They brought him to Ghalta Dham (near Jaipur, Rajasthan), a major centre of the Ramanandi tradition.
There, he received spiritual training, served the sadhus, and immersed himself in devotion to Lord Rama. He became one of the prominent disciples in the Ramanandi lineage. His gurus recognised his deep devotion and literary talent.
He is said to have met Goswami Tulsidas (author of Ramcharitmanas) during his travels, and Tulsidas was impressed by him.
Major Work: Bhaktamal
In 1585, at the instruction of his guru Agar Dass, Nabha Dass composed Bhaktamal (also spelled Bhaktmal or Bhagatmal) in Braj Bhasha.
- It is a poetic hagiography that describes the lives and devotional exploits of around 200–800 bhaktas (devotees) spanning from the Satya Yuga to the Kali Yuga.
- The text highlights saints from various backgrounds, castes, and regions, emphasising that true devotion (Bhakti) transcends caste, social status, and sectarian boundaries.
- It became a foundational text for Vaishnavas, especially in the Ramanandi Sampradaya, and is highly respected for promoting an inclusive spiritual community.
- Later commentators like Priyadas added detailed commentaries ( tika) to it.
Other works attributed to him include devotional verses (pads), Asta Yam, Rama Shtayam, and writings praising various saints.
Philosophy and Teachings
Sant Nabha Dass strongly advocated:
- Bhakti Marg (path of devotion) as open to all, irrespective of caste, creed, or social position.
- Equality in the eyes of God — devotion is the true measure of a person, not birth.
- Service to saints and selfless love for Lord Rama.
- He promoted an inclusive spiritual society where bhaktas (devotees) from all walks of life are honoured.
His life itself is seen as an inspiring example: a person born into a socially disadvantaged community rose to become a revered saint and author through pure devotion and spiritual merit.
Later Life and Death
He travelled extensively, spreading the message of Rama Bhakti. He lived a long life and is believed to have died in 1643 at the age of about 105–106 years.
His teachings and the Bhaktamal had a deep influence in North India, particularly in Rajasthan, Punjab, and among Ramanandi communities.
Legacy
- The Mahasha / Nabhadassia community regards him as their spiritual guru and a symbol of upliftment.
- His birthday (8 April) is celebrated as Prakash Utsav or Guru Nabha Dass Jayanti with great devotion, especially in Punjab, Himachal Pradesh, Rajasthan, and Telangana. It is a public holiday in Punjab.
- He is remembered for propagating social harmony and the idea that spirituality can remove class and caste distinctions.
- Bhaktamal continues to be studied and recited in Vaishnava circles and has been an important source for understanding the history of the Bhakti movement.
Sant Nabha Dass stands as a shining example of how devotion and spiritual excellence can rise above birth-based limitations. His message of inclusive Bhakti remains relevant even today for promoting equality and social cohesion.
Nuliya Chandayya
(ನುಲಿಯ ಚಂದಯ್ಯ)
Full Name: Nuliya Chandayya
Pen Name (Vachana Signature): Chandeswaralinga
Kāyaka (Occupation): Rope maker(out of grass or straw )
Begging from others, cajoling them, Pestering them, troubling them
And then offering it to Jangama and linga is no good.
Making the body earn it, making the mind earn it
Even if it is just wild leaves and raw fruits,
Doing daasoha to Jangama and linga
By serving Jangama who comes you
Tired in body and mind is worhsip,
Holy offering to Chandeswaralinga [Vachana No.1817]
Nuliya Chandayya was a Kaayakayogi who made rope out of grass or straw (rope maker). The belonged to a place called Shivanagi in Bijapur district Karnataka. Shoonyasampadane and other puranas there is a description of his loyalty to the work. He is a prominent member of the Anubhava Mantapa.
He made the Ishtalinga sell the rope. As a story goes, while washing hanks of grass fibre in a stream, his Ishtalinga fell into water. Then Chandayya turned indifferent to the Linga which had dropped off his Anga, and refused to take Him back even when the Linga implored him to accept. However, Chandayya accepted the Liñga on the condition that ‘He’ should help him in his Kayaka to which the Linga readily agreed and carried Chandayya’s ropes to the market for selling.
Hendada Marayya (another sharana) has dramatically portrayed in one of his vachanas about Chandayya’s great personality. Chandayya went to Uluvi with Chennabasavanna after the revolution of Kalyaana. After Chennabasavanna’s death he takes Akkanagamma to the banks of Yennahole where she died. He died at Nulenuru. It is learnt that there is a tomb to commemorate his death at that place. His 48 vachanas are extant with the signature Chandeshwara. All the vachanas uphold the rule of Kaayaka as compulsory to guru, linga and jangama. “Even for a guru Kaayaka gives liberation…., Even for Jangama kaayaka cuts the bond of pretenseion” are his words and they are examples of the importance he attached to kaayaka.
Can all those who hold a sword pierce?
Can all the boys who exercise fight?
Can all those who worship with affectation be good devotees?
That kind of act is not acceptable to
Channabasavannapriya Chandeshwaralinga [Vachana No.1818]
Narada
(Narada Muni - Son of a maidservant)
By Swami Purnananda
What would you feel if you were asked the question: How did you die? You would perhaps be bemused for a while and then feel convinced that your interlocutor was out of his head. But when Narada was asked this question by Krishna Dvaipayana Vyasa he was not taken by surprise; nor did he feel uncomfortable. Instead, his face lit up with a radiant smile as he proceeded to answer this seemingly unanswerable question.
Counselor to Vyasa
Once Vyasa was lamenting over the great dissatisfaction and unrest that was tormenting his mind even though he was well versed in the Vedas, had lived in consonance with dharma, and devoted himself to the welfare of all beings. He sat on the banks of the river Saraswati, cogitating on the cause of the depressive thoughts that were constantly weighing on his mind. Just then, Narada happened to arrive at Vyasa’s ashrama in the course of his perpetual peregrination across the three worlds. Though he was received with due respect, Narada realized that Vyasa was disturbed. So after praising him for his many achievements, he enquired afer his well-being:Jijñāsitamadhītam ca yat-tat-brahma sanātanam;
Athāpi śocasyātmānam-akrtārtha iva prabho.
O master of oneself, you have realized the eternal Brahman by the process of proper discrimination; why then do you look mentally troubled, as though possessed by a sense of futility.
Vyasa replied: ‘I am aware that I have the excellences you mention; yet I have no peace of mind. I feel dissatisfied. I think I have some shortcoming, which I am unable to make out. You are a man of wisdom, the son of the Creator, and a beloved devotee of the Lord. You travel all over the three worlds and can penetrate into everything. You know the thoughts of every being. Be kind, I pray, and tell me the causes of my dysphoria.’
Narada pointed out the reason for Vyasa’s distress in a succinct reply: ‘You have not adequately described the unblemished glory of the Supreme Lord in your works. That is why he is not pleased with you. And for that reason, I reckon, your knowledge is incomplete.’ After elaborating upon his statement, he advised Vyasa to recall the divine play of the Lord by means of samadhi (and describe it) for liberation from all worldly bonds: urukramasyākhila-bandha muktaye samādhinānusmara tad-vicestitam. By the Lord's direction, living entities accept, with a material body, to be bound to birth and death, sadness, illusion, fear, happiness and distress; and act according to their karma
The Housemaid’s Son
While dwelling on the need for contemplating and expounding the glories of Bhagavan, Narada recalled one of his previous births as a housemaid’s son: ‘In one of my previous lives, I was born to a housemaid who was engaged in a household of Vedic ritualists. I was appointed to serve the yogis who gathered at the place for cāturmāsya, retreat during the rainy season. Although impartial by nature, they were very gracious to me as I had engaged myself sincerely in their service. Moreover, I was self-restrained and devoid of childish frivolity. I was also obedient, reserved, and not fond of sports or games like other children. Having obtained their consent, I once partook a little of the remains of their meal. That was enough to free me from all past sin. With my mind thus purified, I felt greatly inclined to listen to the divine glories of the Lord that the sages were always engaged in singing. Gradually I developed an irresistible attraction for the Divine. My mind became steady in its devotion to the Lord and I could realize that my gross and subtle bodies, born of ignorance, were super-impositions on my real Self, the Atman. Thus, by hearing continuously the glories of the Lord from these great souls, throughout the rainy season and autumn, there arose in my heart that devotion which destroys rajas and tamas. As they were leaving, the kind and compassionate sages instructed me in the transcendental spiritual truths that are revealed by the Lord himself, for though a mere child, I was devoted, humble, guileless, respectful, restrained, and obedient by nature. By means of this knowledge, I could realize the infuence of maya, the power of the Lord; and this knowledge leads one to divine beatitude. So I also attained this state and became one of the pārsadas, immediate associates, of the Lord.’
Vyasa’s curiosity was aroused by this remarkable story. He wanted to know more about the housemaid’s son, and his questions included the following: ‘Katham cedam-udasrāksīh kāle prāpte kalevaram; in the end, how did you give up that mortal frame of yours?’ (1.6.3). Narada replied: ‘I was the only son of my mother. Though she was deeply attached to me, being but a mere housemaid, she was hardly capable of properly looking after me. All beings are under the control of Providence, much like puppets in the hands of a puppeteer. I was still a mere boy when my poor mother was fatally bitten by a venomous snake while on her way to milk a cow. Taking this to be a blessing (in disguise) for my welfare, I left home and started walking north, surrendering myself to the divine will. Passing through towns, villages, farms, and mines; through groves, jungles, and forests; and by the side of lakes flled with lotuses, at last I reached a dense and forbidding forest. Hungry, thirsty, and tired, I refreshed myself by bathing and drinking at a forest stream. Sitting under a pipal tree in that remote and desolate forest, I started meditating upon the Supreme Being immanent in oneself, as instructed by the sages. As I meditated on the lotus feet of the Lord, with a mind filled with devotion, and eyes brimming with tears due to the intensity of aspiration, my beloved Lord appeared in my heart. O Vyasa! How can I express the joy I experienced! With my hair standing on end in ecstasy, I was lost in an ocean of divine bliss. But alas! The vision disappeared and I could no more see that pleasing divine form that destroys all sorrow. I was utterly upset; I got up from the seat with a distressed mind. I tried again to dive deep into my mind and search for the divine form, but all effort proved futile. Deprived of the vision of the Lord, I became filled with frustration and anguish.
‘Just then, as if to assuage my grief, the Lord spoke to me in a deep, sweet voice: “My boy! Lament not, you shall not have any further vision of me. To those who are not established in yoga, whose minds are smeared with the taint of worldliness, I remain invisible. O taintless one! You have had my rare vision once, and this I bestowed to enhance your yearning for me. With the increase in right yearning, my devotees gradually give up all desires lodged in their minds and become pure; and only those that are pure in heart can have my constant vision. Through service to pure souls—even though it was only for a short while—you have developed unflinching devotion towards me. You will give up this mortal frame of yours within a short time and have the rare privilege of being one of my pārsadas. Moreover, your devotion to me will never be diminished and your recollection of me will not be affected by Creation or Dissolution.”
‘That formless Elysian voice which had assumed a spatial form, as it were, in my heart ceased to be heard thereafer. I bowed my head in salutation to that Noble Being. Repeating the auspicious names of the Lord, the Infnite Being, and recollecting his sacred and mysterious acts, I became contented in mind—devoid of attachment and shame, and free from egotism and malice. Waiting eagerly for the time wen I would be directly associated with the Lord, I kept wandering across the globe. For me, who was intensely devoted to the Lord, pure in heart, and totally detached from all mundane objects, the moment of departure arrived suddenly like a flash of lightning. The sacred and pure godly body, bhāgavatī tanu, made of pure sattva and fit for the service of the Lord, was generated in me even as my mortal body born of the five elements dropped away on exhaustion of its past karma.
‘At the end of the cosmic cycle, when all creation was withdrawn into the causal state and the Supreme Being lay resting on the causal waters, kārana salila, I too entered his divine body along with Brahma, his creative breath. After a thousand divine eons, when the Lord again resolved to create this world, I was born of his vital breath along with such rishis as Marichi and Atri. Committed to celibacy, I have been roaming the three worlds unhindered, by the grace of the Lord, chanting the divine name “Hari”, striking melodious notes on the strings of the veena that the Lord has himself given me. When I sing his glories to the accompaniment of the celestial lute, the Supreme Lord of endearing fame and sanctifying feet appears in my heart, as if promptly responding to a call by one’s name. This is the story of my death and birth, which you wanted to know.’
We learn from this story that Narada had descended directly from Brahma, the Creator. At the beginning of every cosmic cycle, Narada accepts a gross body, and at the time of cosmic dissolution he merges into the Lord. He never loses the memory of his birth and disappearance in each cycle. Sri Ramakrishna pointed out that Narada is a nitya jiva, an ever free, eternally perfect being. Being a direct associate of the Lord, he is a free soul, never caught in the clutches of maya. Having broken the fetters of karma, he has gone beyond the bondage of birth and death as well as the other miseries of the world.
Seeker of Self-knowledge
The cosmic dimensions of Narada’s life make it very difcult for us to reconstruct his life history. He was, of course, a very famous sage even at the time the Aitareya Brahmana was recorded. He is widely recognized as a fascinating, albeit difficult to understand, personality. Narada is also a man of wisdom. Yet in the Chhandogya Upanishad, we find him approaching the sage Sanatkumara for spiritual instruction. Sanatkumara, one among the first four sannyasins, was a sibling to Narada, having been born of Brahma. When Narada requested Sanatkumara to teach him, Sanatkumara said: ‘Tell me what you already know, and I shall teach you what is beyond that.’ Narada replied with a long list: ‘I have studied the Rig Veda, Yajur Veda, Sama Veda, and Atharva Veda the fourth; Itihasas and Puranas—history and mythology—which are the fifth Veda; Vyakarana, by means of which the meaning of the Vedas is understood; the rites for manes, mathematics, natural science, mineralogy, logic, ethics, etymology, science of rituals, material sciences, the science of warfare, astrology, herpetology, and the fine arts—I know all this. But, O venerable sir, even after this vast study I am only a mantravit, knower of texts, not an ātmavit, knower of the Atman. I have learnt from persons of wisdom like you that the knower of the Atman alone can cross the ocean of misery; and I am afflicted with misery. Therefore, my Lord, rescue me from this ocean of misery.’
Sanatkumara did impart the knowledge of Brahman to Narada. But what interests us here is the wide range of Narada’s study and the vast repertoire of skills he commanded. The irony is that despite possessing such vast knowledge—virtually impossible for any one human being to attain in a lifetime—Narada lacked peace of mind. That is why he came to Sanatkumara seeking the knowledge of the Self, for only this knowledge can give one peace of mind. Self-knowledge or the knowledge of Brahman is called parāvidyā, supreme knowledge, and all else is inferior knowledge, aparāvidyā. As Sri Ramakrishna has said, ‘That alone is Knowledge through which one is able to know God. All else is futile.’
Secular knowledge has its own value. Hence the Chhandogya Upanishad speaks of two types of knowledge, dve vidye, the parā and the aparā. But Narada’s experience reminds us that peace of mind or genuine contentment and happiness cannot be had without the knowledge of God. Narada had realized this truth; therefore he could tell Vyasa to describe the divine play and glory of the Lord, listening to which would arouse unflinching devotion to God in human hearts. And such devotion brings lasting peace and bliss.
An Enigma
His wisdom notwithstanding, there are times when Narada behaves like any common person, at times even like an ignorant one. This lends his character its intriguing aura. Here is one such instance: Once Narada became a little proud of his musical abilities—that none could play the veena as well as he did. Bhagavan Vishnu came to know this and thought: ‘My devotees should not be boastful. So Narada ought to be taught a lesson.’ He took Narada for a walk into a forest. Suddenly they heard someone weeping. On following the sound, they found some women with badly deformed bodies crying in pain. Vishnu asked them who they were and why they were weeping. The women replied: ‘We are the Raginis, the deities of music. Our bodies have been disfigured by Narada’s erroneous selection of notes. He is tone-deaf and has little musical sense. His singing is out of tune with his music, and this has disfigured us.’ Narada was humbled.
On the face of it, many of Narada’s actions and endeavors appear strange and meaningless; but deep meaning underlies each of them. He is intelligent and wise, a good counselor and a great devotee of the Lord. He wishes all beings well. He has no enemies. He can visit anybody, anywhere and at any time, irrespective of their social standing whether they be gods, demons, or human beings—for he is a sincere counselor. All the same, his intrusions do look awkward at times.
On hearing a celestial voice warning him that he would meet his death at the hands of the eighth issue of his cousin Devaki, Kamsa, the wicked ruler of Mathura, decided to kill Devaki. Devaki’s husband Vasudeva managed to save her life by promising to hand over all their children to Kamsa. When their first son Kirtiman was born, Vasudeva took the baby to Kamsa with a heavy heart in order to keep his promise. Kamsa was pleased by Vasudeva’s strict adherence to truth and his even-mindedness towards friend and foe. He said to Vasudeva: ‘O Vasudeva, take this child back with you, I have no cause to fear him; it is only by your eighth child that I am destined to die.’ No sooner did Vasudeva leave Kamsa’s palace than Narada arrived on the scene. He told Kamsa: ‘Did you know that Nanda and the other men and women of Vraja, as well as those of the Yadava clan, are all gods and goddesses in human forms? Once I happened to be there at a meeting of the gods. There I came to know that they were making plans to kill you along with all your relatives and followers. You are very dear to me; so, as a well-wisher, I came to inform you. Now you do whatever you think proper.’ Kamsa was prompt in acting on Narada’s words. He deposed his father Ugrasena and assumed kingship, had Devaki and Vasudeva imprisoned, and began persecuting the Yadavas. This incident would convince us that Narada was a cruel person, given to provoking ill-feeling and quarrel. That is why he is often called a piśuna - a slanderer, given to backbiting. But Narada is endowed with a vision and memory that is far deeper than that of an ordinary person. So he is able to act in harmony with imperceptible divine plans, and his actions have a subtle and mysterious quality.
In this case, Kirtiman and the other children of Vasudeva were the presiding deities of the eight quarters of the globe. They had to take human birth as a result of Brahma’s curse. They were to regain their godly states only after their human bodies were destroyed by their maternal uncle. Moreover, only when adharma, lawlessness, reaches a climax, and the devotees of the Lord start suffering torture, does Bhagavan appear on earth to protect his devotees by destroying the perpetrators of adharma. So, Narada was only being a voluntary participant in the cosmic drama. Similar altruistic motives may also be discovered in other acts of Narada.
A Man of Knowledge and a Teacher
Nothing in the three worlds is beyond Narada’s ken. In Vedic passages, we see him performing yajnas on behalf of kings. Once Valmiki asked Narada if he knew of any person who was perfect in every respect, and if such perfection was at all humanly possible. Narada told him of Ramachandra and also narrated the story of his entire life. This helped Valmiki pen the epic Ramayana.
We also find Narada present in Yudhishthira’s court at Indraprastha, describing the secret behind the birth of the terrible demons Hiranyaksha and Hiranyakashipu, which is ‘impossible even for the gods to know’. Kayadhu, mother of the great devotee Prahlada was provided shelter by Narada in his ashrama while she was expecting. Narada would tell Kayadhu the mysteries of religion, the distinction between Self and non-Self, as well as the essentials of true devotion. The teachings were also for Prahlada, who was still in his mother’s womb:Rsih kārunikastasyāh
prādādubhayamīśvaram;
Dharmasya tattvam jñānam ca
māmapyuddiśya nirmalam.
Having me [Prahlada] also in mind, the merciful sage of great spiritual power imparted to her instructions regarding the flawless path of devotion and the enlightenment conveyed by it.
Later, Prahlada also recalled that ‘owing to the blessings of the sage, those teachings have ever remained fresh in my memory; rsinānugrhītam mām nādhunāpyajahāt smrtih’
Narada is also the preceptor of another famous devotee: Dhruva.
When he was denied the right to sit on his father’s lap by his stepmother Suruchi, Dhruva rushed back to his mother Suniti in tears. Poor Suniti was not a favourite with the king, and all that she could say by way of consolation to Dhruva was this: ‘Ārādhayādhoksaja-pāda-padmam yadīcchase’dhyāsanam-uttamo yathā; if you wish to sit (on your father’s lap) like Uttama (your stepbrother), then worship the lotus feet of Vishnu’
Dhruva took his mother’s advice seriously and, controlling his mind, left his father’s palace in search of Vishnu. Narada, omniscient that he is, came to know of Dhruva’s leaving home. He met him on the way and tried to dissuade him from undertaking all the austerity needed to secure the grace of Vishnu, saying: ‘Happiness and unhappiness are due to one’s past karma, so one should remain satisfied with one’s fate; one should not feel jealous of persons with superior qualities; it is difficult to serve and propitiate the Lord, you can undertake all the necessary spiritual practices once you come of age.’ But far from being dissuaded, Dhruva sought Narada’s help in his search for the Supreme Being: Padam tribhuvanotkrstam jigīsoh sādhuvartma me;
Brūhyasmat-pitrbhir-brahman
anyair-apyanadhisthitam.
O great one! I desire to attain to that state which is the most excellent in the three worlds, and which has not been achieved by my forefathers or by anybody else. Please tell me the best way to achieve this
Pleased with Dhruva’s resolve, Narada initiated him with the mantra ‘Om namo bhagavate vāsudevāya’, advised him to go to Madhuvana on the banks of the Yamuna ‘where Hari’s presence is palpable at all times’, and also instructed him how to undertake contemplation, worship, and other spiritual practices. Equipped with Narada’s instructions, Dhruva undertook intense tapas and was soon blessed with a vision of the Divine.
Counselor to Yudhishthira and Krishna
When Yudhishthira occupied the throne at the magnificent new court constructed at Indraprastha by Maya, Narada decided to visit him. At Yudhishthira’s request, Narada described to him the excellences of some famous celestial courts: those of Indra, the king of the gods; Yama, the god of death; Brahma, the grandsire; Kubera, the king of treasures; and Varuna, the lord of the waters. In the course of conversation, Narada also advised Yudhisthira on the science of politics, administration, diplomacy, and warfare. Narada’s political counsels would appear remarkable even in our days of democracy and globalization.
Narada’s is a multifaceted character that largely remains incomprehensible. All the same, Narada is loved by all. He is a beloved devotee of the Lord. He is the author of a number of texts like the Narada Bhakti Sutra, the Narada Pancharatra, and the Narada Samhita. Above all, Narada is a friend, philosopher, and guide to those who need help to find their way out of distressing situations. Even Krishna, the famous teacher of the Bhagavad Gita, sought Narada’s advice when his own kinsmen—the Yadavas, Vrishnis, Bhojas, and Andhakas—were causing him great worry through their unruly behavior and persistent mutual quarrels. He expressed his anxiety to Narada: ‘It is not proper to disclose one’s secrets to a stupid friend, nor to fickle souls, even though they be learned. You are my beloved, and also a great friend. You have a sharp mind; so please tell me what I should do about my relatives who grind my heart with their cruel talk, even as one grinds sticks for fire.’ Narada tells Krishna that this was a ‘domestic problem’. Krishna helped his clansmen by getting them land and wealth; and this turned their heads. He could not possibly take these away without provoking bloodshed. ‘Use then a weapon,’ said Narada, ‘that is not made of steel, that is very mild, and yet capable of piercing all hearts.’ When Krishna inquired what that weapon was, Narada replied: ‘The giving of food to the best of your ability, forgiveness, sincerity, mildness, and honouring those who deserve to be honoured—these constitute a powerful weapon not made of steel. Turn the hearts and minds of your kinsmen with soft words; for none who is not great and pure at heart, and backed by great achievements and reliable friends, can bear a heavy burden.’
Narada in Krishna’s Eyes
Yudhishthira asked Bhishma, who was lying on the ‘bed of arrows’ on the battlefield of Kurukshetra, to tell him about one ‘who is dear to all, who gladdens all, and who is endowed with all merit and accomplishment’. Bhishma recounted Krishna’s words to Ugrasena, who wanted to know why everyone spoke so highly of Narada: ‘Narada is as learned in the scriptures as he is noble in conduct; yet he is not proud or boastful. Anger, impudence, fear, and procrastination have left him for good. That is why he is adored by all. He never deviates from his word, or overpowered by passion or greed; so he deserves worship. High honour is paid to him because he is a man of spiritual knowledge, and is energetic, forgiving, self-possessed, simple, truthful, intelligent, and modest. He is liked because he is austere, good-natured, eloquent, soft spoken, decorous, pure, amiable, devoid of malice, and an expert in music. He always does good to others and so is untouched by sin. He never finds pleasure in other’s misfortunes, and secures his ends with the aid of scriptural wisdom and knowledge of past events; hence he is universally held in high regard. He seeks to overcome all worldly desires by chanting the Vedas and attending to the Puranas. He is a great renouncer. He grants no special favours, nor does he despise anyone. He dispenses knowledge equally to all and speaks according to the temperament and needs of his listener, so his conversation is delightful. He is vastly learned, wise, free from passion, deceit, laziness, greed, and anger; hence he is venerated. He is a man of unflinching devotion. He has gone beyond delusion. He does not strive to achieve wealth or objects of passion. Though totally detached, he takes a keen interest in the affairs of the world. He observes the diversity of human thought and behaviour, but never speaks ill of anybody. He always strives to reconcile people and does not indulge in self-praise. He disregards no science, nor does he repudiate other faiths; but he lives by his own standards of morality. He never wastes a moment and is always a master of his own self. He has earned Self-knowledge through much labor, and he does not refrain from the practice of samadhi. He is not without a sense of shame and is always open to instruction from others, if that would add to his perfection. Never does he divulge others’ secrets, for his mind is always detached, his intellect firm, and his heart unmoved by gain or loss. Who would not make this paragon of virtue—efficient, holy, provident, and tactful—a beloved friend?’
It is small wonder, therefore, that the Bhagavata also eulogizes Narada: Aho devarṣirdhanyo’yaṃ yatkīrtiṃ śārṅgadhanvanaḥ;
GāyanmādyannidaṃTantryā ramayatyāturaṃ jagat.
Blessed is this divine sage Narada! For singing the divine glories of the Lord to the accompaniment of his veena, he himself is ever inebriated with divine love, and he enlivens with joy the hearts of beings distressed by the woes of the world.
Narada’s Political Counsels
Narada [to Yudhishthira]: ‘Is the wealth that you earn spent on proper objects? Does your mind take pleasure in virtue? Are you enjoying the pleasures of life? Has your mind avoided sinking under their weight?… Ever devoted to the good of all, conversant as you are with the timeliness of all things, do you pursue dharma, artha, kama, and moksha, dividing your time judiciously?
‘The seven principal officers of your state—the governor of the citadel, the commander of the forces, the chief judge, the general in command of interior affairs, the chief priest, the chief physician, and the chief astrologer—have not, I hope, succumbed to the influence of your foes, nor have they, I hope, been idle in consequence of the wealth they have earned. They are, I hope, all obedient to you. Your counsels, I hope, are never divulged by your trusted spies, by yourself, or by your ministers. You ascertain, I hope, what your friends, enemies, and strangers are up to. Do you make peace and war at proper times? Do you observe neutrality towards strangers and persons who are neutral towards you? The victories of kings can be attributed to good counsels. Is your kingdom protected by ministers learned in the Shastras who keep their own counsel?
‘Do you never let agriculturists out of your sight? Are they free of fear in approaching you? Do you execute your plans through people who are trusted, incorruptible, and possessed of practical experience? Are your forts filled with wealth, food, weapons, water, engines and instruments, as also with engineers and bowmen? Even a single minister that is intelligent, brave, self-controlled, and possessed of wisdom and judgment, is capable of conferring the highest prosperity on a king or his son; do you have even one such minister? Do you try to know everything about the eighteen tirthas of your enemy and the fifteen of your own by means of three spies, all unacquainted with one another? Is the priest you honor possessed of humility and renown, born of noble lineage, and free from jealousy and illiberality? Have respectable servants been employed by you in offices that are respectable, indifferent ones in offices that are indifferent, and inferior ones in offices that are low? Have you appointed to high offices ministers that are guileless and of good conduct for generations and above the common run? Do you avoid oppressing people with cruel and severe punishments?
‘Is the commander of your forces confident, brave, intelligent, patient, well-behaved, of good birth, devoted to you, and competent? Do you treat with consideration and regard the chief officers of your army that are skilled, forward[-looking], well-behaved, and powerful? Do you give your troops the appointed rations and pay at the proper time? I hope no single person of unbridled passions is allowed to manage a number of concerns pertaining to the army? Is any of your servants who has accomplished well a particular business by employing a special ability disappointed in obtaining from you a little special regard, and an increase in food and pay? I hope you reward persons of learning, and humility, and skill in every kind of knowledge with gifts of wealth and honor proportionate to their qualifications? Do you support the wives and children of men who have given their lives for you and have been distressed on your account? Do you cherish with paternal affection the enemy that has been weakened or that seeks refuge in you, having been vanquished in battle? Are you equal to all, and can everyone approach you as if you were their father and mother?
‘Is your expenditure always covered by a fourth, a third, or half of your income?—Do your accountants and clerks apprise you every day, in the forenoon, of your income and expenditure? Do you take care not to dismiss servants that are skilled in their jobs, popular, and devoted to your welfare for no fault of theirs? Do you employ in your business people that are not thievish, or covetous, or minors, or women? Are the agriculturists in your kingdom contented? Are large tanks and lakes constructed all over your kingdom at proper distances so that agriculture is not exclusively dependent on showers from the heavens? Are agriculturists in your kingdom wanting in either seed or food? Do you grant generous loans [of seed] to the tillers? Are the four professions of agriculture, trade, cattle-rearing, and lending at interest carried on by honest men? Do the five brave and wise men, employed in the five offices of protecting the city, the citadel, the merchants, and the agriculturists, and of punishing criminals, always benefit your kingdom by working in unison? For the protection of your cities, have the villages been made like towns, and the hamlets and village outskirts like villages? Are all these entirely under your supervision and sway? Are thieves and robbers that sack your towns pursued by your police over the even and uneven parts of your kingdom? I hope no well-behaved, pure-souled, and respected person is ever ruined and his life taken, on false charge or theft by ministers that are ignorant of the shastra and acting out of greed.
‘I hope your ministers are never won over by bribes, nor that they wrongly decide disputes that arise between the rich and the poor. Do you keep yourself free from the fourteen vices of kings: atheism, untruthfulness, anger, lack of caution, procrastination, avoidance of the wise, idleness, restlessness of mind, seeking counsel from only one person, seeking advice from people unacquainted with the economics of profit, abandonment of settled plans, divulgence of plans, non-accomplishment of projects, and action without reflection? Are merchants treated with consideration in your capital and kingdom; are they allowed to trade without being deceived?
Do you always listen to instructions on dharma and artha from the elderly who are experienced in economics? ‘Do you give regularly to the artisans and artists employed by you the materials needed for their works as well as their due wages? Do you examine their works, appreciate them before good men, and reward them, having shown them due respect? Acquainted with every duty, do you cherish like a father the blind, the dumb, the lame, the deformed, the friendless, and the ascetics that have no homes? Have you overcome these six evils: sleep, idleness, fear, anger, weakness of mind, and procrastination?’
Saint Nandanar
From Wikipedia, the free encyclopedia
Nandanar
Icon in the Tirupunkur temple
Religion Hinduism
Philosophy Shaivism, Bhakti
Personal
Born c. 7th-8th century
Adanur
Died Chidambaram
Honors Nayanar saint
Nandanar (also spelt as Nantanar), also known as Tirunalaippovar (Thirunaalaippovar) and Tiru Nalai Povar Nayanar, was a Nayanar saint, who is venerated in the Hindu sect of Shaivism. He is the only Dalit ("untouchable") saint in the Nayanars. He is generally counted as the eighteenth in the list of 63 Nayanars. Like the other Nayanars, he was a devout devotee of the god Shiva.
The tale of Nandanar is retold numerous times in folk tales, folk music, plays, films and literature in Tamil society. While Nandanar is included in Nayanar list since the 8th century CE, the 12th century CE Periya Puranam gives a full hagiographical account of his life. The tale focuses on two miracles attributed to him. In Sivalokanathar Temple, Tirupunkur; his prayers are said to have moved a giant stone bull, which still appears in the moved position in the temple. Nandanar is said to have ritually purified himself by fire at Thillai Nataraja Temple, Chidambaram. Nandar's tale features in temple lore and religious literature related to both these temples. Gopalakrishna Bharati's 19th century retelling of the saint's life remains the basis of many later retellings. It expands the original narrative adding elements of oppression of the Dalit saint by higher castes. While higher caste retellings of the tale focus on the saint's observance of caste norms, Dalits emphasize his exploitation and superior religiosity.
Apart from collective worship Nandanar enjoys being part of the Nayanars in Shiva temples of Tamil Nadu, shrines depicted to Nandanar exist in both the sites of his miracles. The saint also became an icon of protest in Dalit rights movements.
Accounts of life
One of the most prominent Nayanars, Sundarar (8th century) is the first to name Nandanar (called Tirunalaipovar) in literature, however Tirunalaipovar ('he who will go tomorrow') relates to the tale of Nandanar longing to visit Chidambaram; no details of his life are revealed. In the eleventh century, Nambiyandar Nambi devotes a stanza to Nandanar in his Tiruttondar Tiruvandhadhi while recalling the lives of the Nayanars. Tirunalaipovar is described as a Pulayar (Pulaiya, Pulai) who lived in Adanur. He is said to have visited Thillai Nataraja Temple, Chidambaram of his patron god Shiva "by God's grace" and "three thousand Brahmins (priests) of Chidambaram saluted him."
The earliest full (and primary religious) account of Nandanar's life is found in the Tamil Periya Puranam by Sekkizhar (12th century), which is a hagiography of the 63 Nayanars, but it was the Nandanar Charitram by the Tamil poet Gopalakrishna Bharati (1810–1896) brought Nandanar's tale to public attention. The Nandanar Charitam (printed in 1861), the magnum opus of Bharati, added new elements to Sekkizhar's tale. Though it is unknown when he lived exactly, generally he is dated to 7th or 8th century CE.
The Periya Puranam
The Periya Puranam narrates that Nandanar belonged to Adanur (Adanoor) in the Chola kingdom. Presently, Adanur is located in Thanjavur district, in the Indian state of Tamil Nadu. He was born in the Pulaiya caste, who were regarded "untouchables" . They were agricultural labourers and singers. Another description considers Nandanar from the Dalit caste of Paraiyar, who served as labourers and were drummers as per the caste code.
Nandanar was longing to see the icon of Nataraja in Thillai Nataraja Temple, Chidambaram. A fresco in the temple depicting Nataraja.
Nandanar was born in poverty, in Pulaippadi, the Pulai slums of Adanur. He was a staunch devotee of the god Shiva, the patron god of Shaivism. He was a leather maker, who crafted drums and other musical instruments. He also served as a village servant, a watchman, a labourer as well as the "town crier", who used to beat the drums. In Nandanar's times, Dalits were not allowed to enter Hindu temples. So, Nandanar would stand outside a Shiva temple and sing the praises of Shiva and dance. However, he harboured a strong urge to pay his respects to the icon of Shiva at Sivalokanathar Temple, Tirupunkur. He stood outside the temple, but a huge stone Nandi (the bull mount of Shiva, whose sculpture is generally seen in Shiva temples, facing Shiva in the garbhagriha - sanctum sanctorum) blocked his path of vision. The compassionate Shiva ordered Nandi to move a little to side and the bull complied, allowing the Nayanar to see the central icon of Shiva, unobstructed. Nandanar cleaned up the surroundings of the temple and dug a pond (which serves as the temple tank) in honour of Shiva. He circumambulated the shrine and returned to Adanur.
Nandanar visited many temples of Shiva and served the god. Once, he longed to visit the Thillai Nataraja Temple of Chidambaram, which enshrines Shiva as Nataraja, the Lord of Dance. He used to say everyday that he will go the next day to Chidambaram, but never actually dared to step in the holy town, where he was prohibited entry. Thus, he came to be known as "Tiru-Nalai-povar", 'he who will go tomorrow'. Finally, Nandanar reached the boundary of Chidambaram, but feared to set foot in the town. He saw the smoke of fire sacrifices and heard the chants of the Vedic scriptures. Thinking about how he can see Nataraja's dancing icon, the Nayanar circumambulated the town numerous times and finally succumbed to fatigue and slept. Shiva appeared in his dream and told Nandanar to enter the temple through a holy fire. The god also informed the Brahmin priests of Chidambaram to prepare a pyre. Next day, the Brahmins approached Nandanar as per the divine order.
Nandanar entered the holy fire chanting the name of Shiva and reappeared in a new purified form. He looked like a Brahmin sage, wearing matted hair (characteristic of a Shaiva) and the sacred thread worn by Brahmins across his chest. His body was smeared with sacred ash. The gods showered flowers on the Nayanar from heaven and the Brahmins cheered. With the Brahmins, Nandanar went in the garbhagriha and saw Nataraja. The Nayanar disappeared in the image of Nataraja and became one with Shiva.
The Periya Puranam version is interpreted as a Brahmanical narrative, where a particular Dalit is granted salvation by transforming into a Brahmin; the superiority of the Brahmins is reinforced and the legitimacy of the ban of Dalits is not challenged.
P.Sampath, president of the Tamil Nadu Untouchability Eradication Front (TNUEF) and an office-bearer politician from the Tamil Nadu unit of Communist Party of India (Marxist) (known as CPI (M)), calls the Chidambaram fire-trail as Brahmin propaganda to conceal the truth that Nandanar was burnt at the stake.
The Nandanar Charitam
K. B. Sundarambal (left) as Nandanar and Maharajapuram Viswanatha Iyer as Vediyar in the 1935 film Nandanar.
Bharati was an ardent devotee of Shiva and wrote three operas in honour of various Nayanar saints. Though Bharati was himself an upper caste Brahmin, he was a crusader for the rights of the Dalits. While Sekkizhar exalts Nandanar's devotion to Shiva, Bharati presents the grim reality of ostracization that the Nayanar suffered. Bharati's Nandanar is "not a rebel, but only a protester". The Nandanar Charitam focuses on the atrocities that Nandanar and Dalits as a whole had to suffer at the hands of upper castes. The opera Nandanar Charitam was embedded with the social message that Shiva grants emancipation irrespective of caste.
The play starts with the term "May I come", a warning to higher-caste people that Dalits had to cry out before entering any street, so as to not pollute the higher caste members. The Nayanar first clashes with his own Dalit brethren. They oppose his devotion for the Lord of Chidambaram, whom they call a Brahmin god. The Dalit elders — headed by Pariyakilavan — define his duties as a pariah and advise him to not confront caste rules. They tell him to worship the folk deities of the pariah, instead of Shiva, the god of Brahmanical Hinduism. The Dalits also feel that Nandanar needs to abide by the social norms and give up his taboo idea of entering a temple.
A villainous Brahmin landlord Vetiyar (Vediyar) appears in Bharati's tale. He torments his bonded labourer Nandanar and chastises him repeatedly for trying to go beyond caste norms. Vetiyar sees Nandanar's bhakti and desire to enter a temple "not only as undesirable and irreligious, but also as a serious threat to his social status." Vetiyar refuses to grant him permission to Chidambaram and even resorts to violence. After much persuasion, the Brahmin relents on the condition that the saint do an impossible task of cultivating and harvesting the field in one night. Aided by Shiva's attendant ganas, the saint completes the task. The Brahmin realizes the piety of the Nayanar, apologizes to him and lets him go.
Bharati retained the final confrontation with the Brahmins of Chidambaram and his ritual purification by fire. Bharati concludes in a poem saying that "it is said in the epics that the Lord worshipped by Gopalakrishna granted salvation even to Untouchables!"
Variants
Nandanar depicted as part of the Nayanars group.
In stories of higher caste Hindus (especially Brahmins), Nandanar is a Brahmin or God himself somehow trapped in the body of an untouchable and whose true form is revealed by the fire trial. Other tales focus on his strict adherence to caste norms, his obedience of his Brahmin master and his refusal to enter the holy temple as an untouchable.
The Dalits strongly believe in his piety and portray Brahmins as the root cause of all the misery of the Nayanar. Nandanar fits in the Dalit narrative that proves that their religiosity is on par or superior to the higher castes. They say that Nandanar was 'swallowed by God'. The sashes round Nataraja's waist are interpreted as the legs of the saint, who merged into the god.
The temple lore of Tirupunkur narrates that Shiva instructed his son Ganesha to aid Nandanar in digging the temple tank named Nandanar tirtha, after the saint. Another variant tells that Ganesha dug up the tank in the night so that Nandanar can bathe in its sacred waters before seeing Shiva in the temple.
In the early half of the 20th century, the novel Nandan, by A. Gopalasami Iyengar and G. Aravamudha Iyengar, includes reformist Brahmin characters that argue Nandan's case against their peers. Nandan also echoes the reformist ideas of Hindu spiritual leaders like Ramanuja and Vivekananda, and progressive upper-caste leaders.
The short story Puthiya Nandan by Pudhumaipithan (1906-1948) places the classical tale of the Nayanar in a contemporary setting. While retelling Nandan's ancient tale, it also alludes to the Dalit rights movements of Mahatma Gandhi and Periyar E. V. Ramasamy (see Self-Respect Movement).
Indira Parthasarathy's Nandan Kathai (1978) builds the tale of Nandanar (referred in the work as Nandan) further, introducing two non-Brahmin upper caste landholders, who are as ruthless as Bharati's Vediyar. Nandanar is portrayed as a lover of art, rather than God. He wants to see the cosmic dance of Nataraja. A Devadasi called Abhirami also appears; no significant female characters are found in earlier narratives. Indira is blunt in reprimanding the Dalits for not understanding Nandanar. Nandan Kathai is a quest for liberation of Dalits and women alike. Unlike earlier narratives, Indira's tale is devoid of miracles and is a story of how Nandanar falls prey to a conspiracy. The Vediyar-priest, the Vediyar-landlord and the two non-Brahmin upper caste landholders, hatch a plot to end Nandan. They make Nandanar believe that God harvested crop from the field, an allusion to the miracle of Vediyar's impossible task in Bharati's work. Then, they persuade him to organize a dance contest between Bharatnatyam, the high-caste elites' dance and the folk dance of the Dalits. Finally, in the climax, Nandanar agrees to undergo a fire-trial, reassured by the earlier miracle, but he and Abhirami burn in the flames. The upper castes succeed in sending a warning to Dalits how trespassers of the caste code, longing for salvation, would be punished.
Celebration in Hindu religion
Nandanar depicted as part of the Nayanars group, with a kamandalu and danda (staff) in hand
Nandanar is specially worshipped in the Tamil month of Purattasi, when the moon enters the Rohini nakshatra (lunar mansion). He is depicted with a shaved head, folded hands (see Anjali mudra) with a kamandalu and a danda (staff), like a seer. He receives collective worship as part of the 63 Nayanars. Their icons and brief accounts of his deeds are found in many Shiva temples in Tamil Nadu. Their images are taken out in procession in festivals.
A water tank in Chidambaram is considered sacred as it is believed to be the site of Nandanar's fire-purification. A "recently built" (as mentioned in the 1992 book) small shrine dedicated to the Nayanar, exists in south-west part of the town, whose name means 'Nandanar has become the temple'. A sculpture of Nandanar as a singer is found in the Chidambaram temple, besides another in Airavatesvara Temple of Darasuram (12th century) depicting him in the trail by fire.
Sundarar venerates Nandanar in the Tiruthonda Thogai, a hymn to Nayanar saints, calling him "Nalaippovan", the "holy pilgrim" who will go tomorrow. An earlier hymn to Shiva praises the god who is served by Nalaippovan. The devotional poet Tyagaraja (1767–1847) also narrates the tale of Nandanar in his poems.
Devotional works dedicated to Nataraja of the Chidambaram temple narrate Nandanar's tale. Umapathi Sivacharya's Kunchitangristava (early fourteenth century) mentions Nandan's legend. While another Sanskrit work Hemasabhanatha Mahatmya devotes its ninth chapter to the Nayanar. The Sthala Purana of the Nataraja temple called Chidambara Mahatmya praises the god as served by Nandan.
The Nandi in Sivalokanathar Temple, Tirupunkur is seen placed off centre as a testimony of Nandanar's devotion and the miracle. A stone image of the saint is worshipped in the temple. The Dvarapalas (gate-keeper sculptures) are depicted with his heads leaning downwards, said to be in honour of Nandanar. In 1959, a shrine was created outside the Shiva temple, from where the stone image of Nandanar looks eternally at Shiva. Nandanar is depicted with his hands joined above his head, praying to Shiva. Scenes of Bharati's opera and the local legend of Nandanar and Ganesha digging the temple tank are seen on the shrine.
Remembrance in society
Mahatma Gandhi (pictured) regarded Nandanar as a true practitioner of Satyagraha, a means of Nonviolent resistance.
Nandanar's influence was and remains limited primarily to the Tamil-speaking areas. The Christian missionary Rev. A. C. Clayton—who was "sympathetic" to the Dalit cause—used Nandanar's narrative (retold as The Legend of Nandan) to suggest that bhakti (devotion)—which saw no distinction of class or caste—was the superior means to salvation than the jnana-marga (salvation by knowledge) propagated by the Brahmins and also challenged the authority of the Brahmin orthodoxy.
Nandanar became "the hero of tales of caste protest". The "Adi Dravida" (Dalit) leaders of the Self-Respect Movement used Nandanar as an exemplar to prove that social superiority originates not from birth, but the qualities and deeds of people. In 2010, Cadres of the Tamil Nadu Untouchability Eradication Front (TNUEF) and the Communist Party of India (Marxist) under the leadership of P. Samath, protested to bring down the wall on the South Gate of the Chimdabaram temple, which was—as per a tale—built as Nandanar entered from the gate. The walled gate was the symbol of the oppression of the Dalit caste and caste discrimination, as per the protesters who demanded its demolition. The state government — which governs the temple currently — contented that the veracity of Nandanar's tale and its connection to the walled Gate, can not be ascertained and thus, refused the protesters' demands. Nandanar "continues to inspire them (Dalits) as a symbol of resistance and a hope of a better future". However, young Dalits identify with recent Dalit leaders like B. R. Ambedkar and are unaware or uninterested in the "obedient Nandanar". Ambedkar, himself had dedicated his book The Untouchables, to three Dalit saints, including Nandanar.
In speech in Chidambaram, Mahatma Gandhi called Nandanar, a true practitioner of Satyagraha, a means of Nonviolent resistance. Gandhi said: "Nanda broke every barrier and won his way to freedom, not by brag, not by bluster, but by the purest form of self-suffering... he shamed them [his persecutors] into doing justice by his lofty prayer, by the purity of his character, ... he compelled God Himself to descend and made Him open the eyes of his persecutors".
Nandanar's tale is retold numerous times through folk tales, plays, literature and art forms like Villu Paatu and "musical discourses". A number of Tamil films, all titled Nandanar, recall Nandanar's tale following Bharati's version. Besides a silent film in 1923, another silent film Nandanar, subtitled The Elevation of the Downtrodden, directed by P. K. Raja Sandow, in 1930. The first talkie film on Nandanar was made in 1931. The 1935 film featured K. B. Sundarambal, who also performed on stage as the Nayanar numerous times. The 1942 film, starring Dandapani Desikar in the lead, courted controversy for its overly Brahmin overtones and was banned in Kolar Gold Fields after protests by Dalits, however the ban was lifted after Desikar met and personally apologized to the Dalits for being part of the climax, which featured the fire-purification. Another film on Nandanar was released in 1943. Sundaram Balachander acted in the 1948 film. N. S. Krishnan presented the story as a "narrative art form", while A. Padmanabhan released a small booklet on the saint's life for children. C. T. Indra says that Nandanar was made immoral in legend and remembered over the years "as a strategy of public management of anxiety. ... In the Essentialist way, Nandan's devotion was cited down the ages to play down the social inequities and play up his spiritual qualifications."
Neiliezhü Üsou
From Wikipedia, the free encyclopedia
Neiliezhü Üsou
Born 7 July 1941
Died 30 January 2009 (aged 67)
Organization Angami Baptist Church Council
Spouse(s) Rüülhou-ü Üsou
Children Neikhrieo, Aviü, Asou, Aleü, Akobu, Ameü and Azha.
International Gold Star Award (2001),Jawaharlal Nehru Excellence Award (2001)
Neiliezhü Üsou (7 July 1941 – 30 January 2009) was an influential Baptist minister and public leader from the North-Eastern state of India, Nagaland. He belonged to the Angami Naga tribe and hailed from Nerhema Village in Kohima district, Nagaland, India. He was well known for his interpretive skills, powerful sermons and involvement with the State Government.
Early life and education
Neiliezhü Üsou was born on 7 July 1941, in Nerhema village, in Kohima District. His father, Putsolie Üsou, was the village head. His early education was the village primary school. He came from a non-Christian family, and was inspired to become a missionary by witnessing B. I. Anderson, an American missionary, and his wife playing piano accordion during their visit to Nerhema Village Baptist Church in 1951, led by Kenneth Kerhüo. He took water baptism on 13 March 1953, from Rev. Kevizelie. He joined the Naga National Movement and went underground for sometime. He resurfaced and continued his schooling in Government High School, Kohima. He joined Eastern Theological College (ETC), Jorhat, Assam and did his Bachelor of Theology from 1960 to 1964. Seeing his interest in Music he was sent to Leonard Theological College (LTC), Jabalpur, Madhya Pradesh by an American missionary, Dr. Frederick S. Downs, where he did his Religious Education in Church Music from 1964 to 1965.
Üsou joined Baptist English School, Kohima as teacher for sometime and married the youngest daughter of Rev. Zhapuzhülie Sekhose, Rüülhou-ü, on 18 December 1965, at the age of 24.
Family
Rev. Dr. Neiliezhü Üsou and his wife Rüülhou-ü have seven children: three sons and four daughters. They have two daughters-in-law, two sons-in-law and eight grandchildren. Most of the children are involved in Christian Ministry.
Ministry
Angami Baptist Church Council (ABCC)
After his theological studies he joined the Angami Baptist Church Council (ABCC) as Superintendent of Mission Hostel under ABCC from 1966 to 1968 and also in 1971. He also served as Youth Director of ABCC in 1968, 1971 and as Youth Promoter in 1972. He started Nagaland Christian Youth Movement (NCYM) in 1970 and Angami Youth Gospel Team (AYGT) in 1971 as the Director respectively.
The ABCC gave him license in 1974 and in 1975 he was appointed as Evangelist-at-Largeand held the same post until 1977. He was the Vice President of the ABCC during 1987 to 1989.
Nagaland Baptist Church Council (NBCC)
Üsou was the first Honorary Youth Director of Nagaland Baptist Church Council (NBCC) in 1972 and actively participated in the Billy Graham Crusade held in Kohima the same year. He became the Liaison Committee member of Nagaland Peace Council under the aegis of NBCC from 1975 till 2009. He led the Naga Choir as a Choir Director to IndiaYouth for Christ convention in 1975 at Kolkata.
Üsou along with other members of Nagaland Peace Council met the then Prime Minister of India, Indira Gandhi, and Home Minister, Giani Zail Singh, in October 1979 at the Prime Minister's Office, New Delhi in connection with peace work in Nagaland. He actively took part in the movement spearheaded by Nagaland Baptist Church Council for total liquor prohibition in Nagaland which finally culminated in the Government of Nagaland passing the, still widely debated, Nagaland Liquor Total Prohibition Act (NLTP) in 1989 in the Nagaland State Legislative Assembly.
Council of Baptist Churches in North East India (CBCNEI)
School of Music
He established the first Government approved institute for Music studies in Nagaland, the School of Music, Kohima, on 13 August 1969, and has held the position of Founding Proprietor until his death. The school has been producing many amateur musicians and Church pianists and now has voice, violin, piano, saxophone, drums and conductingdepartments under the music exam boards of ABRSM (the Associated Board of the Royal Schools of Music) and Trinity Guildhall, London.
Ministers' Hill Baptist Church (MHBC)
Üsou was installed as full-time Pastor on 1 October 1978, at Ministers' Hill Baptist Church(MHBC), located at a hillock named Ministers' Hill Colony because it quarters Government Ministers. He successfully completed twenty five years as full-time pastor and was conferred the title of Senior Pastor during the Silver Jubilee celebration held on 12 October 2003, attended by many Church leaders and believers from various Churches including the State Chief Minister, Neiphiu Rio. The same evening a musical concert was organized to honour him. He opened the concert singing his favourite song "His Eye Is on the Sparrow". Many local musicians and veteran singers participated. He was ordained on 20 December 1981, by Rev. L. Bizo at Ministers' Hill Baptist Church (MHBC) and celebrated twenty five years as ordained minister on 20 December 2006. During his Pastorship the Church grew from strength to strength, the Church managed school Ministers' Hill Baptist English School was alleviated to Higher Secondary level, Ministers' Hill Baptist Higher Secondary School(MHBHSS), in 1998. The Church and the School has been producing many theologiansand missionaries. His dream project "The new church building" was completed and dedicated by him on 22 December 2002.
The Royal British Legion (RBL)
Music
Apart from his education in Church music, Üsou did Condensed Piano Course from Kolkata in 1972 to equip himself better. He played several musical instruments with the piano accordion as his favorite. He formed his family musical band christened Üsou's Instrumental Praise in 2002, where he plays piano accordion; his three sons on piano, saxophone, acoustic and bass guitar, Hawaiian guitar, drum and a daughter on violin and cello. They are considered to be the only musical family in Nagaland and they perform in different concerts, government functions and Churches.Üsou was a composer and has composed many songs, including few theme songs which are sung by the respective members on appropriate and specific occasions.
Crusades
He conducted several Revival Crusades in Nagaland and was invited to a number of such crusades and Churches to speak. He was considered to be one of the best interpreter in Nagaland and has interpreted renowned preachers including Billy Kim, Frederick S. Downs and Roger Houstma. His interpretive skill was marked by speed, accuracy and enthusiasm. Governmental engagements
Üsou closely associated with successive Governments in Nagaland. Some of his notable engagements with the Government are:
He dedicated the newly built Nagaland State Secretariat Building with over 200 rooms on 30 May 1994.
He invoked God's blessings during the State level peace rally held on 13 March 1999, participated by thousands of people where Sonia Gandhi was the Chief Guest.
He offered dedicatory prayer at the inauguration of the newly built Governor's Office, the Naga Bhavan,at Raj Bhavan, Kohima on 15 August 1999.
During the Indian Republic Day celebration on 26 January 2002, he chaired the farewell ceremony of the outgoing Governor of Nagaland, Om Prakash Sharma, and delivered the farewell message at Durbar Hall, Raj Bhavan, Kohima.
He offered invocation prayer on the public reception to the new Governor of Nagaland, Shyamal Datta on 4 February 2002.
Others
He was twice Chairman of Kohima Baptist Pastors' Fellowship (KBPF) in 1982 and from 1995 to 2004. Prompted by the resolution passed on 27 March 1984, by the Kohima Baptist Pastors' Fellowship that Tribal tunes and songs could be used in Christian worship, an Indigenous Tribal Music Concert was organized at Kohima College Auditorium under his chairmanship on 8 June 1984, which was wholeheartedly participated by all Naga Tribal Churches in Kohima.
He was the President of All Nagaland Baptist Pastors' Union (ANBPU) from 1994 till 1999 and President of Kohima Baptist Church Council (KBCC) from 1999 till 2001. One of Üsou's most remarkable achievement is that under his leadership the Kohima Baptist Pastors' Fellowship (KBPF) organized a mass Holy Communion on Easter Sundaysunrise service held at Kohima War Cemetery on 16 April 1995, where believers from different denominations from all over Kohima city, in thousands, took part.
He baptized and served the Holy Communion to the Naga Vigil Prisoner of Conscience, David P. Ward, a British citizen, on 12 March 1993, in Kohima District Jail.
He was the Convenor of the historic Naga Shisha Hoho Assembly where 120,000 Nagascongregated from 25 to 27 February 1994, and pledged to pray for peace and unity amongst the people.
Awards and honors
Neiliezhü Üsou was awarded the prestigious Glory of India Award (also called Bharat Jyoti Award) on 21 December 2000; International Gold Star Millennium Award and the Jawaharlal Nehru Excellence Award for enriching human life and outstanding attainments on 2 March 2001, by the India International Friendship Society (IIFS) at New Delhi.
He was conferred Doctorate in Divinity (D.D) by the International Institute of Church Management (IICM) on 24 August 2002, at Gurukul Theological College, Chennai.
Works
Üsou researched on Naga indigenous music from 1981 to 1984 and published a booklet and also produced an audio cassette in 1985 with an aim to bring the Naga tribes closer through spiritual unity. He also produced his own audio cassette of Christmas songs.
He has compiled a number of song books which are widely used in school assemblies and Revival crusades. His book Elementary Music is used in Nagaland Schools as an externally assessed subject approved by Nagaland Board of School Education (NBSE). He also wrote a book on Naga Music, Naga Identity which was published in 2007.
Later years
He fell sick in the first part of 2006 and was admitted to Sir Ganga Ram Hospital, New Delhiin the month of August and underwent major surgery. The Chief Minister of Nagaland, Neiphiu Rio, and many other dignitaries and well-wishers visited him at the Hospital. He was admitted to Apollo Hospital, New Delhi for follow-up treatment.
Under his Chairmanship his native village Nerhema Baptist Church successfully celebrated 100 years of Christianity from 15 to 17 December 2006. In July 2007, the Üsou launched the Naga Global Mission (NGM). The most significant achievement of this Mission is having supported two missionaries in China. Soon after, he visited the United States during August 2007 on the invitation by Mt. Gilead Church, Indianapolis and gave sermons in different churches in Indianapolis, Kentucky, Michigan and Ohio.
His family band Üsou's Instrumental Praise gave a music concert at the State Academy Hall, Kohima on 25 October 2007, under the theme "Transcend" which was attended by the State Chief Minister, his Cabinet colleagues and many well-wishers. Üsou's performance in this concert is seen as his last public performance.
Declining health and death
His health deteriorated and he was once again rushed to Apollo Hospital, New Delhi and in the month of November 2007, he was shifted to Tata Memorial Hospital in Mumbai for further treatment. For the first time in his entire ministry he was compelled to spend the festive season of Christmas far away from his family and Church. It was during this very critical period that the Nagaland Baptist Church Council (NBCC) General Secretary, Rev. Zhabu Terhüja, wrote an appeal to all the Nagaland Churches to pray for his health. Prayers of the believers were answered and he came back home stronger and was able to continue serving the Lord by being one of the main speakers during the crucial Naga Peace Convention held from 22 to 24 February 2008, at Dimapur.
Üsou died on 30 January 2009, at Naga Hospital, Kohima. His remains was kept for two days in his residence enabling thousands of mourners to pay their respect. His funeral service took place at 2:00 PM IST on Sunday, 1 February 2009, in his Church (MHBC) and was attended by thousands. His demise was mourned by the then Governor of Nagaland, K. Sankaranarayanan, the then Governor of Maharashtra, S.C. Jamir, Naga Hoho, different organizations and Churches in Nagaland and the United States. Speakers at the Funeral included the Chief Minister of Nagaland; representatives from various government and civil societies. Sat Guru Maharishi Naval
Sat Guru Maharishi Naval was an 18th-century saint from Rajasthan, revered within the Meghwar community. He is primarily remembered for the miraculous deeds attributed to him, and his spiritual legacy continues to be celebrated by followers in both India and Pakistan.
🧬 Life and Origins
Sat Guru Maharishi Naval was born in 1783 CE (Vikram Samvat 1840) in Harsala village, Nagaur district, Rajasthan . He was born into the Meghwar community (also known as Meghwal), which is recognized as a Scheduled Caste (SC) in India.
His father was Khushaal Ram. Tragically, his mother Mata Singhari passed away when he was just one month old, leaving his father to raise him. From a young age, he was drawn to spiritual practices like bhajans, kirtans, and worship. His father placed him under the tutelage of Guru Shree Kerta Ram Maharaj, a renowned Hindu ascetic from the Meghwar community, under whose guidance he became a spiritualized saint.
📜 Miracles and Legacy
Sat Guru Maharishi Naval is remembered for several miraculous deeds attributed to him :
MiracleDescriptionReviving a dead cow The ruler of Jodhpur State called upon Naval Maharaj after his pet cow died. Maharaj wrapped himself in coarse cloth, sat in meditation, and the cow became alive.
Reviving a dead child In Ajmer, a cobbler's son died. When the dead body was laid near Maharaj, the boy became alive.
Turning stones into sweets During a religious gathering (satsang), stones that were placed instead of sweets turned into sweets when Maharaj touched them to distribute among the gathering.
💡 How He Is Remembered Today
The devotion to Sat Guru Maharishi Naval is notably active today, with followers gathering for commemorative events.
Commemorative Events: A bhandara (a religious gathering) is held in his honor, most notably at the Swami Narain Temple in Karachi, Pakistan, organized by the Sat Guru Maharishi Naval Mandal . According to recent reports, his birth anniversary is also celebrated with a grand Satsang and Aarti, an event that draws together devotees, saints, and community members to honor his spiritual legacy .
Community Structure: The community following him has established organizational roles, including a Chairman, President, Vice President, and General Secretary, to guide the community's spiritual and social efforts . Sant Nirmala
Sant Nirmala (Marathi: संत निर्मळा) was a 14th-century poet-saint from Maharashtra, India. As a member of the Varkari tradition—a Bhakti movement dedicated to Lord Vithoba (also known as Vittal) of Pandharpur—she is revered for her Abhangas (devotional poems), which offer a powerful critique of the caste system and express her personal devotion to the divine .
Here is a summary of her background:
AspectDetailsPeriod 14th century CE
Region Maharashtra, India
Community Mahar caste (considered "untouchable" in the traditional hierarchy; now a Scheduled Caste)
Family Younger sister of Sant Chokhamela; wife of Sant Banka
Religious Tradition Varkari Sampradaya (devotion to Lord Vithoba of Pandharpur)
Literary Form Abhangas (devotional poetry)
Known For Expressing the injustice of the caste system and her longing for the divine over worldly life
🧬 Family Background and Social Context
Sant Nirmala was born into a remarkable family of saints from the Mahar community, all of whom were devoted followers of Lord Vithoba . She was the younger sister of Chokhamela (one of the first well-known low-caste poets in India) and was married to Banka, who was also from the Mahar community and is revered as a saint .
The entire family followed the Varkari sect, a Bhakti movement that emphasized personal devotion over ritualistic practices . They lived during a time of rigid caste hierarchy, where the Mahar community was considered "untouchable." Chokhamela, for instance, was forced to live outside the town of Mangalvedha in a separate settlement for low-caste people and worked as a farm laborer for upper-caste landowners . 📜 Philosophy and Poetic Voice
Sant Nirmala's poetry is characterized by two main themes: a deep personal devotion to Lord Vithoba and a lament over the social injustices she endured due to the caste system .
Rejection of Worldly Life: Unlike traditional marital poetry, Nirmala's writings express regret for worldly married life. She "reveled in the god of Pandharpur" and notably never mentions her husband, Banka, in her poems .
Social Critique: Her Abhangas largely describe the "injustice and inequalities she suffered as a result of the caste system" . Her voice represents a powerful protest against social oppression through the medium of devotional literature. 💡 Legacy and Significance
Sant Nirmala is part of a unique phenomenon in the Bhakti movement—an entire family of saints from a marginalized community who collectively challenged caste hierarchies .
Family MemberRoleChokhamela (Brother) Prominent Varkari saint; one of the first low-caste poets in India
Soyarabai (Sister-in-law) Poet-saint; wife of Chokhamela
Banka (Husband) Poet-saint; brother of Soyarabai
Karmamela (Nephew) Poet-saint known for his bitter protest against caste oppression
Because of her association with this illustrious family and her own devotional compositions, Sant Nirmala is "deemed equally holy with her brother" and is recognized as a saint within the Hindu tradition . Her works continue to be relevant, resonating with themes of social justice and spiritual longing. Nesa Nayanar
From Wikipedia, the free encyclopedia
Nesa Nayanar, also known as Sivanesa Nayanar, Neca Nayanar (Necha nayanar), Nesanar, Nesar and Nesan (Necan), was a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the fifty-ninth in the list of 63 Nayanars. Nesa Nayanar is described to be a weaver, who was always engrossed in remembering his patron god Shiva and gifting clothes he knit to devotees of the deity.
Life
The life of Nesa Nayanar is described in the Periya Puranam by Sekkizhar (12th century), which is a hagiography of the 63 Nayanars. Sekkizhar devotes five stanzas describing the life of the Nayanar saint.
Nesa Nayanar was born in Kampili (Kambili). Kambili is now situated in Bellary district of the Indian state of Karnataka. Nesa Nayanar is said to have been born in Kampili, but shifted to Koorai Nadu in modern-day Mayiladuthurai, now situated in state of Tamil Nadu.
Nesa Nayanar was a Saliyar, a member of the Saliya caste. His family as well as Nesa Nayanar practised the traditional occupation of weaving. He was a devout devotee of Shiva, the patron god of Shaivism. His mind is said to always be concentrated on Shiva. Nesa Nayanar used to continuously chant the Panchakshara mantra in honour of Shiva. He wove clothes, cut-pieces as well as Kowpeenams (loin-cloth). Though he was not wealthy, Nesa Nayanar used to generously donate clothes to devotees of Shiva. His deeds resulted in the favour of Shiva. By his grace, Nesa Nayanar reached Kailash, the abode of the god after death.
Swami Sivananda cites Nesa Nayanar to explain the importance of the practice of Japa, which involves repetition of a mantra or a name of a chosen deity. Sivananda also suggests that the Nayanar practised the Yoga of Synthesis, which involves combining four types of yoga: karma (actions), bhakti (devotion), jnana (knowledge) and Raja yoga (form of meditation) - as a means to achieve God.
Remembrance
The images of the Nayanars are found in many Shiva temples in Tamil Nadu.
One of the most prominent Nayanars, Sundarar (8th century) venerates Nesa Nayanar in the Tiruthonda Thogai, a hymn to Nayanar saints.
Nesa Nayanar is worshipped specially in the Tamil month of Panguni, when the moon enters the Rohini nakshatra (lunar mansion). Weavers of Koorai Nadu in Mayiladuthurai especially worship him on this day. A temple in Koorai Nadu is said to have images of Shiva's sons Ganesha and Kartikeya, which were brought by Nesa Nayanar to the place.
In depictions as part as of the Nayanars, Nesa Nayanar is depicted with folded hands (see Anjali mudra). In individual depictions of his life, the Nayanar is depicted distributing garments to devotees of Shiva or as engrossed in weaving. He receives collective worship as part of the 63 Nayanars. Their icons and brief accounts of his deeds are found in many Shiva temples in Tamil Nadu. Their images are taken out in procession in festivals
नागार्जुन (बौद्धदर्शन)
Jivani.org
नागार्जुन (बौद्धदर्शन) शून्यवाद के प्रतिष्ठापक तथा माध्यमिक मत के पुरस्कारक प्रख्यात बौद्ध आचार्य थे। युवान् च्वाङू के यात्राविवरण से पता चलता है कि ये महाकौशल के अंतर्गत विदर्भ देश (आधुनिक बरार) में उत्पन्न हुए थे। आंध्रभृत्य कुल के किसी शालिवाहन नरेश के राज्यकाल में इनके आविर्भाव का संकेत चीनी ग्रंथों में उपलब्ध होता है। इस नरेश के व्यक्तित्व के विषय में विद्वानों में ऐकमत्य नहीं हैं। 401 ईसवी में कुमारजीव ने नागार्जुन की संस्कृत भाषा में रचित जीवनी का चीनी भाषा में अनुवाद किया। फलत: इनका आविर्भावकाल इससे पूर्ववर्ती होना सिद्ध होता है। उक्त शालिवाहन नरेश को विद्वानों का बहुमत राजा गौतमीपुत्र यज्ञश्री (166 ई. 196 ई.) से भिन्न नहीं मानता। नागार्जुन ने इस शासक के पास जो उपदेशमय पत्र लिखा था, वह तिब्बती तथा चीनी अनुवाद में आज भी उपलब्ध है। इस पत्र में नामत: निर्दिष्ट न होने पर भी राजा यज्ञश्री नागार्जुन को समसामयिक शासक माना जाता है। बौद्ध धर्म की शिक्षा से संवलित यह पत्र साहित्यिक दृष्टि से बड़ा ही रोचक, आकर्षक तथा मनोरम है। इस पत्र का नाम था - "आर्य नागार्जुन बोधिसत्व सुहृल्लेख"। नागार्जुन के नाम के आगे पीछे आर्य और बोधिसत्व की उपाधि बौद्ध जगत् में इनके आदर सत्कार तथा श्रद्धा विश्वास की पर्याप्त सूचिका है। इन्होंने दक्षिण के प्रख्यात तांत्रिक केंद्र श्रीपर्वत की गुहा में निवास कर कठिन तपस्या में अपना जीवन व्यतीत किया था।
राजतंरगिणी और तारानाथ के मतानुसार नागार्जुन कनिष्क के काल में पैदा हुए थे। नागार्जुन के काल के बारे में इतने मत-मतान्तर हैं कि कोई निश्चित समय सिद्ध कर पाना अत्यन्त कठिन है, फिर भी ई.पू. प्रथम शताब्दी से ईस्वीय प्रथम-द्वितीय शताब्दी के बीच कहीं उनका समय होना चाहिए। कुमारजीव ने 405 ई. के लगभग चीनी भाषा में नागार्जुन की जीवनी का अनुवाद किया था। ये दक्षिण भारत के विदर्भ प्रदेश में ब्राह्मण कुल में उत्पन्न हुए थे। वे ज्योतिष, आयुर्वेद, दर्शन एवं तन्त्र आदि विद्याओं में अत्यन्त निपुण थे और प्रसिद्ध सिद्ध तान्त्रिक थे।
प्रज्ञापारमितासूत्रों के आधार पर उन्होंने माध्यमिक दर्शन का प्रवर्तन किया था। कहा जाता है कि उनके काल में प्रज्ञापारमितासूत्र जम्बूद्वीप में अनुपलब्ध थे। उन्होंने नागलोक जाकर उन्हें प्राप्त किया तथा उन सूत्रों के दर्शन पक्ष को माध्यमिक दर्शन के रूप में प्रस्तुत किया।
अस्तित्व का विश्लेषण दर्शनों का प्रमुख विषय रहा है। भारतवर्ष में इसी के विश्लेषण में दर्शनों का अभूतपूर्व विकास हुआ है। उपनिषद-धारा में आचार्य शंकर का अद्वैत वेदान्त तथा बौद्ध-धारा में आचार्य नागार्जुन का शून्याद्वयवाद शिखरायमाण है। परस्पर के वाद-विवाद ने इन दोनों धाराओं के दर्शनों को उत्कर्ष की पराकाष्ठा तक पहुंचाया है। यद्यपि आचार्य शंकर का काल नागार्जुन से बहुत बाद का है, फिर भी नागार्जुन के समय औपनिषदिक धारा के अस्तित्व का अपलाप नहीं किया जा सकता, किन्तु उसकी व्याख्या आचार्य शंकर की व्याख्या से निश्चित ही भिन्न रही होगी। आचार्य नागार्जुन के आविर्भाव के बाद भारतीय दार्शनिक चिन्तन में नया मोड़ आया। उसमें नई गति एवं प्रखरता का प्रादुर्भाव हुआ। वस्तुत: नागार्जुन के बाद ही भारतवर्ष में यथार्थ दार्शनिक चिन्तन प्रारम्भ हुआ। नागार्जुन ने जो मत स्थापित किया, उसका प्राय: सभी बौद्ध-बौद्धेतर दर्शनों पर व्यापक प्रभाव पड़ा और उसी के खण्डन-मण्डन में अन्य दर्शनों ने अपने को चरितार्थ किया।
प्रभाव एवं रचनाएं
नागार्जुन का प्रभाव बौद्ध धर्म के माध्यमिक मत के अनुयायियों के ज़रिये जारी रहा। उनकी दार्शनिक स्थितियों की विवेचनात्मक पड़ताल तथा उपदेशात्मक व्याख्या का अध्ययन अब भी कई पूर्वी एशियाई मतों में चीनी बौद्ध धर्मशास्त्र (ता-त्सांग चिंग) के अंग के रूप में किया जाता है। इसी प्रकार तिब्बती बौद्ध धर्मशास्त्र के अंग की तरह बस्तान-ग्यूर में 17 माध्यमिका शोध प्रबंध हैं। इनमें से सभी प्रबंधों का श्रेय नागार्जुन को नहीं दिया और पारंपरिक तौर पर जिनका श्रेय उनको दिया जाता है, संभवत: वे भी उन्होंने नहीं लिखे हैं।
दो मूल रचनाएं, जो काफ़ी हद तक उनकी हैं, इस समय संस्कृत में उपलब्ध हैं; वे हैं- मूलमाध्यमिकाकारिका (माध्यमिका कारिका,’ मध्यम मार्ग के मूल सिद्धांत’) और विग्रहव्यवर्तनी (वाद-विवाद का निवारण), दोंनो सत्ता की उत्पत्ति, ज्ञान के साधन, तथा यथार्थ के स्वरूप के बारे में असत्य विचारों का विवेचनात्मक विश्लेषण है। जिन तीन महत्त्वपूर्ण, माध्यमिका रचनाओं का श्रेय नागार्जुन को दिया जाता है वे वर्तमान में केवल चीनी भाषा में उपलब्ध हैं, ता-चिह-तू-लुन (महाप्रज्ञपारमिता-शास्त्र, 'प्रज्ञा शोध प्रबंधों की महान् पराकाषठा'), शी-चू-पी-पा-शा-लुन (दशमूमि-विभाष-शास्त्र, ’10 स्तरीय ग्रंथों की आभा'), तथा शिन-एर्ह-मेन-लुक (द्वादश-द्वार {निकाय} -शास्त्र, '12 प्रवेश मार्ग ग्रंथ') निम्नलिखित रचनाएं केवल तिब्बती धर्मशास्त्र में मिलती हैं तथा कई विद्वान् इन्हें नागार्जुन की रचनाएं मानते हैं : रिग्स पा द्रग का पाही त्सिग लेहुर व्यास पा शेस ब्या बा (युक्ति-षष्टिका, 'संयोजन पर 60 छंद'), तोन पा निद दुन कु पाही त्सिग लेहूर ब्यास पा शेस ब्या बा (शुन्यता-सप्तति, 'शून्यता पर 70 छंद') और शिब भो नम्पर ह्तग पा शेस ब्या बहि म्दो (वैदालया-सूत्र, 'वैदालया श्रेणी का पवित्र ग्रंथ')।
माध्यमिक विश्लेषण के श्लोकों के अलावा तिब्बती अनुश्रुति ने कई तांत्रिक (जादुई) एवं चिकित्सा रचनाओं का श्रेय किसी 'नागार्जुन' को दिया है।
Nataraja in English
18-2-1895 -19-3-1973
Nataraja Guru was the second son born to a medical stalwart called Dr. Palpu (Padmanabhan) who had been educated and trained in England. His life was dedicated to serve the cause of the deprived millions who were socially, culturally, economically and literally struggling in the 19th and 20th centuries. Natarajan was shown how to toe the spiritual path of pilgrimage early in life by Narayana Guru, who also prompted him to be an educator of his contemporaries. Nataraja Guru was academically trained in Geology, Zoology and Educational Psychology. He received his DLitt from the Sorbonne in Paris and began his career in 1930 as a physics teacher for five years at the International Fellowship School in Geneva, Switzerland. Later he established Narayana Gurukula, contemplative educational centers in India, the first of which was in Fernhill, Nilgiris.
Integrating ancient wisdom with modern scientific exactitude was taken up as his life's mission. He clearly enunciated a common epistemology of all life interests of people to liberate themselves from social complexities and live their natural value visions. The Narayana Gurukulas which he established in several countries of the world make a network of islands of good cheer and redressal in the vast ocean of confusion and lack of direction.
His several books in English, French and Malayalam represent a serious probe into the fundamentals of life so that the reader can simplify his or her own problems of domestic entanglements and clouded value vision. They are guides to gaining methodological efficiency in discovering the higher truth that can bring excellence in life. Nataraja Guru passed away in 1973.
Phalgunanda
From Wikipedia, the free encyclopedia
Phalgunanda Lingden
Native name
महागुरू फाल्गुनन्द लिङ्देन
Born 1885 November 10
Ibhang 25 Dandagaun in Illam district
Died 1949 April 4
Parent(s) Jaganbaj Lingden & Hangsamati Lingden
Mahaguru Phalgunanda (महागुरु फाल्गुनन्द) also known as "Mahaguru Phalgunanda" or Phalgunanda Lingden (1885–1949) was a religious leader of the Kirat people of Eastern Nepal.
Early life
Career
He is known as Mahaguru (the great teacher), especially among the Kirat Limbus. He is credited for creating a new Kirat religion on puritan principles, which include vegetarianism, a ban on alcohol, and following Limbu traditions and scripts. He is remembered for his socio-cultural and religious messages. His main message includes calling for a ban on animal sacrifice since this sacrifice (taboo) raises social expenditures on celebrations such as births, weddings and funerals. He also calls for the elimination of social orthodoxies and supports running a school for children, especially through their mother tongue.
Beliefs
He believed education brings in knowledge to wash one's heart clean, which alone is key to emancipation. For Falgunanda, emancipation is the Ultimate Truth to realize God. His philosophy features love and nonviolence. Falgunanda built many shrines. He died in 1949.
P. Theagaraya Chetty
From Wikipedia, the free encyclopedia
Pitti Theagaraya Chetty
Born 27 April 1852
Died 28 April 1925 (aged 73)
Occupation lawyer, businessman, politician
Sir Pitti Theagaraya Chetty KCSI (27 April 1852 – 28 April 1925) was an Indian lawyer, industrialist and a prominent political leader from the erstwhile Madras province. He was one of the founders of the Justice Party in 1916 along with C. Natesa Mudaliar, Dr. T. M. Nair. T.Nagar is a locality in Chennai which is named after him. On 1919 January 1, the title Dewan Bahadur was awarded to him
Early life
He was one of the founder-members of the South Indian Chamber of Commerce and served as its President. from 1910 to 1921. When the Industrial Conference came to Madras, Theagaraya Chetty was the Chairman of the Reception Committee. Theagaraya Chetty fought on behalf of the Indian Patriot newspaper and its editor Karunakara Menon against Dr T. M. Nair who later became his close associate.
The Dravidian Movement
The Madras Non-Brahmin Association was formed in 1909 by two lawyers from Madras city, P. Subramanyam and M. Purushotham Naidu. Sir Theagaroya Chetty did not involve himself in the movement until 1912, when the Madras United League (Later renamed as Madras Dravidian Association) was formed.
At a meeting held in Madras in November 1916 by a group of about thirty people, including Theagaraya Chetti and Dr. T. M. Nair, it was resolved to start a company for publishing newspapers advocating the cause of the non-Brahmin community. The newspaper was named Justice and started publishing from 26 February 1917 onwards. Dr. T. M. Nair was its first Editor.
A political party was organised by the South Indian People's Association under the leadership of Sir P.Theagaroya Chetty and Dr. T. M. Nair and was named the South Indian Liberal Federation. It later came to be popularly known as the Justice Party after the English daily Justice which the party published. The Federation was organised in October 1917 and its objectives were defined as :
to create and promote the education, social, economic, political, material and moral progress of all communities in Southern India other than Brahmins,
to discuss public questions and make a true and timely representation to Government of the views and interests of the people of Southern India with the object of safeguarding and promoting the interests of all communities including Dalits and
to disseminate by public lectures, by distribution of literature and by other means sound and liberal views in regard to public opinion "
Early Years of the Justice Party
Theagaraya Chetty was elected the first President of the Justice Party and served as President until his death in 1925. A constitution was drawn on 17 October 1917. District and city boards were established all over the Presidency.
In the initial stages, the Justice Party concentrated its energies on work of a social character than political. During this period, the Justice Party held all-India conferences to unite SCs and Its all over the country. The Justice Party argued for separate electorates and reservations in government jobs and civil service for Dalits, at the British Parliament in London. In 1919, Dr. T. M. Nair, the President of the Justice Party and leader of the delegation died in London at the age of fifty-one and was succeeded as President by Theagaraya Chetty.
1920 elections
When elections were held in December 1920 in the Madras Presidency as per the Montagu-Chelmsford Reforms, the Justice Party obtained a comfortable majority by winning 63 seats out of 98. The Governor of Madras invited Theagaraya Chetty to form the Government. However, Theagaraya Chetty refused on account of the ethical rule that head of a political party can't hold a post in the cabinet too. As a result, A. Subbarayalu Reddiar was appointed Chief Minister. He served for a few months before being succeeded by the Raja of Panagal.
Attitude towards Brahmins
In his speech as the President of the Reception Committee of the First Non-Brahmin Confederation, Theagaraya Chetty spoke:
Towards the Brahmins, we cherish no feelings of bitterness. If we have to fight them we do so in the interests of truth and justice, and we shall be prepared to extend to them too the right hand of fellowship, when they shall see the wrongs inflicted upon us and repent. Ours is essentially a movement of love and not of hate, or love based upon a sense of what is due to the various classes which constitute the population of this vast and ancient land
Death and legacy
History holds the fact that the credit of demolishing the influence of brahminism against the other communities belongs to the Justice Party and its successor party Dravidar Kazhagam. Theagaraya Chetty died on 28 April 1925 and was succeeded by the Raja of Panagal as the President of the Justice Party. He is usually credited for the victories of the Justice Party in the 1920 and 1923 elections and for turning the Justice Party into a formidable force in the Presidency that continued to be so for a couple of decades.
The locality T Nagar in Chennai is named after him. It is an important commercial centre today.
St Pana
The Tamil Panar (or Pāṇar, பாணர்) were an ancient musical community of the Tamil area in India, attested from the classical Sangam texts onwards through medieval inscriptions. They sang their songs to the accompaniment of the yāl harp.
Social status through the ages
The community has traditionally been treated as untouchables by the Tamil hagiographical literature. In reality they have never been untouchable till today. In fact medieval inscriptions present evidence for their performing Sanskrit drama and for singing and training temple dancers in Brahmanic temples. As Palaniappan states therein: "What is interesting about the traditional views regarding the social status of the Pāṇars is that they were not informed by any real data on the Pāṇars actually living in Tamil Nadu during medieval times. Such real data are indeed available to us from Tamil inscriptions, which present a drastically different picture of the social status of the Pāṇars".
PanarPopulation: 1,800 Districts: 910840
Introduction / History
The word Panar means weaver. The Panars live in Ahmedabad and Surat in Gujarat, a state in western India. They speak Gujarati, Urdu, and Hindi.
What Are Their Lives Like?
Panar people are endogamous (they prefer to marry within the group) and they prefer marriage between cousins. They are weavers by tradition and some work in that occupation now. They have been involved in cotton thread making. Many are day laborers as their traditional work becomes less needed. They do not own their land. The Panar have a caste association that settles disputes and looks after them.
What Are Their Beliefs?
This is a Sunni Muslim community. They believe that Islam offers all of life’s answers, and obedience to Allah is what the Almighty requires of all of us.
What Are Their Needs?
The Panar people need to understand they need a perfect, sin-free savior, and that only Jesus Christ can fulfill that role. Bible resources exist in their spoken languages, yet they are not available to them.
Prayer Points
* Pray that the leaders of the caste associations will come to Jesus Christ and lead their entire people group in that direction. * Pray that they will have a spiritual hunger for true righteousness and truth. * Pray for intercessors and workers. • Pray for a disciple making movement among the Panar community this decade.
Pothuluru Veerabrahmendra
From Wikipedia, the free encyclopedia
Pōtulūri Veerabrahmēndra
Personal
Born
Kadapa district, Andhra Pradesh
Religion Hinduism
Religious career
Literary works Kalagnanam
Honors Sri Madhviraat
Pōtulūri Veerabrahmēndra Swami (Telugu: పోతులూరి వీరబ్రహ్మేంద్ర స్వామి Pōtulūri Veerabrahmēndra, also romanised Potuluru Veerabrahmendra) is an Indian Hindu sage, oracle and He is considered to be the author of the Kalagnanam a book of predictions about the future, His prophetic texts are also known as the Govinda Vakyas and He also wrote Jeevaikya Bodha, Vīrabrahmēndra's birth date and lifespan are unknown. Conflicting theories hold that he was born either in the ninth century (in order to accommodate predictions written in the Kālaṅñānaṁ about the fall of dynasties during the ninth century) or in the seventeenth century.
Legendary account
According to a legend, Veerabrahmam was born to a religious couple, Paripurnayacharya and Prakruthamba, who belonged to a vishwabrahmin/vishwakarma/Achary family near the river Sarasvati River in the village of Brahmandapuram. The couple abandoned Swamy at birth and Veerambrahmam was brought up at Atri Mahamuni Ashram near Kashi (present-day Varanasi). Later Veerabhojayacharya, Head of the Papagni Mutt, Chikballapur, Karnataka, was on a pilgrimage with his wife. The couple visited the Sage Atri Ashram, and Sage Atri gave the child to the couple. They received the child as a divine gift and returned to Papagni Mutt. The child was named 'Veeram Bhotlaiah'.
Veerabrahmendra Swamy, then known as the Veerambhotliah at Papagni Mutt authored the Kalikamba Sapthashathi (the manuscript written in praise of goddess Kali) at the age of 11. A few days later, Veerabhojayacharya made a sacrifice and Veerambhotlayya told his stepmother that he had refused to take homage responsibilities and started his spiritual journey. His first disciple was Dudekula Siddaiah. People started listening to Veerambhotlaya's chanting and philosophical poems, and as a sign of respect they called him 'Sri Madvirat Pothuluri Veera Brahmendra Swami'.
Legacy
Brahmamgari matam in Kadapa district is a pilgrimage center in Andhra Pradesh.
Editor T Ganapati Sastri of the book BrahmaTatwa Prakasika of Sadasivendra Saraswati (Trivandrum Sanskrit Series No VII), published in 1909, makes passing mention of a Tamil work called Acharya-Darpana that supposedly details a wide description of his deeds.
Srimadvirat Veerabrahmendra Swami Charitra is a 1984 film on his life. Late Chief Minister of Andhra Pradesh N. T. Rama Rao acted and directed. The film became a hit in Andhra Pradesh.
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There is no proper evidence which tells us about his exact year of birth. But we have few references from which we can estimate his date of birth approximately. Sri Veera Bramhendra Swamy was born in 1610 to Shri. Paripurnaiah and Smt. Prakruthamba as a special baby. Sri Pothuluri Veera Brahmendra Swamy a Hindu mystic Cuddapah district of Andhra Pradesh state in India. Who was famous for his preaching’s and mainly for his remarks on future of the world, stayed in Kandimallayapalli which is in Cuddapah district... Veerabrahmam is the only futurologist (Prophet) that the East has produced.
He wrote 'Kalagyana', collections of prophecies on palm leaves about future and prediction. A Telugu text that predicts the arrival of Kalki in the form of Sri Veerabhoga Vasantaraaya. A fifteen year old Muslim boy, Sheik Saheb came to the Ashram to become a disciple of Veera Brahmendra Swami. He renamed the boy Siddhayya who turned out to be the most loyal and devoted of his disciples. Siddhayya is none other than Ananda Bhairava and in accepting him as disciple Sri Brahmendra Swami was fulfilling a boon he granted earlier. Brahmendra Swami gave Siddhayya initiation into many spiritual practices including Taraka Yoga.
First reference is - the Tamarind tree which grew up on the Pot of Kalagyana which Swami had hidden safely under the ground in Banaganapalle Mutt, that tree is believed to be 700+ years of age as per the Mutt people. Also, Swami was approximately a contemporary of Vemana Yogi. Swami wrote Kalagyana in two styles viz. Vachana Kalagyana (Kalagyana as prose), and Padya Kalagyana (Kalagyana as Poetic verses). His Padya Kalagyana which was like two verse statements, resembled the Vemana Yogi’s poems, hence in Andhra Pradesh, poetry of Veerabrahmendra and Vemana are equally famous. Even Vemana’s exact date of birth is not known. However, C.P. Brown who researched on Vemana, estimated that Vemana lived around 13th century by studying some of Vemana’s works. Based on the Tamarind tree’s age and Vemana’s era I suppose Sri Veerabrahmendra Swami would have also lived around 13th Century. So, approximately, Sri Veerabrahmendra would have taken birth sometime in late 12th Century or early 13th Century.
Sri Veera Bramhendra Swamy is the author of Kalagyana, collections of prophecies on palm leaves. Most of his predictions came true and many are yet to happen. Also known as Indian Nostradamous by west, he said he will come again to this earth as 'Veera Bhoga Vasantharaya' and that would mean the end of life on earth. He prophesized that before his arrival the world would be in a very chaotic condition. He entered Jeeva Samadhi in the year 1693.Veera Brahmendra Swami left his body with his self-imposed 'Jeeva Samadhi'. He went into Samādhi when he was still alive and asked to close the stone above.
Sri veerabrahmendra swami samadhi is located in Kandhimallayapalle,Cuddapah district, Andhra pradesh, india.
About Kalagyanam:
Kalagyanam(Kalajanan), literally meaning ‘Knowledge of Time’ was written by Sri Pothuluri Veera Brahmendra Swamy, who lived in Andhra Pradesh State of India, about 400 years ago and went in Jeeva Samadhi (entry into grave alive) (still alive and prosecuting penance in Jeeva Samadhi) at Kandimallayapalle (popularly known as Brahmamgari Matham (Mutt) (Lat. 14N50 Long. 78E50), in Kadapa District of Andhra Pradesh State, Bharat(India).
Kalagynanam was written in Telugu Language and ‘Sandra Sindhu Veda’ on palm leaves, and Sri Veera Brahmendra Swamy’s sayings and ballads are being sung by wandering minstrels and mendicants. They are in the oral tradition. Most of his predictions have come true and rest is yet to come true. It is stated that Kalagyanam of the entire World contains 3,32,000 volumes. A small part of Kalagyanam is available in Brahmamgari Matham at Kandimallayapalle, Siddhayyagari Matham at Mudumala, Rangarajugari Matham at Nagaripadu, and the remaining major part is kept in the inner pit of Banaganapalle Mutt under tamarind sprout which has grown into a big tree now. In every village and town of Andhra Pradesh, and in some parts of South India, we find a shrine in the name of ‘Brahmamgari gudi’and we don’t find a single person in Andhra Pradesh, who does not mention Sri Veera Brahmendra Swamy’s name and his Kalagnanam, at least once in his lifetime. His devotees call him as Jejinayana(Great-Grand Father) also. The impact of His Teachings and World predictions is beginning to be felt in other parts of India too and it would not be surprising if he and his predictions become internationally known very soon.
Sri Veera Brahmendra Swamy wrote in his Kalagnanam that he was incarnation of Lord Vishnu and would come again as Lord Kalki/Lord Veera Bhoga Vasantha Raaya to restore dharma and peace on the earth. And devotees believe that he would rescue them whenever they plead him; and he will come out from the Jeeva Samadhi when the blood of thousands of people, who beheaded with frustration when the calamities reach peak stage, touches his Jeeva Samadhi. (It may be noted that like Lord Rama came to earth when Lord Parasurama is still in existence, Lord Veera Bhoga Vasantha Raaya came to earth while both Lord Parasurama and Lord Veera Brahmendra Swamy are still on the earth. The date of Sri Veera Brahmendra Swamy’s coming out from Jeeva Samadhi and of Lord Kalki/LordVeera Bhoga Vasantha Raaya is different).Brahmam garu was a very renowned person in Andhra Pradesh who predicted many incidents of KALIYUGA. It has been proved that every incident he has predicted has actually happened till now!!! It is also believed that Brahmamgaru will emerge as VeeraBhoga Vasantha rayalu some time in Kaliyuga to destroy the evil forces and re install the Dharma, Divinity and Generosity in Human Beings.
Swami Pranavananda
From Wikipedia, the free encyclopedia
Swami Pranavananda
Swami Pranavananda
Personal
Born
Binode Bhuia
29 January 1896
Bajitpur, Madaripur, Faridpur District, Bengal, British India
Died 8 February 1941 (aged 45)
Calcutta, Bengal, British India
Religion Hinduism
Nationality Indian
Founder of Bharat Sevashram Sangha
Religious career
Guru Yogiraj Baba Gambhirnathji Maharaj
Swami Pranavananda (Bengali: স্বামী প্রণবানন্দ) also known as Yugacharya Srimat Swami Pranavananda Ji Maharaj, (29 January 1896 – 8 February 1941) was a Hindu yogi and saint who founded an organization known as the Bharat Sevashram Sangha. He is remembered for his pioneering efforts to bring the modern Hindu society into the new age without compromising the essential values of ancient traditions of Hindu spirituality. Swamiji was one of the greatest spiritual leaders of modern India. He is still revered very much for his message of universal love, compassion for all humanity and social reform without giving up the nationalist zeal, the love of mother land.
He was born on 29 January 1896, the auspicious day of Maghi Purnima (16th Magha, 1302), in Bajitpur, a village in Faridpur District in undivided India (presently in Bangladesh). His parents Vishnu Charan Bhuia and Saradadevi were very pious and blessed by Lord Shiva to have a son for the mitigation of human suffering and universal emancipation. He was affectionately named Jaynath by his father at birth and later in his boyhood he was called Binode. Binode showed uncommon philosophical inclinations since childhood and often could be seen in deep contemplation at the village school. He was popular with the children of the locality because of his helpful nature
Pothuluru Veerabrahmendra
From Wikipedia
Pōtulūri Veerabrahmēndra
Personal
Born
Kadapa district, Andhra Pradesh
Religious career
Literary works Kalagnanam
Honors Sri Madhviraat
Pōtulūri Veerabrahmēndra Swami (Telugu: పోతులూరి వీరబ్రహ్మేంద్ర స్వామి Pōtulūri Veerabrahmēndra, also romanised Potuluru Veerabrahmendra) is an Indian Hindu sage, oracle and He is considered to be the author of the Kalagnanam a book of predictions about the future, His prophetic texts are also known as the Govinda Vakyas and He also wrote Jeevaikya Bodha, Vīrabrahmēndra's birth date and lifespan are unknown. Conflicting theories hold that he was born either in the ninth century (in order to accommodate predictions written in the Kālaṅñānaṁ about the fall of dynasties during the ninth century) or in the seventeenth century.
Legendary account
According to a legend, Veerabrahmam was born to a religious couple, Paripurnayacharya and Prakruthamba, who belonged to a vishwabrahmin/vishwakarma/Achary family near the river Sarasvati River in the village of Brahmandapuram. The couple abandoned Swamy at birth and Veerambrahmam was brought up at Atri Mahamuni Ashram near Kashi (present-day Varanasi). Later Veerabhojayacharya, Head of the Papagni Mutt, Chikballapur, Karnataka, was on a pilgrimage with his wife. The couple visited the Sage Atri Ashram, and Sage Atri gave the child to the couple. They received the child as a divine gift and returned to Papagni Mutt. The child was named 'Veeram Bhotlaiah'.
Veerabrahmendra Swamy, then known as the Veerambhotliah at Papagni Mutt authored the Kalikamba Sapthashathi (the manuscript written in praise of goddess Kali) at the age of 11. A few days later, Veerabhojayacharya made a sacrifice and Veerambhotlayya told his stepmother that he had refused to take homage responsibilities and started his spiritual journey. His first disciple was Dudekula Siddaiah. People started listening to Veerambhotlaya's chanting and philosophical poems, and as a sign of respect they called him 'Sri Madvirat Pothuluri Veera Brahmendra Swami'.
Legacy
Veera Brahmendra Swamy wrote Kalagnanam in Banaganapalli, Kurnool district
He wrote in Kalagnanam one day man will be stepping on the moon which is his greatest saying.
A sajeeva samadhi matham of Veerabrahmam at Kandi Mallayapalle is worshiped in Cuddapah district.
Brahmam gari matam in Kadapa district is a pilgrimage center in Andhra Pradesh.
Editor T Ganapati Sastri of the book BrahmaTatwa Prakasika of Sadasivendra Saraswati (Trivandrum Sanskrit Series No VII), published in 1909, makes passing mention of a Tamil work called Acharya-Darpana that supposedly details a wide description of his deeds.
Srimadvirat Veerabrahmendra Swami Charitra is a 1984 film on his life. Late Chief Minister of Andhra Pradesh N. T. Rama Rao acted and directed. The film became a hit in Andhra Pradesh.
Saint Phalgunanda
1885–1949
Founder of Reformed Kirat Religion | Social Reformer | Indigenous Spiritual Leader
1. Full Name & Titles
- Birth Name: Phalgunanda Lingden
- Revered As: Mahaguru Phalgunanda, Satya Hangma Phalgunanda
- Posthumous Title: Rashtra Deep (National Luminary) conferred by the Government of Nepal
2. Birth & Early Life
| Detail | Information |
|---|
| Date of Birth | 10 November 1885 (Kartik 25, 1942 BS) |
| Place of Birth | Chukchinamba village, Taplejung district (now part of Phalgunanda Rural Municipality), eastern Nepal |
| Ethnicity | Limbu (Yakthung) – indigenous Kirati group |
| Family | Born into a modest Limbu farming family; father: Tê-ongsi Lingden, mother: Chyamima |
| Childhood Name | Taplejungba Phalgunanda
He showed early signs of spiritual inclination and left home at age 16 to pursue ascetic life. |
3. Spiritual Journey
- Traveled across eastern Nepal, Sikkim, and Darjeeling.
- Lived as a wandering ascetic (sadhu), meditating in caves and forests.
- Received divine visions from Tagera Ningwaphuma (Supreme Deity in Kirat Mundhum).
- Founded the reformed Kirat religion to preserve indigenous faith against cultural erosion.
4. Core Teachings: Satya Dharma (Truth Religion)
Phalgunanda preached a syncretic yet distinctly Kirati indigenous faith with 10 commandments-like principles:
The 10 Satya Dharma Rules (Dash Shila)
- Worship Tagera Ningwaphuma (One Supreme God)
- Respect parents and elders
- Speak truth always
- Do not steal
- Do not consume alcohol or tobacco
- Do not eat beef (sacred to Kiratis)
- Practice non-violence (Ahimsa)
- Preserve Kirat language, script (Sirijonga), and culture
- Educate children
- Unite all Kirati clans
He rejected caste system, animal sacrifice, and superstitions.
5. Major Contributions
| Area | Achievement |
|---|
| Religious Reform | Founded Satya Hangma (Truth Path) – a purified form of Kirat Mundhum |
| Social Reform | Campaigned against alcoholism, dowry, child marriage, untouchability |
| Education | Established Kirat schools; promoted Sirijonga script |
| Cultural Preservation | Revived Yakthung (Limbu) oral literature, dances, rituals |
| Anti-Colonial Role | Supported non-violent resistance during Rana rule
|
| 6. Key Institutions Founded |
| Name | Location | Purpose |
|---|
| Satya Hangma Ashram | Chukchinamba, Taplejung | Spiritual headquarters |
| Phalgunanda School | Ilam/Taplejung | Indigenous education |
| Kirat Dharma Samaj | Nationwide | Umbrella organization for reformed Kirat faith
|
- 1931: First Satya Dharma Conference in Gufatar, Panchthar
- 1942: Led mass prayer gatherings with over 10,000 followers
- 1948: Predicted his death and entered Samadhi (meditative trance)
- April 4, 1949: Attained Maha Samadhi at age 64
8. Legacy & Recognition
Government Honors (Nepal)
- Phalgunanda Rural Municipality named after him (Taplejung District)
- National Holiday: Phalgunanda Jayanti (Kartik 25) – public holiday in Province 1
- Statues: Erected in Taplejung, Ilam, Jhapa, and Kathmandu
- Postal Stamp: Issued by Nepal Government in 2010
Cultural Impact
- Kirat revival movement credits him as the "Gandhi of the Hills"
- Over 1.5 million followers of Satya Hangma today
- Influenced Yakthung Limbu, Rai, Yakkha, Sunuwar unity
9. Family & Succession
- Never married; lived a celibate ascetic life
Spiritual successors:
- Atmananda Lingden (first chief priest)
- Current leadership: Satya Hangma Central Committee
10. Popular Quotes
"One God, One Script, One Language, One Culture – This is the path to Kirat salvation."
— Mahaguru Phalgunanda
"Caste is a chain; break it with truth and unity."
11. Books & Literature
| Title | Author |
|---|
| Mahaguru Phalgunanda | Iman Singh Chemjong |
| Satya Dharma Muktak | Atmananda Lingden |
| Phalgunanda: Jivan Charitra | Government of Nepal
|
- Mahaguru Phalgunanda Samadhi Sthal – Chukchinamba, Taplejung
- Phalgunanda Museum – Phidim, Panchthar
- Satya Hangma Temple – Multiple locations in eastern Nepal
Saint Phalgunanda was a visionary indigenous reformer who:
- Saved Kirat religion from extinction
- Fought social evils using non-violence and education
- United fragmented Kirati tribes under one spiritual identity
- Laid foundation for modern indigenous rights movement in Nepal
He is not part of the Hindu caste system – he was a Limbu Kirati Mahaguru who rejected caste entirely.
Celebrated Every Year: November 10 (Kartik 25) as Phalgunanda Jayanti
Coincidentally, today is his 140th birth anniversary (Nov 10, 2025)Pambatti siddhar

Pambatti siddhar was the latest from the 18 siddhars who lived at various time periods in India and mainly southern India. Some of his poems, roughly around 600 lines of text are available today. His poems are written in Tamil and he is famous for finishing his poems with the term 'Addu Pambe' which literally means 'play, o snake'. Even his poems are addressed to snakes. Some of his poems also addresses his spiritual teacher or guru. Pambatti siddhar comes from the line of saints who are believed to have possessed siddhis or supernatural powers through rigorous meditation and other spiritual exercises. He is also believed to have caught snakes and sold them for living before he ventured into his spiritual quest.
Sri Pambatti siddhar was attained the eight supernatural powers called 'Ashtamasiddhi' after performing penance for a very long time in a cave on Marudamalai, near Coimbatore in Tamil Nadu. Also he lived in places like Mahalingamalai in Vathiraayiruppu, Kollimalai, Madurai, Puliyur and Bhavani. One notable aspect of his works are the usage of common slang language to explain complex spiritual experiences and siddhis. He has a flavour for imagination and often mentions that salvation is not possible without love in one's heart. He also has performed pooja and meditated near Holy Marudha Tree (Terminalia arjuna) in Marudamalai by praying to Lord Murugan. He is believed to have attained Samadhi by practising his rigorous techniques in Sankarankoil. and Vaasi Techniques in Thirukadavur, Nagapattinam District. His duration of life is believed to be 123 Years. His guru was Sattaimuni.
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